Is this done in FCP or Motion or both?

I'm looking to do a video similar to the style of this:
http://www.youtube.com/watch?v=Fsalz1GE3p4
How would I accomplish such edits? FCP, Motion or both?

Couldn't watch the whole video but if you are referring to the split screen, pretty simple to do that in FCP. In a nutshell, you stack the individual clips on separate video tracks in FCP (order depending on what clip you want on top of what) then manipulate the size and motion of those clips using keyframes in the appropriate sections of the Motion tab.
Can also be done in Motion but either way, time to break out the manual.
rh

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  • Is it possible to recreate this effect on FCP or Motion?

    Hi there, I'm attempting to recreate this multi luma key effect on FCP but it is proving diffucult? Are there any methods for this to work on either FCP or Motion?
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    http://youtu.be/Gctf0n8b3F4?t=13s

    Yeah - it's possible, but not without some trickery.
    First download and install this:
    http://sight-creations.com/fxexchange/LumaFill.zip
    if you need installation instructions, go here: http://sight-creations.com/install4fcpx/  (this is an Effect).
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    Place a generator or another clip (or clips) beneath the clip to serve as a background.
    Adjust the Luma Fill with the Levels control -- drag the White Point down towards the black to "open it up". Or adjust the gamma (grey/middle control) upwards to create a mix (and try some of the other parameter controls as well.)
    [this greenscreen footage also has tracking marks... ]
    You can also use this effect (without a keyer) on "plain" (non-greenscreen) media and with or without drop zone media -- it's a cool way to add a mix of Black & White over whatever you place the clip. [Add drop zone media for a 3-way mix.]
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  • Exporting DV from FCP or Motion results in only black video

    I'm working with DV footage of a wedding that wasn't shot by me so I don't have the particulars on what camera was used. The video information related back from Quicktime is that it's a DV 720x480 (640x480) at 29.97 fps. My problem is that whenever I send a clip to motion to do a stabilization processing (for example) the resulting video when rendered is just a file with no video (just a black screen instead of video). I also have this problem if I export from Motion using the dv codec. I'm using the DV-NTSC settings in both FCP and Motion. Am i overlooking something, or is this typical behavior? Any help would be appreciated.

    Am i overlooking something,
    The most common user error is incorrect export/render settings from Motion. You want to stay in DV, not the default Animation codec. but without watching what you're doing, it's almost impossible to give you more advice. It should just work, and it does, so we are left with any of several user errors.
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  • I have Video camera movies that are HD format.. I am doing editing work on them using Final Cut Pro, but using DV PAL format for the projects I am editing. When I then tried to copy my work done in FCP Project that's originally DV PAL , into a new FCP Pro

    I have Video camera movies that are HD format.. I am doing editing work on them using Final Cut Pro, but using DV PAL format for the projects I am editing. When I then tried to copy my work done in FCP Project that's originally DV PAL , into a new FCP Project that is HD, and tried reconnect media with original HD movies (video), the sequence project got distorted for all the text, shapes used and all.. everything changed its orientation and scale.. Is there a way by which I can preserve my work done on DV PAL and switch it preserving its proportions, scale and orientation, but on a HD project sequence?? Appreciate your help and advice..

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    OK, select the clip in the hd timeline and copy (command-c).  Now go to the HD sequence with the material that's distorted.  Select all (command-a) and paste attributes (option-v) and choose basic motion and distort.  That should maek things work.  What won't work is anything that you've adjusted as far as basic motion or distort in your PAL sequence.  That I'm pretty sure you'll have to redo.
    Second Way. 
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    Exporting in prores still displays artifacts and they show up when I bring it into FCP (regardless of whether I import the clip fresh or have it saved back from a "send").
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    Hi!
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