Keeping 16x9 1440x1080 after using compressor

Trying to compress some HDV footage. Shot with the Canon XH-A1 and using Apple compressor to convert to Photo JPEG. So HDV is 1440x1080 and to get it to keep the 16x9 ratio I can do a compression to 1440x810 or go to 1280x720, but is there a way to keep it 16x9 at the 1440x810? Someone said keep it 4x3 at the 1440x1080 and the editing program will know to make it 16x9.
Any thoughts?
Thanks,
john

Hey John,
The information you heard is partly correct. However they did leave something that is very important out.
1440/1080 = 1.33333333 (or 4:3). HOWEVER, the pixel aspect ratio is 3:2 or 1.5. That is crucial to have a correct output from your NLE.
With that said, I would stay in 1440x1080 all the way. Even though 1440x810 is 16x9, your PAR would still be 3:2 so you are rescaling the image (bad for field interpolation).
Or you can go 1280x720 with a PAR of 1:1 (square pixels) BUT the render will be long, as you are changing the pixel dimension AND the resolution.
Staying at 1440x1080, you would not change resolution OR PAR, therefore this will be the most efficient (time wise) workflow, but not ideal for quality.
Mikey M.

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    Click submit.
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    Best of luck,
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  • Exporting iMovie Project using Compressor.

    I've just finished a 4-hour concert video in iMovie HD 6. I wonder if I could use compressor to encode file without exporting full quality movie at first. I have not enough HDD space left. I also tried to import iMovie project file to FCP but the timeline didn't work very well.
    Thx

    Sorry for the delay..
    In FCP, use File and Open, then navigate to an iMovie project and select it - which should work even though "Standard Files" is shown as the format at the bottom of the "Choose a File" window. Then FCP will say "Reading Project", and then will ask where to store this new FCP project, and it would normally go in your "Final Cut Pro Documents" folder.
    You may then get a "Media Performance Warning", which may say that the media files are not optimised for Final Cut Pro. But just click on OK, and they should load and play perfectly ..at least, mine do.
    You say that you get the following error:
    "File Error: 1 file(s) recognized, 0 access denied, 1 unknown."
    That might be some kind of permissions error ..but you don't say what happens next: if it's "0 access denied", that suggests that FCP does have access to the file and should open it ..but maybe it stumbles over that "1 unknown".
    So tell us; what happens after you get that error message? ..Does the file open or not ..and what happens instead of it opening? And why d'you get only "..1 file(s) recognized.." if you're opening an entire project which would normally consist of several files?
    You say "..when I try to import my imovie file.." ..but why are you IMPORTING rather than simply OPENING the iMovie project in FCP? FCP can read iMovie projects, so it should simply be a matter of opening the project, not exporting it from iMovie and then importing it into FCP.
    Look: here's a project in iMovie..
    ..and here's the same project opened (with File and Open) in FCP:
    All the source files are there (..in that little list at top-left..) so that the whole project plays in FCP just as it does in iMovie HD 6.
    [..For a bigger, easier to see, view of these pics, click on 'Start Slideshow' on this page..]
    As for "..How can I get a copy of QT6 and keep it seperate?.." erm, if you were still on OS X 10.3.9 you could 'downgrade' from QT 7 to QT 6, but I don't know how to obtain - apart from your asking someone who has it - a copy of QT 6 now that only QT 7 is downloadable ..or search amongst your original installation discs.
    Maybe somebody else here knows where to find and download QT 6; but I can't think where ..sorry! (..I don't know if this old version will work for you or not, or if it would interfere with QT 7..)
    NOTE: That REMOVING QT 7 may interfere with running FCP!
    NOTE: That if you have QT Pro 7, then going back to QT 6 may mean that your 'Pro' key will no longer work with QT 6, and you may be left with just the QT 6 player.
    ..That's why I advised keeping separate versions of 7 and 6, so that FCP isn't affected by the 6 downgrade. To keep them separate, you'd leave QT 7 in your Applications folder, and put QT 6 in, say, your 'Movies' folder. I do NOT know, though, if they use the same - or different - 'preference' files (..normally stored in "com. apple.quicktime.(etcetera)" in <your User name>Library/Preferences and in other Libraries).
    I suggest NOT rummaging around and changing/moving/exchanging those preference files unless you KNOW what you are doing, or are advised by a specialist like Karl.

  • Best way from FCP using Compressor (too long render - 3 days?)

    Hi
    What's best quality, most efficient way to get our 85 min documentary out of FCP 6 to an SD DVD master?
    Using 2008 model Mac Pro 3.0, 8GB RAM, I'm going from FCP to Compressor, via QT movie (current settings Pro Res) of Timeline, bring it into Compressor = NTSC, 16x9, 2 pass VBR best, 6.5 to 7.6 bit rate, GOP = IBBP closed, size 15, Frame Controls ON, resize filter = BEST, De-interlace = fast, Rate Conversion = Good...
    I did a 2 minute test and it took an hour! And that was for a web-friendly 480 x 270 size. What's it going to be at 720 x 405 (the 16 x 9 version) - 3 days? What to do? Should I print the timeline to tape and bring it to a post house and they can do better or what? I know if I turn frame controls to OFF it'll speed up significantly, but then the FONTS/Text especially when over Black BG look horrible after compressed to 720 x 405.
    Suggestions?
    K

    This ain't going to help much, sorry. Give us a few more hours, maybe a day or two, one or more of the DVDSP wonks will stop by and offer better advice.
    What's best quality, most efficient way to get our 85 min documentary out of FCP 6 to an SD DVD master? < </div>
    The DVD will be MPEG2. Working in anything higher quality than that has questionable benefits, the ratio of increased processing time to improved results is completely one-sided, a waste of time.
    Compression is a disappointing series of compromises unless you totally understand the process. You can spend a few hours researching articles by Jan Ozer to help you decide what your workflow should be. Me, I would export a self-contained movie out of FCP to a codec that would hold a reasonable amount of spatial rez before going to Compressor.
    Exporting self-contained creates a new media file that requires no further handling or rendering which is probably holding you up now. Every frame is being recreated before it can be compressed.But I never use Compressor to create the MPEG2, I let DVDSP do that for me. This shortcut produces every bit of quality I need for my projects.
    Your situation, apparently, is different. And there is no real shortcut for you except to research it and try to find a recipe that suits your expectations. But whatever you do, MPEG2 is going to be a real bummer, especailly if you are shrinking or scaling your large format image to letterbox or anamorphic.
    bogiesan

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