Manual Pitch Correction - Track Reference Needed

In Edit View/Effects/Pitch Correction - Manual tab there is no reference for the pitch.
What I mean is if you are pitch correcting a vocal it would be nice to select another track that you have recorded (say a piano or guitar) which you could have playing as well as a reference. Possibly even a volume control to turn the backing up or down while previewing.
This would be a real productive addition.

> I have a hard time working in the manual area because it is difficult to know exactly where you are - meaning, the cursor does not seem to correspond to what you are hearing
I had dismissed this statment too readily thinking what's jon on about its blatantly obvious what's going on
That was until the EXACT same thing suddenly happened to me DOH!
After uninstalling new vsts defraging drives and everything short of kicking the dog I discovered the solution!!
Somehow (and don't ask me how cause I never access the screen) the 'Enable Preroll and Postroll Preview' was ticked in the 'automatic' tab of the Pitch Correction effect
Untick it and manual correction now becomes obvious where you are - ie the cursor now corresponds to what you are hearing.
WooHoo :-)

Similar Messages

  • Use of Pitch Reference graph during Pitch Correction

    Hope somebody can help me understand the function of the Pitch Reference graph when using manual pitch correction.  It doesn't seem to correctly follow the actual audio waveform.  For instance when I'm trying to correct a long-held vocal note that has gone off key at the end, the graph drops down to nothing far before the note ends, so I'm just guessing at where to put control points on the waveform and how far to correct them.  I don't understand exactly all of the abrupt ups and downs of the graph.  Is it level sensitive or something?  Is it adjustable or rescalable?  Thanks.

    IMO the manual pitch correction tool is one of the most valuable and probably underused tool in the AA arsenal.
    It gets significant use here in my studio and the results that can be achieved are nothing short of miraculous.
    Before anyone starts going on about 'keep music live' or 'its all about the performance' or whatever, here its all about making the client sound as good as possible - yes even if they shouldn't even be standing in front of a mic.  Why? Because thats what they are paying for.
    From my experience the graph is nothing more than a guide and it relates more to pitch than the actual wave shape itself.
    "Is it adjustable or rescalable?"
    Only the view height is adjustable.
    Unfortunately the best results require a good 'ear' for pitch and it is awkward as there is no way of selecting one of the other tracks in the multitrack (like a guitar track) to play at the same time in order to better judge the pitch that you are correcting. (I have requested this as a feature!)
    So in the absence of said 'guide' track (and as you probably already know) you may have to switch back and forth to check your results - sorry I can't offer more.
    Here is something I prepared earlier for another reason :-)
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  • Pitch Correction strange problem.

    Hi, hope you can help me out with this. I use Pitch Correction (guess I´ll have to wait a couple of years before Antares releases universal....) and I only use it where I need it. I bypass it and turn it on with regular and simple automation. BUT! Some crackles does appear the seconds before the plug shall turn itself on, and also the second before it shall be bypassed. This is the only plug that does this and it is very frustrating! I run a Macbook Pro with 2 G RAM and I´ve tried to set down and up buffer sizes and rebooting, reset my FirePOD and turned plugindelay compensation on and off but nothing makes any difference. Any ideas to this? I run 10.4.7 and Logic 7.2.2. Thanks.
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    Strangely, I dont 'have this problem, and I'm still running LP 7.1.1.
    Your suggestion, Melissa, would have been my easy and first one as well. Since you posted now, as expected, because you talked about pitch correction more often here already, there is one big concern about the method of duplicating the channel strip settings only for the "pitch correction track":
    How do you compensate for the loss of high frequencies when using "Pitch Correction"?
    There is definitely a significant and audible alteration in the frequency range happening when using this (and most other) plug-ins. Therefore the results are not "seamless".
    Not that I want to call myself a technical expert, but I've been doing pitch correction since the early '90s on a Synclavier, and today use Melodyne, and before that the Pitch Correction plug in within LP. However, on LP, I quickly switched to Pitch & Time, using my own ears again - and achieving far better results.
    The answer (and I am asked to correct a lot of vocals) is never the same with different voices, even not with different keys and the same voice.
    This entire subject might be worth another thread, so, by keeping it simple, in order to make this suggestion (duplicating the channel strip settings and copying the regions that need pitch correction) work, - and this is really ballpark only, just to get the original poster somewhere ahead - I found, that using a High Shelf Filter around 10kHz with a Gain of +3dB and a Q-Factor of 0.40, followed by a 12dB High Cut Slope around 18kHz with a Q-Factor of 0.60 works pretty nicely in compensating for the frequency loss occured when using the LP plug-in "Pitch Correction". Take it from there for your individual tunes, keys and singers.
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    ... and of course: don't forget to right great music (in tune or not, lol)

  • There is no pitch correction in the track editor

    I recently upgraded to the newest garageband and everything is great except that when i go to use the track editor and click on the trach panel there are no controls just a blank panel where the pitch correction or 'limit to key' options should be. Can anyone help?

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    and beejay dont act like its uncommon for singers to use it while tracking.
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    Hi,
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