Log and Transfer 1080/24pA

Quick question...I'm importing video shot on a FS-100 Firestore drive that was recorded at 1080/24pA...now I know that I have to do a pulldown removal, but I was under the impression that I'd be given that option in the log and transfer window. Is this something that needs to be manually done or does FCP automatically recognize and remove the frames during the transfer?
Thanks!

IN the L&T window, you click on the Sprocket drop down menu, then choose PREFERENCES. Make sure PULLDOWN REMOVAL is checked. If so, you are golden.
Shane

Similar Messages

  • How do I 'Log and Transfer' 1080/ 60P from my Panasonic TM700 camera?

    "How do I 'Log & Transfer' my 1080/ 60 Progressive format from my Panasonic TM 700 HD camera?

    If you have FCP X 10.0.5 you do it the normal way.
    However, if you also have normal AVCHD on the same card you probably won't be able to do it easily.
    1080/60p should be shot separately.

  • FCE keeps crashing when I try to log and transfer

    Help! The FCE 4.0 program keeps crashing when I attempt to log and transfer media. The 30fps clips are ok but the 1080/60 clips just freeze, a green hue appears, then the whole program just unexpectedly quits.
    Wondering what i'm doing wrong? is the new updated FCE 4.0 not robust enough for 1080/60? or is my computer too weak or old? (iMac 2008).
    Appreciate any help. I'm desperate...
    Dan

    Thank you again for the response, Tom W. I'll keep that in mind. From now on, it's 30fps or 24fps until I upgrade to FCP.
    If it's not too much to ask. I'm stuck coz I am having difficulty saving the clips from the SD card to an External HD. I don't know if I should convert it to something else or just straight drag n drop the clips from SD card to a folder in the external. Any input would be greatly appreciated.

  • Log and Transfer: FCE4 won't recognize files from my camera

    Hi ...
    I have a Sony XHR-NX5U and am capturing video on an optional Sony 128GB hard drive built for this camera. I've shot AVCHD video in both 1080/60i HQ and 1080/60i FX formats, and the camera produces video files in an MTS format (nestled in a series of folders), along with accompanying CPI files (I don't know what these are for).
    My FCE4 program doesn't allow me to either import these files or use log/transfer. I've been forced to buy an external program to convert the MTS files into MOV files and then import these (Log and Transfer still won't recognize these MOV files).
    What can I do to get FCE4 to recognize and allow the files directly from my camera?
    Thanks in advance for any insight you can provide.
    - matt

    I see your camera can be switched to record a bunch of ways.
    Try this one:
    AVCHD FH (17Mbps) 1920x-1080/60i
    It should work with Log and Transfer over USB.
    Also make sure you start a New Project in FCE with the Easy Setup AVCHD-Apple Intermendaite Codec1920 x 1080i60 selected and active.
    Some cameras do not seem to transfer if mixed media is on the card. Try a test with the above media ONLY on the card.
    Al

  • Log and transfer - E1 plugin

    I downloaded the Canon E1 plugin for my Canon 60D, but it doesn't seem to work in FCP 7. The log and transfer screen brings up nothing. Do I need a card reader? I go straight from the camera and it defaults to iPhoto. What should my setting be in FCP's Easy Setup? So many format/codecs..Clueless. I'm shooting 1080 24fps.
    Thanks!

    Shane,
    I'm having the same problem as Schmoel...  I have a 60D.  When I plug in the camera, it does not show up on the desktop.  And the EOS plug-in doesn't allow me to log and transfer files.  I watched your video twice, and though you mention at the start that you will talk about a hack for the T2i, I don't see it in the video. 
    Can you help?
    Thanks!
    Don

  • FCP express HD when I go to "Log and transfer", don't transfer.

    Hi. I got an Imac 21.5 ,2010 with 10.9.5 maverick and 4GB of ram.  I installed the FCP express HD.  when I go to "Log and transfer", shows all the clips and when I click for log and transfer, simply does nothing. It's shows that it's trying but at the end, nothing it's transfer. What it could be? Thanks.

    What are the properties of the source material you want to ingest?
    What camera shot this footage?
    FCE cannot log and transfer AVCHD material that was shot at 1080 60p as that standard did not exist when FCE was discontinued.
    Is your copy of FCE updated to 4.0.1?
    MtD

  • Log and transfer from HDR-SR11 Sony

    Dear All,
    I am trying to import a video from a HD CAMERA HDR-SR11, but the size of the imported video is too heavy, I am getting 1GIGA per minute. Does anyone know how to reduce the file size during the importing process, perhaps reducing the quality?
    The format that I am getting is Apple ProRes 422, 1440 x 1080 (1920 x 1080), Millions
    16-bit Integer (Little Endian), Stereo (L R), 48.000 kHz.
    Thanks a lot for helping.
    All the best,
    Nicko
    Message was edited by: San Nickolasito

    Shouldn't be the same size of the file in the camera?
    Hey Nicko,
    No mate. The camera format is a heavily compressed MPEG4 variant (AVCHD). This is a modern acquisition format, and not a camera native edit format supported directly within FCP. The AVCHD support offered by FCP is through Log and Transfer which transcodes the files to a more edit friendly format that you can work with. The choices at present are AIC and ProRes. You could recompress them again if you wanted to a more compressed (smaller) format, but you'd lose time and quality, and disc space is cheap these days.

  • Log and Transfer Issue with JVC Camera.

    Hello all,
    I am using JVC GY-HM100U and Final Cut Studio (FCP7.0.3).
    I have installed JVC_Plugin1_0_3.dmg as Apple recommended.
    However, when I connect SD card to FCP, I can not still use 'log and transfer' of FCP.
    Do you know what's the issue is?
    Thank you.

    The warning sign pops-up as below.
    "CLIP" contains unsupported media or has an invalid directory structure. Please choose a folder whose directory structure matches supported media. 
    I am recording in Kingstone 16GB Class 10 SD card.-I have formatted before using it.
    I am shooting with 1080 60i.
    Thank you.

  • Log and Transfer window doesn't recognize Samsung SC-HMX20

    The camera does appear on the desktop however, so I can navigate to the video folder on the camera and upload the video files to my computer, which I can then edit in FCE.
    Is this the correct workaround?
    Also, anyone working with this camera (I shoot at 1080/30p) and FCE?
    Would appreciate any comments on your particular workflow in FCE - from getting your footage off the camera, to what settings you use in FCE.
    Thanks in advance.

    Thanks for replying, but I don't think that this is the issue (the files play back fine on the camera - also I can manually move them from the camera storage into fce - it's the Log and Transfer function that won't recognize my camera).
    As a side note, when I use the Log and Transfer function, I get an error message that reads: Warning - "Video" (+the folder on the camera that has my video files+) contains unsupported media or has an invalid directory structure. Please choose a folder whose directory structure matches supported media"
    I suppose if someone could explain that error message in plain english then I might get somewhere ...

  • Log and transfer, my transfered files become very large...

    When I use Log and transfer, my files become very large. For instance, The card that I'm transferring from only holds 32G and after I transfer the footage to an external drive it has become around 70G. I checked the codec on transfered files and its showing apple pro res 422 1920 x 1080. Is there an import setting I'm missing? This is all new to me...

    This is normal.
    Your camera likely shoots AVCHD, a highly compressed version of MPEG 4.
    It is so compressed because it uses a "Long GOP" format where only every 15th frame is independent (i frame).
    Those in between only contain the differences to the prior i frame and cannot exist without it.
    (It's actually somewhat more complicated, but now you know what it is called, you can do more research)
    You need the ability to edit on any frame, however. The footage is transcoded to make every frame independent so you can do just that. It takes more space.

  • HDV log and transfer

    Working in FCP 7.0.3 with an AJA IO/HD (which I hope is not an issue here).
    Easy Set-Up: HDV 1080i. Timeline is standard HDV 1080i – 1440 X 1080 frame size and pixel aspect ratio. HDV 1920 X 1080i compressor.
    I am using a card and a reader to import footage via Log and Transfer.
    The footage is being converted to ProRes but I'd like to keep it in HDV (client request). How do I change the import settings to keep the media in HDV?
    Many thanks in advance.
    OS 10.6.7
    Quicktime Pro 7.6.6

    The camera, not sure of the model, also captures to SD cards and I've successfully transferred from the cards to FCP many times using Log and Transfer. For my own purposes, the files have been transcoded to ProRes, this by default. The client is interested in HDV, however, I'm looking for a way to import the files as HDV.
    Thanks for helping to clarify, Christina.

  • Problem with Log and transfer using AVCHD

    Hello,
    I was wondering if I can get help. I use a Canon Vixia HF S200 and FCP Version 6.0.6
    I have produced projects on my MacBook Pro 2.33 Ghz Intel Core 2 using this process before with no problems in the past. This problem just started and I dont know what has changed. When I open the Log and Transfer (LT) window I can see and hear all my video from the AVCHD folder in my harddrive just fine, I can scrub with no prob.... But when I add clip to Queue I get an red circle with exclamation on my status.
    I have changed the settings on the preferences to Apple intermediate Codec and the audio to plain stereo.. no luck there, the video still will not transfer to my bin.
    I have made sure that the toggle Queue state was the little arrow instead of the paused icon...no luck there either... i got a message that says clip queued transferring but nothing is happening.
    I will appreciate your help!
    Also I didn't mean to tread jack earlier, please accept my apologies, if anybody saw that...

    OK!!!!! This seriously cost me 1 day of my life that I'll never get back!!! lol
    So I was able to bring the footage in on to Imovie...Yes, I was that desperate...deadlines do that!
    Edited the entire project there...kinda sucked...
    Then I had the bright idea that if I was able to bring the videos in to Imovie, on my local HD...than something may be wrong with my scratch disk that I use on FC...its a USB disk, specs =slow.
    So I changed the scratch disk and yes "Davi S" for good measure I also deleted the Pref files.
    So it working again...here I go editing on FC after I edited the entire project on Imovie...
    Thanks for all your help!

  • Log and Transfer to edit... How do I save to a hard drive?

    I have a new Canon XA10, and I use Log and Transfer to download my videos to my computer and edit. How do I save them onto an external hard drive as to not take up so much space on my computer?

    I was going to say to set up your scratch disk, but you are using FCPX, and this is the FCS forum... I don't know how the other program functions so you'll want to post in the correct forum.
    https://discussions.apple.com/community/professional_applications/final_cut_pro_ x

  • Working with AVCHD: Log and Transfer FAQs

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

  • I need to know best way to edit MXF files, with least rendering, is that converting the MXF or Log and Transfer? the end product is dvd, but I have lots and lots of these projects to do.

    I am about to comence my Edit, and was told of Mpeg Streamclip, however this doesn't seem to work with my Canon XF305 Clips, the reason I was told to use it was so I wouldn't have to Render in Final Cut Pro all the time.. I do have the Canon Disc with the Plug in Utility and the update from their site.
    Is it best to Convert these MXF files first and import them into FCP or use 'Log and Transfer', so far I am unable to do either!!
    The projects on the timeline will have introduction .Movs already on it as a Template to re-use again and again with the new Footage ( MXF Files ) to be added and edited with transitions etc..This process is repeated again and again but with different MXF clips each time.
      I am looking for the quickest and best way for workflow as there are 80 or more projects to do, each with 10 or so clips to be added to the timeline and Exported for DVD...Will I have to then Compress to fit onto DVD's??
    I know Streamclip is an Mepeg 2 app but I thought the Canon XF305 Shot as mpeg2....
    Is Log and Transfer my only Option?
    Basically I need to know the quickest for Render purposes, and of course, the best way so the files aren't so huge etc etc.
    Please, any suggestions would be greatly received....

    We only work with PR422 files in FC7.  We use Shane's workflow with all 5D & MXF footage.
    Make your life easier and stick to the ProRes family for your footage and edit sequences. Avoid H264 & convert any you have to ProRes.
    Unless you are considering Blu-Ray the only way to deliver video on a DVD is to convert it to SD.
    Depending on the length of your show you can make a Blu-Ray in Compressor but you have very limited authoring options when compared to DVD Studio Pro.
    Compressor can also convert your HD to SD mpg-2 & Ac3 files. The best results usually come from setting the frame controls in the mpg-2 setting of Compressor to best. Depending on the the length of the show and your Qmaster settings this can take quite a while.
    I personally find Compressor's HD to SD DVD conversion varies. Sometimes it is wonderful and sometimes not so much. I prefer the following as it is usually is faster and very consistent.
    Export a quicktime movie (not QT conversion) of your final sequence
    Import the exported HD file back into FC.
    Create a SD 16x9 sequence and then drop in the recently exported HD seq and render. Rendering the sequence basically has FC doing the HD to SD conversion. Export the SD sequence and then convert to mpg-2 & ac3 in Compressor. While this does take time I still find it faster than Compressor with Qmaster utilizing all cores.
    Another option is using jobs in Compressor
    http://pixelcorps.cachefly.net/macbreak-154-540p-h264.mov
    In this workflow you would have Compressor convert the HD file to SD and then through jobs convert the SD file to mpg2 & Ac3. 
    In theory the jobs version could be faster (based on a number of variables- length, Qmaster, etc) but I haven't had time to compare the two. 

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