MAKING AN IFRAME IN DREAMWEAVER TO IMPORT INTO MUSE FOR CUSTOMER LOGIN

Okay So i am making a client there website in muse and they're wanting a customer login and customer sign up into there webpage but muse does not have that option. I called adobe and they said to make an iframe in dreamweaver and then put it into muse in html. How do i do this? I NEED HELP BADLY!

The code that Muse creates is completely different to the code that Dreamweaver and other good IDE's produce. I doubt that you can put that code into Muse.
It may be an idea to ask the question the the Muse forum.

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Photos recently changed from sequential numbering to date/timestamp. When I import into apps for editing they are out of order. What can be done to change back to sequential numbering instead of date/timestamp?

The date information is taken from the camera which writes it to the file. This needs to be set to the correct date and time in the camera itself.
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Help! Photoshop edited jpg color distorts when imported into Muse

Okay, so I am trying to build a photography webpage (among others) and I edit most of my photos in photoshop. All photos that I edit in photoshop and save to jpg, look great when printed, uploaded to facebook, etc. however when I import them into Adobe Muse for and put them on my webpage, the colors of the photos become desaturated and/or slightly distorted (so that they look dull). When I edit images in lightroom and save them as jpg and import them into Muse, they look fine, but colors edited in photoshop seem to mess up my photos when imported into Muse.
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You are using some odd color management settings and not converting to sRGB most likely... Check your settings in PS itself and the Save for Web dialog and experiment around.
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Hi thechossy,
Not sure if this is what you are looking for but passing it on nevertheless How to Create a Loop in Adobe Edge Animate | cyprich.com
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Sorry. although I understand where you are coming from, I really don't have anything to add to my previous post. If no card reader, copy from camera to hard disk if you can. If you cant, then buy a card reader.. I mean, maybe you or somebody will come up with something else before it comes down to that, but if not..
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What is the "best" video format to import into Aftereffects (for keylight plugin)

Hello All,
I
have various choices in Adobe Premiere (CS4) for exporting.
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And Quicktime.
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The best starts with the camera and recording system. Any system that gives you 4:2:2 color at 10 bit as original at a high data rate is best. Well almost best. Best is 4:4:4 color at 32bit, but you must have a pile of cash to capture this way.
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Panasonic AVC-Intra (the replacement for P2)
Sony XDCAM and HDCAM SR (new generation)
Panasonic P2 DVCPRO
HDV
DVC Pro 100 SD
DVC Pro 50 SD
AVCHD (though this is a HD format I've put it below sd formats because of compression)
DV
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I have an MPEG video that will run happily on MAC using either Quick Time or Itunes. Try the same on windows and one gets a 2048 error from quick time. itunes claims it's an unknown file type.
Real Player on window or MAC is perfectly happy with the file though.
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+well its startted to p me off..
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Hi All,
I created a custom step type and also managed to get the results logged into the report file.
In the report file(See ‘[15 33 14][22 10 2007].xml.vi’ please remove the 'vi' extension) the 'StepResult' (created by my custom step type) appears just below the status. Is it possible to get it displayed somehow the cell(measurement column) next to it, like in a Numeric Limit Step? I’m using the ‘horizontal.xsl’ stylesheet and Teststand 3.5.
Furthermore, is it possible to change the name of the column headers? Or the structure of the header?
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Attila
Attachments:
[15 33 14][22 10 2007].xml.vi ‏17 KB

Hi again Attila,
Further to my above post, I've collaborated with colleagues here and have been able to modify the horizontal.xls stylesheet such that it is suitable for what you require. This modification will ensure that all properties named StepResult will be displayed as you described, in line in the table.
To ensure compatibility with your results in TestStand, a small modification to your sequence file is required. In your sequence file, right click the value for your custom step, go to Advanced > Edit Flags and uncheck all boxes. The text in the bottom of the window should now read "0x0". This should mean that your data is displayed correctly.
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I hope this soultion is satisfactory and that you are able to implement it. If you have any further questions please don't hesitate to reply.
Regards,
Tom
Applications Engineering, NI UK
Attachments:
horizontal.xsl.vi ‏84 KB

Saving files from Photoshop to Import into iMovie 09

1. What is the best file format for saving images from Photoshop to bring into iMovie 09?
2. What should the image size of the file be set to from Photoshop? I would like the best quality while working in iMovie prior to exporting and compressing after I am done editing.
Thank you in advance.

kat.hayes wrote:
1. What is the best file format for saving images from Photoshop to bring into iMovie 09?
I see you have not marked your topic "Answered", so you may be hoping for some other suggestions. If your item 1 is intended to ask about file "type" (.psd, .jpg, .png, .tif, etc.), here is my suggestion.
Because of the large file size of PhotoShop (PS) .psd image files, *unless you need to keep the PS version with Layers, Adjustments, etc*., _and unless you do NOT keep a separate folder of PS images_, I suggest that you NOT save the PS .psd file "format" (type) into iPhoto (or iMovie.)
I keep all PS (.psd) image files that I want to retain in separate folders outside iPhoto. I also save the finished (PS) image as a .jpg or .png version which I import into iPhoto for easy import into iMovie via the media browser. Whether to use jpeg or png depends on the image quality I need.
If you are capturing the snapshots that you are editing with PS from an iSight, other webcam, or a Flip camcorder, the jpg version will probably give you all the quality you need. However, to make your decision easier, you can save multiple file type (and compression settings) versions of the edited file when you are finished in PS. Then import all the various jpgs, pngs, tiffs, etc, into a test movie, lable (title) them for easy identification, save the movie, and see if you can tell any difference in quality or each image when you replay your test movie. If you can tell a difference, you can decide how much quality you need and match that need with the file type and size that gives the necessary quality level. If you cannot see a difference in the move regardless of which file type or compression level, you can save space by using the smallest image file.
+re: your item 2:+ I have nothing to add to Karsten's expert comments on resolution and file size.
EZ Jim
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2nd audio track at 12-bit lost when importing into FCE?

I have got some DV-tapes with finalised movies which I would like to import into FCE for a) applying some enhancements and b) then burning them onto DVD. These movies once were created with FCE but after they had been exported to DV-tape (in 12-bit manner) some additional audio was added, directly via camcorder. The issue which I have got now is that although I can easily re-import these movies into FCE, the additional audio does not appear in FCE. Also, when directly checking the imported files in FCE's Capture Scratch by using the Quicktime Player the additional audio is not there.
I tried importing into iMovie and here (as opposed to FCE) the complete audio is available, both the audio originally composed via FCE and the additional audio which has been added afterwards via camcorder. Unfortunately iMovie will crash multiple times at importing due to the large number of individual clips, btw this is the reason why I once had to give up working with iMovie and bought FCE.
Anybody has an idea how I can import into FCE the movies along with the entire audio, or is this a weak point in FCE? In case of the latter, anybody has an idea for a workaround?

"Do you have an idea how to fumble out the 2nd audio pair at a Sony TVR900 i.e. how to proceed corresponding to your advice "configure the camera to ouput the second stereo pair to another DV camera with it's audio set to match the existing"? Or did I misunderstand your advice? The user manual of the Sony camcorder is ridiculously poor.."
The user manual of course is the best (should be) place to go for info on how to operate your camera. Might be one of those direct to English translations.
My idea is to use a camera that can access the 2nd stereo pair seperately. Then dub to another camera. Usually this is done via a switch or menu system.
That's where that camera manual comes (should) in handy. Also, some cameras allow you to MIX the four tracks, if this feature is available, you could dub the MIXED audio (all four tracks) to another camera.
"e.g. iMovie (provided it does not crash)? Because then I could capture the missing audio pair 2 like that in a separated manner and import it into FCE?"
iMovie to FCE is not my first choice as the importing is accompanied with quirks of all sorts, the audio is multiplexed with the video, the audio will always need to be rendered as well. Use it as a last resort IMO.
I have have heard of third party applications that can do this job, sorry, can't recall the details.
Al

MAKING AN IFRAME IN DREAMWEAVER TO IMPORT INTO MUSE FOR CUSTOMER LOGIN

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