Lightroom 5 history help

Can anyone tell me if there is a way to delete multiple corrections to 751 photos in the history without doing it to each photo individually. Yikes I messed up! I was making a correction to a photo and somehow I had pressed something that caused lightroom to synchronize these corrections to all of the 751 photos! aarrrgh! In the history it says synchronize spot removal & synchronize local adjustments a BUNCH of times. I did notice that the task bar kept doing that but I had no idea why and tried to stop it but it had obviously already made a bunch of the corrections to all photos! yikes! please help & thank you if you can
ps, very new to lightroom, loving it but this is scary

Rob,
After a couple of years of using lightroom, it looks like I just inadvertently committed a mass auto-sync. I had intended on doing some minor adjustments to a single photo, but ended up changing white balance (twice) and hitting auto-tone (once) for 16,000 potos.
It certainly appears that your screwautosync tool will help me undo the last three actions that were applied to all 16,000 photos, but I'm a little worried by the warning which states that it isn't officially for use with Lightroom 5. Have you or anyone else done any testing with screwautosync on Lightroom 5?
I would appreciate any further information that I can get. If it works, I'll be more than happy to donate to the cause.

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Hi Connie,
Let me resume:
Non colormanaged applications (like windows explorer) shows your images right, managed apps like LR and Bridge, which have different cache folders, shows them desaturated, even the previewed NEF.
Putting this together, it can't a problem with the cache, harddisk, CF card. I mean, a cache is a cache, and might needed to be updated from time to time, f.e. when changing the monitor- or image profile. But I expect you always have done this.
That's it - most of the rest (the tests done) provides unreliable information, sorry. I'm aware that to most of them you were forced by others, so don't take my following statements to personal.
Nevertheless I believe what we see partitial is right: some of your images are untagged (at least the PSD we see in one of the screenshots in here)
Untagged images should look the same in IE and Firefox unless you set Gfx.color management.mode to 1 and assign the monitor profile to FF. Per default CM in FF is enabled for tagged images only and by this acts like IE <V9 on untagged images
Untagged sRGB should look oversaturated on wide-gamut monitors and browsers on which you can't apply a profile. Believe that is what you get.
You asked me
I'm confused which photos you viewed of mine that you found to be untagged?
all the images you presented in threads in here are untagged ;-)
Some might think different about that, but IMHO images always should have an embedded profile, even sRGB JPEGs used for web. You already get some hints on that in the other thread and the links to Ballard - even when his webdesign is a bit odd, its worth reading.
I believe your issue is a combination of untagged images, a faulty monitor profile and maybe false handling.
As implied above, personaly I can't trust any of the tests here, because they are (including the browser test I mentioned) not consistant done - I will tell you why.
What you see next are three of the images you provided here, but stacked:
#1 (RGB/8*)*
here the second * indicates, that the image was altered (either bei assigning a colorspace or bei normal editing) after it was loaded and in a colorspace which is different from Photoshops working colorspace, which is indicated by the first *
#2 (RGB/8*)
indicates images colorspace is different from Photoshops working colorspace - that's fine when the working space is aRGB and the image f.e. sRGB
#3 (RGB/8)
no *, no # in here indicates it is in Photoshops working colorspace.
(RGB/8#) at the top would mean it is untagged, but when when colormanagement was OFF in that moment, it also would read as (RGB/8) or (RGB/16) (without an # or *) at the top, but "untagged" in the info panel at the bottom, even when the image has an embedded profile...
On the otherhand - and this is the important part - the Photoshop (import) settings you provided here, tells that your PS is at "preserve embedded profiles" BUT "ask when opening" at profile mismatches. By this you will be asked whenever an image profile mismatches the working colorspace.
The latter should be unchecked, anyway.
So what have you been doing, when you were asked for image #1 and #2? With this settings and since their colorprofiles are different from PS working space, you must have been asked and have assigned a profile different from working space or you haven't been asked (because images colorspace and the working space was the same) and you assigned a different profile initially later.
Or you have changed settings again and again when taking those screenshots....
When you say you see images as untagged in Bridge but in Photoshops info panel as "Adobe RGB (1998)" this can be, when a profile was added (assigned) after the image was imported to PS. Bridge will not know about that until you save the image.
Will say: those of us trying to help, never know exactly what they are here looking at (maybe without realizing)
Do we see a sRGB under an aRGB working space (RGB/8*) for #2? And #3, is this an aRGB image under an aRGB working space or a sRGB image under sRGB, (both would appear as RGB/8)? Or was the image untagged and colormanagement was off?
Seems a bit chaotic, sorry.
At least this is nothing on which I'ld be able to tell for sure what is going on.
Next: the monitor profile you sent to me, turns my U2410 dark and too much purple/reddish.
Of course there should be a differences (different monitor, different environment light and my old eyes), but this is far to much - it hurt my eyes
As far I know, LR internal uses the Melissa color space (which is larger than aRGB) - I wonder what happens when RAW were processed via Meliassa to aRGB with a too reddish monitor profile and are saved as untagged aRGB....?
I also wonder how LR can be configured to export to PSD without they being tagged...? Nevertheless, I was able to reproduce this once. For one of my PSDs the profile was removed, but at the moment I don't know how to reproduce that again.
As said just make sure you images are tagged. But don't just apply a profile to those images already processed, when you don't know what really happend to them - it might get worse.
Anyway.
To solve your prob, you should forget about LR for now and remove the monitor profile made with the Spyder, set the DELL profile which comes with the CD and process images from scratch.
Means straight from NEF in one colorspace only -> via Photoshops ACR (output as aRGB and make sure aRGB is your working space in PS), save them as PSD or TIFF and make sure they get tagged as aRGB. See if it makes a difference (color shift or not), when viewed in Bridge.
If there is no shift, start over with calibrating your monitor. Calibrating means setting the hardware right, by making sure the monitor was set to aRGB and brightness and contrast was adjusted, before you profilling it with the Spyder.
If the problem still exists with this new profile and with images, which were processed by the above workflow and by the new conditions (make sure of that, the already processed images might be messed up) again let some one with an U2410 check the new profile.
If its still have a huge red shift on another U2410, it might point to a hardware fault (either Monitor or Spyder)
@MJOrts
I notice that "Use Windows display calibration" is checked on in your
screenshot.
AFAIK this setting means, that Windows is loading the LUT and not a third-party LUT-Loader, coming with the profiling device.
Message was edited by: ablichter
#1 (RGB/8*)*
was edited - wasn't able to mark the wrong part by formating it <s>"striked"</s>, so I removed and corrected it

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