Lens Correction GOPRO 4 HB and DJI

When I apply the lens correction, as in the official video tutorial for PR CC, it seems seamless. When i apply it the playback becomes jerky, is there a step missing. I am a novice with this. Please can someone help. Thanks

Only thing you can do is to render the timeline.
Or use the fisheye correction in the free Cineform Gopro Studio software (it produces avi's or mov's).

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Lens Correction in Lightroom 3 and Photoshop CS4

I just upgraded to Lightroom 3 and make use of the lens correction feature in the develop module. After doing all my
adjustments in develop I click ctrl-E to take the photo into Photoshop so I can tweak Levels. I noticed that the lens correction adjustments do not seem to be recognized by CS4 when the photo opens up.
Do I have to upgrade to CS5 to get the lens correction adjustments in LR3 recognized or am I doing something wrong. Thanks

I am using Lightroom 3.4, x64, and Photoshop CS5 (12.0.3 x64) on Win 7 OS.
I might add that, based upon my situation, limited knowledge & experience, I have a number of images ( aprox 200), taken with the same camera/lens combination, for which I want to take advantage of what seem to me the most useful features of each software package: in this case, the ability of Lightroom to apply common "development", first in lens correction and, later at the end, miscellaneous common settings; but, in the middle rotation & crop unique to each image.
Am I missing something, for I would think my situation not uncommon?

Are there different lens corrections for the new and old Nikkor 80-400mm lenses?

Is there a different lens correction for the new NIKKOR 80-400mm f/4.5-5.6G ED lens and the older NIKKOR 80-400mm f/4.5-5.6D lens? The model number box under profile correction seems to make no distinction so it is hard to tell if the right lens is selcted. This would also be important in filtering the lens used so a comparison could be made of the results between the old and new. The EXIF data seems to make no distinction either. The newer model is great!
Thanks!

The newer lens is definitely supported - came in with Lr 5.0.
Tony Jay

Lens correction, and Raw or JPEG

Please bear with me, sometimes I'm a bit slow.
I just loaded a friend's JPEG into ACR, to see if I could fix the distortion. The image has no EXIF. The list of Nikon-fit lenses was much shorter than usual - is this because it is a JPEG, rather than a raw file?
I was surprised that the 16-85mm lens wasn't in the list, as I know this was added in 6.2. After hunting for the LCP files, I see that there is a RAW version only, so this ties in with my guess. So, my next question is: why does Adobe supply two profiles with some lenses (raw + jpeg) and one with others?
I gave up on ACR, and loaded the JPEG into CS5. In CS5 Lens Corrections, I was allowed to assign a raw-only profile to my JPEG. This is good, but why am I allowed here, and not in ACR?
And, a less important question, but niggling nonetheless, and maybe a little off-topic, why does CS5 Lens Correction offer both "NIKON" and "NIKON CORPORATION" as a camera make, when others just have one listing?

Yammer P, yes the list is shorter because it's a jpeg rather than raw, and we have more profiles for raw than for jpeg.
For the set of lenses supported in CS5's initial release, we created profiles for both raw and jpeg. Since then, we have been concentrating on raw-based lens profiles, for a number of reasons (one of which is that we feel we can consistently deliver the highest quality results this way). This is why you see some lenses supported with raw & jpeg profiles, but many more supported with raw only.
CS5's Lens Correction plug-in does indeed let you choose raw-based lens profiles even though it is processing a rendered file (e.g., jpeg, tiff). This will work in many (but not all) cases for distortion correction, but will often work poorly for chromatic aberration and vignette correction. I don't recommend this workflow and it is a key reason we don't let users mix/match in ACR & LR.
Eric

Lens Correction and Cropped Pixels

I'm starting out as an architectural photographer, and as I don't yet have a perspective correcting lens to adjust images in-camera, I need to use the Lens Correction tools in Photoshop and ACR. I prefer to use them over the Free Transform tool for the sake of accuracy (and convenience), but I do have an issue with the tools. When I correct the perspective of an image and then process, whatever extends beyond the boundary of the canvas winds up being automatically deleted, and it seems as if there's no setting to prevent this from happening. As there is sometimes a piece of a photo that I would like to be able to retain (i.e. extra sky, the top of a building, etc.), I understand that I can scale down the image in the Lens Correction tool and then re-crop after processing. Of course then this causes the image to still be smaller than I would like it to be (in certain cases where the distortion correction is more extreme, an original 21MP photo might become a 12 or 13MP photo after processing in the Lens Correction due to scale-down).
Is there any way that the Lens Correction tool will allow for pixels extending beyond the boundaries of the canvas to remain uncropped, thus allowing me to expand the canvas in order to reclaim the extra information?

Yammer P, yes the list is shorter because it's a jpeg rather than raw, and we have more profiles for raw than for jpeg.
For the set of lenses supported in CS5's initial release, we created profiles for both raw and jpeg. Since then, we have been concentrating on raw-based lens profiles, for a number of reasons (one of which is that we feel we can consistently deliver the highest quality results this way). This is why you see some lenses supported with raw & jpeg profiles, but many more supported with raw only.
CS5's Lens Correction plug-in does indeed let you choose raw-based lens profiles even though it is processing a rendered file (e.g., jpeg, tiff). This will work in many (but not all) cases for distortion correction, but will often work poorly for chromatic aberration and vignette correction. I don't recommend this workflow and it is a key reason we don't let users mix/match in ACR & LR.
Eric

Lens Corrections unavailable in Adobe Camera Raw 8.3

hello,
since i switched to photoshop CC (mac version), i am having constant problems with lens corrections in ACR 8.3. i am a professional photographer and i use various canon pro lenses that all exist as unique lens profiles already in photoshop and ACR's lens profile archives. when i open canon .CR2 files in adobe ACR 8.3, i encounter the message "unable to load lens profile" at the bottom right of dialog box and even though the correct lenses are identified, ACR cannot apply corrections (please see the attached visual). furthermore, this behavior happens to be sort of erratic, since it may sometimes decide to apply corrections without displaying the "unable to load lens profile" error message.
when i open the files into photoshop CC without being able to apply corrections, i try the "lens correction" menu within photoshop and it works. it is very cumbersome not to be able to do this at the ACR stage.
the ACR that came with photoshop CS 6 never had such problems and it corrected all the lenses that i had.
can you please help me to fix this issue ASAP, since this error makes me lose a lot of time in my workflow.
i also have photoshop CS6 installed in the same disk, could this have any effect?
best regards,
murat germen

Presumably you're shooting raw for everything, right, otherwise the issue can be that most raw-capable-camera's JPGs don't have lens profiles whereas raw files do, so profiles are found for raw images but not JPGs. The reverse is sometimes true, too, where a camera used to only have JPG output but now produces raw files. I believe the DJI Phantom Vision FC200 quadcopter camera is an example of such. The screenshot doesn't have enough of the ACR interface to see the name of the file.
Are the profiles that aren't found consistently the same lens or are they from various lenses that also have photos that work in ACR 8.3 at other times? And do the same photos that fail to have lens profiles load in ACR 8.3 at one point then work if you open them again, later? In other words does the intermittency seem to be tied to either the specific photos or the specific lenses or not? Specific photos could mean there is something corrupted in the photo. Specific lenses could mean that the lens profiles are missing, somehow, or inaccessible due to permission problems.
Is CS6 updated to the same ACR 8.3 version or is it older? If it is older then install the ACR 8.3 update for CS6. This will re-install the lens and camera profiles, again.
If CS6 is already updated to ACR 8.3, too, then install the DNG Converter 8.3, which also will install the profiles, again.
The DNG Converter can be found, here:
http://www.adobe.com/downloads/updates
If you can't figure it out, then uninstall PS-CC, log out of the CC Desktop app, log back in--so it sees that CC is missing, then re-download and install CC. This should reset ACR back to 8.0 or 8.1 after which you can install the ACR 8.3 update, again.

Accuracy of Lens Correction in LR3 or 4

Hi! I recently bought my Fuji X10 und downloaded LR4 (beta). Im quite new to LR & RAW, but learning fast.
Since there is no LCP for the X10 available yet, I'm doing lens correction manually. But the manual correction is quite limited, especially for the 28mm wide angle distortion of the X10.
My efforts result in almost perfect horizontal & vertical lines in the center, but especially the horizontal lines spread towards the edge.
http://dl.dropbox.com/u/4978642/Bildschirmfoto%202012-01-21%20um%2014.37.01.png
Now I would like to know, if a later available LCP would correct this further and straighten all lines? Hoping not to need Photoshop to do the job.
THX for any comments.
Oliver
If you don't have a Dropbox Account, get one free here: http://db.tt/y1XYyIg

Manual lens correction model is limited and only account for lower order distortion terms. The distortion used in the LCP is more powerful and can account for higher order distortion terms. You can build your own custom lens profiles using the Adobe Lens Profile Creator http://labs.adobe.com/downloads/lensprofile_creator.html. Or see if others have built and shared the same lens profile using the Adobe Lens Profile Downloader.
-Simon

Lens correction doesn't work in CS5 Bridge

Lens Correction in Bridge isn't working properly for me.
I ran the Lens Correction tool in Bridge and selected "Match best profile" from the profile section.
The script ran and saved the new files in the proper folder, but didn't produce any lens correction results. I double-checked this by creating a highly distorted lens profile and running the script with that, but it didn't produce any results either. It seems the Lens Correction tool, when accessed through Bridge, isn't working. It does, however, work great when used in Photoshop... just not in Bridge where you can apply it to multiple files.
Has anyone had any experience with this? Judging from the ancient dialog screen, I'd bet that this feature doesn't get used much.

Has anyone had any experience with this? Judging from the ancient dialog screen, I'd bet that this feature doesn't get used much.
Your last remark about popular usage seems to be spot on, never even tried it myself. It seems one of the many needless and bad working options in Bridge that should have been dealt with long time ago but as we all know by now Bridge is neglected by Adobe bean counters and we still are waiting for the miracle...
Tried your route in Bridge CC (selecting a few files in Bridge / menu tools / Photoshop / Lens Correction) and run the scripts.
You are right, the files are saved in a separate 'results' folder with the same filename but nothing has changed other then instead having a locked background layer now the dreadful 'layer 0' assigned (dreadful because I have lots of actions working on the layer called 'background' and they refuse to work on 'layer 0', I have to built in a flatten layer command to change it again to background, but this is slightly Off Topic…)
And indeed, the same files running in PS lens correction filter do have the correct result.
You can't use raw or DNG directly in the Bridge script because the result can only be saved as jpg, png, PSD and Tiff.
Meanwhile you could do the obvious and choose from two options:
- follow the ACR / Raw -DNG route (preferred because at the start of the process) where you can select the raw files in filmstrip mode and with select all choose lens correction in ACR then hit OK or save or open).
- or in case of already converted or saved files create an action (which is nothing more then a recorded script but then very easy) yourself.
Just open 1 file in PS, then create a new action in the action panel with a proper name. It starts recording and will follow your steps. Apply lens correction with the wanted settings, then hit OK, use flatten layer to return to Background instead of Layer 0, hit save as (choose a proper location because all files will be saved here when running the action) and be sure to not touch or change the file name otherwise each new file will overwrite the previous with the same recorded file name, if you leave it untouched it saves the existing file name in a new location. hit close file and then stop the recording of the action.
Select a bunch of files in Bridge, choose menu tools / PS / Batch and select the action you want to apply and hit OK. In case of 100 + files go for coffee, otherwise watch the magic happen…

Adobe Camera Raw & lens correction for Nikon 105mm f/2.8 AF Micro

Adobe Camera Raw does not have a lens profile for the Nikon 105mm f/2.8 AF D Micro lens (the discontinued 105 mm - there is a profile for the new Nikon AF-S VR 105mm f/2.8 G IE-F). However, when lens corrections are enabled, ACR (and thus Lightroom too) selects the Sigma Macro 105mm f2.8 ex dg, Nikon Corporation - presumably the Nikon Corporation means this Sigma lens with a Nikon mount. This seems like a minor bug in ACR.
Is there a place to request Adobe create a profile for the Nikon 105mm f/2.8 AF D. There are a lot of these older lenses out there and it is a great lens.

There are indeed a lot of older (and still great) lenses out there, but unfortunately we can't build profiles for them all. This is one reason (a big reason) why we've provided the free Adobe Lens Profile Creator (ALPC) tool, so users can built their own (and share them, too). You can also check the free Adobe Lens Profile Downloader (ALPD) tool and see if other users have already built a profile for this lens.

Crashes with Manual Lens Corrections

Last night while trying to adjust vertical or horizontal distortion in the Manual half of Lens Corrections panel, I had 4 unexpected quits for 4 different images. Quirky, in that sometimes I can use those adjustments but last night no. Lightrroom was slow and when trying to navigate module changes, the spinning beachball would come on for 15 seconds. I tried a computer restart and it seemed to correct itself.
Mac OSX 10.6.8, MacBook Pro 2011

Are they photos that had existing settings when you imported them into the beta? We're seeing some crashes relating to lens corrections with PV2010 data, and slow sliders with existing data too.

Can't do GoPro Hero 3 lens corrections in Photoshop CC

I'm a creative cloud subscriber. I just watched a great video on Adobe TV showing me how Photoshop CC can do lens corrections for GoPro Hero 3 black edition cameras. However, when I imported my GoPro Hero 3 footage into Photoshop CC, GoPro did not appear as a camera maker. I shot the video in 1080, with ProTune on, in Camera RAW. Maybe that's why I don't see GoPro... Any ideas?

I was initially mystified by this as well. Here is what I finally figured out:
1. From bridge, open a GoPro .mp4 file in Photoshop.
2. Filter > Lens Correction. Pull down GoPro under camera; GoPro Hero 3 Black under camera model and lens.
3. Click OK.
To add additional video clips, hit the "+" sign at the right side of the Timeline panel. Apply the Lens Correction filter to these, as well.

Lens correction database- gopro

Hi All,
I'm trying to use Photoshop CS5 to remove the fisheye from my GoPro Hero4 Silver images. Online forums show that I can go to Filter>Lens Correction and select my GoPro camera to apply correction, however my Photoshop does not list GoPro (or thus the specific camera) as a camera make in the "Search Criteria" folder. I've attached a screenshot of what I do have (according to tutorials, "GoPro" should be on that dropdown list). Does anyone know if I can update this database of cameras, or do something else to fix it?
Thank you!

As R_Kelly says, actually installing the DNG Converter will update you to the latest ADOBE provided profiles.
Note that Adobe have not provided profiles for all conceivable camera makers and lenses, nor do they claim to have done that, nor that they ever will.
If someone has developed and published the profile(s) you seek, you'll have to Google for that third party profile and see if it actually works adequately.
As an aside, Ill have to add that not dealing with video at all myself, I had never even heard of your particular camera. It also not clear to me personally, whether video lenses and video cameras can be profiled at all for use in Photoshop. I just don't know.

How to Save Camera Calibration and Lens Correction in Camera raw 6.1

I downloaded and installed the Camera Raw 6.1 release candidate. I open an image and set the camera calibration and the lens correction to auto for Nikon. I save these settings as new Camera raw defaults, but when I open other images, the changes were not made. How can I save these items as defaults?
Swila

Swila, were your "other images" previously edited in Camera Raw? I.e., do they already have saved image settings? The defaults that you save via the flyout menu will only apply to new images, or if you reset an existing image to the defaults. (e.g., choose "Camera Raw Defaults" from the flyout menu).
Eric

Lens Correction and JPEGs

Hi,
I'm new to LR. I've spent the last two months watching every tutorial, practicing with a portfolio/video instructional off the Adode site and reorganizing my own photos and folders on my computer.
I finally took the "bold" step to put a few of my photos into LR. All my photos are from either a Nikon 3000 or 3100 with the same lens AF-S DX Nikkor 18-135mm f/3.5-5.6G ED.
Also, all my photos are JPEGs.
1) In Lens Correction > Profile > Enable Profile Correction there are 3 options
Default (no make/model options)
Auto (no make/model options)
Custom > when I click this I get the model and Adobe profile for the Nikon AF-S Nikkor 14-24mm f/2.8G ED
Is the Adobe profile the same for both lenses? The 14-24 and the lens on my camera - the 18-135?
Default and Auto look the exact same. If I click Custom, the image becomes a little more exposed. To my eye, Default/Auto look better.
2) Also, should I "check" chromatic aberration for all my photos? I'm not sure how this feature works in LR with JPEGs.
3) Considering where I am and my skills at this point, what is the best recommendation going forward, for learning LR and working with my JPEGs.
Since I'm going to be essentially working only with JPEGS for a while, what lens correction should I use with these photos? Default/Auto/Custom?
4) Are there any other settings that I need to pay attention to with the camera/lens/file type that I am using while trying to learn LR?
I'm starting to realize from my readings, that JPEGS will have a more limited range of development in LR and "LR will display only the profiles available for the file type of the selected image." Lens profile support | Lightroom 5, 4, 3 | Photoshop CS6, CS5 | Camera Raw 8, 7, 6
I want to become a more serious amateur and enthusiastic photographer, but I also don't want to spend 15 minutes editing/developing every semi-decent photo I take.
As an aside, my 3100 has a shutter problem, so I will be upgrading at some point (probably Micro 4/3) and I plan to explore shooting RAW or a combination of RAW/JPEG somewhere down the road.
Thanks
Andrew

As I understand lens correction profiles, most are written for RAW photos only, and there are only a few profiles written for JPGs. That would explain why you don't see your specific lens under Custom.
2) Also, should I "check" chromatic aberration for all my photos? I'm not sure how this feature works in LR with JPEGs.
I'm certainly not the biggest expert on chromatic aberration, but it seems to me that the chromatic aberration algorithms are looking for certain types of coloration at "edges", and I don't see why that would be different for JPGs compared to RAWs.
But I'm confused by the actual question ... checking the box and seeing if it makes the photo better seems so simple that I don't really understand why you had to ask the question.
3) Considering where I am and my skills at this point, what is the best recommendation going forward, for learning LR and working with my JPEGs.
Since I'm going to be essentially working only with JPEGS for a while, what lens correction should I use with these photos? Default/Auto/Custom?
Again, the learning process in Lightroom is ... just do it. You can't harm your photos, you can always undo whatever you did that you didn't like. The lens correction you choose is the one that makes the photo's appearance look best to you.
4) Are there any other settings that I need to pay attention to with the camera/lens/file type that I am using while trying to learn LR?
Any setting and any slider and any tool might be the right one for your photo. There is no general setting that EVERYONE uses, as the reason software provides options is that some people want it one way, and other people want it a different way.
I want to become a more serious amateur and enthusiastic photographer, but I also don't want to spend 15 minutes editing/developing every semi-decent photo I take.
The learning curve can be difficult, but as I said, editing your photos will never harm your originals, and you can always undo whatever you did. So ... just do it.
I am concerned that even as a beginner, you think it might take you 15 minutes to edit a single photo. Unless you are doing a HUMONGUS amount of brushing, this should never take 15 minutes, even for a beginner. Yes, of course if you want everything to be absolutely PERFECT, then it will take longer, but there really is no such thing as a PERFECT photo. Your goal ought to be (in my opinion) making the photos look GOOD, and learning what the sliders and tools do as you go. And certainly there is no unique determination of what a GOOD photo is, a photo that looks GOOD to you may not look good to someone else, but that's kind of irrelevant, its your photo, it should only matter that it looks GOOD to you.
You said you watched tutorials, are these tutorials helping, or not? Do you feel you have learned the basic purpose of (some of) the develop sliders and develop tools, or not?

Odd Issue Editing in Photoshop with color and lens corrections

First off, I'm on LR 4.4 and PS CS6 (Camera Raw 7.4.0.137) using ProPhoto RGB as my LR colorspace and have my PS color settings as Working Space: ProPhoto RGB and my color management policies to preserve embedded profiles.
When I right click on a DNG in LR and choose "Edit in Photoshop", LR sends it to PS and PS does its "Reading in Camera Raw Format" and opens the image. However, the colors are off (very muted) and any lens corrections I've applied in LR are missing. My monitor (iMac on OSX 10.8) is calibrated with a Spyder. I've also noticed that if I choose to edit in another application, it renders the tiff fine and the color and lens corrections are correct in the tiff.
Anyone have any ideas what my issue is?
Thanks,
Matt
ETA: After some experimenting, it seems that the "Adobe Standard" profile is what gets sent to Photoshop. The rest (Camera Landscape, Portrait, etc.) are ignored. What's going on here?

Sounds like you need to reset your warning dialog. Preferences>General>Prompts [Reset all warning dialogs]
Then try it again and make certain of the three choices you are Editing a Copy with Lightroom Adjustments.

Lens Correction GOPRO 4 HB and DJI

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