Lightroom and ACR - Keeping all files together

Not sure I'm asking the right questions but I'll give it my best shot.
According to what I've read, it appers that the only way to get a job into Lightroom is to choose Import. What if I have a job folder with RAW files that have already been manipulated in ACR? Is there a way to simply point Lightroom to that folder without having to import into LR and have all the files be copied again?
Also, if I open the RAW files in LIghtroom after working on them in ACR, will LR cause the RAW files to first go back to their defaults? If so, is there a way to get them back in ACR as originally worked on?

Ian,
It's so nice to see you. I was thinking about you recently and wondering how your were doing.
Thank you for your help on this. I must have overlooked the drop down menu.
I am relieved to discover that even though LR copied and converted the files to DNG, it didn't seem to affect my previous work. Also come to find out it created a new folder for the DNG within the other folder.
Thank you again!
Linda

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>Since Lightroom and ACR are capable of recognizing the camera make and model as well as the file size, are they applying capture sharpening behind the scenes that is tailored to that specific camera and file. If not, then how are we achieving both capture and content sharpening in the same operation?
The answer is that the detail section crosses over into creative territory and is not strictly "capture sharpening," although that is what is mostly meant to do.
Following the ultimate logic of the "sharpening workflow" might make you conclude that Capture sharpening and output sharpening are purely scientific steps where you should not make ANY creative decision at all and that creative decisions are only to be made in the creative sharpening step. In the real world, there are creative decisions and decisions determined by the content matter that enter into the capture step too just like in the output step. You might like extra-crunchy prints for example, but somebody else might prefer softer prints making you approach the output sharpening with a creative intent. The sharpening workflow was probably (Jeff will know more about the history) more of an attempt to arrive at a more rational way of approaching the process and to provide a guideline. It is probably not meant to rigidly separate the workflow up in defined steps where in the 1st step you're not allowed to think or look at the image, in the second step you can go completely wild, and in the last step you have to close your eyes again. The goal was probably to make the photographer realize that the different steps have a different purpose. Not to make you turn off your creative genius or to treat the process like a black box.
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Lightroom and ACR - Keeping all files together

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