Masking a Transition (dip to color)

I want to have several images "pop" onto the screen with a dip to white transition. I have four different images scaled down each making up 1/4 of the screen. Now I want to change images with the "flash" transition (I set the dip to color transition to white with a duration of 5 frames) and the images will change in a rotating fashion. However, I only want the image to pop with white rather than all four pictures. Is there a way to restrict the white pop to the scaled down image only rather than covering the entire screen?
Thanks beforehand.

you could create a white color matte, set it for your duration of 5 frames, scale it to the size of the clip you want to change, and simply put it above that clip on the timeline. use the rubber bands to change the opacity rather than the stock transition.
-gardner

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Dip to Color transition with graphic

I'm using a Dip to Color Dissolve transition between a black screen and a graphic that has colored text with a black background. When using the transition, I get the flash of white color, as intended, but the outline of the graphic is visibile. Dragging along the timeline, I found that this was because the graphic, centered in the screen, changes color more slowly than the rest of the empty space around, making it so that you can see the square outline of the image during the transition.
Is there a way to fix it so that the graphic and the background change color throughout the transition at the same time, making it clean and unable to see the outline of the graphic?
My apologies if the explanation is somewhat confusing, I'd be happy to clarify if necessary! Thanks!

One way is to insert a Slug.
Click the little A button in the Viewer and select.
Transitions in FCE require Media Handles to be associated with clips to work like Dip to Colour. Search this forum for more info on Media Handles.
Al

Saving custom 'Dip to Color Dissolve'... how?

Hello all,
I'm stumped here. It seems I can customize several dissolves and video transitions/filters, but can never get to save my 'Dip to Color Dissolve' to white (instead of the default black).
Any ideas on how to accomplish this?
Thanks in advance for any feedback.
Matt

Once you've changed the default settings for the transition in the Viewer window, you should be able to drag it into your Favorites folder in the Browser. Once that's done, it may help to give the "favorite" version a new name (like 'Dip to White") so you can easily identify it from the original.
-DH
EDIT: Sheesh ... beaten twice! I'm typing slow again!

Cross Dissolve, Dip to Color not working

Hello. I am having trouble applying Cross Dissolve and Dip to Color to the transition between to separate clips. It works fine when I am transitioning between two clips originating from the same raw captured file (e.g. between two pieces I cut out of Raw 1), but I am unable to apply the transition to two clips from separate raw files (e.g. between a piece of Raw 1 and a piece of Raw 2).
The timeline only allows me to place the transition just AFTER the cut between the two clips, rather than straddling the two for a smooth fade. Any idea why this might be? Thanks in advance for your help.
Using Final Cut Pro 5.1.4, Tiger 10.4.9

Enough handles?
#1 Transitions "Insufficient Content"
Shane's Stock Answer #1:
You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
What you are running into is that you are marking an out point at the end of a clip then adding a cross dissolve, say 20 frames in duration. Since the dissolve is centered on the cut, it will start 10 frames before the cut, and try to go 10 frames AFTER the cut...which it can't do.
What you need to do is plan how long your dissolve will be and back-time your cut so that it works.
a full 1 second crossfade reaches 15 frames into each clip. So, if you want to change a cut to a crossfade, there has to be at least 15 additional frames of each clip.
Say you're trying to crossfade from one clip into the very first frame of a second clip. FCP cannot 'create' 15 more frames of the second clip to do a crossfade. If they're not there, you're out of luck.
FCP has to extend the end of your first clip by 1/2 of your transition length, and the beginning of your second clip by 1/2 of your transition length, so those frames need to be in your system. The nature of a crossfade is mixing two clips together.
Shane

Bug in FCP 5's dip to color dissolve with text?

Dear all, I'd likle to know if this is a genuine bug or some problem with our setting/system that we haven't yet figured out.
The problem appears when a dip to color dissolve is applied a text clip.
The symptom is what looks like compression artifacts appearing around the text as it dissolves. It is noticeable with normal text but looks really bad with drop shadow applied. It renders this transition unusable and it's a problem as it's part of our show's regular style. It can be worked around but this is not good enough for a pro broadcast application...
We are running FCP 5.0.1 on a dual 2.7ghz G5 with OS X 10.3.9 and working in DV PAL.
Any help appreciated

Welcome to the discussions, Robert. Do you have your rendering set to Fast (linear)? There was/is a bug that causes problems if it is set to medium or high.
Patrick

Problems with using the 'Dip to Color' dissolve

On a short project we decided to use the dip to color dissolve. We wanted the scene to desolve to white and selected the color without problems, however, on applying the dissolve it goes to white as intended but then dissoleves to black halfway through the transition. We should like this to stay white and then fade to the the next scene from white.
Any suggestion would be welcome.
Regards,
Tom

Well too me it looked ok, but I have now adopted a work around - by using opoacity over a white background on a lower track which produced the desired result.
Thanks for getting back to me - I shall explore this transition/dissolve further some other time.
Regards,
Tom

Dip to color dissolve question

Hi,
I am using a dip to color dissolve between clips, dipping to white. My problem is that the pillarbox lines are also dipping. Is there any way to avoid this?
Thanks.

The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
CaptM

Dip to color effect in 16:9

Can anyone help? I am editing in widescreen, but when I add the dip to color (I'm using white as the color), the black areas above and below the video dip to white also. (Perhaps the problem is that I need to change the "canvas size" to 16:9??? I don't know much about this). Is there a way to have the effects apply only to the actual video portion, and not to the black areas above and below the video?
Note: When I'm editing, I generally see the video as widescreen, with black bars at top and bottom. Maybe I need to change something in the settings???
Thanks!

Okay, Tom. I'm learning as I go here. I've never even thought about any "properties" of either items or sequences before. I just manage to get it into the computer and edit. Thanks for enlightening me! I just checked:
The sequence properties are:
Vid rate: 29.97 fps
Frame size: 720 x 480
Compressor: DV/DVCPRO-NTSC
Pixel Aspect: NTSC - CCIR 601
Field Dominance: lower (even)
Audio Rate: 48.0 KHz
Audio Format: 32-bit Floating Point
The item properties are:
HDD:AVCHD
Vid Rate: 29.97 fps
Frame size: 1920 x 1080
Compressor: Apple Intermediate Codec
Data Rate: 15.5 MB/sec
Pixel Aspect: square
Field Dominance: upper (odd)
Audio Rate: 48.0 KHz
Audio Format: 16-bit integer
My options for "Preset Sequence Settings" (as you likely already know) are:
Apple Intermediate Codec 1080i50
Apple Intermediate Codec 1080i60
Apple Intermediate Codec 720p30
DV NTSC 32 kHz
DV NTSC 32 kHz Anamorphic
DV NTSC 48 kHz
DV NTSC 48 kHz Anamorphic
(the rest are PAL, which I know aren't what I want/need)
Is there a best setting for me (from the list above)? Or, do I need to make several changes to my system settings? Any advice you can offer will be reeeeeally appreciated!
Thanks Tom!

Dip to color in and EDL

Has anyone found a solution for the dip to color error when an edl is created? Instead of creating two edits, a dissolve to color (i.e AX or GEN) and then a second edit going from color back to footage, it creates one edit dissolving between the two footage sources. The dissolve rate is usually correct, but you still have to rebuild the edit from scratch. Any help here would be greatly appreciated

Unfortunately talking the FCP editor into doing this is not an option. Avid used to have the same problem, and they fixed it. I'm hping FCP will do the same.
G5 Mac OS X (10.4.1)

Dip to Color Dissolve + Widescreen Matte

Forum,
When my Dip to Color Dissolve comes in my black bars (wide screen matte) are trumped by the dissolve.
I'm looking for a way to keep the bars all the way through the end of the Dip to Color Dissolve.
No such luck yet.
Thanks to anyone that can help,
Trey

The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
CaptM

Lengthening the period of black in a Dip to Color transition?

I want to face to black, hold in black, then fade up into the next clip. How can I lengthen the time in black?

One way is to insert a Slug.
Click the little A button in the Viewer and select.
Transitions in FCE require Media Handles to be associated with clips to work like Dip to Colour. Search this forum for more info on Media Handles.
Al

"Widescreen" filter on Dip to Color Dissolve?

I've applied the widescreen filter to two clips -- then now, I want to put a dip to white color dissolve between the two clips. But when I do it, the actual white isn't widescreen like the two clips and it looks odd.
How can I apply the widescreen filter to the white out part as well?
Many thanks,
Michael

Michael,
Seems like there would be an easier way to do it, but here's one suggestion that ought to do the trick:
1 Superimpose a bright green, solid color matte into the timeline onto a track that is directly above the transition.
2 Apply the widescreen filter from the other clips to the new color matte
3 Apply a Color Key from the Key folder in the Video Filters folder
4 Set the color to be keyed using the eyedropper to the same green as the color matte
Now the transition should appear within the bounds of the widescreen.
1 GHz PowerPC G4 eMac Mac OS X (10.3.9) 768 MB SDRAM

Dip to Color Dissolve

I am dissolving two of my video clips out to white, but my video clips are 16:9 widescreen and when it dips out to white the whole frame goes to white, even the black bars on the top and bottom. Is there a way to fad it to white just in the picture frame, excluding the black bars?

What camera is this exactly? Some cameras shoot correct anamorphic widescreen, others just shoot in letterboxed versions, basically masking the top and bottom of the image. If your material really is shot letterboxed and you're working in a standard 4:3 sequence, probably the easiest thing to do is to create a black mask for the top and bottom. You can either do this with a graphics application like Photoshop. You can also do it with either two color mattes from the generators that are cropped to the right shape for the letterbox areas, or you could use a four-point garbage matte on the color matte, making a matte of the picture area and then inverting it.

Layer Mask not revealing the right colors

Hi I am new to Photoshop CS6, and photoshop in general. I am trying to take a color photograph, turn it to black and white, and reveal a flower in color and the rest is still black and white.
I thought I had done this properly when I added a new "adjustment layer, hue/saturation", reduced saturization to zero, and painted the yellow flower over with black to reveal the yellow flower's color while the rest of the photo is still black and white. And it worked..except when I got to the green stem of the flower. Painting over that with black revealed a yellowish-green stem.
I experimented a little more by painting black on the new layer mask and most of the rest of the color photo comes out wrong. The blue sky shows up like a weird smurf blue, faces are oddly peach/orange and most colors look much different than the originial photo. Yellow seems to be not affected, magenta/pink seems to be OK and blue shows up so-so. But the rest of the colors are messed up.
I know this must be something very basic, but why are the colors showing up odd?
Thanks

Sounds like you did the right stuff. You should expect to see the colors revealed where the mask is made black. I might have used a Black & White adjustment layer rather than Hue/Saturation, as that would give you more control over the grayscale part of the result, but the technique with the mask should be the same.
Any chance you could take a snapshot of your screen, save as a JPEG, and paste it here? That will help avoid a whole lot of questions.
I noticed your screen name... I live in "bokeh". The weather has turned nice down here after Sandy passed by, eh?
-Noel

Transition (Dip to Black) while using Track Matte

I have used Trace Matte to hide faces in a sequence. In order to do more than one person the sequence includes multiple Matte Tracks.
When I use the dip to black transition I am getting a fade to black and also seeing the mosaic then it goes to the next sequence. making the transition jerky.
If I remove all of the dip to black transitions that sequences all cleanly change.
Any suggestions to fix this would be appreciated.

Using transitions on multiple stacked clips can lead to some unwanted results, since you're changing the opacity of multiple layers at once, instead of en masse. Nesting would work, but then you'd need to extend the footage in your nests to create handles.
The simple way to do it is to create a piece of Black Video (File > New > Black Video), add it on a track above the transition point, and then create opacity animation up and down on it, or just add cross dissolves. The result is a dip to black that will not change the opacity of the underlying layers--it's fading black in and out over the layers.

Masking a Transition (dip to color)

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