Link to DL Linksys Multi Camera Viewer and Recorder Utility

I read that the Multi Camera Viewer and Recorder Utility is backward compatible.  I have 2 WVC54G cameras and I would like to use it for them.  Can someone provide a link to download the Multi Camera Viewer and Recorder Utility?
Thank you.

Click here

Similar Messages

  • Help Improve Premiere! FR: Separate, maximizable Multi-camera view

    Do you ever use Premiere CC's Multi-Camera tools?  Then this FR is for you!
    Please copy/paste as your own and send to https://www.adobe.com/go/wish/.  Every voice counts!
    *******Enhancement / FMR*********
    Brief title for your desired feature: Separate windows for Multi-camera view and Program Monitor, with ability to tilde toggle to full screen either or both.
    How would you like the feature to work?
    The Multi-camera view and the Program Monitor should occupy separate, individually resizable and maximizable windows. 
    Why is this feature important to you?
    The way these interface elements are currently squeezed into the same window is extremely limiting as far a viewing options.  When the Multi-camera view is displayed, users can no longer do a full-screen preview of their edit, nor can they do a full screen preview of their multi-camera angles.  This is unnecessarily restrictive.  By putting the Multi-camera view in it's own window, and allowing it to be tilde maximized to full screen, users would have so much more flexibility for viewing their camera angles and their final edit while editing multi-camera sequences.

    Hi Kevin,
    I'm not sure how sticking the Multi-Camera View together with the Program Monitor does anything to clean up the interface.  But supposing it does somehow, how can the person responsible for this change justify 'cleaning' the interface at the tremendous expense of functionally? 
    The current design simply isn't functional as already stated:
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    The Camera Angles can't be positioned and resized independently on their own monitor.  Ditto for the Program Monitor.
    How could the PP team miss this?  Sorry to be brash, but it just baffles me how an entire team of  adults can commit such an obvious gaffe.    Perhaps they need to screen their ideas past real users, users like me that think outside the box and speak up when things don't work.  For sure Adobe already does this, but it clearly isn't working, either because they're consulting the wrong people and/or they're getting the right feedback but aren't listening to it.
    When I have to multicam edit on my laptop, I would LOVE to be able to display ONLY my camera angles in Full Screen.  This would make each camera angle a usable size on a 17" laptop, and leave out any and all distracting interface elements (something helpful on any size monitor).   After my initial edit is finished, I could then scale down my Multi-camera View and place it next to my Program Monitor above my Timeline to refine the edit.  The current design makes this logical approach impossible.
    I was REALLY hoping to see this fixed in 7.2.  The problems with the current design are so painfully obvious to me, every single time I do multicamera editing.  IMHO, it should also be obvious to anyone that trully understand video editing.
    You wrote "this appeals to some and not to others.", but for the life of me, I can't see how this change could possible appeal to anyone (other than a sadist that gets pleasure out of seeing an editor's workflow getting screwed).

  • Unable to See Camera Angles in Multi-Camera View

    Hello Adobe Community,
    I seem to be missing the ability to see my camera angles in Multi-Camera view as you can see in the picture below.
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  • Multi Cam View

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    Actually, I decided to start over, recreate the embedded multi-cam sequence and this time in the pop-up window I selected the option to create sequence from all cameras. For whatever reason it worked. I hope this helps.

  • Multi-cam clips and favourites

    Have I understood this correctly?  If I have a long clip that I want to break down into 'sub-clips' I can only do so by selecting part of the clip as a favourite. If I now want to make a part of those long clips into a multi-cam clip, one would assume that one would 'favourite' each of the clips and then multi-cam them. However when I do that, the multicam process ignores the 'favourite' attribute and synchronizes the entire clip. This can take a long time. As soon as its done one then has to discard 90% of the labouriously created multi-cam clip. Or is there another way of doing this?

    rhjph wrote:
    Have I understood this correctly?  If I have a long clip that I want to break down into 'sub-clips' I can only do so by selecting part of the clip as a favourite. If I now want to make a part of those long clips into a multi-cam clip, one would assume that one would 'favourite' each of the clips and then multi-cam them. However when I do that, the multicam process ignores the 'favourite' attribute and synchronizes the entire clip. This can take a long time. As soon as its done one then has to discard 90% of the labouriously created multi-cam clip. Or is there another way of doing this?
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  • Camera view and take a very different color than 1st gen iPhone-Pls advise

    I'm new to the forum. I just recently purchased a 3GS for my wife as a gift.
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    Message was edited by: Salgw

    Similar experience to Salgw here. On the 3GS photos are markedly less warm and vibrant than my wife's OG iPhone, which gives consistantly great results. On the 3GS using the photoshop app one can adjust values to approach a better image, a cumbersome process.
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    Thanks,
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  • Multi-month view and birthday alarm

    Hi Everyone,
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    Hi leofredo,
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    Power Mac G4   Mac OS X (10.4.3)  

  • WVC54GC Multi-Viewer And Recorder Download

    I miss placed my disc and need to download this program. Does anyone know where I can download this?
    Thanks

    Go to http://linksys.com/download  ..... type the model number of your camera ....it will show the driver & firmware file to download...... save it on desktop...

  • Multi camera viewing

    I shot something with two cameras and now I am editing it. What is the best way to view both of these at the same time?

    If you have FCP5, use the multicamera tools. They are covered in the Manual.
    If you have FCP4.5, lay camera one on V1 and camera 2 on V2 and sync them up.
    Select the Motion tab on each track and scale each video image to 50%. Move the resulting images in the CANVAS until they are in a usable position.
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  • Best way to sync multi camera footage and audio?

    Hi guys,
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    And, yes, I did search the forum before hand.
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    Thanks!
    Dave

  • How to encode multiple camera views and display them separately on the same page

    Does any one know if this is possible with just one
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    Hello after a long time.
    I have 2 the same capture card. And I am trying to stream to 2 diffrent rtmp server. I start first one and no problem. But when I run second FME instance and select second stream card, first one turns to black and second one shows up. When I close second, first one again comes back.
    What shoul I do for streaming multiple streams form multiple stream cards?
    Best regards.

  • HT201301 viewing and recording internet videos ???? How do I use the ipad air as a PVR ????

    How do I use the ipad air as a PVR to record and later view internet videos.
    I want to watch the canadian version at cbc.ca/sochi which is streamed in real time at least 10 hours later during daylight hours here not in the 10 hour shift in Russian time. The events tend to occur in  the middle of our night and I want to watch in our daylight hours.
    Yes the events are rebroadcast later but I expect they will be general and not specifically covering Canadian competitor. Commentary etc will be different.

    You don't.

  • Work flow? How to link multi-cam sequences for DVD output?

    Pr cs4 (very new)
    Still taking baby steps each day... please take my hand and help me!
    Final output will be 2 DVD's (each DL) each about 2 hrs. Content are chamber music student groups in two recitals.
    I have assets from two camera angles. I have successfully practiced on one of the groups performance (10 min.) following the steps illustrated in a multi-cam tutorial.  http://www.adobe.com/designcenter/video_workshop/?id=vid0234
    This leaves me with a great multi-cam sequence for that group located in the Project Panel, exactly what I want.
    Now, I want to know what is the best method (workflow?) to ultimately produce a DVD containing about 10 of these type performances (one after the other) with chapter markings for each group, titles etc.?
    I have yet to use Encore and I'm guessing that is where I'll send the finished edit for DVD production, though I don't know at what step I jump there?
    Do I try to create one very long multi cam sequence of all the content, then send to Encore? Or can I create seperate multi-cam sequences (each performance) then link them together, adding transitions and make the DVD? This would be my preference to keep things more manageable, especially with audio synching.
    With my practice multi-cam sequence on the timeline, I tried to drag the same sequence from the Project Panel to the end of the timeline to simulate how this would work, but it does not add to the timeline as a clip would.
    This is probably childs play for you pro's, but we were all baby's at one time...I just happen to still be one!
    Thanks for your patience and advice,
    Kenny

    Yes I did...now toss me a cookie please.
    I am trying to quickly get up to speed in Pr CS4 to get this project completed. In the process, I'm trying to learn and understand the interface and correct terminology so as to make my questions intelligible to a community that posses vastly greater understanding than myself.
    Is there anyone who can help with my main question at hand? Namely, how to go about creating a full length sequence (in the timeline) made via the nesting of synchronized multi-camera clips within a new "multi-cam sequence"?
    As I said, I have completed a small test sequence in this fashion, nesting clips in a new sequence then using multi-cam monitor to record cuts. Now I need to add about 10 more of these together in a completed sequence to then send to DVD production.
    Is this intelligible?
    Thanks, Kenny 
          __0
       _ \<,_
    Date: Wed, 4 Nov 2009 09:11:06 -0700
    From: [email protected]
    To: [email protected]
    Subject: Work flow? How to link multi-cam sequences for DVD output?
    please take my hand and help me!
    Well, at least you had the gumption to admit that up front.
    >

  • Color adjustment on Multi-cam clip in 10.1 not working and crash the app

    In version prior to 10.1, I can do color adjustment on multi-cam clip and I can see the color change right away.
    However, when I do the same action in 10.1, the change doesn't reflect immediately on the viewer. I need to move like a frame to have the effect shown. Sometimes, FCPX shows an error when I do that action and force me to quit the application.
    Anyone having similar issue?
    Any solution?

    In version prior to 10.1, I can do color adjustment on multi-cam clip and I can see the color change right away.
    However, when I do the same action in 10.1, the change doesn't reflect immediately on the viewer. I need to move like a frame to have the effect shown. Sometimes, FCPX shows an error when I do that action and force me to quit the application.
    Anyone having similar issue?
    Any solution?

  • FR: Full Screen Preview of Multi-Camera Angles

    The Program monitor can be viewed in Full Screen mode, as we all know, but when the Program monitor is displaying Multi-camera angles, it can only viewed in windowed mode.  Full Screen mode no longer works in this situation.  This is inconsistent, illogical and unproductive, thus my new FR for Adobe to allow the Program Monitor to be viewed in Full Screen mode, regardless of what it's displaying:
    (feel free to copy/paste and send as your own FR here: www.adobe.com/go/wish)
    How would you like the feature to work?
    *******Enhancement / FMR*********
    Brief title for your desired feature: Full Screen Preview for Camera Angles
    How would you like the feature to work?
    The Program and Source Monitors can both be toggled in/out of  Full Screen mode with a single keyboard shortcut, a fantastic feature.  Why then can't the Program Monitor display in Full Screen when it's displaying Camera Angles, either with the Multi-Camera Preview Monitor on or off?  A window that can be viewed in Full Screen should always allow full screen preview, regardless of what it is displaying!
    Why is this feature important to you? 
    Consistency and a logical, productive UI is beneficial to all editors.  The fact that the Program Monitor window can be viewed in Full Screen in one instance but not another, is illogical, inconsistent, and a productivity hindrance that should be fixed.
    Ideally, Adobe could give us a separate, Full Screen capable window for displaying Camera Angles.  This way users could display their Camera Angles on one monitor, and their Program Monitor on a second monitor, all in Full Screen mode, without the visual polution of a windowed interface whenever that interface does not contribute to the editing task at hand!  Here is my thread regarding that request: Help Improve Premiere! FR: Separate, maximizable Multi-camera view.  However, should Adobe be unable or unwilling to provide us with the suggested interface that would provide maximum customizability/flexibility, at the very least having the option to view our Program Monitor in Full screen mode when viewing Camera Angles would be useful.

    The iSight is either 640x480 (older MBPs) or 1280x1024 (newer MBPs). Displaying it 'full screen' especially in an older MBP (which is what you have if you're posting in the correct forum) would result in a horribly pixelated image, not 'high resolution'. The apps that show the iSight feed are showing it at its native resolution, and that's a limitation of the hardware. If you need higher resolution, you can attach a higher resolution video camera (for example, my Panasonic DV camcorder connects via FireWire and can be used as a webcam).

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