Jumpy Video when exported from FCP 5

I am exporting HDV 24p footage. Befoer I even apply a settting the video is very unstable. But it does not jump and compresses fine when the same file is brought in from compressor.
Thanks
Phil
Mac Pro Mac OS X (10.4.8) Intel 3.0, 4gig mem, quad 23" cinema display 1TB External WD Drive Raided 0 Firewire 800

I am exporting HDV 24p footage. Befoer I even apply a
settting the video is very unstable. But it does not
jump and compresses fine when the same file is
brought in from compressor.
Thanks
Phil
Mac Pro Mac
OS X (10.4.8) Intel 3.0, 4gig mem, quad 23"
cinema display 1TB External WD Drive Raided 0
Firewire 800
I'm Sorry. I think you have to explain this one a little better. I am just not getting your workflow here.

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Significant quality loss and jagged diagonal lines when exporting from FCP

I've been working on this problem for several days and I'm going insane! Every time I export my movie from Final Cut, there is a significant quality loss. It is most noticeable in two ways: diagonal lines become very jagged (looking somewhat like diagonal lines in an older video game -- more a diagonal sequence of blocks); also, in some areas such as faces, the colors get a little blurry and there seems to some "pooling" of colors around the edges of the face.
I'm pretty sure the problem's not in capture: the Quicktime clips that I captured from the camera are all pristine. When I play them in Quicktime, I can blow them up several times their original size, and they maintain their sharp lines. (I also Reverse Telecined them all with Cinema Tools, if that's relevant.) I also know the problem's not just my computer monitor; when I play these movies on my external monitor and TV, they look bad too. The clips look bad after I bring them into Final Cut, and while I'm editing, but at first I figured that was because Final Cut sometimes doesn't show full resolution in the timeline. Still, when I export, the quality of the original captures just isn't there.
Some details:
Captured from 24A progressive, Sony HVR V1U HDV.
Using Final Cut 6.0.1, Compressor 3.0.1, Quicktime 7.2.0, OS 10.4.10 (all the most recent versions I believe).
I've exported in many different ways: using Compressor (and have tried a number of different settings: the DVD Best Quality 90 Minutes default Setting, as well as using a variety of bit rates from 3.0-8.0, One pass CBR, Two pass CBR, Two pass VBR, Two pass VBR best; Video Formats NTSC, HD 1440x1080...I have tried many combinations. Regardless of the size of the m2v created, the files seem to have the same problem over and over. I've also tried exporting from Final Cut as a Quicktime Movie and with Quicktime Conversion. Same result. I also tried using different compressors with my Final Cut sequence: Apple Intermediate Codec (which I used when capturing -- you have to with the Sony HVR), HDV 1080p24, HDV 1080i60, Apple Pro Res 422, H.264...
What's happening? Why is Final Cut turning my nice pristine captures into jagged foulness? What can I try that I haven't yet?

Welcome to the forums!
Unfortunately, you seem to have tried everything I can think of, and I don't have the latest versions of FCP to know if it is a bug. However, in the off chance that you haven't given this a shot:
Take a problematic 10 second section of your timeline (set in and out points) and the Export -> Quicktime (not QT Conversion) and make sure that you have it on Quality settings that you captured, and select the "Make Self Contained" box.
Look at that in Quicktime and see if it's bad. If it's not problematic, use that video file in Compressor for your render.
Hope that helps!
~Luke

Error when exporting from FCP

When I try and export to Compressor(1.2.1) from FCP HD 4.5 i get an error saying that a file of this name already exists (obviously not the case). The Batch then fails within 5 secs or so. Could this be a restriction on the academic version of fcp or something - ie one can only export a project x many times or something? i've seen the related string but turning off anti-virus software doesn't seem to help me at all. any ideas?
also - I can export as a self containded qt file but even if I do it at the highest settings the finished dvd (made using dvd studio4) doesn't look as good as an old dvd i have that was encoded by exporting to comp. from fcp. is it just my eyes having seen the video so many times that i am seeing things or has anyone else noticed this?

there's also reports of incompatibility with compressor3:
http://discussions.apple.com/thread.jspa?messageID=4968107&#4968107

My Additive dissolves lose their brightness when exported from FCP.

I'm trying to export a short music from FCP. While the additive dissolves look really bright, like a camera flash within final cut pro, as soon as I export the video, the bright white flash of the dissolve goes away. I don't want to use dip to color, because I like the cross dissolve quality of the additive. Does anyone know why and how to prevent this?
Thank you.

Apparently he did a reinstall and it started working...

XL-H1 aspect ratio error when exporting from FCP 1080p24 to compressor

PLEASE HELP
I have a finished project in fcp in a 1080p24 project.
My source footage is 1440 x 1080i 24f from an xl-h1.
When i export from final cut pro to compressor, compressor squeezes my footage into a square.
if i export to dvd from compressor the ratio is fine.
when i export in quicktime thats where the skewed image happens.
Please help
thanks

Hi StingoArmy,
There is an easy fix for this. Once you export your file to Compressor, you can apply an export option, let's say we're going to export a LAN Streaming Quicktime movie for Internet. Now click on the new bar that's been placed inside your media tab. The settings for this export item appear below in the Inspector. Just below the DESCRIPTION line are a series of options buttons. Clicking the option 2nd from the right (Geometry) opens up a new tab where you can change the dimensions. There are several ways to go about exporting to 16:9, the one I use is to change the Frame Size to "Custom (16:9)", however, you can also do the same thing by changing the Pixel Aspect to "HDV 1080i (16:9)" You should test results for both and see which is the preferred method for your final output, depending on what type of Quicktime movie you are creating.

How does a 1.6-gig clip become an 11-gig clip when exported from FCP?

I captured some video and had to do it in two sessions because my camera kept dropping frames. My first clip was 600 megs, my second was 1 gig. I put them into the timeline and synced them up at the break spot. I wanted to have just one file to work on in Shake, so I exported the two clips as a Quick Time movie -- no compression, self-contained -- a 720 X 480 NTSC file.
Even with no compression, I expected to get a 1.6-gig movie out of the export, but it was 11 gigs. Where did the extra data come from? And what is the extra data? It cannot get any more resolution than there was to begin with in the original two clips, right?
Any tips on a more efficient way to handle this situation much appreciated.
JimBe

The two segments were each about three and a half minutes long. The camera was a Sony Handycam DV. I did not have any special settings when I captured, I made one choice, to capture both video and audio. Yes, I did select uncompressed when I exported.
So the camera is acquiring with a codec, it sounds like, but if I select uncompressed on export does that mean FCP will uncompress the compressed footage captured by the camera? I did not think that was possible. Isn't all the information thrown away by the camera when it acquires the footage with its codec?
I was thinking that "uncompressed" export would just give me back what I put in, a 1.6-gig file. I did not want to compress a second time.
Is there an export format choice that just gives you what you had without any manipulation of the original data?

Do I get a faulty EDL when exporting from FCP?

I must create an EDL for a final DI to be made from film negative. When I export an EDL the Source Time Code In of each clip reads the same as the first frame in the clip, then the Source Time Code Out of each clip reads on frame higher than the last frame in that clip. E.g. if one clip ends on a frame with the timecode 02:00:15:01, the EDL out point reads 02:00:15:02.
Is this wrong? and if so does anybody know what the promblem could be?
the film is shot on 25 frames per second and the telecined to Pal dv tapes that run 25 frames per second, so that should not be a problem.

No, that's not a problem, it's just a difference in the way FCP reports timecode numbers and the way EDLs expect timecode to be.

QuickTime error when exporting from FCP 4.5 - Compressor

I'm still on Final Cut Pro 4.5, waiting to get money for a hardware upgrade before I can move to FCP 6, etc.
I have upgraded to QuickTime Pro 7.2.
This setup worked fine until today.
I selected a sequence in FCP and tried to Export to Compressor (the source material was NTSC MiniDV video footage in FCP) using an MPEG-4 Fast Cable Streaming 320x240 export setting. I used this setting successfully to export a very similar project only last week. This evening when I tried exporting via Compressor the attempt failed, and Batch Monitor's log noted a "QuickTime Error -50". I tried this repeatedly this evening, and it produced the same results even after restarting the machine.
I'm baffled by this. I had no such problem last week.
Any clues?

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Aspect ratio problems when exporting from FCP and creating DVDs

Hi there
Can anyone help? I'm using FCP to edit material shot using a Sony z1 in SD 16:9 mode. My media displayed correctly in FCP with the 'anamorphic' option ticked in the browser.
I then exported my short films as QuickTime movies and created a DVD in iDVD using those video assets.
When I then viewed the films on a widescreen tv, the films did not display at the correct aspect ratio. They were horizontally elongated, as though they had been stretched twice over, so that objects, people and text appeared fatter than they should.
Can anyone let me know whether there are any settings I could change in either FCP or iDVD to stop this happening?
Many thanks!
Jacqui

this thread may help
http://discussions.apple.com/thread.jspa?messageID=7422463

Tearing of video when exporting from FCE?

Someone was kind enough to answer this question a few months back ... unfortunately I forgot the answer. When I'm exporting a project I edited on Final Cut Express I get some (what looks to be) tearing of the video. I remember the person that answered my question (the last time) said something about de-interlace the clips where I used slow-motion or still frames.
Can anyone please help?
Thanks!

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Out of sync in/out points when exporting from FCP

When I import a sequence from FCP6 as both an XML and straight into using Send to, a lot of the clips in my timeline contain incorrect in/out points.
On some clips it is a completely different shot altogether although the durations are correct.
I have read the release notes about issues with importing sequences and the boxes are checked this end.
Has anyone been experiencing these problems too? If it helps, this only seems to be on sequences shot on the Panasonic HVX200 at: 720p25
I would appreciate any help!

Has anyone discovered the source of this problem? I just ran into this today. This is a VERY serious problem in my opinion. The whole benefit of Color (from my point of view) is to allow high end color correction without having to re-export your clips into an external app, adding another layer of degradation to your clips, or having to deal with huge uncompressed files. This bug makes that workflow useless so I sincerely hope this is fixable.

Jumpy video when exporting (sharing) to Quicktime

Hi all,
I'm doing a simple internet commercial for a conference in Chicago. I am having a new problem with imovie. When I try to make the video into a quicktime movie the transitions and frames are jumpy. Here's a clip
http://timandalison.com/Transvision2007/Commercial2.html
It worked ok with my first commercial here:
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I don't know why it's acting funny. I've used the same settings and everything. I used expert settings in sharing instead of the auto because I wanted to deiterlace it. This setting has made it worse. The jumpy one is compressed automatically for cd-rom and is better than most of the attempts i've made today.
Is it possibly my computer is having a hard time rendering it? It's been acting slow lately on everything else.
Any help is much abliged

i guess i figured it out.

"Milky" or faint results when exporting from AE to FCP

(Accidently posted to FCP Express forum-- whoops!)
I've been using After Effects for years now to create graphics for our Avid projects, and the QT results have always been great. Clean, sharp moving graphics. But now that I've been using FCP, I'm not exactly happy when I export my Quicktime graphics from After Effects to FCP: they're extremely "milky" and faint/fuzzy when viewed from FCP over an NTSC monitor. I have tried various codecs when exporting: DV/NTSC, Animation, Component-- all with the same results.
I have read other threads with similar comments (even the thread that mentioned "milky" results when exporting from FCP to AE and back) but none of the suggestions/remarks helped in my situation.
I'm sure others have experienced this. Any suggestions?
Settings:
After Effects comp: NTSC/DV Preset (720 x 480, lower field, etc.)
Export Codecs: DV/DVCPro-NTSC, Animation, Component (all with the same milky results)
Final Cut: Sequence Preset "DV/NTSC 48 Khz"
Also tried using, as one thread suggested, the "Uncompressed 8 bit NTSC 48 Khz" preset and no difference
Side note: I'm using Final Cut in this system outputting to both DV video and Betacam video, using an Aja card for the Beta. Both DV and Beta results look the same (going straight thru the decks-to-NTSC monitor) and they both use the same "DV/NTSC 48 Khz" sequence preset-- except where I changed it to "Uncompressed 8 bit". If I use Animation or Component as my export codec from AE, naturally, I have to render to play the clip back in the timeline. It even looks milky or faint on the FCP source/viewer screens!
And yes, I've checked the NTSC monitor-- a Sony Trinitron PVM-20 monitor. And I've looked at the results on other monitors and even regular TVs. Milky/faint video all around.
Any suggestions would be appreciated!!

Is this on files with alpha channels? Have you tried
changing the Alpha type? Are you having
pre-multiplication problems?
No, they don't have alpha channels. But I did try, when rendering with Animation, changing the colors to "Millions +" which was something I read on another thread. Same results.
Basically, these are After Effects projects with simple backgrounds and moving text. I'm not doing any layering with alpha channels-- like lower third supers.
However, whenever I use Apple programs like LiveType or Motion, the NTSC results look like they did while I was creating the projects with these programs before I rendered them.

"Milky" Results When Exporting from AE to FCP

I've been using After Effects for years now to create graphics for our Avid projects, which have always been great! Now that we're using FCP, I'm not exactly happy with the results of my QT graphics exported from After Effects to FCP: they're extremely "milky" and faint when viewed from FCP over an NTSC monitor. I have tried various codecs when exporting: DV/NTSC, Animation, Component-- all with the same results.
I have read other threads with similar comments (even the thread that mentioned "milky" results when exporting from FCP to AE and back) but none of the suggestions/remarks helped in my situation.
I'm sure others have experienced this. Any suggestions?
Settings:
After Effects comp: NTSC/DV Preset (720 x 480, lower field, etc.)
Export Codecs: DV/DVCPro-NTSC, Animation, Component (same milky results)
Final Cut: Sequence Preset DV/NTSC 48 Khz
Also tried using, as one thread suggested, the "Uncompressed 8 bit NTSC 48 Khz" preset and nothing better
Side note: I'm using Final Cut in this system with both DV video and Betacam, using an Aja card. Both DV and Beta results look the same (going straight thru the decks-to-NTSC monitor).
And yes, I've checked the NTSC monitor-- a Sony Trinitron PVM-20 monitor. And I've looked at the results on other monitors and even regular TVs. Milky faint video all around.
Any suggestions would be appreciated!!

You might want to post this in the FCP forum next door; this for Final Cut Express

Problem exporting from FCP using compressor

Out of the blue - I'm getting batch failures trying to export from FCP for use in a DVD. Immediately after selecting compressor for export, I get an error reading "That file already exists", and a new tab appears in the media browser with a lengthy character string. Compressor opens fine, and I select Best Quality 4:3 encoding for video and aiff48 for audio. When the batch is submitted - it promptly fails and blames FCP for generating an error.
Did all kinds of restarts and work arounds to no avail. The promising news is that this error seems to occur only when exporting from FCP through Compressor.
My work-around is to export a QT movie of the piece, quit FCP, launch Compressor, and then import the QT for batching.
Hope this helps anyone else in similar situations
Martin
G5 PPC Mac OS X (10.4.8) FCP 512 post production

Hi:
How long is your movie?
The best workflow is FCP > Compressor > DVDSP.
You can encode your timeline directly to get MPEG2 video and Dolby 2 (AC3) audio files. Then import those in DVDSP and author your DVD.
Using Compressor you control the full encoding process. You can test with small parts of your movie (those where you got problems with iDVD) and find the best encoding options fopr your footage.
Of course the DVDSP learning curve is longer than iDVD but once you learned ir you probably never go back. Like iMovie and FCP.
To give you detailed info about what encoding settings to use you must post some info about your FCP project.
Hope that helps !
Alberto

Jumpy Video when exported from FCP 5

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