LR 1.1 unwanted color or tint shift

I'm using Lightroom 1.1 (haven't downloaded 1.3.1 update yet) on a Windows XP (SP2) system, and all of a sudden the color/tint of many of the photos in my library have taken on a yellowish or greenish tint. This seems to have occurred after a recent import in which I didn't initially import my RAW files (CR2) into LR, but into the Canon Browser EX software first.
After importing this latest folder from my pictures folder into LR, I've noticed that many of my previously imported photos (some developed/modified, many not yet) have taken on a tint that makes the whites into a yellowish/brownish tint, and the blues have become somewhat greenish. Some imported folders appear to be unaffected, or the problem is not noticeable (those taken in low light at concerts). Nothing in the develop settings indicates any changes that would've added this tint to these photos.
Finally, when viewing the same photos in Canon DPP or Browser EX or in Windows Explorer, the same photos appear totally fine, with the proper tint/hues.
I recently purchased a new monitor (Samsung BW 216), but this shouldn't be a problem as the pictures appear perfect when viewed using these other programs or just as a screensaver or background.
Any ideas??

> recently purchased a new monitor (Samsung BW 216)
How are you calibrating that monitor? Lightroom will exacerbate problems with certain monitor profiles. Especially canned profiles from monitor manufacturers seem to cause major problems because they often have a corrupt perceptual rendering intent. If you're not calibrating your monitor with a hardware calibrator, you need to start doing so as it is simply impossible to get good color in any program without it. In the mean time, delete any profile that is shown in the color management pane of the monitor's properties to see if that will fix the problem. The fact that other programs look normal is because they do not color manage at all, so a bad monitor profile will not show up in those programs. Their color will also always be incorrect because of that. The only way top get correct color is to calibrate your monitor and use a color managed app.
>haven't downloaded 1.3.1 update yet
Do so as soon as you can. Many problems were fixed in the two major version updates.

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That sort of describes it and may be exactly what is happening. I have a shoot tonight and will pay closer attention to the process and behavior when I import.
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Hi, thanks for the link. While helpful I am still having problems!
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I have a screen shot I can show you to illustrate this here:
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Broken wb and magenta tint shift on all my 30D images

Hi everybody...I know that there is another post regarding images going green...I read it all and tried to follow some of the listed suggestions but no success at all...I'm really in the middle of nowhere, don't know what to do to escape from this nightmare!.
All my Canon 30D images in Aperture 3 shows completely broken wb and magenta tint!...
I did not experience any of the problems during upgrading and import my previous library from Aperture 2...It was months ago...I decide to reprocess all my images because my intention was to start working and adjusting my photo after a period when I just "accumulated" them in projects and nothing else.
it wasn't like this a month ago, honestly I can't remember at which point all this happened...one month ago I did some jpeg export from a project and the images were ok, I mean the masters and the exported jpeg. I returned to Aperture to start performing some adjustments on few images here and there in different projects...and, horrible surprise, just reviewing some images recently imported I noticed the difference between the photo in the filmstrip and the one in the viewer...
I just run randomly on different projects and....disaster....the same broken wb and magenta tint..all of my 30D images, 350D shows correctly.
It shows "loading" for a second and then the image is turning with a heavy magenta cast on it...if I am in split view the image in the filmstrip shows correct wb while the one in the viewer is affected by the magenta tint.
If I press once M to show the master image I see this: for a second the image shows the correct wb then appears the magenta tint. I press M to quit the master view and the image is the same with magenta...and then again press M and there is no longer the brief "flash" showing the image with the right wb and no magenta tint.
I tried some of the solutions listed in other threads i.e. moving/deleting the Raw Decode plist file....repair and rebuild....nothing seems to work...I can't explain how I feel...I spent a lot of time to organize folders, projects albums, and now that finally I decided to start working on my photos I found them all broken.
This is happening on my iMac 20" alu with snow leopard 10.6.3 and the latest Aperture update 3.0.3...but also on my macbookpro 13" with the same os version and Aperture 3.0.2.
I don't know what to do...I love Aperture, i run it for long time on my Powerbook G4 (Aperture 2.1.4) and honestly I don't even want to think about switching to another software.
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Bye,
Alberto

Hello KBeat,
first of all a huge and sincere "Thank you!" for your considerations and suggestions!.
Like I said in my previous post I found that some images shot with 30D now looks better...my first "samples" on the 30D images (I have around 3,500) shows that images not ever adjusted looks better, some images with adjustments done in Aperture 2 still looks good, others aren't...
BUT...some of the bad looking images that shows the magenta shift (light or heavy to purple) also have the white balance adjustment brick selected...I just deselect it and, bam!, the images turn back to the right white balance settings....well, maybe it's still not correct but at least was the "original" one, I mean that is the image wb setting since first import two years ago.
For this group of images, small at the moment, the additional "work" requested is to deselect the white balance adjustment brick to obtain the "old" image, ready to be processed with the new raw decoder, leading to a better result.....I really hope to find more and more of those images between those affected because it involves to deselect the brick and that's done.
Since now I have to say that the most affected are portraits/models images where skin tones now are rendered in a way that looks ipersaturated and completely unrealistic, thanks to the magenta shift.
Well, I can't say I'm happy with this, at least not "for free"! I mean I'll probably be happy right after some works on the images...my library at the moment is "compromised".
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Now, to the white bal card suggestion you gave...
Correct me if I'm wrong or did not understand what you wrote...you think that if now I shot a white bal card with 30D, import it in Aperture and use it for the magenta shifted images the big work is done? This, lift&stamp to the rescue, could be a huge timesaver!
Am I dreaming? Am I now into a too positive mood with this problem? Eh, eh...hope not!
I have an image shot to a white bal card but it was taken with the 350D because of it's inability to set a temperature in-camera, in a recent shooting involving studio flash and lights I set 3200K on the 30D with the proper menu setting and shot the white bal card with the 350D to have the most consistent result....but with 350D results were good even if I set a white balance choosed from the various in-camera options (cloudy, tungsten....).
Unfortunately I'll be abroad for work all next week, it will be impossible for me to work with my photos and playing with Aperture, today shops are closed so no white balance card...and I have lot of things to do at home, argh!.
Well, thank again for the kind suggestions and support, I really really thank you all!.
Of course I'll post immediately if I found something else on this matter, and to report progresses or else!.
Bye!
Alberto

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Sounds to me like an RGB/CMYK colour space issue.
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In photoshop, "white" is not the same between RGB and CMYK and I often find there is 1 or 2% magenta in the mix (just as you're finding) when going from RGB to CMYK.
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When I create an element and alter the color to a gray it shows up tinted. For example I created a rectangle with a fill of #aaaaaa, which should be a light grey, but instead I get something closer to #94927d (as rendered by google chrome browser).
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How do I fix this?
Details:
OS: Windows 8.1 x64
Adobe programs: Illustrator CC v17.0.0 (64-bit), Photoshop CC v14.1.2 (64-bit)
Browsers tested: Google Chrome Version 31.0.1650.57 m, Firefox 25.0.1
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Alright, I was wrong about this being fixed. Here's a screen shot. You can see it seems like the color of the element matches the "In Web Color" and not the color actually selected(in this case #aaaaaa).

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[merge1.jpg]
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[merge2.jpg]
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[merge3.jpg]
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[merge4.jpg]
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[merge5.jpg]
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g

H there,
@TLL: you're right with what you said about the subjective element. Getting spoiled is easy, but staying ambitious is good as well. I do these mosaics since 2003, when Photomerge was part of Elements only. Then, in the first years with CS and CS2, I never had this bug with the color gradient being applied to the final merge. This started with, I guess, CS3 and I think it's due to enhancements Adobe made to the programm (making it more "intelligent"). Unfortunately, sometimes enhancements have dark sides and cause unexpected issues elsewhere. And since we are a minority (making large merges), these do not get fixed, since the majority, stitching what, 20 image panoramas of their home and garden do not suffer. Their images have strong contours and contrasts and the issue gets effective only on uniform images like underwater sediment or, in your case, landscapes shot from above. Going back to CS or CS2 is no option, since only the newer versions give me the processing power I need, also is the blending much smoother.
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So far,
g

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LR 1.1 unwanted color or tint shift

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