Logo color changing between Illustrator and Premiere

I'm trying to import an .esp file into Premiere, but the color changes drastically from Illustrator to Premiere. Any suggestions on how to make it look more like the original?

CMYK originally, then I converted it to RGB in Illustrator. Both modes looked like the same too-happy blue in Premiere.

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RGB Color management between Illustrator and Photoshop

Hi,
I have a color management issue when exporting JPGs from Illustrator and opening them in Photoshop:
In Illustrator (file is in RGB mode), I have a logo which has the color RGB 0/0/153 and I export a JPG. When I open the file in Photoshop, the color is RGB 1/0154.
I have activated Adobe CC Color Manegement via Adobe Bridge (option "Europe, Universal 3"), which should produce consistent results in all Adobe applications.
So which is the color that is actually in the file? And what do I have to do to get the color I want (0/0/153) actually exported from Illustrator? I need this color to comply with corporate design specifications of my client.
Since I have to produce a lot of files it is not possible to readjust all colors in Photoshop ...
Thank you!
Michael

First, check to make sure that the RGB working colorspace is the same for both Illustrator and Photoshop.
When exporting the jpeg from Illustrator make sure the 'embed' color profile is selected, and it is the color profile that is required for your client. If this is for web use, then sRGB is your best choice.
When you open the exported image in Photoshop, make sure that the color settings for Photoshop are set to 'Preserve Embedded Profiles'. After you open the image in Photoshop, you can double check by going to Edit > Convert to Profile... The source profile should match the embedded exported profile from Illustrator. If these match, your RGB color values from Illustrator and Photoshop should also match.
If the source profile does not match, cancel out of the 'Convert to Profile" and go to 'Assign Profile". Assign the profile that you embedded when exporting from Illustrator. Now Photoshop should have the same values as Illustrator.

Color change between Illustrator versions

When I'm opening an Illustrator cs file for a while back in Illustrator cs5, the colors change. When I try to open the cs file (eps) in Photoshop cs5, the colors change too. What setting am I missing? The document color mode is set on cmyk. Is it something inside of color settings? Thank you

Ok... let me be more specific, sorry for the confusion. Here is exactly what's going on...
Another designer is working in Illustrator CS and has created a logo that they provide to me in ai, eps, jpg, tif, png and gif. The jpg, tif, png and gif have been output from the eps file by opening the eps file in Photoshop and saving in the desired format. All these files have the same color.
The issue is when I receive them and I want to either simply open the ai or eps in Illustrator CS5 (or CS3), or open the eps in Photoshop CS5 (or CS3) so I can save a big high res jpg for example, the color are lighter and not the same as the jpg provided from them. So I'm unable to create any files (jpg, gif, tif...) from the eps to match what was created before. Does that make sense?
I have established that the other designer uses Illustrator CS and CMYK is selected for the 'document color mode' in Illustrator. When I work in Illustrator CS5 CMYK is also selected.
When I have opened other eps files from the same Illustrator version, and looked at the files that were output from them, the colors are all the same, but in this case it is not. I'm wondering if I'm missing a setting somewhere or if this will always happen if you open an Illustrator CS eps inside Illustrator CS5.

Color change between copy and paste

Hi,
when I draw a rectangle or any other shape in Pages and give that objet a color (RGB: 175,217,82) and I copy and paste that objet, the color of the copied object does change to (RGB: 188,219,108). Copying the copied object stays the same (RGB: 188,219,108).
This unwanted color-change is very annoying! Help, what am I doing wrong?
Best regards.
Maurice

Maurice,
There is a difference between the RGB color assigned to the object and the color you measure when you probe the screen area of the object with the color picker tool. I presume this has something to do with the screen driver's attempt to balance the colors or something. (Not an expert here, just observing.)
There hasn't been a change in color, just a difference between the assignment and the measurement. Trust the color swatch of the Fill tool, not the measurement tool.
Jerry

Color changes between CS2 and CS4 opacity with effects turned on

Howdie.
I don't run into issues much with Photoshop, and this one has me stumped.
I needed to drop back to CS2 in order to use a warp mesh plugin. I saved out a small portion of a file that I created in CS4 (Only containing the layer I needed to warp) and then opened that file in CS2, turned off all the effects (drop shadow, inner glow, bevel & emboss), and applied the mesh warp, then saved the file. I went back into CS4 and re-opened it there and copied its layers into the bigger, original file. What is strange is that the colors were a LOT lighter than they should be when compared to the original unwarped layer. So in an attempt to figure out what was wrong, I checked all of my layer opacities, filter settings, layer mixing mode, etc. and everything was exactly the same. I even tried deleting the layer style and copying the layer style from the original layer...no change. I turn off the effects and check the color of the object and it reads the same as the original layer. Both layers have no semi-transparency in the colors. I turn the effects on and it is all whacked out. After a while, I figured out that the problem was that the layer opacity in the effects, although reading the same between both layers (70%), is behaving as if it should be at 90% opacity in the new layer in order to match the original. Its as if the layer worked on in CS2 has brought with it some corrupted info in its definition, that never leaves and affects any Effects you try to apply to it.
Has anyone experienced this one before?

A liitle bit more info here. Apparently, the pixel data for the warped parts screws with the effect, Inner Glow, in the Choke and Size sliders. The sliders simply quit functioning and have an abrupt light/dark toggle effect roughly near about value "7".
The only way I could fix the problem was to do this convoluted solution, since Duplicate Layer does not work.
    1. Clear the effects on the problem layer.
    2. At this point you can either work on the problem layer directly or duplicate it to create a work layer. Doesn't really matter because both layers will get deleted later anyway.
    3. With Channel Mixer, and for EACH color channel CMYK, move all 4 sliders hard left, so that the result is 0/0/0/0 for the CMYK values (Do NOT use Brightness & Contrast in place of Channel Mixer because you will lose any blurred edges. Also, using Channel Mixer does not swell or choke off the pixels along any "floating" shapes' edges).
    4. With the selection tool, create two small selection boxs at two opposite corners of the entire layer. Fill them with any color.
    5. Select the entire layer (CNTL + A on a PC), and copy it to the clipboard.
    6. Create a new Alpha channel and Paste. The little boxs at the opposite corners of the file were needed to precisely position a copy of the layer when we Paste it into the new channel. The contents of the channel must be exactly registered with where the original shapes were in the problem layer.
    7. If you want, you can now delete the boxs in the corners of the channel by filling them with black.
    8. Create a new layer and load the selection (the channel) we just created.
    9. Fill it with the desired color.
    10. Copy the desired effects from the original layer before warping was done and to the new layer we just created.
    11. Delete the old problem layer.
    12. Done.

Color Differences between Lightroom and Premiere Pro

I have been making color adjustments to movie clips in Photoshop or Lightroom (both of which do a great job), but when I bring the clips into Premiere Pro or Premiere Elements the colors are not the same as what I was seing in the other programs. It is as if the programs are using different color profiles. How do I resolve this problem?

bryanbrowne1 wrote:
I have been making color adjustments to movie clips in Photoshop or Lightroom (both of which do a great job), but when I bring the clips into Premiere Pro or Premiere Elements the colors are not the same as what I was seing in the other programs. It is as if the programs are using different color profiles. How do I resolve this problem?
Photoshop and Lightroom are designed for still photography. Still photographers use a color managed workflow that in general ends in a paper print. Since printers/inks/papers can in general display a wider gamut than computer monitors can display, we use tools manage it, such as soft proofing. The efficient way to control this is through ICC profiles of the printer/ink/paper combinations, of which there are thousands. Thus Photoshop and Lightroom and other still photography tools are esentially required to be color managed.
PPro and film/video have decidedly different requirements. The video workflow ends in a light source display (projection, HDTV, or web video, all are light sources, where a pigment ink print is a reflective source, which has entirely different characteristics). These end displays are not variable workspace displays. HDTV displays only in REC.709 workspace, its gamut, contrast, etc. are tightly defined. Web video uses the sRGB workspace. Etc.
I'm just sayin' that still photography and video have very different requirements. Trying to force still photography methods onto a video workflow is bound to be difficult and full of problems, as you have found.
The answer to your "How do I resolve this problem" question is perhaps to use the still photography tools for still photography, and the video tools for video. A stills workflow for stills, and a video workflow for video.
A video workflow implies doing color correction and color grading on external monitors that natively support the target work space (Rec.709 in the case of HDTV, Blu-ray, or DVD output [OK, technically DVD uses SDTV's REC.601 work space, but 709 is "close enough" that you can get by in all but the most critical applications]). IOW, use a production monitor, or at least an HDTV (calibrated of course), to judge final output.
Trying to color correct video on a computer monitor is just asking for trouble. As you well know by now.
A good place to start learning the video way of things when it comes to color correction and grading is Alexis Van Hurkman's Color Correction Handbook. Highly recommended; it answered questions that I didn't know enough to ask yet. Might for you too, IDK.

High ISO color changes between LR and PS?

So I came across this anomaly after taking some test shots. There's a pretty drastic shift in colors when I bring a high ISO RAW from LR into PS and then save it to bring it back into LR. This file hasn't been edited, just saved as a tif through PS. Changing my working profile does nothing, and I don't think it's calibration related because it doesn't happen with my lower ISO (3200-) pictures. What I do know is it's being converted from 24 bit to 48 bit depth and changing color representation from sRGB to uncalibrated. From researching, I understand that the file info stating 'uncalibrated' just means that there is an embedded profile (which is what LR shows). Something is going on, but my attempts to fix it haven't worked. I've tried adjusting profiles (LR/PS are matched btw), assigning profiles, converting to profiles, and my monitor is callibrated. In detail, here is the issue I'm seeing:
LR RAW > PS TIF - everything is awesome > TIF LR - goes bad
Re-import tif edit to PS - everything is awesome again
Export tif edit from LR to JPG - looks like it does in LR (bad)
Export same tif edit from PS to JPG - looks like it does in PS (perfectly fine)
I just can't wrap my head around why this is only happening with high ISO images. Originally I suspected my monitor profile, but can't see how that would make sense if everything below 3200 ISO looks perfect between both programs. Is the tiff doing something with the noise? Is LR missing some information in the tiff? Is this to be expected? It basically seems to be diluting the contrast/vibrancy, which is easy enough to fix, but a bit of an annoyance anyway.

SpottedMeLR wrote:
That's what I was trying to show with my examples. The issue I have with this is the reliance of having to use it to get identical colour results. I don't necessarily want to remove noise that I don't find is all that visible in the first place (without pixel peeping). I get okay results with milder luminance noise removal and extreme sharpening, but it's still something I don't think should *have to* to be done in every high ISO image.
Even when shooting below ISO 3200 where this LR anomaly doesn't occur you should be applying both Color and Luminance NR. My 21Mp full-frame Canon 5D MKII "default" NR setting is Luminance 0 and Color 15, and at ISO 3200 I typically use Luminace 25 and Color 25, or higher. Feel free to change any of your default settings in LR using Develop> Set Default Settings on the toolbar. You can also create Develop Presets for 'High ISO' images using Develop>New Preset. Make as many as you need based on your shooting needs. You can also quickly adjust one (1) image file and apply a unique NR setting across all the images shot at the same high ISO setting using Settings>Copy Settings and Paste Settings or 'Sync' button at the bottom of the Develop tools panel. Check just Noise Reduction>Color & Luminance in the Synchronize Settings' panel. And yes, a 1:1 (100%) view is the only way you should be making NR and Sharpening adjustments in LR.......they will only look better at lower view settings.
SpottedMeLR wrote:
Stubborn, maybe? I try to shoot below 3200 as well, but it's nice to be able to keep my options open when need be and know I won't run into oddities like this when it comes to editing. Am I asking too much?
IMHO - Why not properly use these tools in LR all of the time, since it can be done for you almost automatically.

Color changes between Lightroom and Photoshop Elements

I have a new monitor and I have the SyderPro4 calbration software. My monitor is the Dell UltraSharp U2713HM. When calibrated with the Syder my colors are different when I go into different programs. The same photo looks different in Lightroom than it does in Photoshop Elements. When I export the picture from Lightroom to Elements the picture becomes very orange. I have already talked to Dell and to Datacolor about my issue and they both are telling me this shouldn't be happening. When I uninstall my calibration software my problem goes away, and the colors of the images stay consistant between the two programs. Does anybody have any advice to what maybe wrong?

How do you export to Elements? Directly from Lightroom? If so, what profile are you choosing? What resolution are you specifying? I normally use proPhoto RGB which is the profile that LR more or less uses internally and 330.

Why are colors wrong between illustrator and acrobat

On the right side i have the original ai file, on the left side, the same ai file when opened in acrobat.
Why is it fluo in acrobat??
Both programs share the same CMYK profile FOGRA39 and same RGB profile
(image removed at request of poster)

abjelly,
The one to the left looks like RGB, and the one to the right looks like CMYK (Color Mode).

How can I better improve the color of images between Photoshop and Premiere?

I have trouble getting true colors between Photoshop and Premiere CS6.
What can I do to solve this situation?

Premiere Pro works internally with colors in an RGB (red, green, blue) color space. If you want to edit video clips you create in Photoshop in Premiere Pro, create the clips in RGB.
If you want to broadcast the final movie it is best to ensure, in Photoshop, that the colors in your image are broadcast-safe. Assign the appropriate destination color space—for example, SDTV (Rec. 601)—to the document in Photoshop.
You can refer to some suggestion as below:
http://help.adobe.com/en_US/premierepro/cs/using/WS6693F22C-C06E-431a-A634-62343C65BA7B.ht ml#WS4AF3A4A1-D276-4f3b-A5B2-D3C19D3269DA
Let me know if you have any more questions on this.
Cheers!
Mandhir

[MAC OS X - Illustrator CS5.1] DragDrop between Illustrator and Extension

Hi,
What I would like to achieve is to handle Drag and Drop between Illustrator and Creative suite extension (specially from Illustrator to extension, designed for Illustrator).
I would like to get a reference or a pointer on the selection / objects dropped on my extension, and then do something with the selection / objects dropped in my ex extension. Pretty much like they did in the Symbol swatch.
So, here it is the code implemented (in my POC extension):
Scripts:
// Called when the user moves the drag proxy onto the drop target. private function dragEnterHandler(event:DragEvent):void {             Alert.show("DragEnter");             // Accept the drag only if the user is dragging data            // identified by the 'color' format value.             if (event.dragSource.hasFormat('air:bitmap'))           {           // Get the drop target component from the event object.           var dropTarget:Canvas=Canvas(event.currentTarget);
          // Accept the drop.                       DragManager.acceptDragDrop(dropTarget);         } }
// Called if the target accepts the dragged object and the user // releases the mouse button while over the Canvas container. private function dragDropHandler(event:DragEvent):void {                  //Only Image available?                   var data:Object = event.dragSource.dataForFormat('air:bitmap');
      //Test: Quick and Dirty!!                 var data2:BitmapData = data as BitmapData;                    var myBitmap:Bitmap = new Bitmap(data2);
      myImage.addChild(myBitmap);                   Alert.show(data.toString()); }
Interface:
<mx:HBox>   <mx:Canvas                                    id="myCanvas"                                  dragDrop="dragDropHandler(event)"                      dragEnter="dragEnterHandler(event)"                               width="100"                                   height="100"                                    backgroundColor="#FFFFFF"                    borderStyle="solid"                                           />
    <mx:Image id="myImage" width="100" height="100"/>   </mx:HBox>
It works. But right now, the only available in the Dragsource object is a bitmap.
I've used the debugger to check if I could find something else, but I did not.
I have also tried to use the NativeDragManager. But it is pretty much the same.
I'm stuck.
Anyone could help me?
Does anyone know if it is possible to retrieve something else than a bitmap form the dragsource object?
So any help would be appreciated.
Thanks,
Toto.

Hi RIS HK,
This crash seems to be related to permission issue,
Can you please try to run Illustrator with sudo permissions on the terminal
e.g.
$ sudo /Applications/Adobe\ Illustrator\ CS6/Adobe\ Illustrator.app/Contents/MacOS/Adobe\ Illustrator
Sanjay.

Can I switch between Illustrator and Photoshop? (I am subscribing to only one product per month)

Can I switch between Illustrator and Photoshop? (I am subscribing to only one product per month)

Absolutely. Just change the sim card and the APN details in the settings. You can do this either manually if you know them or just sync with iTunes after changing the sim and the details will sync. Once you have done it once for each network the device seems to remember the details.

Video tracks disappear when changing between sequences in premiere CS6

Dear people, can you please help me find out why video tracks disappear when changing between sequences in premiere CS6.
All it shows is the audio track and it is maximized to the first frame of the sequence. Video tracks are there but hidden - although video IS showing up in the program monitor.
When I pull the tracks down in the timeline window using the dividing line between the video and audio tracks and set the sequence work area back it works fine, however it is a great annoyance having to do this every time when i swap between sequences.
Can anybody please suggest a solution to this?
I'd appreciate any help.
MD

This is the audio tracks problem i cannot overcome:
https://forums.adobe.com/thread/1586025
(basically every type of audio i drop/place onto the timeline becomes left channel only, regardless of it being music or camera-recorded audio.
In the source monitor everything plays back just fine, but when placed to the timeline - it becomes LEFT only.
Weird.... (or am I and not it)

Color shift between play and pause

Hello,
On CC 7.0 and 7.1, I noticed there is an important color shift between pausing and playing my timeline when using "CineForm Visually Perfect" encoded source material.
This is especially noticeable on reds.
Using other codecs, there is no such shift.
My video card is a Geforce 650M. At first, I thaught it might be related to the video overlay settings of the card, but there are no such settings in the control panel.
Besides, using Quicktime to play the source produces no shift as well.
As I am often doing color correction using Premiere, and as I have dropped Avid exactly because I always had this same problem (when using a profiled calibrated screen), I would like to know precisely what is going on. As I'm regularly producing shows for broadcast, it is a real problem not to be sure whether what you see matches the final exported output in all circumstances.
NB : For the need of searching the cause of this problem I disabled any custom profiling of my screen.
Thanks ! for any answers.
Fred

Sure and thanks. But nevertheless, if you color correct using a calibrated screen, and produce for the web ; or if you do a first pass of color correction before the ultimate pass happens with a "properly calibrated TV", wouldn't you like that your paused frame would look like your playing frame ?

DM3.0 EA2: Filter engineering changes between logical and relational model

Hi,
when I am engineering changes between logial and relational model there are some issues at filter handling for me:
- When the filter "Show Modified Objects" is activated, the filter works only on the first level, e.g. on Entity level. On attribute level all attributes are displayed, not only the attributes which have really been modified. It is possible, to show on every level only the really modified objects?
- I think, selecting a Filter condition is circuitous. All filter conditions except "Show All Objects" keeps activated when I choose another condition. So I have to deactivate "Show Deleted Objects" when I want to see only the modified objects. It is possible to choose another control element for filtering, e.g. disjunctive radio buttons?
I am running Data Modeler on Windows XP with german localization and the JDK 1.6.0_11 from Oracle SQL Developer.

I logged bug for that.
Philip

Logo color changing between Illustrator and Premiere

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