JPG extract from a RAW/DNG

In LR v3.3 is there a "easy" way to "Extract" the JPG as it was first generated ... after you finish importing into LRv3.3 as a DNG ?
* Can LRv3.3 do this ... and do this easily? (why not , if not )
Normally my workflow is to immediatly convert to DNG on import. I also do apply a pre-set that is by Camera/ISO.
But, every once and a while ... I want to get the original JPG that was generated out of camera ... from the DNG
* Don't want to have to start shooting RAW + JPG when a JPG is already in the RAW

Rob,
Thank you.
I do rotate my CFs ... so, it depends on how quick my next job is ... I always have the NEFs on the CF for the last job.
Sometimes I know, right away .... I would like at least see the JPGs.
So, the NxTooey might come in handy.
Shoot RAW , but, I "think" I have the JPG set to sRGB.
What come out of camera as a JPG, 99% of the time mean nothing to me ...
But, there is that 1% ... when you liked what you saw on the LCD , and you want to at least see that referance point again, maybe side by side with the DNG conversion lol
It's just a good thing ... when that does happen, we are normally looking at it on camera and compariing it with what comes up as a default import in LR on computer.
HG

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I've got a boatload of raw/dng photos I need to print. What's a good workflow for ordering prints from an online service?
Say something like Shutterfly? Looks like there's a plugin for LR. I'd like to avoid mass converting to Jpeg/srgb... is there any service that takes a raw/proPhoto rgb? Or is that overkill?

JPG highest quality, full resolution with sRGB should be good enough for a place like Shutterfly, unless they gprovide formats for special paper, then you can convert to those, but be sure you specify they have a custom profile and no auto-adjustments are to be performed, otherwise things won’t look right since they’re likely to assume sRGB for the profile.
Raw cannot have ProPhotoRGB associated with it since it is raw sensor data not RGB data. And a raw file would be interpreted by the printing company using whatever software and settings they wanted, completely ignoring whatever you’d done in Lightroom.
What gives you the idea that you need to send raw photos, or even ProPhotoRGB photos? Is the prints going to be in glowing or fluorescent ink. I can’t imagine any other reason to use ProPhotoRGB as an image profile desitined for printed output since paper usually has a lower gamut than your monitor, even. You use ProPhotoRGB with 16-bit TIFs for intermedia or archival perposes. You wouldn’t want to use ProPhotoRGB with an 8-bit format or as a final output format for printed or display purposes since the gamut of the paper or display would be much smaller than ProPhotoRGB. Normally you use ProPhotoRGB as an intermediate format for images that will be adjusted further.

Prerendert mp4 replace with RAW DNG in After Effects

Hello,
I try to replace a mp4 clip with RAW DNG. The mp4 clip was made from the RAW DNG, but when I try to replace it, the length of the clip never fits.
Details:
1. RAW DNG recorded with 30fps
2. RAW DNG with Media Encoder to 30 fps mp4 rendered
3. mp4 import to AE
4. Replace mp4 with RAW DNG
Result:
mp4 clip length = 08:19:12
DNG RAW length = 06:39:04
The info window shows bith clips with 30fps .
Both clips shows: 0000000-0011973 (frame count from dng raw )
All Settings on 30fps:
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After Effetcs: "Import / Sequence Footage 30 fps"
Premiere. " Media / Indeterminate Media Timebase: 30fps" (just in case - maybe encoder reference pp..i dont think so..but..)
What can I do? Im doing something wrong, or is it a software error?
Even if I dont replace, just import the raw dng to AE it show the shorter lenght, but as well 30fps in the info window.

I did a testfile.
I exported a clip (30fps) to png sequence (60fps) and add it to the media encoder and when I press the button "match source" Media Encoder shows me (again) 23,976fps, but when I manually put it on 30fps it really export with 30fps. So I have a mp4 with 30fps
So I import that mp4 to AE its 03:29, when I import the pngs itself directly to AE its 03:29. So my setting seems to be correct. I choose the same settings importing RAW DNG.
I recognize that Media Encoder doesn`t recognize that the RAW DNG is a picture sequence, in the import window the "import sequenze square" is grey out, but it imports it as a the picture sequence, but not with the correct fps.
Its confusing, because it shows in the the clip info, after rendering the correct fps (30fps), but its not 30fps , its more like 23,976 frames. So it really looks that its a adobe software error.
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DNG converter fails to extract embedded .cr2 raw files

I just tried to extract embedded raw files from 889 raw files from a Canon 5D3 having been converted by the DNG converter 6.7 beta - the DNG converter only succeeded with extracting three of them. I also tried with the 6.6 stable version with the same result.
If DNG converter can't easily retrieve the embedded raw files then I think this "feature" should be left out - it's misleading people into taking unwanted risks when you're better off just keeping the originals (it's a bit more messy to organise and archive two sets of files, but I'd rather do that than having to mess around with this)
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Download and test the most recent version (final GM) of DNG Converter 6.7 and retest...might also be useful to provide a bit more info such as OS & CPU...and also whether or not the DNGs behave normally in ACR or LR. Basic troubleshooting info to test or duplicate your findings would be useful (required) before you can honestly be making such "blanket" statements about DNG Converter...

I cannot get .arw or jpeg files from my Sony A6000 to be taken into my Lightroom 4.4 via the normal "synchronise" process. I have updated my Pc to Adobe RAW/DNG 8.4 with no improvement. Can you help please?

I cannot get .arw or jpeg files from my Sony A6000 to be taken into my Lightroom 4.4 via the normal "synchronise" process. I have updated my Pc to Adobe RAW/DNG 8.4 with no improvement. Can you help please?

With regards to your .arw files:
You need to either purchase and install Lightroom 5.4 -- OR -- download and install and use the FREE Adobe DNG Converter version 8.4, did you actually launch and use the DNG Converter?
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How do I process raw .dng or .pef from pentax k20d into .tiff 's (or jpegs) in aperture 3?

hi all my friends!
how do I process raw .dng or .pef from a pentax k20d into tiffs or jpegs in aperture 3? (i have the trial only but will buy a3 if i actually can learn how to use it in 30 days...which i've failed so far)... the raw files are taking up too much space on my HDD. i understand how to change the colors, sharpness etc of the raw files. but how do i actually turn raw files into a tiff or jpeg to just keep in the library in aperture? i have no intention of keeping the raw's.. I just shoot raw to get better jpeg or tiff results.
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do you know if the raw files are some way made more compact when you shut down aperture? cause i mean, +20MB for a pic is a lot of space on the hard drive vs. 5MB for a jpeg or so...of course keeping your raws would be the optimum if they simply don't take that much more space than a jpeg... how does aperture do it? are the files "zipped" when not in use?
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By putting the masters on an external disk but keeping the library on the internal you get the best of both worlds, reduced internal disk consumption and better speed accessing the Aperture library. If the library itself was on the external HD, especially if it was USB, you could notice decreased performance.
There has been much written about this type of setup here in the discussions. Searching the list here should get many articles discussing this topic with lots of very good advice. Also spend some tim with the User manual, Apple did a good job with it and the fist few sections really explain the various bits of the library and the different ways to set it up.
As i wrote in my first question, is there an easy way to adjust the values of a 100 raw files automatically?
To adjust a large number of images try this: Select one image and adjust it as you like. Then select Metadata->Lift Adjustments, a HUD will open. Now select the other 99 images and in the HUD that opened select Stamp Selected Images, all those 99 images will now have the adjustments you applied to the first image.
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[email protected]

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