Lightroom to ACR???

Can any tell me please if it is possible to open an img
ae from lightroom 2.5 directly into ACR.
Thanks for your time
Stewart.......

ACR is a plugin for Photoshop and you would need PS CS4 with ACR 5.5 for that to be achieved.
Lightroom 2.5 has the same raw processing and functionality as ACR 5.5 so you can achieve the same by using the develop module in LR.

Similar Messages

  • Capture vs. Content Sharpening in Lightroom and ACR

    Hi,
    I have a question regarding sharpening in Lightroom and ACR. In the information I have read, many authors point out that Lightroom and ACR's detail panel is optimized to provide control over capture sharpening. In a post that I read recently by Jeff Schewe, he clarified that and said that we are really sharpening for both capture and content with the detail panel in Lightroom.
    That is confusing to me because after reading Bruce Fraser's book on sharpening, capture and content sharpening were treated as two different processes. If I understood correctly capture sharpening for digital captures was based on the characteristics of the camera and the file size of the image, with larger megapixel files receiving a smaller radius. In addition, I read that the radius in content sharpening is dictated by the dominant characteristics of the subject matter being sharpened, with high frequency subject matter receiving a smaller radius and low frequency receiving a higher radius.
    The reason I am confused is that it appears that capture and content sharpening for the same digital capture can at times be quite different. For example, I believe that the book suggests a radius for an 11 megapixel capture of .4. If the image content calls for a sharpening radius of 1.3, what do I do? In Lightroom/ACR I can only choose 1 radius.
    In all the reading I have done regarding the proper use of Lightroom and ACR, it suggest that you should use a radius that is suited to the image content. So it appears that we are that we are being encouraged to perform content sharpening only with Lightroom and ACR. What happened to the "capture" sharpening portion of the process?
    Since Lightroom and ACR are capable of recognizing the camera make and model as well as the file size, are they applying capture sharpening behind the scenes that is tailored to that specific camera and file. If not, then how are we achieving both capture and content sharpening in the same operation?
    Sharpening for both capture and content in one pass would seem to conflict with some of the basic concepts elaborated on in Bruce Fraser's book. I am assuming that since Lightroom is using Photokit Sharpener routines, that they have accounted for the capture portion of the sharpening, but I don't see that stated explicitly anywhere in anything that I have read. If they have, I say kudos to everyone involved as that would be great. I'm just looking for a clearer understanding of what's happening.
    If anyone can shed some light on this topic I would be very appreciative.
    Thanks,
    John Arnold

    >Since Lightroom and ACR are capable of recognizing the camera make and model as well as the file size, are they applying capture sharpening behind the scenes that is tailored to that specific camera and file. If not, then how are we achieving both capture and content sharpening in the same operation?
    The answer is that the detail section crosses over into creative territory and is not strictly "capture sharpening," although that is what is mostly meant to do.
    Following the ultimate logic of the "sharpening workflow" might make you conclude that Capture sharpening and output sharpening are purely scientific steps where you should not make ANY creative decision at all and that creative decisions are only to be made in the creative sharpening step. In the real world, there are creative decisions and decisions determined by the content matter that enter into the capture step too just like in the output step. You might like extra-crunchy prints for example, but somebody else might prefer softer prints making you approach the output sharpening with a creative intent. The sharpening workflow was probably (Jeff will know more about the history) more of an attempt to arrive at a more rational way of approaching the process and to provide a guideline. It is probably not meant to rigidly separate the workflow up in defined steps where in the 1st step you're not allowed to think or look at the image, in the second step you can go completely wild, and in the last step you have to close your eyes again. The goal was probably to make the photographer realize that the different steps have a different purpose. Not to make you turn off your creative genius or to treat the process like a black box.
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  • Cropping in Lightroom and ACR+edit in Photoshop

    Using the latest versions of Photoshop CC and Lightroom. After editing a raw file, including cropping, in either Lightroom or ACR and then
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    Thanks for the quick reply Graeme. That is correct. I have tested the issue with a representative from NIK/Google. The "selective tool" was causing the problem. I was dealing with other problems too, like the "exposure" slider in ACR was jumping back all the time. I have been following another discussion concerning this (http://forums.adobe.com/message/5806682#5806682). I have not tried it yet, but there they have had success tackling the problem by changing the Country/Region.
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  • RX100 does not appear in Lightroom or ACR

    I have all three of Sony's RX100 cameras.  Cannot get them to appear in Lightroom or ACR.
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    The RX100 cameras are supported as follows
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    Lightroom min
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  • How to use snapshots from Lightroom in ACR?

    Applying some changes to an image in LR and then saving it to DNG or a XMP sidecar file will make that changes the defaults when importing a RAW in ACR.
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  • Camera Profiles Missing from Lightroom and ACR since upgrade to Lightroom CC

    I upgraded to the latest version of Lightroom yesterday. I have discovered since then that the only profile available in the Camera Calibration profiles pop-up menu is Adobe Standard. This applies to Lightroom CC, Lightroom 5 and ACR. Furthermore the folder where the profles were stored is missing. This is a problem as I have lost a custom profile for editing the white balance in infrared photographs. What is the likelycause of this situation and how can it be remedied?

    Hi Beat,
    thank you very much for your reply! :-)
    That is what I find so  puzzling - there are hundreds of profiles in that folder under a "1.0" subfolder...
    And yes, I'm sure it's RAW I'm looking at (and the error message appears before I see Lightroom, so it's not about RAW/JPG).
    While fiddling some more I found out, that if I start Lightroom as an Administrator, everything is back to normal, but I never had to do this before and I don't see why this should be the case. What would cause such a behaviour to appear suddenly?
    Rant:
    The whole UAC idea - as Microsoft implemented it - is a major pain, but so far I was willing to bear the burden for the supposed raised security, but more and more I tend to think about switching it off as I did under Windows Vista. If it interferes with my ability to get anything useful done it's not worth it (and I have other software that doesn't like it, not just - suddenly - Lightroom).
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  • Lightroom and ACR - Keeping all files together

    Not sure I'm asking the right questions but I'll give it my best shot.
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    Ian,
    It's so nice to see you. I was thinking about you recently and wondering how your were doing.
    Thank you for your help on this. I must have overlooked the drop down menu.
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  • Can't open a raw file from Lightroom to Photoshops ACR

    I got used to using Lightroom 3 as a place to catalogue and store my images but still process my Raw files in Adobe Photoshops Raw Convertor. Now that I have Lightroom 5 I can't find out how to do this.  With version 3 I just highlighted say 3 files and hit command E.
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    I know people will say '' hey well do your Raw work in Lightroom'' but I got used to using the Photoshop Raw convertor and I spent a lot of time and money learning it.
    Surely there is a way to open say three images from L5 to ACR ???
    Please help this has been driving me nuts, It's suggested I will need to start using Bridge but I'm bewildered and don't want to start learning something new.
    Thanks in advance.

    It has been a long time since I even had Lightroom 3 installed on my computer.  I don't recall the behavior you are describing.  ACR is used to translate the adjustments made in Lightroom as the image is transferred to Photoshop.  You may have become accustomed to a certain behavior, but it doesn't work that way.  The process of moving from Lightroom to Photoshop works on the assumption that you have done your raw adjustments using Lightroom, and you are now passing that image to Photoshop.

  • Lightroom doesn't recognize ACR 5.5 and my D300s RAW images

    Lightroom 2.4 does not recognize my Nikon D300s RAW images. I downloaded ACR 5.5 and after install both Bridge and Photoshop CS4 handle the D300s RAW images but my Lightroom 2.4 will not import them saying that it is a damaged or unrecognized file type. I have rebooted my entire Vista system and the problem persists. Any suggestions on how I might make Lightroom recognize ACR 5.5 and my D300s RAW images? Thanks in advance.
    Harry Campbell

    Harry Campbell wrote:
    Any suggestions on how I might make Lightroom recognize ACR 5.5 and my D300s RAW images?
    You don't want Camera Raw 5.5 (unless you want to use Photoshop CS4), you want the DNG Converter 5.5 which can convert the D300 raws into DNGs that are compatible with Lightroom 2.4. The next version of Lightroom (presumable 2.5) will have the support built in without needing the DNG Conversion...

  • Lightroom (ACR 4) color management problems

    Lightroom (or ACR 4) has some color management problems. When I develop a DNG into Photoshop (sRGB) everything looks great. Then I proof colors for the web (monitor RGB) the reds become oversaturated. I don't see this problem when I develop the same DNG using Bridge (ACR 3).
    Any picture that I develop using LR that looks great in Photoshop, becomes way too red when published on the web.
    Whats going on here?

    I have confirmed this finding using Photoshop CS3 beta - same problem in converting to the web - too red!

  • ACR 5.5 & CS3 & Lightroom 2.5

    A couple of questions:
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    I'm looking at installing LightRoom 2.5 (can't use LR3 on a G5 PPC) and the notes talk about how it links with ACR 5.5
    2) I'm using CS3 on a G5 dual PPC and want to install LR2.5. Are there any issues that I should be aware of because I'm using CS3 with ACR4.6
    thanks everyone....

    The last version of ACR that will work with Photoshop CS3 is version 4.6.  No, you can not get ACR 5.5 to work with Photoshop CS3.  As far as Lightroom goes, you want to install Lightroom 2.7.  That was the last version in the 2.x series, and will have the most up to date features and will support the most cameras.  Lightroom 2.5 specifically indicates that it is compatible with ACR 5.5 because the version numbers of Lightroom and ACR generally are synchronized.
    There shouldn't be any problems using Photoshop CS3 and Lightroom 2.7.  I still use Photoshop CS3 with Lightroom 3.3, and I don't have any problems, although I'm using Windows XP.  Occasionally, when I'm sending files to Photoshop, I'll get a reminder that Photoshop CS3 will not be able to read some of the Lightroom adjustments.  But that's okay, because I render TIF files that contain all of the Lightroom adjustments, and that is what I send to Photoshop.
    If you need support for newer cameras, you can always download the newest DNG converter and create DNG (Digital negative) copies of your raw images.  Lightroom will then be able to edit those DNG files.

  • ACR 8.5 and Nikon NEF: in Photoshop and Lightroom

    Today I was on Nikon presentation. A manager from Russian office sad that Nikon gave Adobe some information how to open NEF files CORRECTLY in ACR, but that algorithms can be used ONLY in Photoshop, not in Lightroom. Is that true or fake? As I know, ACR for Ps and Lr is the same in case color reproduction (and has some differences in image correction).

    To compare PS/ACR with LR, if you have both products, you can do an Export a TIF from LR and do a Save Image TIF from ACR, using the same parameters, and then open both in PS and layer one on top of the other, set the blend mode to Difference, merge the layers, and see if you have anything besides 0s for the pixel values of the combined layers.   You could stretch the image in Levels to make finding any non-zero pixels, easier.
    It has been said, above, that LR 5.x versions had a bug where they did not apply noise-reduction or sharpening in some situations during the Export so its important to understand what precise versions of the products you're talking about.  Intending for the raw-conversion algorithms to be the same, and a coding error making them not so are two different things.  In other words the mathematics would be the same, but the implementation in a different programming language by different people could have coding errors. 
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  • Using Lightroom and then ACR and Photoshop on a another Computer

    Hi all,
    I am wondering how I go when it comes to using photoshop lightroom on my home computer, with photoshop only for additional work yet at the same time being able to edit photos at school (they do not have lightroom) on ACR and Photoshop. Is their away where the changes I make at school will sync? Surely I must be able to do it and won't have to give up lightroom.
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    Convert propitiatory RAW files to DNG and select save metadata to file, or save the metatdata to file as xmp data. This data will then be recognised by Bridge/ PS on other machines and any processing and labelling will be recognised by Bridge/PS. However these applications are not non destructive, so any changes made to the image subsequently on your schools computer using PS rather than LR will require the production of a new file. A better way, IMO, would be to export images following processing them in LR as 16 bit TIFF files for use at school (and to encourage them to get Lightroom).
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  • Lightroom ACR 3.3

    I'm not really sure if this is a problem.
    I've updated my ACR in Photoshop to version 4.1 but my Camera Calibration tab in Lightroom display ACR 3.3?
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    I have Lightroom version 1.1.
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    The version of ACR where your camera was first profiled is shown in LR. In your case, your camera apparently was first profiled in ACR 3.3 and not updated since then in later editions of ACR. The LR tab shows that the calibration is coming from that version even though you may have 4.1 loaded in PS. You don't need to worry about it and you can't change it anyway. :-)
    John

  • Opening into ACR from Lightroom

    I have downloaded the recent ACR 7 plguin for CS6.  From Bridge I can open my faw files and the automatically open into ACR before photoshop.  But can I do this from Lightroom?  I know I can right click, get a drop down menu, and choose edit in photoshop, but at this point I would assume it would open up the ACR editor, but doesn't happen.  what am I missing?

    As far as raw conversion is concerned, you accomplish nothing by going from Lightroom to ACR because the controls are the same.  Photoshop uses ACR to interpret the Lightroom adjustments.  But, theoretically, that is all ACR is needed for in the transition from Lightroom to Photoshop.  However, there is an option in Lightroom that allows you to open an image as a smart object.  Or, once in Photoshop, you can convert an image to a smart object.  Then, from Photoshop, you can open the image in ACR to make further adjustments if necessary.

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