Log and Transfer: DVD-RAM vs DVD-RW

I recently installed Final Cut Express 4 on my Macbook and I am using a Panasonic AVCHD camera to transfer footage. When I used a DVD-RAM disc the data appeared in the Log and Transfer window with no problems, however I have footage on a DVD-RW disc which I want to transfer. (Despite being RW it won't let me delete footage through my camera) My DVD-RW disc has been finalized and when I plug in my camera it shows the loading color wheel, but no film clips appear in the log and transfer. I look in the actual disc window and all the files for my clips are there, but it doesnt recognize them in log and transfer. Is there some reason that Final Cut Express 4 will only notice DVD-RAM discs?
Message was edited by: playmaker44

Is Toast 7 a method of making disk image(s) or
DVD(s), or are we talking about several different
things here?
YES. IT IS AN ALTERNATIVE TO IDVD.
Also, the reason I bought +RW disks and TWO of them
at that is that it seems ANYTHING I do needs to be
done about ten times to be right ONE time (hence five
days to get titles that play the way I want) and the
thought of a "write-once" disk scares me.
SO IF YOU MAKE DISK IMAGES FIRST YOU DON'T BURN ANYTHING AND CAN TEST IT OUT FIRST.
You know that song, "Mamma's Going to Buy You a
Mockingbird"? If this doesn't work, then that, if
that doesn't work, the next, and so on.
YOU WOULD BE BETTER OFF LEARNING A BIT MORE SEE THE PRECEDING POST
If the +RW disk won't play in my VCR
A DVD CANNOT PLAY IN A VCR
I will try
playing it on my combo drive in my Mac. If it plays,
I'll see if there's a way to connect the VCR to the
Mac and copy it to videotape from that so I can
finish the rest of the project!
YOU CAN'T UNLESS YOU CAN FIGURE OUT YOUR CANOPUS BOX BETTER THAN SO FAR
(The reason I don't
go direct from the Mac to the VCR, besides the
generational loss of digital to tape, is that I want
the opening titles at the beginning, the middle title
in the middle, the closing titles at the end, and the
outtakes after that, and if I have to string them all
together into ONE project I don't see HOW I can put
them where I want on the tape without a DVD I can
start and stop!)
YOU COULD MAKE ON IMOVIE PROJECT THAT WOULD DO THIS, OR SEPARATE ONES, AND USE MULTIPLE CLIPS IN IDVD, BUT HEY YOU'VE BEEN TOLD THAT AND WON'T LISTEN, SO GOOD LUCK.
If that won't work, I'll copy it
either from the +RW disk or (if I dare!) directly
from whatever format seems best to a -R disk my
friend gave me. If none of these work, then I panic.

Similar Messages

  • I need to know best way to edit MXF files, with least rendering, is that converting the MXF or Log and Transfer? the end product is dvd, but I have lots and lots of these projects to do.

    I am about to comence my Edit, and was told of Mpeg Streamclip, however this doesn't seem to work with my Canon XF305 Clips, the reason I was told to use it was so I wouldn't have to Render in Final Cut Pro all the time.. I do have the Canon Disc with the Plug in Utility and the update from their site.
    Is it best to Convert these MXF files first and import them into FCP or use 'Log and Transfer', so far I am unable to do either!!
    The projects on the timeline will have introduction .Movs already on it as a Template to re-use again and again with the new Footage ( MXF Files ) to be added and edited with transitions etc..This process is repeated again and again but with different MXF clips each time.
      I am looking for the quickest and best way for workflow as there are 80 or more projects to do, each with 10 or so clips to be added to the timeline and Exported for DVD...Will I have to then Compress to fit onto DVD's??
    I know Streamclip is an Mepeg 2 app but I thought the Canon XF305 Shot as mpeg2....
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    We only work with PR422 files in FC7.  We use Shane's workflow with all 5D & MXF footage.
    Make your life easier and stick to the ProRes family for your footage and edit sequences. Avoid H264 & convert any you have to ProRes.
    Unless you are considering Blu-Ray the only way to deliver video on a DVD is to convert it to SD.
    Depending on the length of your show you can make a Blu-Ray in Compressor but you have very limited authoring options when compared to DVD Studio Pro.
    Compressor can also convert your HD to SD mpg-2 & Ac3 files. The best results usually come from setting the frame controls in the mpg-2 setting of Compressor to best. Depending on the the length of the show and your Qmaster settings this can take quite a while.
    I personally find Compressor's HD to SD DVD conversion varies. Sometimes it is wonderful and sometimes not so much. I prefer the following as it is usually is faster and very consistent.
    Export a quicktime movie (not QT conversion) of your final sequence
    Import the exported HD file back into FC.
    Create a SD 16x9 sequence and then drop in the recently exported HD seq and render. Rendering the sequence basically has FC doing the HD to SD conversion. Export the SD sequence and then convert to mpg-2 & ac3 in Compressor. While this does take time I still find it faster than Compressor with Qmaster utilizing all cores.
    Another option is using jobs in Compressor
    http://pixelcorps.cachefly.net/macbreak-154-540p-h264.mov
    In this workflow you would have Compressor convert the HD file to SD and then through jobs convert the SD file to mpg2 & Ac3. 
    In theory the jobs version could be faster (based on a number of variables- length, Qmaster, etc) but I haven't had time to compare the two. 

  • Working with AVCHD: Log and Transfer FAQs

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

  • Hey, I have Final Cut Express 4.0.1 and a JVC everio camera, whenever i try to import my files to FCE via "Log and transfer", it just doesn't do anything, as if FCE doesn't know the camera is there, please help !

    Hey,
    I have Final Cut Express 4.0.1 and a JVC everio camera.
    Whenever i try to import my files to FCE via "Log and transfer", it just doesn't do anything, as if FCE doesn't know the camera is there,
    please help !

    FCE 4.0.1 can only capture DV/HDV which is produced by cameras using Mini-DV TAPES and cameras shooting AVCHD which is a high definition format.
    If your camera shoots standard definition on Memory Cards, DVDs or Hard Drives it will not work in FCE.
    What is your camera's exact model name and number?

  • Efficient way get FCE4 Log and Transfer to read .mts files stored on drive?

    Hi All
    I've searched the FCE discussion forum and not found an answer verified by more than one user to this question: What is an efficient way to get FCE4 (via the Log and Transfer window) to see .mts files from an AVCHD camera stored on a drive (NOT via the camera -- directly from the drive)?
    I am trying to plan the most space-efficient system possible for storing un-transcoded .mts files from a Panasonic AG-HMC151 on a harddrive so that I can easily ingest them into FCE4. I am shooting a long project and I want to be able to look at .mts files so that I can decide which ones to transcode to AIC for the edit.
    Since FCE4 cannot see .mts files unless they have their metadata wrapper the question is really 'how do I most efficiently transfer .mts files from the camera to a storage harddrive with their metadata wrappers so that FCE4 can see them via the log and transfer window?'
    Nick Holmes, in a reply in this thread
    http://discussions.apple.com/thread.jspa?messageID=10423384&#10423384
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    a) Have other FCE users done this successfully and been able to read the .mts files via Log and Transfer?
    In a response to this thread:
    http://discussions.apple.com/thread.jspa?messageID=10257620&#10257620
    wallybarthman gives a method for getting Log and Transfer to see .mts files that have been stored on a harddrive without their metadata wrappers by using Toast 9 or 10.
    b) Have any other FCE4 users used this method? Does it work well?
    c) Why is FCE4 unable to see .mts files without their metadata wrappers in the Log and Transfer window? Is it just a matter of writing a few lines of code?
    d) Is there an archiving / library app. on the market that would allow one to file / name / tag many .mts clips and view them prior to transcoding into space-hungry AIC files in FCE?
    Any/all help would be most gratefully received!

    I have saved the complete file structure on DVD as a backup, but have not needed to open them yet. But I will add this. As I understand the options with Toast you are infact converting the video to AIC or something like it. I haven't looked into it myself, but I can't imagine the extra files are that large, but maybe there are significant, I don't know. The transcoded files are huge in comparison to the AVCHD file.
    A new player on the scene for AVCHD is Clipwrap 2.0. As I understand this product. It rewraps the AVCHD into a wrapper the Quicktime can open and play. This is with the MTS files only, the rest of the file structure is not needed. The rewrap is much faster that the transcode to AIC. So you have the added benefit of being able to play the files as well as not storing the extra files. The 2.0 version (which is for AVCHD) was just recently released. I haven't tried it and don't personally know of anyone who has. You might want to try this, there is a trial version as I recall.

  • Log and capture or Log and transfer?

    I'm a newbie to FCP, I've been working at it and researching, so I have a basic understanding, been able to do some good stuff, now I'm looking to find more time-economical ways to do things.  I'm a football coach, looking to cut up game films into individual plays (1 play per clip), and ideally being able to name each clip by it's play name "Trap" or "Pop Pass" for example.  It looks like I need to get into logging if possible.  My workflow at present when dealing with an opponent's film is to take a DVD, and get it onto my computer using MPEG Streamclip.  I've been using DVC-PAL as a codec at someone's suggestion, I can't rmemeber where I got that.  Is this a mistake?  Anyhow, I now import that movie file into FCP using File>Import.  At this point I can't do any logging though, if I try Log and Capture or Log and Transfer I get "Unable to initialize video deck", though it tells me I can still use Capture Now.  Once it opens the Log and Capture window, I get "Error: this operation requires a controllable deck."  and directs me to the Audio/Video Settings.  Here's where I'm pretty much lost.  Do I try to adjust settings from here?  If so, to what?  Do I need to start by changing my MPEG Streamclip settings and then trying to match those up in my FCP Audio/Video Settings?  Or do I need to completely overhaul the way I'm approaching this?  ARGH!  I've been impressed with myself getting to this point, any help from here would be greatly appreciated, thanks all!
          Grouch

    Log and Capture is used if you are capturing footage from tape based formats.  DV, HDV, HDCAM...others.
    Log and Transfer is for tapeless camera systems.  P2, XDCAM, Canon DSLR, AVCHD. 
    If your footage comes from DVDs...and you convert the footage to QT files...then you simply go to FILE>IMPORT.  You don't log with this method.  Just import and work with the footage.

  • AVCHD log and transfer jerky jumpy during playback

    I've been given some files from a Sony HDR-CX12 to export to dvd. The files playback fine in the log and transfer window but stutter / jump in the viewer window and also when added to the sequence.
    The files provided are
    a AVCHD folder
    a AVF_INFO folder
    a DCIM folder
    and two locked Unix executable files.
    Final Cut Easy Set Up
    Format - HD
    Rate - 29.97
    Use - 1080p30 FireWire Basic
    Log and Transfer
    Transcode to Apple ProRes 422
    Final Cut Pro version 6.0.5
    System
    Os 10.5.6
    processor 2 x 2.8 GHz quad-core Intel Zeon
    Memory 14 gb
    Hard drive containing files is internal.
    side note - i did migrate the system from a PowerPC but have since updated the lastest FCP update.
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    Do you have Perian installed? I had the same problem, but when I disabled Perian in the System Preferences panel and re-transfered the footage, everything looked fine. Once your footage has been re-transfered, you can re-enable Perian.

  • Log and Transfer Errors with HF10/HF100 AVCHD Cams

    Log and transfer will transfer about 80% of clips on the Canon HF10 AVCHD camcorder, but the rest receives a red exclamation icon hovering over which brings the useless explanation box "Unknown Error".
    Using My Book Pro II dual HD with data stripping connected via Firewire, no speed issues there. Over 900GB is free on the drive, too. Moreover, copying the BDMV > STREAM > *.MTS structure to a DVD and then running the Log and transfer brings up the same error and nothing is transferred.
    The best part is that the same clips transfer just fine using iMovie '08. It is even possible to then import them from the iMovie project folder into Final Cut and then work with them.
    Hopefully some smart person has an idea what I could try. Thanks!

    OK, people. Got a freaking work-around.
    Select the clip in the log and transfer window *), then define your IN and OUT points for this clip, THEN hit "Add to Queue". Marked portion of the clip will import nicely. Now we just need full 1980x1020 support. Hopefully an updated FCE soon?
    *) Interface of the Log and Transfer window is as beautiful as any Mac app. Why hasn't that interface lift ever made it to the rest of Final Cut? Hopefully, next version.

  • Log and Transfer [till death do us part]

    I've been looking for a solution for 2 days on this - so now frustrated and posting-
    I've got a macbook pro running 10.4.11 and fcp 6.0.2. and I just dropped down Quicktime 7.4 for hopes of a fix....... in 5 years I've had nothing but excellent results until now....
    When I open Log and Transfer and try to pull in a P2 card - nothing opens in the viewer.....well, not always. Sometimes it shows a DVD back up if I put it into the drive- but then again this is random...
    Any help much appreciated on this......

    I did! and I just trashed it........ I checked out FCP and the L&T is working - thanks for the solid. I was going nutz over here.......
    appreciate your time-

  • Log and Transfer creates interlacing problems?

    While using log and transfer to bring in footage from a friend's AVCHD camcorder, I've noticed that it shows a lot of interlacing with motion. While viewing in quicktime on my mac or pc, the interlacing is pretty bad, but ironically when viewed on webtv the quality is phenomenal...
    So I need this footage on a DVD, I'm concerned that it will still have interlacing in this format. The footage I'm using from my tape-based (HDV) camcorder is fine but the captured footage of the AVCHD is interlaced. Anyone else having these issues?

    Most AVCHD camcorders will record interlaced footage by default. The amount of interlacing you notice can vary greatly with different camcorders, shooting environments, amounts of motion, etc.

  • Log and Transfer inpoint/outpoint timeline problem

    When I use the log and transfer, short clips work fine, but longer clips ( around one hour) won't work correctly when I try to set in and out points. The marker on the timeline jumps way to far forward. It makes it impossible to pull clips, and, on another note, the video and audio end up out of sync!  I shoot concerts as a hobby and I'm trying to get shows put up on youtube and get dvd's made for bands. I'm pulling my hair out trying to finish these. Any help?
    Thanks!

    Hmmm...I have been able to work with both 24p and 1920x1080 footage, but only if the video is about 15 minutes or less.  I haven't noticed an issue with the red render bar either.  I know what it is, I just haven't had that problem.  I downloaded Streamclip, but every tutorial I find is for using dvd's.  I've tried adding my AVCHD clips, but it tells me its an "unsupported file type".  Obviously, I'd doing something wrong, I'm just not sure what.
    What kind of file am I wanting to open with Streamclip?  I'm very new to this, so I'm sorry for what is probably a very obvious answer.
    Thanks again for the help!

  • FCP Crash when opening log and transfer with some AVCHD footage on a card

    Hi,
    I'm using a freshly (re)installed version of FCP 7 on a brand new macbookpro loaded with 8gb ram and equipped with a small 2ghz Intel Core i7
    I get footage shot on Panasonic ag-hmr10 minicams coming on SD cards as AVCHD footage. Sometimes the files are quite big, 17gb of compressed footage.
    When I go to log and transfer, to convert the footage in apple prores, the l/t window opens, I see a preview of my footage, than the spinning beach ball of death shows up and FCP crashes every time. I've tried deleting the preferences and reinstalling the software. Still, it keeps crashing. Now the same file on a different computer equipped with FCP will be processed, slowly but surely.
    Now I know I can work around this problem by going to toast as an encoder, but I want to fix this issue so I can operate from FCP. I've seen this problem posted before but never found any good solution.
    Any suggestions?

    Have you tried setting the L&T AVCHD audio conversion prefs to plain stereo?
    Open the L&T window.
    Click on the gear icon towards the upper center of the frame.
    Select "Plain Stereo" For the AVCHD plugin.
    MtD

  • Log and Transfer issues

    I have a 2GHz Mac Book Pro with 2 GB or ram. I use this quite a lot when shooting and editing with my Panasonic P2 (HPX2000). Usually, I log and transfer DV, DVC Pro and DVC Pro 50 files with no issues. The other day, I shot a concert in 720P and when trying to log and transfer a 40 minute video, it would not finish. It would show the file transferring, but show the exclamation point at next to it, alerting me that it had problems. I was able to transfer over small chunks and edit them together in FCP, but I wonder if this is a ram issue or something like that. Any thoughts?

    #36 - One or More P2 files failed to import.
    Shane's Stock Answer #36 - "One or more clips failed to import..."
    Very often in the field with this camera the camera operator will delete clips from the P2 card that they just don't like. That is the beauty of this camera. But, the still for that video file (located in the CLIP folder in the CONTENTS folder)...the still that you see when you are in the P2 Import window...is not deleted. So you will see the image, and the name, but the video file would have been deleted.
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    ALSO...in the P2 Import window...in the P2 Browser, there is a little sprocket drop down menu. Click on that and choose PREFERENCES. Uncheck REMOVE PULLDOWN and then try importing again.
    ALSO...make sure your file names aren't too long. Try shortening them and see if that works.
    ALSO make sure that the folders that contain the CONTENTS folder doesn't have any odd characters like /!@#$%^&*()?.

  • Canon HF10 avchd file will not transfer in Log and Transfer window

    Hello-
    I just installed Final Cut Express 4 on my MacBook (intel core due with 4gigs ram... running snow leopard/ 10.6.1) and I cannot get any video to load in from my Canon Vixia HF10. When using the Log & Transfer window my camera is recognized and I see and can preview all the clips that are on the camera (attached via. USB). All video is shot at the highest quality FX rate. When I add a clip to the "Que" the wheel spins for about 10 seconds then it says '1 clip queued' and an orange "!" appears. If I hover over the icon it says 'failed- no data'.
    I am using the apple intermediate HD codec 1060i and stereo audio. I have re-installed FCE, removed preferences files, rebooted the computer, restarted and reconnected the camera etc... and no luck.
    Any ideas would be much appreciated. I have seen a smattering of others with a similar issue but no resolution that works.
    Thanks for your help!

    I cannot get FCE to recognize my m2ts (AVCHD) files either. It seems FCE, like iMovie, will import directly from the camera but it will NOT import m2ts files already off-loaded from the camera onto a drive on your computer or network. Some have said it will work ONLY if the entire file set, including the support files the camera creates in addition to the video file itself, is present at the time you attempt the transfer. Worse, Canon's software that most people use to transfer the video files from the camera do not also transfer these support files. It may be doable if you connect the camera and transfer the entire file and folder structure as-is but that's only a guess.
    If you are like me who offloaded these files long before I purchased my MAC (and did not also offoad the support files), you may be out of luck. This caveat to working with AVCHD files is a subtle distinction that Apple should clear up, especially since it is prominently highlighting this new capability. I was in the Apple store and viewed the product with a sales associate BEFORE the purchase. The sales associated looked at the Log and Transfer utility and also thought this would work-- so I bought FCE on the spot.
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    Others have said, boo hoo, AVCHD is a garbage codec that the pros will not touch and Apple shouldn't either. OK but Apple is attempting to sell its computers to the average Joe and people who like SIMPLICITY. Would be nice if Apple better supported AVCHD "for the rest of us."

  • Crashing after Log and Transfer

    I am experiencing a FCP crash after using Log and Transfer to import P2 files.  The material is on an external FW800 drive.  I go to Add Custom Path in the Log and Transfer dialog box, point the software to the CONTENTS folder of each captured P2 card, the list populates with the clips, I drag the files into the que, and they import as usual.  All is well and good until I X out of Log and Transfer, and when I do that, FCP crashes.  I have not experienced this when capturing directly from a camera. This has happened over and over since beginning this project, and we are still yet to get all the material into the machine for editing. 
    Also, in case it is pertinent, I am using a MacBook Pro 2.2 GHz Core i7 machine with 8GB RAM.
    Any ideas or has anyone else experienced this?  Thanks in advance!
    -Van

    First thing I'd try is trashing your preferences.  Google preference manager from digital rebellion.  It's a free download and in invaluable.  It's so cool you'll WANT to pay for it.  It allows you to store a good set of preferences, trash them when they get funky and then restore the good set, including all the cool stuff you created.
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