Making high-definition discs

Frequently asked questions for playing back high definition video on a TV:
Q1. Can I make a DVD that is high definition?
A. No, DVDs are standard definition by design. They are composed usually of mpeg2 video with a resolution of 720x480 (NTSC) or 720x576 (PAL). DVD players will only play actual DVDs.
Q2. Is there any way to make a DVD look as good as my HD video looks?
A. No. You can make it look very good by encoding it with the highest quality, but it will always be standard definition. This will probably look noticeably worse than your source footage if it is high definition.
Q3. Isn't HD-DVD a high definition DVD?
A. No, it is a specific term referring to a format backed by Toshiba. It lost a format war to Blu-ray. To burn and play an HD-DVD, you need a special burner and special player. Although it is a dead format, some find it useful and inexpensive to buy an HD-DVD burner and HD-DVD player.
Q4. Can I make a Blu-ray DVD?
A. No, there is no such thing; Blu-ray discs are not DVDs. They will not play in a DVD player even though the discs look physically the same.
Q5. Can I make Blu-ray discs (BD) on the Mac so that I can see my video in high definition?
A. Yes. You need a Blu-ray burner and Blu-ray discs. You also need to encode and author the discs.
The current software options are as follows:
1. Use Final Cut Studio to encode and author a BD, using a BD burner.
Pros: Excellent quality, nice looking menus, subtitles can show the chapter name.
Cons: Only a few menu choices.
2. Use Toast to encode and author a BD, using a BD burner.
Pros: Inexpensive and fairly quick.
Cons: Limited choices of very "stylized" menus, chapters cannot be named, encoding quality may not be as good.
3. Use Adobe Encore to encode and author a BD, using a BD burner.
Pros: A great deal of control over the whole process, allowing complete design of the disc.
Cons: Expensive, complicated, and prone to bugs.
Q6. Does iDVD make Blu-ray discs?
A. No, it makes DVDs.
Q7. Does DVD Studio Pro make Blu-ray discs?
A. No, it makes DVDs.
Q8. Can I do anything to put HD video on a DVD, with a standard DVD burner?
A. Yes, you can make what is called an AVCHD disc. This puts a small amount of HD video on a physical DVD. The result is not a DVD, and will not play back in DVD players. It will play back in most Blu-ray players. Final Cut Studio and Toast have the ability to make these.
Q9. Are there other ways to play high-definition video in HD?
A. Yes, if you play back from a device rather than a disc of some type. AppleTV and the Playstation 3 can play high definition video to a TV. There are numerous other media playback devices that are essentially hard drives with a specialized enclosure. Also, you can attach most digital TVs to any modern laptop or desktop computer, although interlaced video may not always display properly and might show combing artifacts.

Frequently asked questions for playing back high definition video on a TV:
*Q1. What are high definition and standard definition?*
A. HD and SD are video resolutions defined by the dimensions of the frame size. Standard definition is 720x480 or 720x576 depending on the geographic location. High definition is anything greater than this. The two most common HD resolutions are 1280x720 and 1920x1080. Since digital video uses precise measurements of frame size, all digital video is either SD or HD.
*Q2. Can I make a DVD that is high definition?*
A. No, DVDs are standard definition by design. They must be composed of mpeg2 video with a resolution of 720x480 (NTSC) or 720x576 (PAL). DVD players will only play actual DVDs.
*Q3. Is there any way to make a DVD look as good as my HD video looks?*
A. No. You can make it look very good by encoding it with the highest quality, but it will always be standard definition. This will probably look noticeably worse than your source footage if it is high definition.
*Q4. Isn't HD-DVD a high definition DVD?*
A. No, it is a specific term referring to a format backed by Toshiba. It lost a format war to Blu-ray. To burn and play an HD-DVD, you need a special burner and special player. Although it is a dead format, some find it useful and inexpensive to buy an HD-DVD burner and HD-DVD player.
*Q5. Can I make a Blu-ray DVD?*
A. No, there is no such thing; Blu-ray discs are not DVDs. They will not play in a DVD player even though the discs look physically the same.
*Q6. Can I make Blu-ray discs (BD) on the Mac so that I can see my video in high definition?*
A. Yes. You need a Blu-ray burner and Blu-ray discs. You also need to encode and author the discs.
The current software options are as follows:
1. Use Final Cut Studio to encode and author a BD, using a BD burner.
Pros: Excellent quality, nice looking menus, subtitles can show the chapter name.
Cons: Only a few menu choices.
2. Use Toast v. 9 or 10 with the Blu-ray plug-in to encode and author a BD, using a BD burner.
Pros: Inexpensive and fairly quick.
Cons: Limited choices of very "stylized" menus, chapters cannot be named, encoding quality may not be as good.
3. Use Adobe Encore to encode and author a BD, using a BD burner.
Pros: A great deal of control over the whole process, allowing complete design of the disc.
Cons: Expensive, complicated, and prone to bugs.
*Q7. Does iDVD make Blu-ray discs?*
A. No, it makes DVDs which are playable in a DVD player.
*Q8. Does DVD Studio Pro make Blu-ray discs?*
A. No, it makes DVDs which are playable in a DVD player.
*Q9. Can I do anything to put HD video on a DVD, with a standard DVD burner?*
A. Yes, you can make what is called an AVCHD disc. This puts approximately 45 minutes of HD video on a physical DVD. The result is not an actual DVD, and it will not play back in DVD players. It is essentially a Blu-ray structure on a physical DVD-R. It will play back in most Blu-ray players. Final Cut Studio and Toast (v. 9 or 10 with the Blu-ray plug-in) have the ability to make these.
*Q10. Are there other ways to play high-definition video in HD?*
A. Yes, if you play back from a device rather than a disc of some type. AppleTV and the Playstation 3 can play high definition video to a TV. There are numerous other media playback devices that are essentially hard drives with a specialized enclosure. Also, you can attach most digital TVs to any modern laptop or desktop computer, although interlaced video may not always display properly and might show combing artifacts.

Similar Messages

  • Is a high definition DVD burner available for Mac's?

    I have a HD camcorder (Canon XHA1) and am using Final Cut express HD. I have been very disappointed in the results I have obtained when burning my Final Cut projects to a standard DVD.(After finishing my FCE project, I use IDVD to produce a disc image, then burn to a standard 4.7 GB Sony or Verbatim DVD-R) Many of my clients now have blu ray players and high def TV's and want their videos in high definition. Is a high definition burner available for a mac pro so that I can burn high definition discs?

    Thanks Tom for the link. However, I noticed when reading through the info about this blu-ray drive that it made no mention of being compatible with Final Cut Express HD or IDVD which is what I am currently using. I had considered upgrading to Final Cut Studio but it sounds like this drive is only compatible when used with Adobe Premiere Pro and Encore CS4. I am no techie, so pardon my ignorance about all this. Is Toast a "replacement" for IDVD? Could I use FCExpress (or FC studio if I upgrade) then burn the DVD using toast? Does Toast have menu templates like IDVD?
    If anyone has any experience using this blu-ray drive on their Mac with Final Cut and IDVD or Toast I would appreciate some input on what the exact workflow is and if the whole process has been a positive experience.
    Thanks so much for your help!

  • Making Video into High Definition in Final Cut Express

    I just took some video in high definition with my high definition camera. I want to edit them in Final Cut Express, but when I import them, they show up as standard definition, not high definition. How can I change it into high definition?
    Thanks,
    Sam

    G'Day Sam,
    You have have either downcoverted in the camera during capture or have an incorrect Easy Setup.
    If you downconverted accidently it requires re-capture with the correct camera settings.
    What are the clip properties?
    Al

  • Does iLife 06 recognize the new SONY HDR-SR7E  High definition Hard drive

    We have the new SONY High definition Hard drive recorder.
    I have iMovie06 and the new upgrade iMove08.
    I want to import into 06. When i try it says "no camera detected" but it imports fine into 08.
    Any ideas?
    I dont want to use 08 and then import into 06 because i am worried about it duplicating and we do not have a lot of disc space, and also the quality seems dreadful when i view in 06.
    PLEASE HELP - i have so much video to edit, and i really want to use just 06 as i know what i am doing!

    Rich Kyd wrote:
    We have the new SONY High definition Hard drive recorder.
    I have iMovie06 and the new upgrade iMove08.
    ... i am worried about it duplicating and we do not have a lot of disc space, and also the quality seems dreadful when i view in 06.
    PLEASE HELP - i have so much video to edit, and i really want to use just 06 as i know what i am doing!
    sorry, rich kid, .. I don't get all that ..
    a few remarks from here:
    iM08 is esp. made for that HDD corders.. why not using it?
    never judge pic quality in iM itself.. esp. iMHD6 is made ONLY for TV delivery and it delivers excellent quality.. standard PAL/NTSC, interlaced, 'low' resolution, 25/29.97fps ..
    HiDef = ~40/50GB per hour.. so disk space shouldn't be an issue in times, you get 500Gigs for ~120€.. you spend so much money on your recording device (and hopefully on your telly/'screen'..) , now you have to 'add' some investment to your edit hardware
    iMHD6 doesn't support mpeg2, and it does't support that AVCHD-'flavour' of mpeg2, Sony uses..
    Voltaic
    http://mac1080hd.com/
    is a converter for making such files useful outside iM08 ..
    long, unconvenient workarounds.. instead of using a plug'n play solutions ..

  • A How To: Create a Widescreen High Definition Slide Show from the Organizer

    [EDIT] I just tried another one and, weirdly, that produced an output with black bars around all four sides! So maybe this 'how to' is not 100%.  I have considered deleting the post altogether but, as it does still produce a superior slideshow quality file than the standard ones provided with Elements,  I've decided to leave it with this edit added at the top for additional info.[END_EDIT]
    In answering a question in another forum I found a nice quick way to create proper widescreen high definition slide shows from just the Elements Organizer. Apologies if this is 'old news' to readers, but I've not seen this described elsewhere so I thought I'd share it.
    The Organizer Slide Show creator, if not wanting to edit in PRE, provides a small set of Windows Media Player profiles to create .wmv files. But the best of these goes only to 1024x768 (a 4:3 monitor resolution setting). I've noticed, but never paid much attention to, that at the bottom of the Slide Size box there is a 'Browse for more' option that lets you search for additional Windows Media Encoder profiles. Investigation showed me that I can download the Windows Media Encoder software from Microsoft and create my own profiles. But even further investigation showed  me that someone had already done this! I've tested their full HD profile and it works just fine (1920x1080).
    So if you are just after a straightforward slide show (i.e. not needing PRE features) but want it displayed on your Full HD TV set here is what you do:
    Download the HD Profiles from http://forums.nexusmods.com/index.php?/topic/236895-hd-profiles-for-windows-movie-maker/. There's also a couple of useful SD sizes there as well. Save them somewhere you can easily find them.
    Create your slide show in the Organizer. Obviously use appropriately sized images for HD. There's little point outputting an HD wmv file using low resolution and/or 4:3 aspect ratio images.
    Save and Output your slide show.
    In the output dialog ('Save As a File') scroll down to the bottom of Slide Size and select 'Browse for more ...'.
    Browse to the file you downloaded in step 1 and click Open.
    Click OK and your Widescreen HD .wmv file is prepared.
    Here's a Gspot analysis of my test output file. As you can see it is an HD file with a 16:9, square pixel, aspect ratio.
    Ta Da!
    Cheers,
    Neale
    Insanity is hereditary, you get it from your children
    If this post or another user's post resolves the original issue, please mark the posts as correct and/or helpful accordingly. This helps other users with similar trouble get answers to their questions quicker. Thanks.

    nealeh
    You did not mention a specific Premiere Elements Elements Organizer combo for this, so for now I will address this from the version 11, not Windows Movie Maker, perspective if I need to get version specific.
    .prx
    The Browse for More is a well known route and does offer at least one Adobe profile for 1280 x 720 16:9. I am not sure where you came up with the lesser resolution,1024 x 768 that you mentioned. The Windows Media profiles have existed for several versions of Elements Organizer. Those Adobe ones that you do not see under Output Save As A File Movie (.wmv), can be found in the Windows 7 or 8 64 bit path
    Local Disc C
    Profile Files (x86)
    Adobe
    Elements 11 Organizer
    Assets
    Locale
    en_US
    tv_profiles
    in the tv_profiles Folder are included the .prx files
    .....10. 640 x 480 Enhanced Definitions
    .....12. 852 x 480 Widescreen Enhanced Definition
    .....14 1280 x 720 Widescreen High Definition
    A homemade 1920 x 1080 16:9 30 frames per second .prx has long been sought but not that easily produced by many using with the Windows Media Encoder Editor. Apparently you have found one online, and it does get accepted into the Premiere Elements 11 Browse for More choices. And, if you do a gspot readout for the wmv output from Elements Organizer 11, it will display all the "right" properties that you hoped for and that are shown in your screenshot.
    The bottom line, why bother with the wmv slideshow? If you take your original photos and size them for 1920 x 1080 16:9, use them in the Elements Organizer 11 Slideshow Editor (Crops used in preferences), use the Edit with Premiere Elements Editor command, what you get in Premiere Elements 11 is full and good in all regard. Have you tried it?
    I can see your interest if this is HD going to HD (AVCHD on DVD or Blu-ray disc format on Blu-ray disc, but I do not see this for an Elements Organizer Slideshow that is going to DVD-VIDEO widescreen.
    More later.
    ATR

  • Why isn't my high definition video converting to standard definition?

    What I'm describing here, I've successfully accomplished many, many times using Premiere Pro CS5 and now Premiere Pro CS6. Now, for the first time ever, it's not working and I'm completely baffled. (This is a high-end Windows 7 64-Bit machine with 16GB RAM running Premiere Pro CS6.)
    Here's a basic summary of my workflow. Nothing out of the ordinary here.
    1. I shoot my video using a high definition camcorder (the same one I've been working with for the past year or two.
    2. I import my high definition video into a 1920x1080 sequence in Premiere Pro CS6.
    3. I edit my sequence until I'm happy.
    4. I enter and name my Encore chapter markers in the sequence.
    5. I create my Encore project and import the sequence as a timeline and set up my menus and such.
    6. I build my Encore project, first into a standard definition DVD image file (so I can later burn SD-DVDs) and then build it again into a high definition Blu-ray image file (so I can later burn Blu-rays).
    The Blu-ray burn is turning out just fine.
    But the video in the DVD burn is all black. I can jump around from chapter to chapter and I can hear the sound, but the video doesn't show up!
    I tried this a couple times thinking that maybe Encore just messed up the SD-DVD creation process but I got the same result each time. When I preview the project in Encore, it all looks just right.
    So I figured, okay, something's not working when I import the sequence.
    I went back to Premiere Pro thinking I'd just export my 1920x1080 sequence into a widescreen standard definition AVI and create a new sequence just for the standard definition DVD.
    The exported AVI is black as well!!
    I don't get it. Why on earth won't my high definition video convert properly to standard definition?
    The high definition sequence looks completely normal in Premiere Pro. What could I possibly be overlooking??
    One final note. Just as another test, I copied and pasted the sequence in Premier Pro, truncated it to a couple minutes (the full sequence is 90 minutes long), and exported to a widescreen AVI again.
    It just finished, I tried playing it back in Windows, and it, too, is all black, sound but no video.
    Like I said, this is nothing new for me. I've done it countless times with other projects. I could really use some assistance with this one.

    So I exported my completed high definition sequence to an MP4 and re-imported back into Premiere Pro. Right-clicked it and created a sequence from the clip. Then I imported my chapters from the old sequence into the new one.
    I returned to Encore, modified my project to work off the newly created sequence (what a pain having to recreate all the scene links) and voila, it had no trouble making a DVD this time.
    So I guess I'll get out of the bad habit of my old routine and create a sequence the "right" way from now on. Funny how we get used to doing something one way and stop thinking outside the box after a while.
    Jim, I don't see how that's necessary. As long as I create an Encore project based on a good high definition sequence, I have never had to do anything other than have Encore build a standard definition DVD based on the high definition sequences. It has always done the conversion for me and produced really good DVDs. Once I create a DVD image that I'm satisfied with, I simply have Encore build a Blu-ray image using the exact same project, and that works perfectly as well. I suppose I may be missing something here but it all works and works well, so I don't see a reason to create two projects when one works well.
    On a separate note, is it just me or doesn't everybody think it's high time that Adobe offer a feature to import markers from one sequence into another. I can do it automatically but I have to use a macro that I created separate and apart from Premiere Pro. For that matter, I think Encore should also offer a feature to remap all scene links to a new sequence instead of forcing me to fix them one by one myself.
    Anyway, thanks to all of you for pointing me in the right direction!

  • HOW TO MAKE A HIGH DEFINITION AUDIO DVD WITH PREMIERE CS2

    I have been working with my CS2 Premiere to create some auto play high definition, audio-only DVDs that are autoplay.  To clear the air, yes I know that CS4 will permit 24bit-96 kHz.  For the time being 16 bit-48 kHz, is still better (marginally) than CD, but it permits greater playing times.  Yes, I know that the autoplay without menues "feature" is bogus, and was never corrected by Adobe.  So much for their interest in their customers.
    I found a simple workaround for the autoplay/no menues feature.  Just make a DVD-RW with menues.  Then use DVD-DeCryper/Shrink/Nero - whatever to make an autoplay DVD onto a permanent disc.  It works well.
    Here is my latest crazy problem: How to get really long playing time.  I know I can make high qualitye DVD-A's up to 3 hours using Minatonka Bronze.  Unfortunately, DVD-A discs are worthless as they cannot play in 90% of DVD players, but they prove the time point.
    I have three 48 kHz files that I created in Adobe Audion.  The were 1.599, 0.911, and 0.974 GBs in size.  That added up to 3.480.  The playing time is about 2:30 Hours; quite a bit less than 3 hours.   I tried burning a DVD with these, audio-files-only.  I checked lowest quality video, used no video, and got an Export To DVD error that I had "insufficient" space on the 4.7 GB disc!  So, I used the two latter files, which added to only 1.884 GB.  Premiere did not baulk, and it successfully burned a DVD that played.  Then I added the 1.599 GB file, and, once again, it produced an error.  This was clearly not going to work.
    At this point, I realized that Audition had done what it liked to do: It had saved the 16 bit-48 kHz files as 32 bit-48 kHz!  So, I went back to Audition and used EDIT to change the files to genuine 16 bit-48 kHz files.  When I opened them in Premiere, Premiere reported 16 bit-48 kHz files.  Their sizes were now, 0.799, 0.456, and 0.487 GB.  Please note that this totals 1.742 GB.  This is less than the 1.884 GB I had successfully used before.   Once again, I was getting the "inssufficient" space error.  This is nuts.  The disc can hold 4.3+ GB, but won't fit 1.742.GB.
    So, anybody got some ideas?
    Mike

    Jim,
    I cannot believe you are wasting my time and the space of this forum with your irrelevances.  It would have been better had you just tried to answer my question, which is the purpose of these forums.  Why engage in useless chatter?
    I said nothing about any great sonic difference betweein 16/48 and 16/44 digital audio; I said "marginally."   In English that means very little difference.  I'm not going to prove to you with distortion and frequency response plots that there is some minor difference, it is a fact of life.  You, in fact, just stated a difference.  The difference between a 24 kHz cutoff and a 22 kHz custoff  is a difference which you give, to back up your absurd statement that there is no difference.  This can actually translate to a minor, difference in THD at higher audio frequencies, but who cares?   Well, you apparently care, because your beligerant non-reply to my question was that "fewer...would notice ."  In English that means that some would notice.
    What my question had to do with MP3 junk, or multichannel sound, I don't know.  Why should I do, as you suggest, and make DVD-A's when one needs only stereo?  This is a Premier forum, not a DVD-A forum.  Why not bother DVD-A junkies on Minatonka fourms?  DVDs can handle stereo PCM very nicely.  Classic Audio has marketed their 24/96 DADs for many years and so have a few other companies.   They have been well received by some "golden eared" types.  I hope they don't upset you.  There is a good possibility that DVD may only be around as a "legacy" feature on BLU RAY in future years.  DVD-A was DOA years ago and SACD may go just away; DVD-A is almost that.  So, PCM stereo sound DVD's are a good bet that the resultant disc will be playable on many people's players as well as future players.  The longer playing time that may be available would make listening to concerts easier, rather than breaking them up into segments.
    If you want to argue my motives, or tastes, I suggest you go to another forum and discuss you theories.  If you actually have something productive to say about the problem I pointed out, that would be welcome.
    Mike

  • Import of a high definition camera JVC for iMovie is that possible?

    GZ-HD7U JVC is my digital HDD camcoder. I can import video by firewire cable?
    When it does, does not appear any image. This camera is not on the list of cameras compatible with iMovie, but is recognized by the program. In spite of achieving import the recorded files in the camera for Mac by USB port, open in quick time and export in DV for iMovie for editing, but I would like to write directly into the Mac by firewire port, but I can not. The program does not read any image by firewire. Someone could help?

    Hello again,
    I apologize for not checking the spelling.
    Anyway, just looking for any advice to make a High Definition Photo Slide Show. I will buy more software if I have to. However, I cannot see that Final Cut will let me do this either.
    Merry Christmas Everyone.
    Craig
    I have a nice collection of professional quality photos. These 8 megapixel images and are 2000 line plus resolution. When I use these for a screen saver on my iBook the detail is fantastic.
    I have made a nice DVD using iMovie and iDVD. It looks pretty good. But the resolution is not that high. I understand that iMovie reduces the resolution on slideshows since it know the photos will be shown on a TV.
    I have tried making the same DVD from the beginning using the 720p and 1080i settings in iMovie and then import into iDVD.
    The final DVD is recognized by the high end DVD player as a 1080i format. However, the slideshow look not better than standard resolution. And I have tried all the various TV connectors (component, composite, HDMI, DVI, coaxial, etc). No difference.
    I would appreciate any input.
    Do I need to buy Final Cut Express to get a true 1280 line photo slideshow.
    Thank you in advance.
    Craig Bergh
    Worthington, MN 56187

  • High Definition

    Just upgraded from making iMovies with 30 second clips from a stills camera to making them with a Sony High Definition Camcorder, HDR-HC7E(DV Tape) and would appreciate some advice on a few things regarding the 1080i high definition-I have made a few of these in iMovie and export them back to the camcorder for viewing through an HDTV. Since I have not yet bought the latter, I cannot view in HD.
    The first question is what happens to stills(say from iPhoto) imported into an HD project in iMovie. I use stills selectively not only in the canned themes but also with a Ken burns effect to make some point in the movie. Specifically, does iMovie convert the imported still into a high definition clip if the project is high definition and does it matter?
    Secondly, when exporting directly back to camcorder or via a file, a menu box pops up at or near the end of the transfer and asks if you want to make another copy. If you click no thanks the camcorder is disconnected. Is this what should happen?
    Thirdly, can anybody recommend any useful sites/books for getting the best out of camcorder audio accessories- I have a clip on Lavalier which seems straightforward and substantially improves commentary audio whilst filming but I do not really know how to make the most of the shotgun mike which I also have.
    Finally an observation. This camcorder is fantastic and works well with iMovie.

    ..mmm. delicious..
    Where was I..?
    Sony's own mics for your camcorder are shown here (click on that link), and they clip onto the camera's 'Accessory Shoe'. Other mics can be plugged into the mic socket at the front of the camcorder.
    Note that Sony cams have a 'plug-in power' socket for external microphones: that means that low voltage power is provided inside the microphone socket, to power those mics which can make use of that, instead of their needing a separate battery of their own. Not all external mics are wired the right way to make use of that. So MOST external mics work OK when plugged into a Sony; SOME work excellently, without needing a separate battery of their own (e.g; the wonderful little Vivanco EM216, which has terrific bass for a stereo mic so tiny!); and SOME mics give very poor results in that Sony external mic socket, because their own internal wiring is incompatible with the way that Sony send a low voltage though the socket. "Try before you buy" is the best motto.
    Your own clip-on 'Lavalier' mic must be one of those which does work well with Sonys.
    Many people buy the popular 'Audio-technica'-brand shotgun mics, but I'm very disappointed by them, finding them rather "thin" and "tinny", but - as with all mics - you've nothing to compare them with till you DO compare them with other brands of a similar type ..and perhaps many people are satisfied with them - or perhaps they've bought them, and then discarded them.
    You don't say which shotgun mic you have.
    You say "..I do not really know how to make the most of the shotgun mike which I also have.."
    Generally, a shotgun mic picks up sound from directly ahead, and good sound from perhaps 6 feet (2 metres) away. But it WON'T pick up much sound from the sides, or behind it.
    So you wouldn't use one at a party - because you'd miss all the general noise and "atmosphere" all around - unless someone was giving a speech, and you wanted to clearly pick up everything they said instead of it being drowned in the general noise, in which case you'd point the shotgun mic directly at them. So you'd use it at a wedding, to pick up the minister's words, and the bride's and groom's, and for speeches; but you wouldn't use it at a fairground, or a beach, or anywhere you wanted to pick up sound from all around.
    It's like a telescope; it doesn't pick up what's everywhere around and nearby, but it picks up, and sharply focuses on, what's rather more distant. You wouldn't use one to record a conversation, unless the people talking were right next to each other and a few feet in front of you ..because it would pick up only the one person it's pointed at, and wouldn't pick up any others. But you WOULD use it to distinctly pick up someone at the other end of a fairly quiet room; someone giving a talk or a speech, or someone on stage, or the striking of a distant clock, or a distant whispered conversation.
    Outdoors, shotguns can be quite susceptible to wind noise, so they generally come with a "windshield", but you often get better results with a specialist "fuzzy" cover such as a "Rycote".

  • How can I "proxy edit:" a high-definition project?

    This is an undocumented process, created by the always amazing Robert Johnston, and a good solution if you find that editing HDV and AVCHD video natively puts too much stress on your system's resources.
    Proxy editing temporarily substitutes a sort of preview video for the native files, usually one of lower resolution so that you can work with it more easily. Then, when you output your project, the editing and effects applied to the proxy video are applied to the actual footage, creating a high-definition output.<br /><br />Here is Robert's solution:
    I have a custom project preset for 1080i that has an editing mode of 360x270. Anything you render as a preview is only 360x270 "MPEG-2 I-Frame Only." You can create your own and see if it helps with editing.
    To create your own, you first pick a project preset by clicking "Setup" on the startup screen displayed by Premiere Elements 4. Select the 1080i 30 or the 1080i 25 project preset from the HDV tree inside the NTSC or PAL nodes. Click the "New Preset" button, then click the "Save" button, then give the custom preset a name and description of your choice. Click "Save as Default." Exit out of Premiere Elements.
    Now open up your custom preset with WordPad. The custom preset file will be in the following folder:<br /><br />C:\documents and settings\[login id]\application data\adobe\premiere elements\4.0\settings\custom\
    Once you've opened it in WordPad, scroll down past the gibberish until you get to the line with ObjectID="6" and change the PixelAspectRatio from 1920,1080 to 480,360 and change the FrameSize from 1440,1080 to 360,270. Then save the file.
    <VideoSettings ObjectID="6" ClassID="58474264-30c4-43a2-bba5-dc0812df8a3a" Version="8">
    <MaximumBitDepth>false</MaximumBitDepth>
    <PixelAspectRatio>480,360</PixelAspectRatio>
    <FrameSize>0,0,360,270</FrameSize>
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    This question was solved.
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