Lens profiles have disappeared

I am using Lightroom 3.3 on Windows 7 64 bit. My lens profiles have disappeared. Can someone tell me how to get them back?
Thanks
Jim

Please run the LR 3.3 installer again. It should install all of the lens profiles again.

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LR 5.3 Lens Corrections have disappeared

All of a sudden, nearly all profiles have disappeared. I first noticed this with my Sony RX1, when I went to apply the profile correction, and there was nothing. Usually the program identified the camera automatically.
When I looked at old pictures, it was the same, nearly. If I used "custom" then it would give me only Nikon and/or Sony, but only one lens for each camera, not relevant to what I had used to take the photograph. For some pictures it would recognize the lens, but it would not give me options to change it (if I wanted to).
This is strange behavior.
Is there a setting perhaps that I changed inadvertently?
thanks
christos

No, that's not it either. Lens Corrections appears in the right panel, between "Detail" and "Effects".
It's just that when I click on the "make" under the Lens profile, all I get is Nikon and Sony (and not the other brands I used to see) and under model there is only one lens if I remember correctly...
This is frustrating, and it will be more so if it turns out that I did something silly!!
thanks
christos

Lens Profiles, have issues with the Fish Eye lens profile.

So this weekend I had a lot of fun backing up 56,000 images onto a brand new 4 TB Seagate external hard drive, I previously had them on a smaller external. Anyway, I noticed when I went back into LR that some, not all with no rhyme or reason, that the image would change ie. in the Lens profile I noticed that the value went from whatever lens I shot with. To of all lens profiles the Fisheye Profile. I started going back in and changing the profile back, however I noticed that you can only change one at time. Even when I change one back, copy it and sync only the image I choose last would change. If I have to go in and change ever image that happens too, Yikes !!!
Does anyone have any ideas maybe deleting the fish eye profile, if I could find it?
Thanks,
Doug

Yes, if a profile can be found that matches, it will be applied, at 100% for all three sliders.
Conversely, if you for instance don't want your fisheye to be defished, you open an image taken with that lens, move the distortion slider to 0%, and save that as a new default. Now, "Auto" would put the distortion slider at 100% while Default will leave it at 0%.
If you don't make any changes to the standard settings and don't save any new defaults, they are both identical.
Hope this makes sense.

Lens Profiles missing in Lightroom 3.3

I'd like to know if the lens profiles have being erased in lightroom 3.3....
I used other prior versions of LR and I always see my lens profiles...
How to enable or see them again??
Don't want to use the lens profile creator but something like lens profiler downloader (I saw It's named but I don't see any link to the application).
Thank you in advance for any help.
Diego

The lens profile creator and lens profile down loader can be found here. Note the down loader is an Adobe Air application so you will also need to install Air if you haven't already.
As far as the Adobe profiles go these are installed with LR itself. They are specific to Raw or JPG's so may not have disappeared it may just be you are trying to use them on the wrong file format.
If they have somehow disappeared then you will need to reinstall LR, but check out this first.
The location of the Adobe supplied profiles is on a W 7 machine
ProgramData/Adobe/CameraRaw/LensProfiles
Your own ones and ones downloaded by the profile down loader will be installed in the User folder.

Need lens profile rokinon 14mm for sony nex7

Please does anyone know if there is a Lightroom 5 lens profile for Rokinon(aka Bower/Samyang) 14 mm for sony nex 7??
Thanks

The Adobe Lens Profile implementation is not camera model specific. Cameras with the same sensor size should theoretically be able to use the same lens profiles regardless of the camera make or model. Adobe also provides the capability of using lens profiles from larger sensor size (full-frame) cameras with images shot using smaller sensor (APS-C) camera models (i.e. Crop Factor). As best I can tell the Adobe and User created lens profiles are agnostic, except for image file type. Different lens profiles are required for raw and JPEG images. As long as the lens profile crop factor is the same or smaller than the target camera it should work just fine. The Sony Nex7 has a 1.5 Crop Factor sensor size, so any lens profile with a 1.5 to 1 crop factor should work. Lens profiles with the nearly same sensor size 1.6 crop factor should also work.
The Adobe Lens Profile Downloader lists numerous lens profiles for this lens under 'Camera Make' Nikon for both raw and JPEG. You could also use any of the lens profiles that appear under 'Camera Make' Canon.
1) Download and install the Adobe Lens Profile Downloader for Windows or Mac.
2) Launch the Adobe Lens Profile Downloader, select a suitable lens profile, and download it. Add as many as you like!
3) Close and reopen LR, select an image shot with the 14mm lens, go to Develop> Lens Corrections panel, and select 'Make' same as you downloaded (i.e. Nikon), and under 'Model' scroll down to the bottom of the list and you should see the downloaded profile(s). Test it with the 14mm images.
4) If satisfied select in the Lens Profile panel Setup> 'Save New Lens Profile Default.'
These profiles are created and submitted by users with varying degrees of technical-expertise. The lens profiles have a 'Rating,' based on some metric. Please keep in mind that 100% distortion and vignetting correction can actually make the image look worse, especially with a wide-angle lens. Most wide angle lenses have barrel type distortion and when corrected with the LR Lens Profile tool you will see corner "stretching," which creates cropping and volume anamorphosis. Images also tend to look more natural when there is a slight amount of vignetting left in the image. I typically use 0% Distortion and 50% Vignetting and only adjust them higher in images where it is visible. YMMV.....

After the update to Lightroom 5.7, the profile of my lenses have disappeared in the camera calibration, how can I import them again because I gave you mine Extra gespeicher. I'm working on a PC.

After the update to Lightroom 5.7, the profile of my lenses have disappeared in the camera calibration, how can I import them again because I gave you mine Extra gespeicher. I'm working on a PC.

Can we see a screenshot that includes the filename you're viewing with its extension and the camera Make list?
What is almost always the case when someone says they are missing most of their lens profiles is that their current image is not a raw file. It doesn't matter whether you shoot raw, it matters what the current images is. Maybe it is an exported JPG or a Edit-In-whatever result file that's a TIF or PSD or JPG.
Here are examples of the screenshot that I'm asking for:
Raw files show 24 items in the Make list:
While non-raw files have only 9 items + None in the Make list:

Lens profiles in LR5 disappeared. How do I transfer them from LR4 into LR5?

Lens profiles in LR5 disappeared. They are still in LR4 and in PS CC. How do I transfer them into LR5?

One possibility: use OneStepDVD function of iDVD that comes with all recent Mac. This will capture from the camera and directly create a DVD with its contents, without any intermediate editing step.
Or you could use iMovie or FCE to capture and edit the movies, and then iDVD to author and burn DVDs.
In any case your camcorder must be connected to your Mac with a firewire connection. If it is too old and it does not have such connection, a possibility is to use an intermediate A/D converter from analog input (received from the camera analog out) to digital output on a firewire link.
Piero
Message was edited by: PieroF

I have Lightroom 5 downloaded from the creative cloud. Lens profiles are not working for raw files. Canon 50D with EFS 10-22, EF 100 f2.8L macro and other Canon lens. None showing in lens profiles

When I first downloaded Lightroom 5 from the Creative Cloud lens profiles were working OK
Now it does not seem to recognize my camera - Canon 50D and lens - various Canon EF and EFS - All were recognized previously

I don't use these features, since I don't have such a cam, but could it be that you may need to input settings for filmback and distance of the lens mount somewhere? If the program operated based on wrong assumprions, the best profile in the world would be wrong...
Mylenium

Hi, I have Lightroom 4, but it does not support the new 10-30 pd lens for my Nikon 1. It is supported in LR5. Can I download this lens profile and install in LR4?

Hi, I have Lightroom 4, but it does not support the new 10-30 pd lens for my Nikon 1. It is supported in LR5. Can I download this lens profile and install in LR4?

Do you have the latest camera raw installed for Photoshop? If so, you can find the profiles in /Library/Application\ Support/Adobe/CameraRaw/LensProfiles/1.0/Nikon/ . Lightroom should recognize them if you move them into your home directory's Library folder in the exact same folder structure (but in the Library folder in your home directory). This is assuming you are using Mac OS X. No clue where these files would be on Windows. If you don't have Photoshop, you can install Camera Raw using the combined installer with DNG converter which is a free download from Adobe. This should (I think) give you the profiles in that exact location without owning Photoshop.

Why does my RC 3.3 not have new lens profiles?

Hi,
I've installed RC 3.3 on both my laptop and desktop running 10.6 SnowLeopard. I can access the program fine but neither install shows the new list of lens profiles. My Library/AppSupport/Adobe/CameraRaw has the Nikon 1.0 folder with the new list but it doesn't load into the program. Any suggestions?
Thanks!
Dan

Dan,
I presume ACR 6.3 is installed correctly (>Help>About).
You will only see the new profiles with RAW pictures, not with JPG's.
In fact you will only see most of the profiles with RAW files only.
Does this help?
Michael

GoPro Camera Raw Lens Profile settings not working for image sequence in Photoshop/AE/Premiere CS6

Hey Everyone,
I'm in need of assistance in either Photoshop CS6, After Effects CS6, or Premiere Pro CS6. I just installed the trials after seeing Russell Brown demo the GoPro Lens Profile correction feature in Camera Raw. Basically what I'm looking to do is make adjustments (in Adobe Camera Raw) to a series of still images (shot with the time-lapse mode on the GoPro) and then either export those stills through Photoshop or Bridge to a temporary movie file that will be imported into a timeline (with other video clips), or import the JPG files (with Camera Raw settings) directly into After Effects or Premiere as an image sequence. The latter would be preferable as it'd avoid the extra step of having to render the intermediate/temporary movie file.
Right now, my current workflow for GoPro time-lapses is:
          - use Bridge CS4 to do basic color correction on the still images
          - save those as TIF files
          - run the TIF files through a custom script to have Hugin 2012.0.0 (open source pano stitcher) remove the fisheye distortion
          - open the new TIF image sequence into QuickTime Player 7 (Pro)
          - export the image sequence as a QuickTime movie file
          - import the movie file into Premiere Elements 10 to place on a timeline with other video clips (as Premiere Elements can't handle the sequence(s) of thousands of still images without crashing)
If I can go directly from Bridge to a timeline, it'd save a lot of processing time (and it'd be much nicer to preview the images in Bridge without the fisheye distortion)!
I can prepare the GoPro JPG files through Adobe Camera Raw in Bridge CS6, though when I go to import the JPEG image sequence into Premiere Pro CS6 or After Effects CS6, none of the Camera Raw settings are applied. If I export the Camera Raw files in Bridge CS6 as DNG files (a step I'd really prefer to avoid) and then import the DNG image sequence into After Effects CS6, the Camera Raw settings are applied except for the Lens Profile settings -- I can pick other cameras but not the GoPro lens profiles when the DNG image sequence loads in After Effects. It also appears that once I open the DNG files in After Effects CS6, I can no longer access the GoPro Lens Profile in Adobe Bridge CS6 -- the list changes to the same list I get in After Effects. Premiere Pro CS6 doesn't let me import the DNG files at all. I've also tried to import the JPG files (as well as the converted DNG files) into an image sequence in Photoshop CS6, though it doesn't allow me to do so (the Image Sequence checkbox is grayed out after I apply the Camera Raw settings in Bridge).
There could be an issue going on with different Camera Raw versions. I didn't have Premiere Pro CS6 installed during my initial testing, though now do notice that the Camera Raw dialog in Bridge CS6 only lets me choose compatibility up to "Camera Raw 7.1 and later" when I choose to export the files as DNG. I thought Camera Raw 8.2 was an option there a couple days ago when I only had installed Photoshop CS6 and After Effects CS6 (though am not 100% certain).
Please let me know if there is some workaround to get the GoPro lens profile Camera Raw corrections applied in an image sequence in one of the Adobe CS6 products (without having to export the files as temporary TIF or JPG files out of Camera Raw). I'd greatly prefer to shorten my current workflow for these files. (I just updated the CS6 trials and have tested all three programs again though I still get the same results described above.)
Does Lightroom 5 have any option to export Camera Raw image sequences as movie files (or any other feature that might help in simplifying my current workflow)? I can't install the trial right now as it's not compatible with OS X 10.6.8. I'd consider upgrading OS X if I knew Lightroom 5 would do what I need, though am waiting for any potential color profile issues to be resolved in OS X 10.9.
I can open the image sequence in Photoshop CS6 if no Camera Raw settings are applied and then use the Lens Correction Filter to apply the GoPro Lens Profile settings, though I really prefer the Camera Raw interface in Bridge for tweaking image settings. As soon as I apply Camera Raw settings to the first image, Photoshop CS6 grays out the image sequence checkbox.
If there isn't a way to take Camera Raw files straight from Adobe Bridge to a timeline, I may stick with my current workflow using CS4 and see what I can do to better automate some of the steps as the TIF export in Bridge, fisheye distortion removal in Hugin, and render in QuickTime Player all take quite a while. I won't mind waiting for all the processing if I can set it and check back on it in later the next day when it's fully complete. Is there a way to have Adobe ExtendScript execute an external shell command (i.e.: a command I could type into the bash shell in Terminal in OS X)? If not, is there a way to call/run an ExtendScript script from the command line and pass a parameter to it that my custom script could use?
Thanks in advance,
Mark

Can you zip up a few of your GoPro images, upload them to dropbox.com and post a share link, here, so others can experiment with them, or do you mean this issue is global to all camera models?

Lightroom Bug: with GoPro Hero4 Silver Lens Profile, crop settings do not sync properly in Lightroom 5.7.1 when Constrain To Warp is checked

I was having a bit of difficultly in getting crop settings to properly sync in Lightroom 5.7.1 (running on OS X 10.10.1) when Constrain to Warp was checked. This appears to be a bug in the latest version(s) of Lightroom that include(s) the GoPro Hero4 Silver Lens Profile settings. I'm working with a lot of files from a GoPro Hero4 Silver camera shot in the time-lapse / interval timer mode. All of them are horizontal with the same resolution (and dimensions). I've tried various sequences to get this to work in terms of using Auto-Sync, resetting the settings on all images except one and then copy and pasting settings, etc, though the crop is not properly syncing regardless of what I do.
Here's are instructions of how to duplicate this issue (there are some extra details/steps here, though this should be clear enough to produce the same result):
     1. in the Develop settings for a single selected image, go to Lens Corrections, click to Enable Profile Corrections (in the Profile tab), and then pick the GoPro Hero4 Silver Edition (Adobe Profile) if it is not automatically chosen for you (if you are using files from a Hero4 Silver camera). After this, click on the Manual tab, and set the Scale setting to 76. (as you will see, you now have the full horizontal width of the image that was getting cropped off, though you do see white around the edges that have been warped/shaped to correct the fisheye distortion)
     2. Press the R key (or click on the Crop Overlay tool just below the histogram). Change the Aspect option to Custom. Click to unlock the lock next to it (this seems to re-lock after setting to custom even if it was locked before). Place a checkmark next to the Constrain To Warp option. (At this point, you'll see the image gets cropped back to an approximately 4:3 ratio and the full horizontal width is not included in the cropped area) Click the upper right most corner of the crop area and drag as much to the right and top as it lets you go. Do the same for the lower left corner, dragging it as far to the bottom left as you can go. (Now, you will see that your cropped area is the maximum rectangular width and height you can select without getting any of the excessive white area) Click the Close button (or press R again) to leave the crop overlay tool.
     3. Press G to go back to the grid of images. Make sure the image you just adjusted the settings for is the only one selected. Right click on it, go to Develop Settings, and click Copy Settings. Click Check All on the window that appears and then click Copy.
     4. De-select the image you were working on. Select multiple other images in the grid. Right click on one of these, go to Develop Settings, and click Paste Settings. (at this point, you will see their aspect ratio has become more panoramic than the 4:3 aspect ratio the images previously were)
     5. De-select these images. Select one of these image, and then press D to go to the Develop settings for this image. Press R to go to the Crop Overlay tool. Here you will see the bug where the crop was not properly copied over from the first image. The selected area is smaller than the full width and height available to crop.
It seems that the bug is that Lightroom is only copying the aspect ratio (and the other settings), but not the actual crop selection.
I just thought of a workaround that I've tested and can confirm works (and will also work in a slightly different workflow than above). In step 1 above, for the Model (and Profile), manually pick the "GoPro Hero4 Black Edition" or the "GoPro Hero3-Silver Edition". If using the "Hero3-Silver" setting, the Scale (also in step 1 above) need only be set to 79 (rather than 76 for the Hero4 profiles). By picking one of these Lens Profiles and doing everything else the same as the other steps above, the crop settings do copy and paste properly. This does also appear to work properly when selecting the "GoPro Hero3-White Edition" Lens Profile, with a Scale setting of 75, which yields a slightly more rectilinear image (with a wider aspect ratio -- almost, but not quite 16:9).
While this isn't too big of deal as it does work by picking one of the other lens profiles (and the Hero4 Black Edition profile appears to make the same exact correction to the image), this was incredibly frustrating last night to notice that some files had the proper horizontal field of view / crop and others didn't, and other users may experience this or not even notice their crop is not copied properly (as, depending on one's composition and image, it's not extremely obvious with such a wide view).
I hope this discovery helps someone else and provides feedback for Adobe to correct this issue in the next version of Lightroom 5.
On a separate, additional note for Adobe: Please allow the crop overlay tool to "crop" an image to a size that is larger than the original dimensions of the image. This would allow for one to retain maximum original sharpness in the center of the image when using the Lens Profile tool to correct, or "de-fish" a lens, without having to scale the image down with the Scale option on the Manual tab of the Lens Corrections settings. For example, when I do the above process selecting the Hero3-White Edition profile, my final image dimensions are 3840 by 2257 pixels, reducing the size of the image in the center by 25%. If the tool allowed one to crop/scale a larger image size, and I kept the Scale option of the Lens Corrections settings at 100 rather than 75, my final image dimensions would be 5120 by 3009 pixels (larger than the 4000 by 3000 pixel dimensions of the original image which the tool now limits me to). Yes, the edges would be a little softer but the center would retain the original detail. (this is essentially what the Calculate Optimal Size button found in the Hugin open source software does, when using it on a single image for lens transformations/corrections)

Can you zip up a few of your GoPro images, upload them to dropbox.com and post a share link, here, so others can experiment with them, or do you mean this issue is global to all camera models?

How is the best way to capture frame in Lens Profile Creator?

Hello, I read in the Shooting Guide related to Adobe Lens Profile Creator:
When framing the chart in different areas of the image frame, use a combination of physically moving and tilting the camera to achieve an optimal balance for LCP generation.
i. Only moving the camera to frame, so that image plane stays perfectly parallel to the chart, can have an adverse affect on LCP calibration data.
ii. Only tilting the chart may cause depth-of-field issues, where part of the chart may go too far out of focus due to the large angle of the chart in regards to the image plane. This can also have an adverse affect on LCP calibration data
Ok, but I'm not able to understand at all, please help me:
1) is it better if I'll rotate the camera on tripod to left and to right or is it better phisically moving the tripod to left and to right?
2) is it better if I'll tilt up or down the camera on the tripod or it's better picking up or down the tripod bar?
3) if it should be better make a combination of tild and rotate and move the camera how can I know the optimal combination?
I hope that someone who has experimented this could explain me better
Thank you everybody
Damiano

I don't know what is technically optimal, but there is an aspect of practical convenience here, as well.
In my experiments with this, I physically moved the tripod in the left-and-right direction, and then re-aimed the camera vertically as required in order to put the target into the desired part of the frame. I was happy with the results, though I did not make any deep comparative study.
IMO whatever technique permits you to make a sufficient variety of reasonably careful acquisitions, without being unfeasibly difficult, and which the analysis tool does not reject, is probably going to be good enough.

How do I create an ACR custom lens profile if camera exposure can't be set to manual?

How do I create an ACR custom lens profile if camera exposure can't be set to manual?
I ask this question for the Nokia 808 PureView 41MP camera. It produces stunning image quality but exposure can only be controlled via EV +/- compensation. I need a lens profile to correct for vignetting to get even skies in panorama (which turn out stunningly otherwise). There is no profile for the Nokia 808 PureView I am aware of and I'd like to produce one.
Is the Adobe profile creator able to correct for varying exposure using EXIF or overlapping parts of the chart or background?
Or would the Adobe profile creator ignore EXIF if I use studio flash to enforce a constant lightning situation, even if shutter speed would vary (aperture is constant and ISO can be set constant, just not the shutter speed)?
Or did Adobe produce a profile internally they can share?
Thanks.

If you read the first post, this is the camera-app of a 41MP Nokia Pureview 808 camera-phone, so maybe someone could write a new camera app but the phone is Symbian OS which is dead, making that unlikely.
http://www.digitaltrends.com/mobile/the-skeptics-guide-to-nokias-808-pureview-five-reasons -41-megapixels-are-not-a-gimmick/
http://www.digitaltrends.com/mobile/the-nokia-lumia-820-and-lumia-920-too-little-too-late/
It would probably be easier for Adobe to rewrite the LPC to allow vignetting to be computed from a single shot of a blank wall without a target in the shot, than to have someone rewrite a camera app that allows manual exposure.
Another idea about how to get the phone to keep a constant exposure would be to experiment with putting darker and lighter objects in the field-of-view away from the target area to make the camera metering adjust things so it’s exposure is the same from one shot to the next. This would take some doing but should work, unless the LPC uses the part of the frame that doesn’t contain the checkboard target in its computations.
You’re basically varying the scene around the target so the camera takes the same exposure of the target each time.

Last pass password manager and auto form filler have disappeared from my tool bar. How do I get them back or do I have to start all over again.

I am using Windows Vista. Both LastPass and the auto form filler have disappeared from my toolbar. Is there a way to retrieve this information or do I need to start again?

Do those extensions still show as installed in Tools > Add-ons > Extensions?
If not then it is possible that there is a problem with the file(s) that store the extensions registry.
Delete the files extensions.* (e.g. extensions.sqlite, extensions.ini, extensions.cache) and compatibility.ini in the Firefox profile folder to reset the extensions registry.
*https://support.mozilla.org/kb/Profiles
New files will be created when required.
See "Corrupt extension files":
*http://kb.mozillazine.org/Unable_to_install_themes_or_extensions
*https://support.mozilla.org/kb/Unable+to+install+add-ons
If you see disabled, not compatible, extensions in "Tools > Add-ons > Extensions" then click the Tools button at the left side of the Search Bar (or click the "Find Updates" button in older Firefox versions) to check if there is a compatibility update available.
You can also check for problems with the localstore.rdf file if toolbar buttons are missing.
*http://kb.mozillazine.org/Corrupt_localstore.rdf

Lens profiles have disappeared

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