Kona SD and FCP 5.1-Tiger

I was wondering if anyone of you are still using the older Kona SD card in your G5s, and whether you've upgraded to FCP 5 and Tiger. I'm trying to see if I can get away with not having to buy a new card.
Using an external FW drive, I installed Tiger and the FCP 5 Studio and whatever drivers I could find. I have it so I can edit and my NTSC monitor works, but I haven't been able to get control of my Sony Betacam SP deck.
One problem is Black Magic used to make the drivers for AJA Kona, but they parted ways and thus the DeckLink cards. All this means I don't get a lot of support from either camp. Just buy a new one...
I updated drivers for the Keyspan serial connection, I tried Decklink drivers, Kona drivers. Still can't control the deck. Anyone? Thanks.

I have had a fantastic success with AJA Tech support in the states. All is now running sweetly.
What has happened in the interim is that I trashed FCP Prefs and this allowed it to launch - without losing all my Filter settings. I had been reluctant because I've been experimenting with many various settings, while between projects, and was afraid I'd lose them. But FCP ran awkwardly and the sound was at least a second ahead of picture.
I spoke with AJA Tech Support in California, I tend to work at night so ringing around the world was alright. I spoke with Rudy who was really friendly and when I explained the crashing FCP but the successful Motion and After Effects, and the FCP Prefs part solution, he told me about the Utility in the System Library, inside a folder called Core Services that is called the Expansion Utility, here he got me to explain where the various radio buttons were set and the messages visible there.
The card was set to the top Default selection and this resulted in the card being "strangled", operating at much less than its real capability - the Intel requires the second set down if it is going to function at full speed and when I had selected that and rebooted (Quitting the Utility requires a restart) all was fine, FCP started happily, the Audio is in sync and the images move smoothly - (they had been rather jerky, stuttery).
The reputation of AJA Tech Support gets yet another boost, Rudy was really good, and Support phone operators really nice too. Very successful.

Similar Messages

Last tiger and fcp: cannot export back to mini dv

we used to be able with old Mac Os and fcp to reexport to mini dv, wether on our jvc super vhs, or sony and panasoni cameras. we just are not able to do it now; anybody has a solution?

Check your firewire cable. shouldnt be any difference between printing to video on 4.5 or 5. Or perhaps its something else. I am honestly aware of many problems I and some others are having with Tiger / FCP 5, this is not one of them that I'm aware of.
PS Welcome to discussions!!!

Kona 3 [and XENA] for FCP Questions

Is the XENA 2Ke compatible with the Macintosh platform and FCP, and if so which is the recommended version of OSX and FCP?
I have previously read someone stating that you can use this card on both platforms therefor negating the need to purchase a Mac only Kona 3.
I am doubtful of this however your immediate response / confirmation / denial of this is greatly appreciated.
ALSO
Is anyone aware of news relating to an upgrade of the Kona 3 card [ie Kona 4 or a Mac and PC compatible XENA card]?
I am looking at assembling a new HD online capable suite in the next few weeks and am hoping to avoid purchasing ie a Kona 3 card just before the release of [theoretically] a Kona 4 card [possibly at NAB 08]. Being that 4K / Red post are and should be at a premium in the coming months I would like to assemble a post solution that can handle for example a short form 4K online [if possible].
I know I am dealing with a lot of what-ifs but for the investment I need to make I will be asking similar questions to these everywhere I can including the forums such as this.

Anyone / everyone please feel free to comment
Hi Jerry
First and foremost, thank you very much for your detailed reply.
1. Hmmmm. "AJA, is there something in the air too?" [lol].
I just love the thought of new gear and technology... and AJA furthering its hardware support of RED in FCP, looking forward to any NAB developments.
*2. Regarding the Xena-2Ke for Mac.* Just received a reply from AJA Tech Support stating the following:
+"Hi Mitch,+
+The Xena-2Ke is compatible with Mac OSX 10.3.x, 10.4.x and 10.5.x running+
+the appropriate Kona 3 driver.+
+On the other hand A Kona 3 is not compatible with Windows.+
+Let us know if you have more questions.+
+Thank you,+
Rudy
+Rudy Van Ko+
+AJA Video Technical Support+
+Email: [email protected]+
+Phone: 530-271-3190+
+AJA Video Systems+
+443 Crown Point Circle+
+Grass Valley, CA 95945"+
Interesting...
*3. Monitoring 2K?* What are you using to monitor 2K, HD Jerry?
Many guys in similar situations to myself over here in Australia are using Apple Cinema Displays with a Decklink HD-Link Pro box for monitoring. Obviously the 30" Cinema Display has the resolution to handle 2K monitoring but is it suitable in your view?
Realistically I am looking at offering an immediate service based mainly on a HD offline / online workflow. I would however like to future proof myself as best I can by assembling hardware that can handle 2K with reliability, stability and to reasonable levels of accuracy and complexity.
*Up until now [NAB] I've been looking at something in the order of the following setup:*
*Online Machine*
Two 3.2GHz Quad-Core Intel Xeon (8-core)
8gb RAM
1TB 7200-rpm Serial ATA 3GB/s
NVIDIA Quadro FX 5600 1.5GB (Stereo 3D, two dual-link DVI)
One 16x SuperDrive
AirPort Extreme card (Wi-Fi)
Apple wireless Mighty Mouse
Apple Wireless Keyboard
*Third Party Card / Hardware IO:*
Kona 3 with K-Box
*Offline Machine:*
Two 3.2GHz Quad-Core Intel Xeon (8-core)
4GB (2 x 1GB)
1TB 7200-rpm Serial ATA 3GB/s
NVIDIA GeForce 8800 GT 512MB (Two dual-link DVI)
One 16x SuperDrive
AirPort Extreme card (Wi-Fi)
Apple wireless Mighty Mouse
Apple Wireless Keyboard
Monitoring:
JVC DT-V24L1DGE 1920x1080 Pro HD LCD with 1:1 pixel monitoring / no scaling and all the regular / required inputs and features
*BUP / Archival Purposes / Proofs:*
Lacie D2 Ext Blu Ray Burner
Storage:
Caldigit's HD Pro OR G Technology's G Speed OR G Speed es [though not sold on G Speed es - great price point but really doesn't have the sustained drive speeds. Great for online SD, Pro Res and possibly basic DVCPro HD / HD Sequences etc. [www.g-technology.com states "Two G-SPEED eS units and the G-Tech PCIe RAID controller support all of the above plus 10-bit, 1080i/60 HD playback in RAID 0 or RAID 5 mode."]. Will be looking into the new Apple owned Promise RAIDs too; your thoughts on these? Unfortunately I don't really have the budget for SANman, X-Serve, Fibrejet etc solutions at present but for the right job, that would obviously change.
I really appreciate the idea of how you are working with 2K, though your description was not really that detailed it definitely sounds smooth. Do you think that I am heading in the right direction in your opinion with the gear I have in mind, and is the minimum 2K future proofing concept I have a valid one?
Thanks for taking the time to read this post, and hopefully reply to some or all.
Anyone / everyone please feel free to comment.

Optimizing Tiger and FCP 5

For some reason i keep getting dropped frames on playback after upgrading everything to tiger and fcp 5...
(i have two installations on seperate drives, one still running FCP 4.5 on OS 10.3.9 and the other with Tiger and FCP 5)
i'm wondering about setting in Tiger and FCP, perhaps some one can either make some suggestions or direct me to a page that lists these.

does firwire 800 run on the same bus as 400 (the one i am using for my ntsc output to monitor)?
I thought i could run a firewire 800 drive with a firewire dv camera at the same time.
hmm.
I actually do have another fireiwre card installed but i am running more than one drive, a piece of digidesign hardware (digi 002) and a dv camera... thought i should be able to do all that with all of the firewire ports i now have but maybe not..

FCP-just upgraded to tiger and FCP Studio-reports 'Missing FW connection".

I just finished upgrading 3 computers to OS 10.4.7 and FCP Studio, then installed all the obvious updates.
The first 2 computers, a G5 and G4, had no problems seeing and capturing video via FW.
The last computer, my primary workhorse, cannot find the tape device, a DSR 20. Upon clicking 'continue', to finish loading FCP, in A/V settings, the system reports the Apple FW is "missing". I've switched out the cable, then the tape devices, I've rebooted and thrown prefrence and plist files... etc...
Here's a weird thing, the controller in the log and capture window works fine to control the deck, but it won't pass or capture the video.
I'm getting ready to reinstall everything. Anybody have an opinion?
Thank you,
SB
Power G5 2 x 2 GHz Mac OS X (10.4.7) 3GB DDR2 SDRAM

Often in upgrading the OS, QT or FCP for some odd reason QT will get knocked slightly off kilter. The usual solution it to force a full reinstall of QT.
This is how:
Go to /library/receipts and delete any files that say Quicktime followed by a number e.g. Quicktime703.pkg
Go to the Apple quicktime site and download the appropriate version of Quicktime to your hard drive.
Run the Quicktime installer.
Repair Disk Permissions for your System Disk (Disk Utility > Select the system disk > Repair Disk Permissions)
Reboot
Good luck.
x

FCP Novice needs help with video quality and FCP 5!!

Hi,
I have a real problme that I cannot seem to fix. I think its because I am doing something really wrong!
I have a Sony HC42E MiniDV Camcorder which by default records video in full widescreen. I recorded several tapes this way and have now begun trying to edit them in FCP 5.04 (Tiger 10.4.6). Whenever I log and capture my clips they appear to be fuzzzy and unclear on the Mac monitor whilst being totally crisp and sharp on the camcorder viewfinder. I tried capturing using the DV PAL 48Khz Anamorphic Preset which keeps everything the right size (the final output needs to be true widescreen and not with black bars added) but the resulting video on screen is blurry and bitty. I then tried capturing using the DV PAL 720 x 576 normal preset and the video is a little clearer on the screen (for both presets I have chosen lower field dominance) but when I play back it plays back in widescreen on the mac canvas window but at 4:3 on the camera's viewfinder.
I then assumed that maybe this is just becuase the mac screen (CRT by the way) doesn't use fields. So I exported the sequence as a QT movie using DV PAL 16:9 and used quicktime (OS9 Classic - my compressor has never worked because of the dreaded "unable to connect to baackground process" problem which I've never managed to correct) to convert it to MPEG2. When I import this as an asset into DVD Studio pro 4 and set the track size to 16:9 it comes through at the right aspect ratio. However it looks blurry on screen. Thinking that this will be fine on a TV I burned the disc - inserted it into my DVD player (a good one!) and watched it on my new 32" widescreen TV (a good one!) and the picture qualitty is poor. Its so much blurrier and bittier than the original footage looks when played through the camcorder's viewfinder!
The final footaage looks like an old VHS recording that's a year or two old!
Does anyone know how I can capture my footage in FCP with the maximum quality, edit it without quality loss and the export it for DVD again without such significant quality loss whilst all the time keeping it at proper 16:9 widescreen?
Is there some presets I should be working to?
I'm tearing my hair out! Help!

Hi Guys,
thanx for your replies.
here's the latest:
Brian, I followed your instructions and the DVD burned successfully. However the video quality of the dvd when viewed on my TV ('ve tried on all 3 of my tvs now) is still a lot poorer than the quicktime movie that was imported into DVDSP4. When I play the original QT Movie on my Mac CRT monitor it looks a little blurry and grainy because I guess its non interlaced however when viewed on an external Video monitor it looks great - very sharp.
When I view the burned DVD on my television the picture quality looks like the non interlaced version of the original QT Movie that appeared on my Mac CRT and not the sharp interlaced (lower field) version that appeared on my external video monitor.
Its almost like taking a sharp jpeg into Photoshop and applying a gaussian blur of about 0.3 followed by jepg compression compressing it down to 5% quality!
I'm totally mystified. Can the conversion to Mpeg2 be removing all interlacing so that you get the less sharp computer monitor look? I just want the video on my final DVDs to be as good as the original source footage! I appreciate that along the way there might be loss of some quality but surely not that much?
Does this make sense to you guys or am I still doing something very wrong?
Robert: I have tried setting all manner of drives including a fresh external firewire HD with nothing on it (clean out of the box) but it doesn't seem to help.
Brian: I tried the no network suggestion a few months back but I'm not sure if I got it right. At the moment I have broadband through an external speedtouch usb modem and am also connected (occasionally although not for the last 3 months) via a crossover cable to my PCs ethernet card. When I last tried the No Network solution I had immense trouble getting my internet to work again! Can you please help me by directing me to the best ay to do this while protecting my internet settings?
any more help guys would be greatfully appreciated.

Quicktime 7.0.3 and FCP 4.5

Are there major issues with these two? I am on 10.3.9 OS
FCP has been acting a little weird since installing QT 7.0.3. It's harder to make exact cuts in the timeline among other issues.

Yes...there are major issues. Do not use QT 7, 10.3.9 and FCP 4.5. VERY FEW people have gotten it to work right. If you go to Tiger, QT 7 and FCP 4.5, you might have better luck (might) but best to stick with QT 6.5 with FCP 4.5.
A few peole might say "hey, but it works for me," but those people are dwarfed by that ones that it doesn't work for.
http://forums.creativecow.net/cgi-bin/newreadpost.cgi?forumid=8&postid=868910&pview=t#head

FCP hd on Tiger

Hi
I tried to install FCP 4 in tiger but it says that
need higher or faster processor and AGP graphic card.
I do not know why this happened. Is that mean Tiger only need FCP 5?
Please help me

#29: Need AGP Graphics card
Shane's Stock Answer #29
You either need to either:
1) use the following hack -
http://www.xlr8yourmac.com/feedback/finalcut_pro_on_oldmacs.html
or
2) Upgrade to FCP 5
http://docs.info.apple.com/article.html?artnum=302667
Shane

Down Convert Captures from Z1, with Kona Lhe, and Firewire

Hi Everybody!
Ok here is another question, I am capturing with my Kona LHe,and also with firewire in FCP 6. When capture with my kona I cant get a full screen in the 525i mode? what is the best setting to capture DVCPRO50? for DVD using the Kona? I ran a bunch of test and I could seem to get a full screen capture using the Kona, but only with DVCPRO HD codec. Should I just capture with firewire instead? if so which codec in "Easy Setup"? I am also getting another Cal Duo, that will give me to , to "strip" together for more speed as Caldigit said it will work just fine. I ran some test with different codecs using ProRes 422 settings, also, and the HDV captures, with the sequence settings look real impressive all the way through DVDSP to my Sony HDTV in SD, and also the DVCPRO HD, captured from the KONA, looked fabulous too., Your thoughts and imput are all greatly welcome!
Thank you All, Tim C.

use the SDI DVCPRO50 kona card setting for NTSC if the player has SDI and after capturing it in fcp use compressor to convert as a DVD 30 or 60 etc or use DVD studio pro for authoring and building DVD's ?

I GIVE UP! Is it possible to uninstall Leopard and go back to Tiger?

I am ready to give up for now. Is it possible to uninstall and go back to Tiger?

If you were wise you would consider other options just besides getting rid of Leopard and throwing it away. First, you could wait until Apple releases OS 10.5.1, then install and update to it. This might help take care of some problems. You could dual boot OS 10.4.10 and 10.5 as long as you have the OS 10.4 full install Disk and the OS 10.5 full install disk. I personally will wait until at least Christmas time before I install Leopard. New OS's are always full of bugs. On the Microsoft side, I've read where Windows Vista is still having major problems and is taking a long time to become widely used. These problems take time to fix. When Windows XP came out nobody would upgrade to it because of all it's bugs, now Windows XP is considered the standard on PCs. Mac OS 10.4 was also full of bugs at first, but now we talk about how rock solid it is. Simply give Apple time to fix these problems.

Will Final Cut Studio 2 HD and FCP 7 Upgrade load on newest OS?

I have Final Cut Studio HD and an FCP 7 Upgrade on my old system. Looking to buy a new iMac and wondered if I could load Studio 2 and FCP 7 on the newest OS?
Any insight is appreciated!

Forgot to mention, although it will install it isn't officially supported by Apple anymore. Just in case someone jumps in to point it out.
DM

Is it possible to install both FCP7 and FCP X on your hard drive without running into problems?

Is it possible to install both FCP7 and FCP X on your hard drive without running into problems?

Apple recommends separate partitions: http://support.apple.com/kb/HT4722

Matrox MX02 Mini and FCP 7...

We have been using the MX02 Mini essentially for HD monitoring and have run across a few issues that have hindered productivity. It appears that one or two of these issues have been fixed in the latest 2.2.1 software release. The following remain. Has anyone experienced the same?
1) Audio scrubbing... audio cannot be heard on a per frame basis, usually audio is heard every three
frames or so.
Apparently this has not been fixed.
2) Audio playback. In the viewer... Hit play... Playback begins but the audio drops out and then
resumes... hit stop and playback repeats the last bit of what was playing before you hit stop.
3) Audio distorts, similar to an analog overdrive sound, when hitting play every 10 times or so.
Most of the projects that we are working with are Apple Pro Res 422 @ 23.98, Audio 48khz/16 bits.
Most of our computers are as described... 2 x 2.26GHz Quad Core Mac Pro running 10.6.6 and FCP 7.0.3.
Hard drives are local external 2TB G-RAIDs with plenty of room. We have check all of our media to make sure that it matches our sequence settings.
I realize that there are Matrox advocates out there, but we seem to have a hard time getting the MX02 Minis to work reliably.
All ideas are welcome. Note that we are working with Matrox support as well.
Thanks,
Scott

1) Audio scrubbing... audio cannot be heard on a per frame basis, usually audio is heard every three frames or so. Apparently this has not been fixed.
Well, that actually is the main thing that was addressed in that update. I didn't have the issue for a while, then I upgraded to snow leopard, and there it was. But that was something with the 2.0 and first 2.1 drivers. But the latest driver that was just released, 2.1.1...fixes that. For a lot of people, me included:
http://forums.creativecow.net/thread/132/860478
http://forums.creativecow.net/thread/132/860397
As for the other issues, that are all audio related... they should have been addressed too.
Make sure to update PROPERLY. Uninstall the older drivers, then restart. Install the new drivers... and when the updates erase and then update the firmware, when the computer will shut down, and you need to unplug the MXO2 mini for at least 5 seconds, then plug it back in. Then start up the system.
Shane

New 13" MacBook Pro and FCP Express?

Is the new 13" MBP OK for light video editing with iMovie or FCP Express and little photo editing with Photoshop Elements?
For video I use Panasonic AG-HMC40 AVCCAM HD.
Thanks!

Graphics.
However, as I keep telling everyone, I have an almost prehistoric 2004 G4 eMac (1.25GHz 768MB RAM and 32MB VRAM) which ran and still does run, FCE 4 and FCP 6 perfectly well.
The only minor problem was that the new FxPlug effects did not work, but with 200 other effects there was still plenty to keep anyone happy.
Your setup will not have that problem and even though it isn't the latest iteration it should still be excellent for the job.
Message was edited by: Ian R. Brown

Help with cs3 and fcp -from cs2 and fcp thread..

didnt want to hijack the thread about cs2 and fcp so started a new one
hi, I'm using a proRes 422 file ( mov ) 1920x1080p 23.98fps 16:9. Loads and plays fine in CS3 (custom desktop settings)...but wouldn't mind knowing your project settings for your trial shooternz...so I can compare...
My file is dark and a little flat...so I used levels effect adjustments. However, though it looks way better and exports OK ( hdtv 1920x1080p 24fps) I do see some "noise" now if I freeze the frame...is that common or am I over doing it on the gamma and levels correction ?
I'm just doing hd for the first time really on this machine, trying to figure out what I need in future for machine and upgrade to CS5...so I am going to dissect this file and figure this out til the cows come home so I don't have to deal with problems in future with new machine, etc.
Another thing...I have media info on this saying mpeg-4 ( mov wrapper) video = apcn ..audio = ipcm..
audio 1,536kbps, 1 hz, 16bits, 3 channels, ipcm..
However, there is no sound on the track which loads into audio 4 when video goes on video 1. This was shot with a boom - as I can see a boom shadow in shot during " back to 1 " on the set (when dolly moves back to 1 etc) .... ( sound mixer) so it's possible there is in fact NO SOUND embedded in the video file. Is that common to have a soundtrack appear even if it is empty with proRes ?
thanks...Rod

Wow, not too popular a subject ...this....
Got an update from the man who sent me the prores file...and a little info re: his opinion of adobe coming from FCP...I will share it with you all...
If you are going the Adobe route, I would highly recommend that because Premiere CS5 is a really impressive app when it comes to working with footage and editing. I have recently moved over to the Adobe CS5 Suite because Final Cut is good, but it hasn't been updated in a while....and the Mac is a really expensive alternative to a really good PC.
The color space for the clip I sent over was set for Rec709 HD Colorspace which is meant for broadcast, but on a non calibrated monitor, it will look dark. It usually requires a gamma shift and color treatment (since the clip is uncorrected), but it sounds like you are on your way.
Given the RED work flow, we always shoot raw and make the adjustments prior to rendering. The main reason we use the Adobe Suite is because you can work natively with any footage in the digital work flow.....FCP requires you to transcode everything into a Pro-Res Quicktime and you lose all of the really granular ability to treat the footage in order to get through the edit and color grade.
sooo, new computer will have a broadcast monitor ( just in case one is needed )...
I adjusted my clip by eye, plus vectorgraph etc, (levels and gamma) and it turned out fine...
Rod

Kona SD and FCP 5.1-Tiger

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