Issue exporting JPEGs

Hi there,
I'm having some major issues exporting JPEGs from inDesign. Where I've been successful before on another copy (a workmate's) my newly purchased copy of inDesign CS5.5 is being troublesome.
What I want to do is select a series of images in a small area, some of which are on top of one another, and export them as they appear onscreen.
Admittedly I could do a screengrab to do this but they won't necessarily be in the resolution I'd like and more annoyingly I would have to remove all the surrounding images and bits of text to create a clean image. This is far too time-consuming for a task I need to repeat.
Every time I attempt to export (via File>Export then "Selection") the resulting file has the overlaid images (in this case small labels on a map) incorrectly placed, not even on top of the main image itself and in fact thrown off massively in seemingly random directions.
Anybody any ideas as to how to resolve this?
Thanks

@ Peter, thanks for the help but I don't understand what you mean by 7.5.2. My InDesign is 5.5.
There's the slight prolem that the image in question is copyright and currently unreleased. I've edited it to show what the problem is though.
The two circles on the right should be overlaid on top of the image to the left, as I say, they're keys to the map. I'm trying to work out how they've moved so far away and made the resulting JPG so wide. The upper circle should also be on top of the lower one.

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Issue with JPEG Exports

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I just exported my first job I ran through Aperture. Out of 736 files, 9 were flawed. When opened, the exported jpeg had a missing section of the photo, that was all white. The white block appeared in random spots but always on the edges. The problem didn't occur the second time around with the same 9 files/ this time processed in a batch of 9.
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Has anyone seen this issue? I've seen it with 1.1.1 and 1.1.2.
I'm shooting with a 1ds mrkII.
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i've seen this too, in other odd ways. it seems to affect the images that i've spotted (with the patch tool) and have other corrections/adjustment applied. its almost like the GPU gets too overloaded to accurately recreate all of the image mods. the image seems to be segmented into smaller rectangular sections that probably get loaded into the video card's memeory and the adjustments and corrections are applied on smaller, more managable sections. when the image is stitched back together something goes horribly wrong!
the sections tend to be mis-matched with some completely black, some that have black spots where the patch tool was applied, other sections have what looks like a white overlay that's 50% opaque. sometimes even my thumbnails come up with the same results as these malformed exports. i've been able to shake them back to normalcy by toggling one of the corrections (spot/patch, highligh/shadow, etc). after the thumbnail updates properly, the export usually works fine.
this is definitely a bug with aperture and i would report it as such. attach and send the image to the bug report if you can!
scott
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I own a Nikon D7000 and I shoot 14bit RAW.
In Lightroom 3.3 the preview images were distorted, only in development mode the images were fine. I reported to Adobe on this and they seem to have fixed this issue.
In Lightroom 3.3 -- and still in 3.4 -- the exported JPEGs are distorted when the exported image is resized:
A lighter version of the same crop (for illustrative reasons):
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Aperture Exporting JPEG's from RAW: file size and quality questions?

Hey Everyone,
So, I'm using Aperture 2 and I've got some questions about exporting from RAW to JPEG. I shoot with a Nikon D70 so original RAW files are 5-6mb in size. After doing some basic post processing when I export the pics at "full size" with picture quality of 11 out of 12 then the resulting JPEG is about half the file size of the original RAW file. For example a 5.6mb RAW becomes a 2.6mb JPEG. The resolution in pixels per inch and and the overall image size remain unchanged. Have I lost picture quality due to the exporting JPEG being smaller in file size?
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Is he right, are my pics of lesser quality due to being a smaller file size? I've always been told that the quality of a picture is not in the mbs, but the pixel density.
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mscriv wrote:
So, I'm using Aperture 2 and I've got some questions about exporting from RAW to JPEG. I shoot with a Nikon D70 so original RAW files are 5-6mb in size. After doing some basic post processing when I export the pics at "full size" with picture quality of 11 out of 12 then the resulting JPEG is about half the file size of the original RAW file. For example a 5.6mb RAW becomes a 2.6mb JPEG. The resolution in pixels per inch and and the overall image size remain unchanged. Have I lost picture quality due to the exporting JPEG being smaller in file size?
JPEG is a "lossy" file compression algorithm. Whether Aperture or PS, *every time a JPEG is saved some loss occurs*, albeit minimal at the 11 or 12 level of save, huge losses at low save levels. Some images (sky, straight diagonal lines, etc.) are more vulnerable to showing visible jpeg artifacts.
My friend who works with me prefers to edit in Photoshop and when he follows the same workflow his saved JPEG from the identical RAW file in Photoshop is minimally smaller in file size, say 5.6mb to 5.3mb. He's telling me that my Aperture edited photos are losing quality and resolution.
*Both of you are losing image data when you save to jpeg.* IMO the differences between the apps is probably just how the apps work rather than actually losing significantly more data. The real image data loss is in using JPEG at all!
Is he right, are my pics of lesser quality due to being a smaller file size?
I doubt it.
I've always been told that the quality of a picture is not in the mbs, but the pixel density.
The issue here is not how many pixels (because you are not varying that) but how much data each pixel contains. In this case once you avoid lossy JPEG the quality mostly has to do with different RAW conversion algorithms. Apple and Adobe both guess what Nikon is up to with the proprietary RAW NEF files and the results are different from ACR to Apple to Nikon. For my D2x pix I like Nikon's conversions the best (but Nikon software is hard to use), Aperture second and Adobe ACR (what Photoshop/Bridge uses) third. I 98% use Aperture.
I tried changing the picture quality in the export menu to 12 out of 12, but the resulting JPEG then becomes larger than the original RAW at over 7mbs. Can someone please help me understand this better? I don't want to lose picture quality if that is indeed what is happening.
JPEG is a useful format but lossy. Only use it as a _last step_ when you must save files size for some reason and are willing to accept the by-definition loss of image data to obtain smaller files (such as for web work or other on-screen viewing). Otherwise (especially for printing) save as TIFF or PSD which are non-lossy file types, but larger.
As to the Aperture vs. ACR argument, RAW-convert the same original both ways, save as TIFF and see if your eyes/brain significantly prefer one over the other. Nikon, Canon etc. keep proprietary original image capture data algorithms secret and each individual camera's RAW conversion is different.
HTH
-Allen

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Bill,
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Hello there, hopefully someone can help me with this issue. I am using a Nikon D200 w/ LR 2.0 on WinXP Pro. The NEF image I am editing in Lightroom appears much different than what is exported from that image into a jpeg (it does not matter whether it is sRGB, AdobeRGB, or ProPhotoRGB). In lightroom the image is darker and more yellowish than what LR exports from this image. Here is a
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The reason why this happens is that Windows has associated an incorrect profile with your monitor. The only way to get a correct profile is to calibrate but you can also cheat and make windows assume your monitor is sRGB (which it isn't). To do this, go to your monitor's properties page, go to the color management tab and delete any profile shown there. This will make Windows assume you have a perfect sRGB monitor and will make Lightroom appear identical to sRGB exports in every other program (even unmanaged ones). They will all be slightly off colour though, even Lightroom, but will probably look like your friend's monitor. After you have done this as a first-aid measure, go out and buy a real calibrator.

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The difference in sharpness and overall contrast between LR5 and LR4 low res. export JPEGs

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Rufat Abas wrote:
I also hope that it'll be fixed soon.
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mh++

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Hey,
Im having a very wierd problem that I can't quite get my head around and would appreciate some help!
I am delivering exported JPEGs from Aperture to a client workning in a PC environment. These photos are all Keyworded, and these keywords show up when i click the "get info" button on the exported files. Also, I was asked to double check using Adobe bridge, and low and behold, all tags are there, I can see them, and so can anyone else with a mac. (and yes I did select the embed metadata in exported files button on export!)
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HELP!

The Keyword, as with Captions (Description in Photoshop) is not found in file properties, but must be seen with true photo app. OSX does provide that in a Get Info window, but that will not necessarily be true in other operating systems. Knowing the apps they have used to search for the Keyword is important.
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White stripes in exported JPEGs

Dear Friends,
I use Windows XP SP 2, Indesign CS 2 (Vers. 4.0.5).
I use the Indesign in-built jpeg export function very often because I need the output for some flash presentation (flash book).
But the output is sometimes distorted with white stripes.
I really hate this - because I can see these white stripes also when I work in Indesign with High Quality View Mode.
To eliminate them I need to scroll the distorted page out of the screen and scroll it into back again.
Then there aren't any white stripes on the screen or in the resulting jpeg-Output of this page.
But for 100 or more pages this "solution" is not practical.
There are workarounds like Apple- or Javascript Indesign-Macros for exporting all pages as PDFs and then converting them back to JPEG in Adobe Photoshop, for example. But the Indesign export-to-jpeg function is very simple, easy, straight-forward and fast. But these white stripes must go away.
Is there an update for Indesign CS 2 to eliminate this problem?
What is the reason for this really annoying problem?
I thank you very much for your help and support!
With best Regards

Well - but when the exported JPEG has to be small - then Photoshop rasters the fonts very unreadable. - Indesign is better in rastering the fonts when it is exporting the stuff directly as JPEG-Files. The font is much more readable then.
Btw.: Is there a way to setup the font-rasterizer of Adobe Photoshop to improve readability of rasterized fonts?
Thank you for your help and support!
With best regards

Issue exporting JPEGs

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