Layer Mask with Adjust Skin Tones?

Is there a way to use a layer mask with the adjust skin tone option in PE4? I like what it did to the skin , but not what it did to the wall in the photo. Thanks.

Hi Jon there are at least three ways.
#1..Make a selection.. then apply the skin tone option. Only the selected area will be active.
#2... Duplicate the layer you want to work on. Apply the skin tone. Then hold the Ctrl key and make a new layer. The new blank layer will be below the layer with the skin tone. Then hold the Alt key and click between the two layers to group them. The skin tone will disappear but you can paint it back with a black brush, or remove with an eraser. Just be sure to have the blank layer active.
#3... Duplicate and apply tone as in #2. Open an adjustment layer, like levels, directly below the skin tone layer. Click ok do not make any adjustments. Then as above hold the Alt key and click between the layers to group them, look for the link symbol. Now you can remove with a black brush or add with a white brush.
Butch

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Turned off automatic layer masks with adjustment layers - want them back

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Thanks. That is what I have been tying to find, but I am afraid I need a little more guidance. I am in the layers panel and clicked on the arrow to the right and I have no options to select this. Here is what I am looking at:
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Why use layer masks and adjustment layers?

I've been using PSE and CS successfully for years.
One thing I have never understood is: why use layer masks and adjustment layers, instead of simply creating a copy of the subject layer (the one I want to make changes to) and experimenting with that? It's quick (Ctrl-J), I can do it as many times as I want, I'm not affecting my Background layer. If I like the changes, I can keep them. I can switch the copy on and off to compare with the Background layer. I can do any type of blend or combination I desire. I can insert Gradient layer(s), select any part of the copy and (Ctrl-J) create a new layer containing only the selected part. I can adjust size, rotate, do anything.
It almost seems that "layer mask" and "adjustment layer" are mainly another layer of terminology; can anyone explain (preferably in 50 words or less) how they are intrinsically different from or superior to working with copies of the Background layer? What can be done with them that can't be done simply using copies of the Background layer?

Here's a very basic example of the advantage of using a layer mask.
I have this picture of a sunflower and I want to convert the background to black & white, leaving just the flower in color. I duplicated the Background layer, converted it to B&W and proceeded to use the Eraser to uncover the flower color. But I made a mistake and erased outside the flower. There is no way to correct this other than deleting the layer and starting again.
Now let's use a layer mask on the B&W layer. Set the Foreground/Background colors to the defaults black/white. Using the Brush tool paint on the mask with black to reveal the color. Here I painted too far, revealing a green leaf in the background. No need to start over. Simply switch to white and paint the excess to convert back to the B&W.
Tip: while painting you can type "X" to toggle between black and white.
You could also select the flower using the various selection tools and then fill the selection with black. If it turns out the selection was not 100% accurate you can then fine-tune the result by painting on the mask with black or white as necessary.

Image in a layer mask with gradient problem

Hi,
I have a image in a layer mask with an gradient on a 30c0m0y100k background and at the gradient from image to background I always get a white "shine". which NOT appears when the background is the standard photoshop-black definition in all colors.
please have look also here (where the problem is): http://adobe.ly/1yXBCix
and here where it looks like I want to have it (where I switched the layer mode of the mask to multiply and that causes that my background is not anymore 30c0m0y100k): http://adobe.ly/1HFZfC4
thanks a lot!
oliver

Yes, just save it and post it here using the little camera icon:

Layer mask with background animation

Hi all,
I am looking to create a video for my YouTube channel using Layer Mask but I am not too competent in using masks.
The logo for my channel is here:
I would like to create a moving background in where the coloured image is but I want to mask out the white areas and keep the text on top. Is it as simple as just creating a hexagonal layer mask with the text in a separate layer?
Thanks in advance,
M

Another way is to use a track matte.

Layer mask is turning skin Gray

I have used the same basic skin retouching method for hundreds of pictures. Usually I end up with very nice, natural looking skin. Today, the same technique is turning the skin gray on any picture I attempt to use it on. I cannot figure out why. Essentially, I copy the background layer. I do my spot healing on this layer. When I'm through, I make 3 more layers. On the first, I use the Median filter. On the second, I use a high pass filter. Then on the 3rd, I add I layer mask, painting in black, and go over the skin. It is always gray on the mask. I then go back and reduce the opacity of the high pass and median layers. Usually I end up with smoother, but natural skin and it's normal color. Today, every time I attempt to do this, the skin stays a muted gray. I cannot figure out why. Does anyone have any suggestions as to what might be different that I'm not noticing? Thanks.

Figured it out finally. For some reason the high pass kept slipping out of overlay mode into normal mode. Problem solved.

What do you do when painting on a layer mask with the correct color dosen't work?

I have been trying to do some compositing but when i paint with white on a black layer mask or black on a white layer mask, NOTHING HAPPENS. What should I be looking for? Is there an adjustment that needs to be set a certain way? I would also like to know how you open multiple images in one document with each image on it's own layer. Thanks...

Everything is set correctly... still nothing.
I want to use a texture and an image. I have them both in the same document, but the only way to get the texture to allow the image to show through is to reduce the opacity. That's not the look I want. I tried clipping the two different images together, but then I could only see the photo itself and no texture. I just don't understand why when I set things correctly they don't work.
One other question if I may? Everything, all of a sudden is opening in Preview instead of with PS as it has always been in the past. I don't recall changing any settings. What should I look for to make PS my default...
Oh and one more thing. When I click on Safari photoshop goes missing and Safari shows. If I click on photoshop then Safari goes missing. This is INCREDIBLY annoying and I don't know why it's doing that. Both these things started at the same time. I'm on a Mac.

Stationary layer mask with moving image in iWeb?

Hi everyone,
I have a an image that I only want 1/4 of revealed. I want to animate the image so that it moves across the opening of the mask (like someone passing by a window).
Is this possible in iWeb?
Have a great summer everyone,
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Thank You for the links- this is a real education!- and after you rewrite the code where do you put it in iWeb? Do you paste it into a text box? Is the code embedded into the iWeb file or is it a link to a server outside the file?
Sorry about all the questions- I'm just trying to understand the technology so I can make a decision of where to start learning. I am looking for the simplest path to follow.
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Blending with a layer mask question

In CS5, I make a selection and copy it to a new layer and use the bloat tool to manipulate the layer, I then select the new layer mask with this new bloated layer and use the brush tool with the airbrush turned on to blend in this new layer with the original layer.
However, I am just not sure I understand what this is doing.
1. How is using the layer mask to blend it in different from just using ther eraser tool to erase parts of it?
Thanks.

I don't get the impression you fully understand the concept of the layer mask. Using a brush on the layer mask does nothing to the layer itself. Think of it like a window through which you see the layer. Paint part of the window black and you can't see the layer underneath. Scrape the paint off, and voila. You now see again what was there.

Matching Skin Tones

In the tutorial "Photoshop Tutorial:Adjusting Skin Tones" (huge address so did not include) you find the perfect skin tone (ref), use color sampler tool and in info change to HSB. You change the brightness here to same value as troublesome skin tone pic (target) and jot down RGB values. Next you make a selection of the target and make a curves adjustment layer. So far so good.
Here is where I get confused.
"Step 5: Using Curves
Once you have all the skin area selected, it's time to create an Adjustment Layer. To do this, go to Layer, Adjustment Layer, and then Curves. Then, going through each curve: Red, Green, and Blue, add a point on each one. Once that is done, hold on Shift+Command for Mac users and Shift+Ctrl for PC users and click on the area that you sampled earlier (the sample where you checked the HSB settings). Once you have sampled the color, all you need to do is replace the figures found in each R, G, and B curves with the numbers you jotted down in Step 3".
When asked to add a point on each curve how do you know where to click on the line for point? Where do you get the points? I clicked on the target and the point appeared, but did not stay. So I then clicked on line at that location. Is that what is meant?
"When you use Shift+Ctrl on the sampled area" is this on the ref. area? What does this do? I see no change.
"Once you have sampled the color, all you need to do is replace the figures found in each R, G, and B curves with the numbers you jotted down in Step 3." I assume you grab the point on the lline that was added above and drag to the new value?
Perhaps someone with experiece in this or similar method can provide some clues.
Thanks

With the Curves dialog open, Ctrl+Shift+clicking in the image will place a point in the curve in all the channels at that position. From what i understood of the tutorial you Ctrl+Shift+click on a skin tone that you want to modify and then modify those points so that that section of the skin matches with the ref area.
A faster method would be to just paint with that color on a separate layer and then set that layer to the Color blend mode. It doesn't always work but it's usually worth a try before messing around with per channel curves adjustments.

What are the ranges for correct skin tones using RGB%?

What are the ranges for correct skin tones using RGB%? Used to using a scale from 0 to 255. But with LR it's RGB , I know 100% RGB is white. What do you use for %?

While I whole heartedly agree that we should not be constrained to hard and fast numbers for accurate skin tones ... LR does offer an RGB color readout ... I am assuming they made those percentages available for the user to monitor the breakdown of specific color values for a reason ... so we could have an indication of how a specific color in an image will be reproduced ...
I liken this to using a speedometer ... while many experienced drivers in well tuned vehicles can travel on the highway at the prescribed legal speed limit without really monitoring the readout on the dashboard ... however, there are times when they would like to verify the speed at which they are traveling ... the RGB color percentage readout in LR is no different ... just a source of information to verify you are achieving what you desire ...
Again, going by specific numbers in this instance, I believe, could lead to problems ... there may be times when you may desire or actually need to adjust skin tones ... even though a pleasing WB has been achieved ... the relationship of R, G and B can be used to get you there.
From what I have researched and put into practice with LR the following seems to be a good starting point and the data was borrowed from "the pixelation" blog:
R: highest %
G: middle %
B: lowest %
To get a little more specific. In general,
R: Y + (15-20)
G: average of R and B
B: R – (15-20)
For example, the following values represent common Caucasian skin tones using the rules above:
* R: 80%; G: 70%; B: 60%. R is 20 points higher than B, and G is midway between R and B. That’s perfect.
* R: 86%, G: 78%; B: 70% also reflects a nicely balanced skin tone. Again, G is midway between R and B, and R is 16 points higher than B. This, too, illustrates a great relationship among the colors.

Bug report: [layer mask] editing colors

Sometimes it appears that the white/black color combination that is automatically selected in layer mask editing may override the selected color combination outside of layer mask editing.
Example:
1) Open Photoshop.
2) Select two colors: white/white.
3) Create two blank documents, each with an empty Layer 1.
4) In one document, add a layer mask to Layer 1. The colors should have been automatically switched to black/white as the layer mask is selected.
5) In this document, use the gradient tool to fill the layer mask with black/white.
6) Switch to the other document, and notice that the color selection is again white/white.
7) In this other document, use the gradient tool to fill Layer 1. Notice that the layer is filled with black/white instead of white/white as selected.
Tested on: PS CS6, Windows 7, 64-bit.

On further testing I think the issue may not be directly related to layer masks at all.
Basically the issue is that the Gradient tool colors don't update to the 'default foreground/background colors' in cases where it seems that they should.
One example of such a case (as illustrated in the original post) is when the Gradient tool keeps the black/white color combo used for a layer mask in a previous document after switching to the current document where a non-masked layer is targeted and the default fg/bg colors have correctly reverted to white/white.
Example:
layer mask targeted in doc1 - notice synchronised Gradient and default fg/bg colors
after switching to non-masked layer in doc2, Gradient is still black/white although default fg/bg colors have reverted appropriately to white/white
Bug or not, it's something I wanted to point out as it seems inconsistent.

My text layer mask is not working when I test it

My text layer mask does not appear when I test the movie. The
mask works move the key along the timeline, but when I test the
movie nothing shows up. I'm doing exactly the same thing I do when
I mask images. I actually imported an image to the text layer and
the mask worked correctly. What am I doing wrong?

provide a link the fla - make sure your text layer is truly
linked to the Mask layer. What is the
font? Did you try breaking apart the font until it becomes
raw shapes? not that you want to do that
but save as with new name - try it and if it still doesnt
work, then the issue is not with your font.
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bippity wrote:
> This is driving me crazy! This should be the easiest
part of the animation!
>
> I have tried every variable I can think of.
>
> Everything works except for a layer mask with text. The
mask erases text
> anywhere in the project.
>

Layer Mask with Adjust Skin Tones?

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