Log and Transfer to edit... How do I save to a hard drive?

I have a new Canon XA10, and I use Log and Transfer to download my videos to my computer and edit. How do I save them onto an external hard drive as to not take up so much space on my computer?

I was going to say to set up your scratch disk, but you are using FCPX, and this is the FCS forum... I don't know how the other program functions so you'll want to post in the correct forum.
https://discussions.apple.com/community/professional_applications/final_cut_pro_ x

Similar Messages

  • Why is my play head red and my video lagging? How do I save to external hard drive?

    I know that this typically happens when there isn't enough space on the hard drive or the memory is low, but neither of those fits my MacBook's condition.
    Also, how do I get everything I do in Final Cut Pro X to save onto an external hard drive rather than my internal hard drive?

    In the top left of the screen in the Event Monitor you will see all your hard drives listed.
    Select the one you want to use and create a New Event.
    The Event will then be on that HD.
    Whenever you import video you are given the choice of using that default Event or choosing another HD if you have changed your mind.

  • How can I save space on Hard Drive? Lo-Res Previews like Aperture.

    I have searched these forums and the internet but not found a solution as yet.
    My problem is I have a MacBook Pro and the hard drive is getting full.
    I want hi-res images on an external hard drive but have a lo-res preview on my hard drive so I am never without all my pictures. I think from memory Aperture dose this, but I like iphoto's simplicity. I don't want to have aperture installed as well as iphoto.
    Hope this makes sense.

    Let me reinforce Larry's concern about the "referenced" mode. All it takes is to have an interruption between iPhoto and the external HD while you are working in iPhoto and the library will lose the links between the alias files in the library and the source files on the external HD. It will be very difficult to relink all of the alias files when that happens. Maybe one event at a time but that's no assurance.
    Also you will not be able to use the library without the external HD mounted if you have any movies in the library. It's best to have a separate library for movie files in that event.
    One option would be to run your primary library from the external HD and have a smaller one with the most current or needed photos on the boot drive. You can copy events and albums between the two libraries with the paid version of iPhoto Library Manager while keeping keywords, comments and titles intact.
    Another issue with the "referenced" library is the fact that if you delete a photo from the library you will have to locate and delete the source file from the external HD. Additionally you cannot rename or move any source files with the Finder or add new photos to an existing source folder and expect it to be automatically imported into iPhoto. It's best for each new source import to have its own folder.
    TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto (iPhoto.Library for iPhoto 5 and earlier) database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
    I've created an Automator workflow application (requires Tiger or later), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 6 and 7 libraries and Tiger and Leopard. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.≤br>
    Note: There now an Automator backup application for iPhoto 5 that will work with Tiger or Leopard.

  • Log and transfer MTS file and audio slip issues

    I'm having 3 issues with a  30 minute project in FCE HD.
    1. When I create clips in log and transfer, sometimes my footage chatters when I watch in in the viewer or place it on the timeline.  It didn't chatter in camera, I checked, and it doesn't chatter in log and transfer. I can re-cut the clip in log and transfer but I'm trying to save time!
    2. When creating a clip in log and transfer or just transferring a full clip, FCE trims the last 3 to 4 seconds off.  I need these 3 to 4 seconds!
    3.  When trimming and razoring a 9 minute+ clip on the timeline, the audio begins to slip and continues to slip the longer I trim.
    If anyone has answers to my three issues, please help.  This project is frustrating in content and now it's frustrating in editing!
    Thank you in advance for all your help!!

    Sorry it has taken so long for me to get back to you.  Again, thank you for taking the time to help me.
    Your first question, these clips came from my Panasonic HMC 150 camera.  I filmed at 24 fps. I downloaded the files from my SD card to my laptop, then use log and transfer to bring the clips into the project.
    FCE only offers 25 fps or 29.97 fps. So, there is a discrepancy there.  I'm not sure how to fix that when I want to stay with 24 fps.  Yes, I can film at other frame rates, I just prefer 24 for what I generally create.  Is there a plugin for more frame rate choices in FCE?  Or is that just available in FCP?
    Your second question, I always use insert.  I only use overwrite for my title cards. 
    And finally, your third, I am aware of the destination tabs.  I understand how they work.  My issue with having so many tracks is that I am working on a laptop without a mouse and sometimes when I move a clip the timeline jumps and creates the extra tracks when I place the clip.  I just need to be more careful when moving clips.
    Now, as to my final issue and that is the trimming of the clips through log and transfer.  FCE trims off the first and  last couple of seconds and will not allow me to bring them into the project.  Is this a setting problem or just inherent of FCE?
    I look forward to hearing from you!

  • How to batch mpeg-4 log and transfer?

    I have 28GB of mpeg-4 from an FS100 camera to log and transfer so I can edit it tomorrow for Monday.  The Settings are 1080p24 it's AVC HD (mpeg-4 said the cameraman).
    I started to "Add to cue" each clip:  it transfers in real time.  Can you please tell me how to do it as a batch?  Thank you.

    Just hitting Add Selection to Cue should bring all the files in the L&T pane. Or you cam select the clips you want.
    Russ

  • I need to know best way to edit MXF files, with least rendering, is that converting the MXF or Log and Transfer? the end product is dvd, but I have lots and lots of these projects to do.

    I am about to comence my Edit, and was told of Mpeg Streamclip, however this doesn't seem to work with my Canon XF305 Clips, the reason I was told to use it was so I wouldn't have to Render in Final Cut Pro all the time.. I do have the Canon Disc with the Plug in Utility and the update from their site.
    Is it best to Convert these MXF files first and import them into FCP or use 'Log and Transfer', so far I am unable to do either!!
    The projects on the timeline will have introduction .Movs already on it as a Template to re-use again and again with the new Footage ( MXF Files ) to be added and edited with transitions etc..This process is repeated again and again but with different MXF clips each time.
      I am looking for the quickest and best way for workflow as there are 80 or more projects to do, each with 10 or so clips to be added to the timeline and Exported for DVD...Will I have to then Compress to fit onto DVD's??
    I know Streamclip is an Mepeg 2 app but I thought the Canon XF305 Shot as mpeg2....
    Is Log and Transfer my only Option?
    Basically I need to know the quickest for Render purposes, and of course, the best way so the files aren't so huge etc etc.
    Please, any suggestions would be greatly received....

    We only work with PR422 files in FC7.  We use Shane's workflow with all 5D & MXF footage.
    Make your life easier and stick to the ProRes family for your footage and edit sequences. Avoid H264 & convert any you have to ProRes.
    Unless you are considering Blu-Ray the only way to deliver video on a DVD is to convert it to SD.
    Depending on the length of your show you can make a Blu-Ray in Compressor but you have very limited authoring options when compared to DVD Studio Pro.
    Compressor can also convert your HD to SD mpg-2 & Ac3 files. The best results usually come from setting the frame controls in the mpg-2 setting of Compressor to best. Depending on the the length of the show and your Qmaster settings this can take quite a while.
    I personally find Compressor's HD to SD DVD conversion varies. Sometimes it is wonderful and sometimes not so much. I prefer the following as it is usually is faster and very consistent.
    Export a quicktime movie (not QT conversion) of your final sequence
    Import the exported HD file back into FC.
    Create a SD 16x9 sequence and then drop in the recently exported HD seq and render. Rendering the sequence basically has FC doing the HD to SD conversion. Export the SD sequence and then convert to mpg-2 & ac3 in Compressor. While this does take time I still find it faster than Compressor with Qmaster utilizing all cores.
    Another option is using jobs in Compressor
    http://pixelcorps.cachefly.net/macbreak-154-540p-h264.mov
    In this workflow you would have Compressor convert the HD file to SD and then through jobs convert the SD file to mpg2 & Ac3. 
    In theory the jobs version could be faster (based on a number of variables- length, Qmaster, etc) but I haven't had time to compare the two. 

  • How to import Canon FS100 footage (.MOD) via Log and Transfer?

    I have a Canon FS100 video camera. I records in standard definition 480p video, and saves the files in the .MOD format. Lately, I've just been using iMovie to edit my videos because it can easily import to files. Final Cut Express cannot, though, as far as I'm aware. What I've been doing is copying the files onto my computer, then using a convertor to convert the MOD files into .MOV files, but then FCE has trouble editing it. It causes it to have to render after each edit. Is there an easier way to edit my video? I've tried converting the MOD files into other formats such as DV video, but it still has the rendering problem. My FS100 doesn't show up in the Log and Transfer window of FCE. Is there a way I can make it appear? Thanks.

    .mod files are a problem. Are you shooting in 4:3 or 16:9 mode?
    What app are you using to convert them ... and what are you converting them to?
    The .moi files are index information associated with the .mod files that contain the actual video.
    MPEG Streamclip should be able to convert the .mod files. You may need the QuickTime MPEG2 Playback Componen, if you don't already have it on your Mac. ($20 download from the Apple Store). (You may need to change the .mod file extension to .mpg then open it in MPEG Streamclip.) If you are shooting 4:3 then in MPEG Streamclip convert the videos to QuickTime using Apple DV/DVCPRO-NTSC compression (this is a selection on the conversion screen).

  • How to name clips in Log and Transfer

    I work at a production company and we log and transfer a lot of High Definition footage. We can't seem to figure out an efficient way to label all of our clips though. I can name the Reel but how do you name clips without spending all day clicking on each clip and renaming.

    When renaming clips in Log and Transfer, I found out the hard way that these names are stored with the FCP project file that is open at the time, and this data will disappear if you try ingest it while another FCP files is open.
    In other words, if you are working on a project and want video you ingested for a different project, using Log and Transfer to get those clips will leave you without all of the clip names that you spend so much time adding.
    Has anyone found a way around this?
    Thanks,
    Kurtis

  • How to speed up Log and Transfer in FCP 7.0 of Canon 7D footage on my Macbook

    Hey there,
    I'm using Final Cut Pro 7.0 and the Log and Transfer of my Canon 7D footage is taking forever.
    I have both the Canon XF MPEG2 plugin and the Canon EOS Movie plugin.
    Any suggestions?
    Cheers!

    Are you transferring the files directly from the camera, via a USB cable?
    Try taking the card out of the camera and using a good quality card reader, or better yet, try copying the camera storage card to a hard disk (preserving the complete card file structure) and then Log and Transfer from that copy on hard disk.
    See if that speeds up the L&T ingest.
    MtD

  • How do I select ProRes 422 on Log and Transfer window?

    I went to preferences in upper right of log and transfer window, saw ProRes 422 was listed there but, still not seeing my clips after ingest say ProRes 422.
    I have Capture preset also set to ProRes 422 in FCP 6.06

    Yes, it only has that choice of ProRes 422 but, its not in that format after ingest.
    I select TRANSCODE TO and it only has Apple ProRes 422 check marked.
    Format says HDV1080p30 under compressor column in my log in Bin not ProRes422.
    Wish I knew why its not importing correctly.
    24p imports and converts to ProRes422 perfectly but, Im in 30p on this project.

  • Working with AVCHD: Log and Transfer FAQs

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

    Disclaimer: Apple does not necessarily endorse any suggestions, solutions, or third-party software products that may be mentioned in the topic below. Apple encourages you to first seek a solution at Apple Support. The following links are provided as is, with no guarantee of the effectiveness or reliability of the information. Apple does not guarantee that these links will be maintained or functional at any given time. Use the information below at your own discretion.
    Working with AVCHD: Log and Transfer FAQs
    Log and Transfer was introduced to the product chain in Final Cut Express 4, and is the program's process for ingesting files in the AVCHD format utilizing MPEG-4 AVC/H.264 video coding and either Dolby AC-3 or uncompressed linear PCM audio coding. The most frequently observed problems relating to the Log and Transfer process are generally quite easily addressed.
    What should I know before attempting to ingest my footage?
    The following facts regarding the Log and Transfer process were adapted from the [Apple Knowledge Base article|http://support.apple.com/kb/TA24840?viewlocale=en_US] on transferring AVCHD in Final Cut Pro 6.0.1 but still hold true for the current version of FCE:
    AVCHD support is available only on Intel-based Macintosh computers.
    AVCHD camcorders typically connect to computers via USB 2.0, not FireWire.
    DVD-based AVCHD camcorders are not supported in Mac OS X 10.4 or earlier.
    Standard definition video recorded with AVCHD camcorders cannot be accessed in the Log and Transfer window. SD and HD clips should not be mixed on the same HDD.
    Preview of AVCHD video in the Log and Transfer window is limited to 1x forward playback. Scrubbing the playhead does not update the video in the Preview area until you stop scrubbing.
    When you choose to transfer AVCHD audio in the Logging area, audio is automatically mixed down to stereo.
    AVCHD footage is not ingested natively but is transcoded to the Apple Intermediate Codec.
    Apple Intermediate Codec files are significantly larger than the original AVCHD files. FCE does not estimate the size of a transcoded AVCHD file before ingesting, so it is possible to exceed the available space on your capture disk during transfer. Before ingesting, keep in mind that the disk space required is about ten times greater than the size of the native AVCHD file.
    Which specific formats can be ingested by Log and Transfer?
    Only AVCHD footage can be ingested through the Log and Transfer process. Other formats and variants such as AVCHD Lite are not supported. All video should be recorded in a frame size of either 1440x1080 or 1920x1080 and a frame rate of 25 or 29.97 frames per second. Audio recorded on AVCHD camcorders is generally at a rate of 48kHz. If your camera shoots in a format that does not comply with one of these setups then it is most likely not supported by the application and is not guaranteed to work correctly.
    Which Easy Setup preset should I select before ingesting my footage?
    It is extremely important to select the preset that matches your media before you attempt to ingest via Log and Transfer. There is only one Easy Setup preset that matches the frame size and rate of your footage. If you intend to ingest AVCHD clips through Log and Transfer you will first need to select one of the following presets:
    AVCHD-Apple Intermediate Codec 1440x1080i50
    AVCHD-Apple Intermediate Codec 1440x1080i60
    AVCHD-Apple Intermediate Codec 1920x1080i50
    AVCHD-Apple Intermediate Codec 1920x1080i60
    If these four options do not appear under your Easy Setup list then you probably need to run Software Update and update to FCE 4.0.1. DO NOT cycle through the available presets until you find one that works - there is only one preset that matches your media and it should be evident which one to choose by the way it is named. Select the AVCHD preset that mentions your frame size and frame rate (i50 presets support both 50i and 25p frame rates; similarly, i60 presets support both 60i and 29.97p frame rates). If you do cycle through many options in the hope of selecting the correct one through guess-and-check you will probably have corrupted your preference file and need to [trash your preferences|http://support.apple.com/kb/TS2611] before continuing.
    Why don't my clips appear when I open the Log and Transfer window?
    Make sure your camcorder records AVCHD in a format supported by FCE4. It should be connected to one of your computer's USB ports (never connect it to an external hard drive or other external device such as your keyboard or a USB hub), powered on, and set to video playback mode.
    If the camcorder +does not+ mount on your Desktop your USB port or cable may be malfunctioning. Try plugging it in to another port or using a different USB cable to see if it makes a difference.
    If the camcorder does mount on your Desktop but the clips do not appear in the Log and Transfer window you will need to point the program to the directory that contains your media.
    First, click the Add Folder button in the upper left of the Log and Transfer window. The button looks like this:
    Then, you will need to navigate to the root directory in which your media is stored. Most camcorders call this folder "PRIVATE" or "AVCHD" and it should be located at the very top level of the camcorder when mounted. If your camcorder records to a valid AVCHD directory structure then your clips should load after the Add Folder process is completed.
    I would like to keep a working backup of my original clips so that I can delete them off the camcorder's internal memory. How should I do this?
    There are two main ways to keep a backup of your clips. The first is to ingest every clip on your camcorder through the Log and Transfer process, and store the Apple Intermediate Codec files the application creates in an easily accessible place such as an external FireWire drive. The advantage of this method is that you have the ability to open back up old editing projects, reconnect the media as necessary, and keep going as if you'd never left. However, due to the large amount of space AIC takes up (usually somewhere in the vicinity of 41-50GB an hour when transcoded from AVCHD), this is not always feasible.
    Another often preferable approach is to copy over the root directory in which your clips are stored (usually named "PRIVATE" or "AVCHD") from the camcorder to your computer or an external drive. As long as you maintain the original file structure, you will be able to ingest your clips again at a later date using the "Add Folder" process detailed above to navigate to their new location.
    My clips appear, but when I attempt to ingest a red exclamation point appears and the window displays the message "Error: No Data"
    This is one of the most common problems that users experience when trying to ingest their media through the Log and Transfer process. Luckily, it also has one of the easiest solutions.
    In the Log and Transfer window, click on the gear icon in the top right and select "Preferences" in the contextual menu that appears.
    Make sure the video is set to transcode to the Apple Intermediate Codec and the audio is set to Plain Stereo.
    After doing so, hit OK and try to ingest again.
    I am experiencing a problem that is not covered in this tip or the solutions here do not work.
    The best thing to do at this point would be to trash your preferences and start a new topic in the [FCE Forum|http://discussions.apple.com/forum.jspa?forumID=936&start=0] with a detailed description of your problem. Check out the user tip on [Basic Troubleshooting in Final Cut Express|http://discussions.apple.com/thread.jspa?threadID=2662419] for more information.
    This is the 1st version of this tip. It was submitted on December 03, 2010 by skalicki`.
    Do you want to provide feedback on this User Contributed Tip or contribute your own? If you have achieved Level 2 status, visit the User Tips Library Contributions forum for more information.

  • A conclusion to ALL the AVCHD/.mts Log and Transfer Final Cut Pro 7 issues

    Hey all! Happy 2011!
    So this is my first post here and hopefully when this thread concludes with all your help we should be able to help a lot of people and save them the heartache that I have recently had to endure by stating these things in plain English. I have some questions at the end which I think could be answered very easily! Please, no gobbledygook!
    It would be great if people in the know can confirm/deny or comment on my points so those that are in a similar position to me can save their time and just get on with it.
    1) I have a Panasonic HDC-TM300 and it records in AVCHD/.mts files
    2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
    3) Log and Transfer _*DOES NOT WORK*_ if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
    4) What is required from the folder structure that makes FCP act this way?
    5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do! Im sure that many people have done the same thing as me please correct me if i’m wrong
    After a lot of research on the internet I have come up with the following solutions and in brackets my thoughts on them. If anyone has any experience with them please please let me and other people know so I can get on with my life and editing these files.
    a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight. (This could take a while but i think we should do it for the sake of future generations)
    b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
    c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why? (Least desirable option due to requirement for extra program so extra faffing and extra cost).
    Thanks y’all and keep up the awesome work!!
    K*

    2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
    Yes.
    3) Log and Transfer DOES NOT WORK if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
    This is true of ANY tapeless format.
    4) What is required from the folder structure that makes FCP act this way?
    This is due to the fact that most of them have files in those other folders in that structure that FCP needs to access in order to get all the proper components assembled properly. Sure, there are formats that have folders with nothing in them. Doesn't matter, FCP is designed to look at the full structure and work from that.
    5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do!
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