Magenta cast on 50d's sRAWs

is it possible that nobody noticed it? I used to use LR for managing all my photos, as i only shoot RAW. recently i've changed the camera though to Canon's 50D. I was looking forward to it's 7.1Mpx sRAW mode dor casual photos and full resolution for bigger projects. Unfortunately it lasted very shortly. Is it possible that nobody noticed strong magenta cast on bigger (7.1) sRAW files? Acctually if you shoot three photos - RAW, sRAW1 and sRAW2 each of them will look somehow different. Canon has already corrected this mistake in their DPP (it looked exactly the same there) but i still want to use LR for all the worklflow and things. Now i'm forced to use huge RAWs (at least 20MB each) instead of handy sRAWs.
Please do something with it,
jacekolszewski
ps. i'm writing this as the issue still hasn't changed even though ACR 5.4 RC was released :/

I also have the problem described here.
I have a Canon EOS 5D Mk2.
Photos taken at ISO200 and the smaller RAW format exhibit this issue.
All photos that were taken this year and processed with ACR 6.4 and 6.4.1 have exhibited this issue. I don't think this issue used to happen with the original version of ACR that came with Photoshop CS5.
I updated my camera firmware 2 years ago, but that is too long ago to have caused this problem as I was getting good results from it immediately after the firmware update.
In ACR, changing the Camera profile to any setting other than "Adobe Standard" helped. Also the slider below it named shadows helped when I moved it towards the green (left) side.
However it was difficult to get a satisfactory looking color balance overall, and there were still noisy magenta artefacts in the underexposed shadows.
Installed Canon Digital Photo Professional (3.10.1.0) on my PC today and compared the images. Wow! DPP ones look stunning on the default settings compared to the ACR processed ones. No color cast at all.
So I will return to using Canon DPP and then use PTLens to correct distortion, and manually correct chromatic aberration. Less automation but better quality results.
If this issue is addressed I'm happy to help test ACR.
Here are sample RAW files (CR2 and XMP) exhibiting the issue described:
Normal Exposure XMP
Darker Exposure XMP
Rich

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Dark prints using CS5 & Epson R2400 ongoing problem, now new PC and magenta cast

Have tried every combination of set up in trying to solve problem. Had One Eye (now defunct lamp) various experts etc etc but compensated for dark prints by having screen lightened to bizarre point. Now having a new PC am faced with massive magenta cast. I really don't want to buy a new printer but have had the dark print problem since I got it. Have spoken to Adobe and Epson at length but eventually washed their hands. I feel it is something to do within the computer set up or Photoshop - don't think its printer problem. All drivers updated regularly. Thought it could be monitor problem but don't really think this is the case.
Any ideas welcome as I think I have tried everything. Use Windows 7.
Am retired and not very technically minded! Serious amateur photographer.

I have an Epson 1280 printer, and I have the same problem with prints. Part of the problem are the different color profiles in the monitor and the printer. The other problem to deal with is the type of photo paper used. While looking at web sites, I found that the ICC Color Profiles for the printer are on the install disc and are not automatically installed. One of the links describes which folder to install the profiles on both Mac & Windows computers.
As station_two wrote, calibrate your monitor first.
Below is a link about calibrating.
http://dpexperience.com/2009/12/18/calibrating-your-monitor-to-your-printer/
The next link is for printer tips
http://www.normankoren.com/printers.html#Printer_tips
And some more here
http://www.digitaldog.net/tips/
I do not have an exact answer for you because I have not figured it out myself, but here is what I have been doing on my prints. I might recommend that you work on a copy of the original.
In the Layer floating window, create a New Adjustment Layer by clicking on the half black/half white circle, and choose Hue/Saturation or Color Balance or Selective Color. Because the prints come out too red, you want to increase the green sliders, which is the opposite of red, and/or decrease the red. (Layer>New Adjustment Layer>Color Balance) is another way to do it.
Under the menu item Image>Adjust Levels. Move the center triangle at the bottom to lighten the mid-range, or use the center dialog box and change it to 1.20 or 1.30, for example.
Now press Print with Preview (but you really are not going to print).
When the dialog box comes up, make sure the Print Space: dropdown is set to Epson Paper or whatever you are using.
I have been using Relative Colorimetric. Press Print. Another dialog box will come up. At the bottom will be a button for Preview, which will generate a preview of what the photo will look like if printed.
Keep going back to the original and double click on the Adjustment Layer and adjusting it until the Print Preview looks ok.
Be sure when you actually print that the paper and color settings in the Epson dialog box match your settings in Photoshop. There is a dropdown that has Print Settings or Color. Often they don't match unless you print several photos in a row. I have found printing at the lower settings (less than 360 dpi) also messes up the color.
It is not an excellent solution, but until I can figure out more, I am in the same boat as you.
I'd suggest saving the lightening and color adjustments as two different Actions.

Stong Magenta Cast on Nikon D1x Compressed Raw files

I had to get some shots that I took in 2003 with my D1x. I'm on a MAC with Lightroom 1.3. I imported the photo's into Lightroom. I noticed something strange.
Some of the the images first displayed correctly in the grid view. bus as lightroom created the higher res thumbnails, the images developed a very strong magenta cast. Reminded me of slide film when the color developer was going bad. But some of the other images were fine, I had about 2000 from the shoot.
It took a while, but I did discover the differences between the files that displayed correctly and those that didn't. The difference was that the ones displayed incorrectly were Compressed RAW. I was beginning to run short of storage on the shoot and changed to the compressed option for about the last 200 or so shots.
If I ask Lightroom to open them in Photoshop CS3, they open as PSD with the same strong cast. Not good at all.
I then used Bridge to look at the files, they also show up with the sme strong magenta cast in bridge. But, when I open them in Camera Raw, they display fine and when I send them to Photoshop, they open correctly.
So I can use the files, but I'm wondering. Has anyone else noticed this? Is Adobe aware of this?
I looked for an article in the Knowledge Base and looked through the forum messages. I didn;t find anything except for an item in the forum about D100 files displaying the same as mine.

i just started having the same problem except that my magenta cast happens when i open an image through raw then ps and save from ps to a file. If i save from bridge or adobe raw there is no problem. I only get the cast when saved from ps and to jpeg and if viewed through bridge. have no idea what to do.

Magenta cast when printing from any app in Mountain Lion

I get a serious magenta cast when printing from any application using my Epson R3000 inkjet. I am aware of the double profile issue. For example in Photoshop I let it do the color management. ML automatically turns off printer color management. My monitor is calibrated with Xrite Color Munki. I did not have this issue before upgrading to ML 8.2. Is there a driver issue?

In System Preferences->Monitors->color is the correct
color profile set?
Do you you have the correct profile for the printer
selected in Photoshop?
Also, are you using Proof Setup in Views?
Need to ask since sometimes a person can stare at
something too long and think it is correct (done it myself often).
It may not be a driver but an issue with color profiles.
It is possible one or more of the color profiles may be corrupted.
Go to Utilities->ColorSync Utility select and run Profile First Aid.
See if problems found in profiles.
Using PS CS6 myself and have not seen any such issues with
color and 10.8.2.

Magenta Cast on exported Images

I am working on a Macbook Pro connected to an external Ezio Monitor.
When I work on files in Lightroom the images appear fine. When I export them as JPEGs, I send them out using Adobe 1998 as the profile, or SRGB files. The photos will have a magenta cast to them. I read posts talking about ProPhoto RGB but that is no better, in fact it is worse.
This never used to be the case, now I don't know what is going on.
-Todd

It is my experience with Canon "pro level" printers is, they tend to have a redish bias. This is very difficult to remove.
Canon engineers seem to prefer this warm look. This is built in.
However, on portraits I do like it, too. They look very nice. But on other stuff I know your problem.
I sometimes add a small amount of a 'coolong' filter in Photoshop. This usually counter-acts the built in warming effect of the printer. Remember a small amount, a little is good, a lot is not. It will look slightly blueish on your screen. I mean sloightly!
Hope this helps.
EOS 1Ds Mk III, EOS 1D Mk IV, EF 50mm f1.2 L, EF 24-70mm f2.8 L,
EF 85mm f1.2 L II USM, EF 70-200mm f2.8 L IS II,
Sigma 120-300mm f2.8 EX APO, Photoshop CS6, ACR 9, Lightroom 6

Black & white photo has a magenta cast.

New HP Officejet Pro 8500A, using the recommended HP brochure paper 180g glossy. I'm trying to print borderless and have set up the print options correctly. I am getting a magenta cast only when I print a black & white photo.
Brand new ink, and I have already tried aligning the printheads.
I was getting muddy prints using non HP paper, so bought the HP paper and now have this magenta issue.
I am using Windows Vista.
thanks for any help.
Barbara Smith

I have same problem. Did you find a solution?
Ira Scheinerman

All Paper Profiles = Magenta Cast...Display Profiles are fine

R3000 - Windows 7 - 64 bit - Lightroom 5.6 - Print Module
Tried every possible combination of printer driver Mode and Profile (under Color Management tab in print module).
Using OFF (no color adjustment), as recommended by Epson or Epson Standard or ICM with any paper profile produces either very dark images or heavy Magenta Color Cast. The only setting that produce a proper print (or Print to: JPEG file for that matter) are Adobe RGB mode and Adobe RGB Profile (I believe SRGB works as well). I'm baffled. I have a properly calibrated monitor and I've read all the manuals and message boards....I've downloaded new Epson profiles and Red River profiles...all produce heavy Magenta Cast....I cannot find a way to use a Paper ICC profile.

For what its worth I am posting screen shots of my "Windows 7 Color Management settings".
I use a Canon Pro9000 Mk11 so I cannot comment on how to turn off the color management in the Printer Drivers preferences, which needs to be done if you are selecting a color profile in Lightroom.
See if the additional info at this link helps.
Epson R3000 -Print Driver settings, Windows 7

Magenta cast and wavy lines

Hello forum, having just purchased a new eMac and finding everthing as great as my last one apart from my screen! It seems to me that there is a large area at the centre of the screen with a magenta cast. When calibrated with my Spyder Eye One it gives an even more pronounced cast. When I change resolution (from 1280 x 960 to 1152 x 864) I get a series of wavy lines at the edge of the display. This is not screen I knew and loved on my previous eMac. Is this a common prroblem with this model 1.42 GHz? Do I need to seek Apple support and send the computer back? or is it a setting that can be corrected? Any help or advice Thanks, Tony
powerbook g4 15" emac Mac OS X (10.4.8)

Thanks for that Donny, just been talking to Apple and told it is a Known Issue. Been offered a repair or refund. Not really sure about repair, my feeling is the mac is less than a week old and already needs a fix. Has any one else any experience if the repair is a god idea? Think maybe I should move up to iMac. I know that Apple can not replace the eMac as it is discontiuned item. This one was a clearance item New, Unused and unwrapped but with damaged box. Thanks again, Tony
powerbook g4 15" emac Mac OS X (10.4.8)
powerbook g4 15" emac Mac OS X (10.4.8)

Magenta cast on one account printed pic, not another

When I print a pic on my Canon 9000II printer, it has an overall heavy magenta cast., Printing the same pic from my wife;s account, normal color. Any idea where there is a setting I can change in my account to give proper color? I have recently installed 2 photo apps----Sigma SPP 5.5, and Iridient digital photo developer. IMac 27, OSX 10.6.8 fully up to date. 2 accounts, mine and wife's, both administrator.

For number 1, login to your wife's account (or have her do it if you don't know her password), then open the System Preferences and click on Displays. Click on the Color tab. The profile highlighted in gray is the one being used by that account:
Then you need to find out if it's in the main root /Library/ColorSync/Profiles folder, or in her user account Profiles folder (~/Library/ColorSync/Profiles). To find out where it is, click the Open Profile button. The ColorSync Utility will open and load the profile. You're not going to modify it, just find its location. Command click on the name of the profile at the top of it's window. The path will be shown. In the case of my profile, its in the root Library folder:
If it were in her user account, it would read from the bottom up as the Computer_Name > Users > her_user_account_name > Library > ColorSync > Profiles. Close ColorSync Utility. If you accidentally changed something (unlikely) and it asks to save the file, quit without saving.
If it's in the root Library folder, you don't need to do anything other than login to your account and then choose the same profile in the System Preferences. If it's in her user account, while you're still logged into that account, copy the profile anywhere into the root Library folder. Logout and login to your account and move the copied profile into the Profiles folder of your user account. Then choose that profile in the System Preferences.

Lightroom 3, Epson R2400 and the dreaded magenta cast

A customer called me to say her printer was broken and nothing she could do would make her Epson R2400 print accurately from Lightroom on her iMac running Snow Leopard. I visited expecting to have to sort out a double profiling issue or a clogged printer.
However, this was not the case. A nozzle check revealed very mild clogging on the light cyan cartridge but nothing too bad and it cleared quickly. Checking the print settings in Lightroom and the Epson driver settings suggested that there wasn't a problem there either - colour managed by a profile in Lightroom with printer colour management turned off. A couple of test prints resulted in images with a definite over-all magenta cast. Plodding through threads on this forum and others came up with all the usual profile issues which I reckoned were not applicable in this case. Still, I downloaded and reinstalled the Epson driver and also the icc profiles for the papers being used, in this instance those supplied by Permajet, in case there was some corruption. The problem persisted.
Now there are a lot of speculative solutions out on the web, some of them involving tweaks to the OS, others recommending monitor profiling (not the problem here) and some suggeting the use of elaborate presets to distort the colours to a printable result. None of these seemed useful - the screen colour was fine and the histograms weren't unbalanced in a magenta direction. It should just work.
Then I wondered about the little 16 Bit checkbox. What if I ticked that? Result - PERFECT. Lovely colour immediately. Now, I'm not sure why printing in 16 Bit should sort out the magenta cast in this case but it does. There is a general opinion, even in books such as that by Martin Evening, that 16 Bit is an interesting option but not vital. In the case outlined here it is vital.
So, if you are having magenta cast problems try ticking the 16 Bit box. It may just save your last clumps of hair from being torn out.

I wouldn't argue with you re the R2400 and its capabilities as it isn't mine and I didn't have any of its literature while trying to get to the bottom of the problem. The profiles I tried were Epson's own and a Permajet one from their website. Both produced magenta results until 16 Bit was turned on, or at least that seemed the trigger for the better results. Unexpected, I agree.

LR4.1 Printing with magenta cast?

Hello Adobe
I have just moved to LR4.1 from a bridge/PS6 workflow. I am having issues with the prints having a magenta cast. I have a colour managed workflow (Eizo ColourEdge monitor, Datacolour calibration, Epsom R3000 using paper manufacturers icc profiles). The magenta cast is happening when printing through LR4 using the papers icc profile. Same file is fine when printed with the same profile through CS6.
I can see some questions with the same issue but cannot see a resolution that is applicable. Is it you or me? Help please

Many thanks. Problem solved- instead of "No colour Adjustment" the setting was "sRGB". All good now
Vicki Moritz
Ujamaa Ridgebacks
Marysville/Mt Waverley
Victoria
Australia
http://rridgeback.net/
0418 397296
Photography
http://www.marysvillephotography.com.au/

How do I manage color printing to remove magenta cast?

Right now I am working on a Win 7 64 computer and have a Canon MP810 printer. I read the materials on color management and set my color management in "Print" in Lightroom 4 to "managed by printer". My printer color management in advanced settings is set all to defaults. When I print a photo from Lightroom 4, there is a distinct magenta cast to the entire photo, but it's most observable in midtone neutrals. A burnt out section of a lightbulb goes white, for instance, but greys seem to go pinkish, greens to a rust, etc. I also printed the same photo from a windows file, using Windows 7 print mode. That photo seemed to go slightly magenta in the neutrals but not nearly to the same degree. Can anyone advise me on what I might try or test to see if I can get my print colors more accurate? Many thanks.

The Canon printer driver installation did install some profiles for various Canon papers.
The ICC profiles installed for the printer appear as follows.
(1) Printer model name
(2) Media type:
Each alphabet pair represents its respective Media type.
PR = Photo Paper Pro and Photo Paper Pro II
SP = Photo Paper Plus Glossy
MP = Matte Photo Paper
SG = Photo Paper Plus Semi-gloss
GL = Photo Paper Plus Glossy II
PT = Photo Paper Pro Platinum
Note: You may not have all of the above profiles depending on your model printer. Please see your user's guide for supported paper types.
(3) Print quality
The numbers correspond to the numbers on the print quality slide bar in the [Set Print Quality] dialog box opened from the [Print Quality] tab of the driver. The lower the number, the finer the quality.
To turn off ICM in the printer driver select Page Setup in LR (Print module) and then the properties for you printer. In the printer drivers Main Tab select Color Adjustments: Manual, Click on Set and remove the check mark next to Enable ICM. In the same dialog set all sliders to its default of 0.
While on the Main Tab in the printer driver select the correct Media Type, select Print quality Custom, Click on Set and select the Quality according to the profile you intend to use (see above) and select Diffusion.
In LR Color Management in the Print module:
If you don't see any profiles, only Managed by Printer, select Other. In the window opening you will see all printer/paper profiles installed (have Include Display profiles unchecked). Check all profiles that you would like to use from within LR for printing and hit OK. Now select the appropriate profile (see above) you intend to use from the drop down instead of Managed by Printer.
That's it.
HTH
McL

Magenta cast ( strong) on Canon 9000 MKII

After changing to a different paper all my pictures come out with a strong magenta cast . Really strong, as if no other color exist. Having profiled the printer again with ColorMunki the result is the same. Have gone through all the forums reporting a similar problem, I haven't found any workable solution. It is really strange that even Canon has no real answer, although the problem seems to exist for years...AND only with Canon. Have also an Epson R1800 and never encountered a problem.
Does anyone have a workable solution without having to buy "other" programs to solve the problem. Printing from PS 6 on Windows 7. Any suggestion is welcome. Thanks !
P.S. All previous suggestions have been tried, but no luck. Have always been using own printer profiles generated by CM.

First, you must not let the printer set anything. Turn off every bit off control it has. You can do this with the Canon My Printer under the Printer Settings tab. Do you know how? I will guess, yes, for now but if you don't get back to me.
Second, you need to have your photo editor handle all the settings and color matching. You know how to do this? I prefer Photoshop.
And lastly, it is essential you get some settings on your monitor that somewhat matches what the printer is printing. Your printer may be doing exactly what you are telling it to do and you have no idea it is, because your monitor is off. If you don't do this step, you can forget the other steps. However, there are only a few things that you need to be concerned with. You don't need any fancy extra add-ons to do this. No additional sortware or gadgets, etc.
But you must get the grey-scale very close. You need to get the brightness very close and you need the contrast very close.
After you do these things you can make adjustments to your prints by just looking at your screen. Because you know the monitor and printer are on the same level. One more point, you can NOT get a printer to print every color exactly the way you saw it. It isn't possibile as all colors and adjustments effect all others. My goal is to get the skin tones right. That is what people notice most. Remeber you are dealing with two different disciplines here. One is colored light and the other is colored dyes. They are not the same thing.
For instance, I know my Pro-100 tends to print darker than what I see on the monitor (typical). So, I automatically know to set it's prints 1/2 to one stop brighter in Photoshop, in my case. It also prints with a slightly warn tone. Most of the time, with protraits especially, this if OK but sometimes it is not. In that case I adjust the "temp" setting slightly cooler in PS.
All the Canon photo printers I have ever seen have this warm/magenta cast. Canon engineers must prefer this look. It can not be changed. You need to "fix" it in post.
Make sure you have the correct ICC profiles and you are using Canon brand ink and paper untill you get good with the printer. Very, very important, otherwise you don't know if the printer is doing exactly what you are telling it to or not.
Important though is, use the USB connection until everything is right. You are just adding another issue when you try to set up the printing and the wireless all at the same time. Just like using Canon branded products until it is a go. Use a real printer USB cable. Not just any old USB cable.
EOS 1Ds Mk III, EOS 1D Mk IV, EF 50mm f1.2 L, EF 24-70mm f2.8 L,
EF 85mm f1.2 L II USM, EF 70-200mm f2.8 L IS II,
Sigma 120-300mm f2.8 EX APO, Photoshop CS6, ACR 9, Lightroom 6

We have an imac 27, with 2 accounts. We share a Canon 9000 II printer, wired.. If my wife prints a photo it printes perfectly When I print the same pic from my account, overall dark magenta cast. Ideas????

We have an iMac 27, wife and I each have an administrator account. When she prints a pic from iphoto, or from the web, the colors are perfect, they match the monitor. When i print the same pic from my account, there is a dark magenta cast overall. Same printer, same driver, same paper. Using a Canon 9000series II printer, connected by wire. This is a new phenomenon. Using new inks, cartridges are full, all lit. Any ideas what could be causing this weird phenomenon???

When i print the same pic from my account, there is a dark magenta cast overall.
what happens when you print from your wives account?
This is a new phenomenon.
When did this start, when you installed a new OS, applications, new Mac?
A first step is to reset the printer from your account:
Apple Menu > System Preferences > Printers: right click in the list of printers and select Reset Printing System

More Magenta Cast in Epson 2200 Prints

I know this has been discussed to death, but in comparing prints between Aperture 2.0, LR, and PS, I stumbled on an interesting result. We all know that some legacy printers do not support 16 bit data paths in their drivers, and that applications that support 16 bit data paths like LR don't print to these printer correctly, and supposedly, Epson (and others) need to update their drivers. Well, by accident I set the wrong parameters when testing Aperture 2.0., and I didn't turn off the driver color management. The print I got was IDENTICAL to the prints I have been getting from LR. So it appears that LR's color management is getting double managed, as if the driver color management was not turned off, and that is creating the horrible magenta cast. Aperture 2.0 supposedly implements 16 bit data paths, but for some reason, it does not fight with the printer driver. It prints just fine. Maybe this data will help figure out, if even for Epson, what is going on.

DYP
Well ... yeah ... I know. I have no problem printing in LR.
Doug,
Are you using Epson papers and Epson profiles? If so, no change to make; however, if using non Epson paper with non Epson profile, you need to set the profile you specify in LR using the ColorSync Utility->Devices->Your 2200 printer->Paper specified in driver->(click on drop down to change default) Other->navigate to the specific profile set in LR for LR managed. Worth a try, even if though your driver is not updated. I'd be curious if it works.

Magenta cast on 50d's sRAWs

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