Issues with compressor

i cant export my video into anything i keep getting a QuickTime Error -50; i edit with final cut pro 7

What is the codec of the footage you are cutting? What are your sequence settings?

Similar Messages

Quality Issues with Compressor 2.0.1

Has anyone had any contact with Apple engineers about the problems folks are having with macro-blocking artifacts with Compressor since 2.x appeared?
Is Apple aware of this serious step-back in reliability and quality?
We too are experiencing this and it is very troublesome. Really takes the fun out of doing this type of work.
I would like hear from those who have never had the problem or who had the problem and resolved without reverting to older versions.
I think the one common factor among those experiencing the problem is that we are all working in DV25 (NTSC or PAL).
Comments?
thanks,
MACK

Jamie, here is a link to a more detailed discussion on the problem with Compressor's (v2) 2-pass MPEG2 VBR encodings.
Waymen, "MPEG-2 conversion issues" #8, 06:15pm Sep 13, 2005 CDT
The problem is somewhat random and can be hard to reproduce or detect. However, since it usually (always?) occurs in sequences that contain at least some difficult to compress material it's possible that very clean video sources will suffer less from this defect (since they won't be "wasting" bits to encode noise or image shortcomings that were already present in the original source).
Some users have complained about poor fades to black, but probably the worst example I've seen was a slow cross-fade between two clips that both contained a fair amount of motion. In the latter case, Compressor 1.2.1 handled the transition much better even when using the same bit rate and quality settings. However, when Compressor 2 fails the image degenerates into some fairly large, very low detail compression blocks for maybe one or two frames. Then it recovers, everything will look fine until you see another random occurrence of the problem. You may only see two bad frames out of several hundred, but when you see it you know immediately that something is wrong.
I doubt that this is a configuration problem or something that is hardware specific since I've been able to duplicate the exact same failure on two systems that had absolutely nothing in common as far as installation or software setup. The only commonality was the source video clip (which looks fine) and Compressor 2. However, this same clip looks fine when encoded with Compressor 1.2.1.
Note, also, that I'm using only Compressor 2 presets on Compressor 2, this is not the problem caused by using "old" presets imported from Compressor 1.X.
Anyway, I've already sent Apple a bug report, so there is little that I can do at this point other than to hope for a fix from Apple. That and restricting myself to one-pass encodings (as discussed in my earlier post).

Having issues with Compressor and my footage looking pixelated..

Compressed a wedding video through Compressor (from Final Cut Pro). When I have it in DVD Studio Pro and look at the footage, there is a minute or two where the footage looks pixelated and is almost vibrating. There is no issue when I go back and look at it in Final Cut Pro so I know it has to be due to Compressor. Anyone have this problem? Or does anyone know how this can be fixed?

Try increasing bit rate or adding compression markers to that section.
~D

Sound issue with compressor

HI All,
I have a problem with DVDSP4, which I'm hoping you can help me with. I am exporting from FCE HD straight to Compressor 2. I choose DVD settings, Dolby 2... Video is compressed fine, audio file seems fine... then when I bring it into DVDSP4... silence! The sound file doesn't play. But, if I select .aiff instead of dolby, the sound file is fine. I just want to compress it. My a.pack is gone when I upgraded, should I try to reinstall that? Please help.. I'm working on a project....THANKS!

Have you tried to Uninstall the Camera Utility and checked if its working?
Have you tried to reset your Camera and Re-Configure all the settings back on your Camera....
If still the same problem then i think it might be the problem with the Router... So i think you need to replace your Camera...

Quality issues with Compressor 3

We have recently received a Mac Pro Tower and Final Cut Studio 2... this is an upgrade, however compressor's quality seems to be a downgrade.
We deal with mainly HDV content and use the H264 codec, however using the same parameters/settings, the older compressor 2 is far superior when it comes to quality .
I have tried using the Apple TV HD codec which looks great however does not allow customization of aspect ratios. We are a web based company and need smaller file sizes so Apple Pro res and HDV codecs are out of the question. Has anyone else had this problem?

Try following this guide, I get superb results
http://www.kenstone.net/fcphomepage/compressor_h-264_moviesfcp.html

Terrible Quality issue with MPEG 2 (DVD- encode plz HELP!!!

Hello,
I edited something short in FCP 5 and wanted to make a DVD but the resulted mpeg-2 file has grabage all over. Not just square artefacts but a lot of problems like an old VHS maybe (but it isn't video noise either). It's more like a DV tape that would be ******.
I tried to recompress in DV and the resulting quicktime .mov file is fine. But every time I encode it in any of the DVD presets it is terrible. Also tried MPEG-1. Same.
As for the 2 pass encodes they crash my computer...
Please help Obi-Wan Compressor you are my only hope.

If you're running some flavor of Compressor 2, then try using the One Pass setting (but not the One-Pass VBR setting) at 6.5 Mbps. If you're still having issues, other things to try:
up the One Pass bit rate to 7.5 Mbps
Alter GOP to Open (from the default Closed)
Alter GOP structure to IP (from the default IBBP)
If I'm having issues with Compressor 2's Two Pass encodes, I can usually save my hide with a One Pass 7.5 Mbps Open IBBP GOP encode. If that doesn't work, Plan B is to do a One Pass 6.5 Mbps Closed IP GOP encode.
Or are you using Compressor 1?

I am exporting a 2 min video, using a custom compressor setting. i have not had issues with this setting in the past, but recently its taking upwards of 4 hours to process. Any idea what is going on?

I am exporting a 2 min video, using a custom compressor setting. I have not had issues with this setting in the past, but recently its taking upwards of 4 hours to process. Any idea what is going on?

Name: Vimeo HD Encode
Description: No description
File Extension: mov
Estimated size: 2.3 GB/hour of source
Audio Encoder
          AAC, Stereo (L R), 44.100 kHz
Video Encoder
          Width: 1920
          Height: 1080
          Pixel aspect ratio: Square
          Crop: None
          Padding: None
          Frame rate: (100% of source)
          Frame Controls On:
                    Retiming: (Best) High quality Motion Compensated
                    Resize Filter: Statistical Prediction
                    Deinterlace Filter: Best (Motion Compensated)
                    Adaptive Details: On
                    Antialias: 0
                    Detail Level: 0
                    Field Output: Progressive
          Codec Type: H.264
          Multi-pass: On, frame reorder: On
          Pixel depth: 24
          Spatial quality: 75
          Min. Spatial quality: 25
          Key frame interval: 30
          Temporal quality: 50
          Min. temporal quality: 25
          Average data rate: 5.12 (Mbps)
Compatible with Mac
My video in the timeline is 1920 x 1080 / 23.98 fps
I've installed Toast and photoshop elements recently, i also updated my apps the other day.
I have had this problem before the updates of the apps though

Transparency Issues with PSD files in FCP 7

I'm having some weird file layer transparency issues with FCP 7. I'm working on a project that's made up entirely of graphics drawn in Photoshop CS5. They Photoshop settings were done to match an HDTV 1080i (16:9) sequence in FCP. In FCP, the pixels were set to square, field dominance to none, frame rate to 29.97 and compressor is Apple ProRes 422.
I exported my PSD files out of Photoshop, with each layer being exported to its own file. In general, things were fine, but there were a few files where you could see the outline of the character against the background, but mind you that this is only visible once the video is rendered out in the FCP timeline. Nothing is visible in Photoshop, nor is it visible while viewing from the Browser in FCP. I told this to the artist and he went back and made corrections, making sure everything was on a transparent background, but the result was still the same - once I rendered the graphics out in FCP, these edge lines were visible.
I then went back into Photoshop, opened all the files that were giving me trouble, clicked on the "foreground color" and changed it to a color other than white, then back to white and hit ok. That seemed to work - even when rendered out, I was getting no artifacts, until I tried enlarging the graphics over 100%.
Also, with some of the same graphics, I was trying to layer them so that a guy was in the foreground with other people and a van behind him in the background. Once again, no problem in Photoshop, but once brought into FCP, the background people were actually being displayed over the main foreground character.
I'm pretty baffled - what to do? I'll attach a photo of the weird lines around the characters. It might be hard to see at this size, but if you download and enlarge it to 300% or so, you'll see what I mean.

Just saw that Adam's original post was an older one. Will keep this here anyway to maybe help the most recent poster.
Sharon
Adam, did you try what David said about pointing to the root folder? Did that work?
When I copy the SD card, I name a new folder on my hard drive something specific, like Smith Wedding. Then I copy everything inside the SD card to that new folder. The first level inside my new folder now has folders for
AVF_INFO
PRIVATE
and on down from there. When you open Log and Transfer, point it to the Smith Wedding folder (of course whatever you have named yours).
ClipWrap2 also works great to convert the files beforehand if you want.
What camera are you using? I have the Sony NX30 and it was giving me fits because the .mts files don't ingest if the clips are longer than 11 min. My problem is that I'm still on FCP 6.0.6. I think 7.0.3 fixed that. But I did find enough work-arounds to keep the camera.
This is a link to the full discussion if you are interested.
https://discussions.apple.com/message/19085158#19085158
Sharon
Message was edited by: SSteele

Ingested videos not playing in stereo with Quicktime or after exporting with compressor

Why does it seem like every time I try to do something just mildly complex I'm stymied by some bug or problem with the software?
Here's the deal:
0) I have footage was shot with a stereo camcorder, a JVC GR-DV3000 (circa 2003), with built-in stereo mics.
1) I ingest the footage from the Mini DV tape and save it to a camera archive using Final Cut Pro X (latest version).
2) I use Final Cut Pro to pull the events out of archive.
3) When the events are played from within Final Cut Pro X, I hear strereo and audio meters indicate the audio is in stereo (left and right channels have different volume levels).
4) When the events are played with the open source software, VLC, I hear stereo, too.
5) When I export the files for playing on an Apple device using Final Cut Pro, the audio is in stereo as you would expect.
BUT:
5) When I play the event clips with QuickTime from my hard drive after step 2 above, I get no audio from the right channel. Weird, right?
But most annoying of all:
6) When I use Compressor 4 (instead of Final Cut) to output the event clips to "SD for Apple Devices" using the default audio settings, I get no audio from the right channel, either.
7) I've got hundreds, if not thousands, of clips. I'm not about to save each clip manually with FCPX. I need to batch convert these files with Compressor.
8) I've tried various combinations of the audio import settings ("Analyze and fix audio problems," "Separate mono and group stereo audio," and "Remove silent channels." These options have not solved the issue for me. The clips still play in mono in QuickTime.
When I look at the properties of the file in QuickTime, here's what it shows:
DV/DVCPRO - NTSC, 720 x 480 (640 x 480)
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Left
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Linear PCM, 16 bit little-endian signed integer, 32000 Hz, Unused
Why it's telling me the other 3 channels are unused, I have no idea. As I mentioned, the footage was shot in stereo and even Final Cut plays it in stereo.
Here's what VLC says about the very same file:
Stream 0:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: Mono
Sample Rate: 32000 Hz
Bits per sample: 16
Stream 1:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 2:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 3:
Type: Audio
Codec:PCM S16 LE (sowt)
Channels: 1
Sample Rate: 32000 Hz
Bitrate: 512 kb/s
Stream 4:
Type: Video
Codec: (DV Video (dvc)
Resolution: 720 x 480
Frame Rate: 29.970030
Decoded Format: Planar 4:1:1 YUV
If anyone can point in the right direction, I'd much appreciate it.

I ended up just using iMovie to capture video from the camera. The clips now play in stereo in QuickTime perfectly.
It's interesting to note that iMovie saves the clips as .dv file types, not .mov file types like FCPX does.
And it turns out the iMovie capture is *much* smoother. It actually "just works." Ingesting tapes with FCPX, I had to cross my fingers, spin on my head and pray three times to a statue of Steve Jobs before it would work (and even then it would do weird stuff).
The only downside of using iMovie is that it doesn't have the camera archive feature.
I really don't understand why, with $120 billion in the bank, Apple seems to be churning out software as an afterthought. No, software is not where they make their money, but they are ruining their reputation. Ah, well, first world problems.

Can I Encode to These Settings with Compressor??

Greetings,
I need some help from you good people.
I have been tasked with preparing our video program for an SD Television Broadcast.
In my many years of using Final Cut, I have never had to export for an official SD Broadcast. So I declare up front that this is a new world for me from web and DVD creation.
But I seem to be having a hard time matching all of these settings using an MPEG-2 Transport Stream in Compressor. So I want to know if I can use Compressor to match these settings or will I miss some of what the station wants?
I've tracked down most of the major settings in Compressor. I highlighted below in bold and red what I am having trouble with.
I will also add that I was trying to work with the GOP I and P frames settings but do not see a choice for selecting 1 frame for each one.
Most of my other issues are with the audio settings. I went to "Extras" and selected Multiplex but don't have any other control over the audio.
So any help would be much appreciated. Thanks!
These are the requirement sent from the station:
(BOLD AND RED are what I need help with)
VIDEO:
MPG TYPE: MPG-2
STREAM TYPE: PROGRAM (VIDEO + AUDIO)
VIDEO RESOLUTION: 720x480
FRAME RATE: 29.97 (NON-DROP) 4:3 DISPLAY
FIELD ENCODING: TOP FIELD FIRST
DEINTERLACING: USE TOP FIELD
BITRATE TYPE: VARIABLE (If they say a variable type, why would they state a Constant Bit Rate below??)
RATE CONTROL MODE: MODE 1
CBR BITRATE: 8000Kbps
GOP STRUCTURE:
I FRAMES: 1
P FRAMES: 1
PROFILE ID: 4:2:2
LEVEL ID: MAIN LEVEL
AUDIO: MPEG 1
AUDIO MODE: MPEG LAYER 2
AUDIO FREQUENCY: 48000 HZ STEREO
BITRATE: 256 KBPS* VARIABLE BITRATE EMBEDDED
MODE: STEREO
NO DE-EMPHASIS
MULTIPLEXING TYPE: MPG-2
Thanks in advance!
-Al

Disclosure: I haven't prepared a show for SD Broadcast either, but have been working with Compressor/DVDStudio Pro for a decade.
Looking at the specs, there are only a couple of unclear areas... the big thing is, they're asking for a Program Stream rather than Elementary Streams.
I looked into that codec and it seems capable of handling the task once you clear up the VBR/CBR and interlace/de-interlace questions.
Good luck!

Hi, someone please help me out... am Nelson and got an issue with my apple Qmaster... I got OSX maverix and on my system preferences the Apple Qmaster dosent load but only gives an error, someone please help.

hi, someone please help me out... am Nelson and got an issue with my apple Qmaster... I got OSX maverix and on my system preferences the Apple Qmaster dosent load but only gives an error, someone please help.

the error is like "Could not load Apple Qmaster preference pane"
if there is a way around it please help me coz I cannot render my video projects on Compressor anymore...

Any known issues with Premiere CC and imported HDV clips?

I'm having consistent difficulty with Premiere CC playback of HDV video that originated in FCP 7. This was not an issue in Premiere CS6. The problem is dropout and pixelization which is consistent, pass after pass, and occurs at the same TC location on some clips. It is almost like some clips are corrupted in a consistent manner, while others are not, and don't seem to become corrupted.
For a variety of reasons, I still shoot HDV on a Z1U, and use an old FCP7 workstation to digitize media. I then import these individual video clip files into CS6. These are clips that play correctly in FCP, Premier CS6, and in the Finder, and Quicktime Pro, but not Premiere CC.
I have Dropboxed a sample clip to my service contact at AJA, and she is reporting the same issue with Premiere CC. (The technical support at AJA is the best I've experienced in over 30 years of video production).
The same issue presents itself with HDV clips that were converted to such from .m2v via Clipwrap.
Any other types of media play correctly within Premiere CC. For example, I have a CS6 project that is nothing but After Effect CS6 anims comiled into a program in Premiere CS6; it plays perfectly. So do any media that Premiere CC puts through its own conversion or import "routine," like AVCHD. Even XDCAM clips that went into FCP via XDCAM Transfer play well.
Any thoughts?

Tim,
I would assume the clips work fine in FCP7, so you're not totally busted. Maybe try using Compressor or AME, like the other guy said, to export them in another format; I'd recommend Apple ProRes 422. Fallback is to work in FCP7, as the tapes are gone.
When I 1st posted this problem, I left for vacation. I saw briefly that someone suggested a plugin in another reply, but I haven't had a chance to pursue that yet. I'm in northern Michigan (USA) with limited access to email. I'll do some follow up this Monday when I return. Good luck!!
Sent from my iPhone
Phil Mariasy
Allied Media Group
[email protected]
419-297-2730
151 N. Michigan
Ste. 300
Toledo, OH 43604

Any issues with QT 7.2

Has anyone run into any issues after installing QT 7.2?
Lots of non-FC Studio related issues being posted on MacFixit.
BG

Not sure when it happened - after I upgraded to QT7.2 or after I did the ProApps upgrade - but Compressor 3 stopped working. After I submit, the history window gets busy, calculates and reports remaining time, the time gets shorter, the progress bar above it longer and after just two minutes of this bliss (I can stare at it for days) the remaining time begins to grow and the progress bar freezes. I use Compressor 3 for web streaming content (H264) and Flash video. Sometimes H264 files get finally done but they always have the .mov-1 extension after hours of compression of really short clips. I have only once succeeded in producing a .flv clip with Compressor 3 since I upgraded to QT7.2 and installed the latest ProApps upgrade.

How to share a job with Compressor 4.1?

Can anyone explain how to set up Compressor on two or more computers to share a coding job? I was never successful, neither with the old versions nor the new one. I have connected two computers running Mavericks via Ethernet. They appear in the preferences list of Compressor as inactive and can be selected (with a tick). Starting a job produces no error. Only the little network monitor window shows some activity: "inactive" (in white or yellow), sometimes: "not found" (in red). The computer which sends the job waits endlessly.
I deactivated the firewall, connected the computer with DHCP or fixed IP but no success. What else do I have to do?

Hi Steffen, hats off to you for gathering this valuable information! I'm going to title this post:
Setup Distributed Node Processing for Distributed Segmented MULTIPASS Transcoding in Compressor.app V4.1 (2013 version)
Summary:
A quick look at those logs of yours.., Qmaster is having trouble accessing its cluster storage and probably your transcode source and target elements.
This is a bit of a giveaway - looks like the part time helpers at Apple didn’t look at it hard enough
msg="CSwampService::startupServer: servicecontroller:com.apple.stomp.transcoderx couldn't advertise server, error = error: DNSServiceRegister failed: CRendezvousPublisher::_publish"/>
<mrk tms="412112937.953" tmt="01/22/2014 20:48:57.953" pid="1975" kind="begin" what="log-session"/>
<mrk tms="412113195.964" tmt="01/22/2014 20:53:15.964" pid="1975" kind="begin" what="service-request" req-id="D6BAF26C-DD43-4F29-BD72-81BC9CF25753:1" msg="Processing."></mrk>
<log tms="412113209.037" tmt="01/22/2014 20:53:29.037" pid="1975" msg="Shared storage mount failed: exception = CNFSSharedStorage::_subscribe: command [/sbin/mount 127.0.0.53:/Users/steffen/Library/Application Support/Compressor/Storage/21D262F0-BF7EC314/shared] failed, error = 61"/>
Let’s look at this and then propose a clean method of establishing and consolidating your cluster.
Simply the Bonjour service is having a hard time trying to find you and also qmaster been running ragged trying to mount your Cluster 21D262F0-BF7EC314 storage.
Let's fix it.
Basics for the above with Compressor v4.1 and Qmaster.
much has been abstracted from the user to help easy implentation and use. This is good me thinks!
avoid ticking every option that is available on each host , such facilities aggravate and add to the complexity of your workflow environment
isolate the network subnets to use for all host access, file system paths, communication, diagnosis, monitoring and finally data transfer (see later)
use source objects that will develop segments that will be distributed for processing. A 3 minute clip generally won't segment to cause distribution.
review any workflow gains by distributed transcoding: slow node hols up process and additional time to assemble qt segments. A cluster dedicated to an iMac or macpro can often be faster. (Have several clusters defined and submit accordingly (long , most and short )!!)
All elements/objects used in the source and any target folders SHOULD (not must) be mounted and accessible by each Qmaster node. You can use sym links I recall. For reasons of efficiently and easy of diagnosis.
So.. I'd propose you try and test your setup as follows .
Try this and start from beginning. Do your best to perform these work instructions. Try also not to deviate if u can
Simple Architecture Approach:
Your main Macbookpro or main work mac (refered to by you as "master") shall be designated the qmasterd controller that services batch submissions AND that also provides transcode services.
The other macs ("service or slave nodes) will ONLY perform transcoding services and will NOT accept batch submissions. The slaves / service nodes will not be able to send their jobs to your master controller for transcoding for example.
Keep it simple! and please follow these steps.
Step 1: Quiesce your clusters and Qmaster
in Compressor.app v4.1 / Preferences / Shared Computers, stop / disable all hosts (both your macs) from automatic file sharing - tick it OFF (it causes issue u have).. More later
In Compressor.app v4.1 / Preferences / My Computer, stop / disable all hosts (both your macs) stop allowing others to add batches to your host. Slide to OFF
On all hosts, quit or force out compressor.app v4.1
On all hosts (macs) use activity monitor.app or unix ps command to Force Quit ( or kill) any currently running qmasterd task and any compressord tasks if you can.
On all hosts, purge | clean out | delete the Qmaster and compressor structures. This is documented by several of us on this forum but fundamentally you want to preserve your settings and destination templates and delete the rest. Do these sub-steps on all hosts where u intend to deploy compressor/Qmaster for your distributed transcode processing
a. Navigate to /Users/shared/library/Application Support/ and delete the Compressor folder if it exists. By all means use the osx Finder to put it in the trash or just use the faithfully unix rm command to delete it immediately without serialisation : rm -rf /Users/Shared/Library/Application Support/Compressor
b. Navigate to your home directory ~/Library/Application Support/Compressor and move or copy any personalised values to your desktop so we can reinstate them later. Copy these two folders if they exist.
Settings
Layouts
And also copy /move any customised destination templates that u used. These are files ending in ".template"
Now using the Finder or unix command delete your ~/Library/Application Support/Compressor folder and all it's objects such: rm -rf ~/Library/Application Support/Compressor
c. Dismount (+E or drag into trash) any shared file systems you have manually or automatically shared between your hosts. (Your two macs) . Turn off any auto mounts you may have setup in login items for Qmaster and your source and target libraries.
d. After you have done Steps 1a - 1c on all your hosts ,
then RESTART
and log back into your hosts
attempt to delete the trash on each.
6. Check the activity monitor and confirm there are no compressord sub tasks running. Qmasterd might be running. That's ok
Step 2: set up your dedicated network for your transcoding cluster .. Important!
In this step you will isolate your cluster network to a dedicated subnet. BTW ,o DNS is needed unless you get exotic with many nodes!
You will:
use the macs Wifi network as your primary network for NON TRANSCODING work such as email, internet , iChat, iCloud and bonjour (.local) I'm assuming u have this in place
use the Ethernet on your macs as your dedicated Qmaster cluster subnet.
For this procedure will make an IP address range 1.1.1.x subnet and manually assign the IP addresses to each host. Ofcourse you can use a smart DHCP router if u have one or a simple switch and use OSX SERVER.app erver 10.9 ($HK190 , €19) on your MAcbookpro... The later for another time
a). using system preferences/network on your controller mac("master"), configure the built in Ethernet to manual IP address of 1.1.1.1 Yes yes, dhcp would be nice if we also had a dns for this subnet to identify each host (machine name) however we don't. Leave the subnet default to 255.255.255.0, and router to 1.1.1.1 .. It's not escaping anywhere! ( very private LAN for your cluster! )
b) repeat step 2a to set the other "slaves" service node only macs whose built in Ethernet to 1.1.1.2 , 1.1.1.3 and so on
c) connect these hosts (macs) ethernets together in a dedicated hub / zoned switch or if only two macs, just use a cat5/cat6 Ethernet cable
d) on each host (mac) using system preferences/network check for a Green light against the built in Ethernet
e) on each host (mac)system preferences/network to make a new network configuration (so that you can fall back incase of error) : using system preferences/network make a new network location on each mac
- edit the Location listbox, edit and DUPLICATE the current location
- select and over type the name and change it to "qmaster work" or some name u like save and close the dialogue
- back in sys prefs / network select your new location "qmaster work" (from the location list box and "apply"
- now click the gear wheel icon on lower left and Reorder the network interfaces so that the WIfi is top (first) followed by Builtin Ethernet .
- click "apply"
- confirm Ethernet is still green status
Do this on each host (mac) .. The slave/service nodes
f) on each host (mac) verify that you can address each mac over you new subnet. There's many ways to do it however do it simply via the /applications/utilities/Terminal.app.
From mac #1 whose IP address is 1.1.1.1,
Enter:
traceroute 1.1.1.2 press return and one line should come back.
ping 1.1.1.2 and a continuous lines appear with packets and time is ms. Watch 3-4 then use control+C to stop
Do the same to the other nodes you may have such as 1.1.1.3 etc
Repeat the above from the other hosts. For example from one of the service (slave) macs say 1.1.1.2, t
Test the network path back to your main mac 1.1.1.1: using terminal.app from that slave,
Enter:
traceroute 1.1.1.1 press return and one line should come back.
ping 1.1.1.1 and a continuous lines appear with packets and time is ms. Watch 3-4 lines then use control+c to stop
At this point you should have a solid network path between your hosts over Ethernet on the subnet 1.1.1.x
Step 3: mount all filesystems over the Ethernet 1.1.1.x subnet that are to be used for transcoding source (input | read ) and target (output | to be written )
Simplicity is important at this stage to make sure you know what being accessed. This is one reason for disabling all the automatic compressor settings
You will use the Finder's "Connect to Server" (+k) from each slave (server) node to access the source and target filesystems on your master mac for the transcoding.
These can be saved as favourites in the "Connect to Server" dialogues
Do this:
A) locate the volumes / filesystems and folders on your mac master where your source objects is contained. Do the same for where the final distribution transcode is to be written with you user access.. "Steffen"
B) On each slave mac, use the Finder's "connect to server" dialogue to MOUNT those folders as network volumes on your slave macs
mount the Source folder. Finder / Go / Connect to Server or +K
enter "[email protected]//Users/steffen/movies/my-fcpx-masters. ( choose you source directory path) .
Click connect & password and use the "+" sign to save as favourite
- mount the target folder. Finder / Go / Connect to Server +k
- enter "[email protected]/users/movies/my-fcpx-transcodes. ( choose your target directory path) . Click connect n password and use the "+" sign to save as favourite
Do these for all your slave macs. Remember you are specifying file paths over the 1.1.1.x subnet
Obviously make sure your slaves have read and write access. Yes and you could also mark these folders and Shared in Finder info then everyone can see them ... your choice
C) verify your access: on each slave use the finder to create a ftest older in those recently mounted volumes. Delete the test folder.
So now all your networks and workflow folders are all mounted and accessible by your slave hosts and it's user
step 4: Set up Compressor v4.1 and Qmaster
Care is initially required here NOT to click needlessly on options.
Recall that you purged most of the compressor.app v4.1 state information on step 1. ?
Compressor.app v4.1 will appear new when u start it.
on the master mac 1.1.1.1 , launch compressor.app v4.1
open compressor v4.1 preferences (command+,)
using compressor.app V4.1 preferences:
My Computers tab: turn OFF . Don't allow others to process on this computer
Share Computers tab: UNTICK (disable) automatically share files.
Advanced tab: WHen Sharing My Computer listbox: select Ethernet as the preferred network interface 1.1.1.x). Don't use all interfaces : - trouble
Do not specify additional instances yet! Less to troubleshoot
On each slave mac 1.1.1.2 -1.1.1.x
launch compressor.app v4.1
open compressor v4.1 preferences (command+,)
using compressor.app preferences:
My Computers tab: turn ON (yes ON) to allow others to process their stuff on this slave computer
Share Computers tab: UNTICK (disable) automatically share file
Advanced tab: WHen Sharing My Computer listbox select Ethernet as the preferred network interface 1.1.1.x). Don't use all interfaces : - trouble
Do not specify additional instances yet! Less to troubleshoot !
On the master mac, 1.1.1.1
using Compressor.app v4.1, select destinations and add a new CUSTOM destination and navigate the dialogue to your target folder you specified in step 3b ~/movies/my-fcpx-transcodes as an example.
Use this custom destination on the batch later
in Compressor.app V4.1 preferences/Shared Computers, click the plus "+" sign in bottom left cornet to create a new cluster called "unnamed ".
- click in the name and change the name to "Steffenscluster" (I'm not connected to my network as I do this..)
- tick on the slaves 1.1.1.2 to 1.1.1.x to add the to your new cluster .. assumethee are on the right in a list.
Your cluster "Steffenscluster" is now active!
Care care! One more thing to do. You SHOULD make the cluster storage for master 1.1.1.1 available to all your slaves. This is important for this test !!
On the master 1.1.1.1, Use the finder to verify that you have these directories built from compressor.app v4.1
/Users/Shared/Library/Application Support/Compressor
and your own home directory: ~/Library/Application Support/Compressor
Dig deeper for the /storage folder in each to see the hexadecimal named folder that represents this cluster "Steffencluster"!
These should be manully mounted on each slave. Recall we DISABLED automatic file sharing.
on each slave mac 1.1.1.2 - 1.1.1.x, mount the masters cluster storage file systems. Do this for verifying access of each cluster Slave
on each slave mac, use the Finder's "connect to server" dialogue to MOUNT those folders as network volumes on your slave macs
mount Qmaster cluster storage folder
Use Finder / Go / Connect to Server or +k
enter "[email protected]/Users/Shared/Library/Application Support/Compressor/Storage
Click connect & password and use the "+" sign to save as favourite
- mount users Qmaster cluster storage folder
Use Finder / Go / Connect to Server or command+k
enter "[email protected]/Users/steffen/Library/Application Support/Compressor/Storage
Click connect & password and use the "+" sign to save as favourite
This you may have 4 new network volumes (file systems) mounted on each mac slave over your dedicated 1.1.1.x subnet!
Step5: submit a job
On master mac 1.1.1.1 launch the new compressor.app v4.1 "Network Encoder Monitor " .. Use +E . new in COmpressor.app V4.1
You should see all your nodes all cluster service points for your master and slaves. Heres you see just one (this macbookair!)
On each host (mac) Launch the activity monitor.app and filter compressord .. There they are on each host!
Nearly there.
On the mac that's the master 1.1.1.1 (controller )
Submit a job:
Use finder to move some footage etc that more than 15 mins for example into your source directory folder from step 3b (eg ~/movies/my-fcpx-masters.)
In compressor.app v4.1 Add this +I to the batch
Drag your custom destination on to the batch
Set your encoding setting (apple devices best)
Open the inspector in compressor.app and select "video" and make sure MULTIPASS is checked. Then change to frame controls at your leisure. Better means slower
Select the General tab and make sure JOB SEGMENTING is ticked!
Now cross fingers and submit it (or +B)
Step 6: Monitoring the Workflow Progress
In compressor.app v4.1 Use the active tab to watch the progress
Open the disclosure triangle and see the segments
Unfortunately u can really see which node is processing. (No more share monitor .. btw for those who care.. thats buried now in /Applications/Compressor.app/Contents/PlugIns/Compressor/CompressorKit.bundle/Contents/Embedde dApps/Share Monitor.app/Contents/MacOS/Share Monitor
Look at the network encoder monitor (cmd + E) to see the instances processing your work
Lots of small and overdetailed steps here Steffen and its worth working through.
Simply all these things need to be availble to get your cluster to work EVERYTIME.
I might update this and post a more detailed disalogue/transcript on my blog and post it here.
Epilogue:
I for one rather like the new compressor.app V4.1. Qmaster is buried and works well when not teased or unintentionally fooled.
I would like the ability to :
specify the location of the qmaster cluster storage rather than have it in the root systems file system - I used to have it on my disk array
compressor to be applescriptable
Post your results for others to see.
Warwick
Hong Kong

Compatibility issue with 5.1 Intel Vs G5

I have an iMac G5 and Macbook - both with Final Cut Studio 5.1 Universal. I can share Final Cut Pro project files, but when I export a finished project in quicktime to use in DVD studio pro (from the intel), it's not compatible with the G5. Can anyone shed some light?
When I import the assets into DVD Studio Pro, the video is either scrambled or just green.

Thanks for your help - I'll try that. Just a quick
question slightly off topic, in the workflow, am I
better to use compressor rather than go from FCP to
DVD Studio Pro? Is the encoding better in
compressor? (for basic DVDs)
The issue is that with Compressor you can output your audio to AC3/Dolby2 rather than uncompressed aiff. This affects compatibility and throughput.

Issues with compressor

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