Levels sent back to Premiere from Audition higher / clipping

I am editing a multitrack sequence in Premiere CC and sending it to Audition CC for audio cleanup. I need to run an Match Volume to get the audio up and it works fine. The metering shows average around -8,-6 db and peaks no more than -3 db. However, when I send it back to Premiere, the levels are higher and blowing past 0 db on multiple locations, causing clipping of course. The levers are higher in Premiere than they are in Audition. This makes absolutely no sense.
I have found this discussion below and tried the solution, but it had no effect on my issue. I am not using a compressor on my audio, so maybe this is why it didn't work.
http://forums.adobe.com/message/4182747#4182747
Any suggestions? Thanks.

There is a difference between sending individual clips to Audition, and sending a sequence. When sending a clip or clips to edit in the Waveform view, Premiere first performs a render and replace in its own timeline, generating a new wave file. When you edit and save that wave file in Audition, it automatically updates the clip in the Premiere timeline since Premiere is referencing that new, shared file.
However, when sending a sequence to Audition, the original Premiere timeline is left untouched. New clips are generated by Premiere, based on the clips in your timeline, and imported to Audition as a multitrack sequence. However, when working in this mode you are working on an entirely separate project and what you send back to Premiere is fully rendered stems - one or more fully mixed wave files that get placed on their own audio track in your Premiere sequence. Once these stems are back in Premiere, you can mute the original audio tracks as the new audio file is the synchronized and mixed audio.
It can get more involved if you wish. You can configure your Audition session with busses and route your audio channels through those, then send each Bus output as a separate stem to Audition. You may want to do this if you anticipate offering multiple dialog tracks in your final video, but plan to have music and atmosphere tracks remain the same. You can also send each track in Audition back as a separate stem, which would allow you further control in Premiere or reduce the risk of sync problems if you need to make an edit to the video afterward.
If you're still having troubles, please describe the exact series of steps and menu commands you are following and we can see where the trouble may be.

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I see...
Trouble is I´ve never had an answer for my posts in the Audition forum (I did originally post this here because I thought it´s more of a Premiere issue, though). I guess Audition just isn´t nearly as widely used as Premiere.
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I also just filed a bug report, as you suggested.
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Levels sent back to Premiere from Audition higher / clipping

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