Matching Color

Hi,
Is it possible to match the color of a sepia clip in fcpx if i don't know where the sepia filter for that clip came from as in AE, Motion, etc.? that would be on a 422 mov clip. I ask because i tried using the Match Color option and although it changed the color it wasn't even close to the sepia color i was trying to match. Thanks

There should be a Sepia filter in Effects > Basics.
I have one that offers a little more control.
1) it desaturates the media (so the Amount value goes from B&W to sepiatoned)
2) it adds Brightness and Contrast controls
If you decide to use it, don't save it in the same category as the original!
You can download it here: http://fcpxtemplates.com/fxexchange/Sepia.zip
(if you need help installing: http://fcpxtemplates.com/install4fcpx/)
You can build your own color toner by
1) using the color corrector to remove all saturation (make the media grayscale)
2) overlaying a generator > Solids > Custom and picking a red—red-orange color (or any other color you're "toning")
3) going into the video inspector > Compositing and change the blend mode to (I would use) Color Burn
4) make adjustments to Compositing Opacity and Color Correction > Exposure on the original media clip and probably go back and adjust the "lightness" of the color of the Custom solid.
The Sepia filters are a fixed "grade" of color.
If you need to compare clips side by side, you can select the original in the Event browser and type Command-Control-3 (or go to the Window menu > Show Event Viewer.)
HTH

Similar Messages

Color Settings: Getting colors in PS CC to match colors of the image when used as a Windows Background

or vice versa. I probably do not know enough to be able to ask the question properly.
The colors of photos in PS CC are not the same when used as a desktop background in Windows 7. The colors are somewhat more saturated when as a background on the desktop and while not totally unusable, it would be nice to have matching color between my PS editing screen and the photo as viewed as a desktop background.
The following are some conditions that may or may not be relevant to the answer of my following question.
1.) I am a complete novice to Color Management so a presumption of knowledge and the heavy use of jargon may not penetrate my head.
2.) I shoot with sRGB embedded in my photos.
3.) My RAW conversions use sRGB IEC61966 - 2.1.
4.) My PS Color Settings are North American General Purpose 2 with sRGB IEC61966 - 2.1 as the working space and Intent as Relative Colormetric
5.) In the Win 7 Control Panel>Color Management>Device, my Device = NEC LCD2690wuxi, ICC Profile = NEC LCD2690wuxi (default), file name = nl269wui.icm
6.) In the Win 7 Control Panel>Color Management>Advanced, Device profile = System Default sRGB IEC61966 - 2.1 and (everything else set to System Defaults too). The only difference from the PS Color Settings being that Windows is defaulted to Perceptual Intent, but a change in either PS or Win 7 has no effect on the relative color differences.
7.) The monitor is set to the Native internal preset, but the relative differences in color remain the same even if the monitor is changed to sRGB, or any other internal preset.
8.) I have Proof Setup set to Monitor RGB but none of the settings will match the Win 7 Background color.
Now, my question is this. How would you set up your color settings/profile in PS and/or Windows to match color between PS and the Windows desktop of Windows 7?

Nevermind. I didn't have Proof Colors checked.

Photoshop uses JavaScript to load open documents into the Match Color command

Hello,
I am a production artist and I make use of the Match Color command quite a lot in my work. I often have 6-10 Photoshop documents open and one of them is designated as my master document. With this document active, I launch the Match Color command. Inside the Match Color dialogue, I load one of the other open documents into the Source drop-down menu under Image Statistics. I click Ok, and save the master document under a new name. I have to repeat this for all other open documents. Needless to say, it gets tedious.
I started to write a script to automate this, but I cannot find the syntax for the Match Color. I have the Adobe Photoshop Cs6 Javascript Scripting Reference but have been unable to locate it in this PDF. I tried looking online, but no luck. Does anyone know what syntax to use as well as associated properties / methods?
Thanks for any assistance.

What we do is we make seamless images from product photos supplied by retailers in the flooring industry (carpet, tiles, etc). The seamless image gets loaded into a virtual room scene powered by Adobe Scene7. Scene7 takes the seamless image and duplicates it horizontally and vertically, in 3D perspective, so the final rendering looks like one continuous product image. Check this link to see an example: http://sitesetup.creatingyourspace.com/wlhhbw4/designcenter/vrddesign.aspx?room=2854 The thumbnails on the left side are seamless images. click on one and it will load into the virtual room.
When I make seamless I may encounter 20-50 images of the same product, but different colors. Rather than spend 10-15 minutes per seamless, I make one and then let Match Color do the rest. Match Color is a great tool for this application. If destructive editing were an issue, the layer could simply made into a smart object, but we're not concerned about that.
I did try the javaScript listener. Below is the code it generated. I'm new to JS so I don't understand all of the syntax.
// =======================================================
var idmatchColor = stringIDToTypeID( "matchColor" );
    var desc7 = new ActionDescriptor();
    var idLght = charIDToTypeID( "Lght" );
    desc7.putInteger( idLght, 100 );
    var idClrR = charIDToTypeID( "ClrR" );
    desc7.putInteger( idClrR, 100 );
    var idFade = charIDToTypeID( "Fade" );
    desc7.putInteger( idFade, 0 );
    var idfsel = charIDToTypeID( "fsel" );
    desc7.putBoolean( idfsel, true );
    var idSrce = charIDToTypeID( "Srce" );
        var ref5 = new ActionReference();
        var idLyr = charIDToTypeID( "Lyr " );
        var idBckg = charIDToTypeID( "Bckg" );
        ref5.putProperty( idLyr, idBckg );
        var idDcmn = charIDToTypeID( "Dcmn" );
        ref5.putName( idDcmn, "4167_13828.jpg" );
    desc7.putReference( idSrce, ref5 );
executeAction( idmatchColor, desc7, DialogModes.NO );

Trouble Matching Color Between Ps and Dw

I've generated a simple shadow around my page design in
Photoshop (the shadow blends into the background color via a soft
gradient). I've imported a small section of the shadow into
Dreamweaver and placed it in a special table cell to duplicate the
affect in Dw.
This is very simple. I'm using web-safe colors (#336699) both
in Ps and Dw. All artwork was created on my Mac Pro running Leopard
(10.5.2).
When I test my design in Firefox it looks perfect. When I
copy the site folder over to Dw on my Windows XP machine and test
in IE it also looks perfect. It also looks perfect when I open the
design up in Dw on the Windows machine (in the document window).
HOWEVER ... the colors do NOT match in the Dw document window
on my Mac. Nor do they match when I test the page using Safari on
my Mac.
I'm perplexed. I'm somewhat new to Dw, but I've been using Ps
and Gl for a long time. I think I know how to match colors in the
workflow. I recently upgraded my Mac to 10.5.2 and I'm wondering if
this is a bug?
One other thing ... the pull-down menus in the Dw color
selection areas aren't always functional. Sometimes the color
picking windows will close leaving the pull-down menus
unresponsive. You have to hit the escape key to exit. If you are
very careful you can get the menus to work using the middle mouse
button (I'm using a wireless Mighty Mouse).
Can anyone offer me guidance ... or has anyone else
experienced these problems in Dw? TIA.

In Photoshop, are you working in RBG or CMYK mode? RGB output
is the mode
for web graphics. What type of graphic are you using when you
Save to Web
As - gif, jpg or png? Jpg and png will give you better color
matching
control than gif. Gif is capable of producing only 216 web
safe colors (256
minus about 40 colors which are reserved by the various
operating systems or
are not rendered by browsers). Jpg and png can produce 16
million (24 bit)
Truecolor. If you are attempting to color match your web
graphics with hex
#color codes for backgrounds, then your best bet is to use
jpg or png.
http://alt-web.com/HexColorChart.shtml
--Nancy O.
Alt-Web Design & Publishing
www.alt-web.com
"anyoneSeenMaiTai" <[email protected]> wrote
in message
news:[email protected]...
> I've generated a simple shadow around my page design in
Photoshop (the
shadow
> blends into the background color via a soft gradient).
I've imported a
small
> section of the shadow into Dreamweaver and placed it in
a special table
cell to
> duplicate the affect in Dw.
>
> This is very simple. I'm using web-safe colors (#336699)
both in Ps and
Dw.
> All artwork was created on my Mac Pro running Leopard
(10.5.2).
>
> When I test my design in Firefox it looks perfect. When
I copy the site
folder
> over to Dw on my Windows XP machine and test in IE it
also looks perfect.
It
> also looks perfect when I open the design up in Dw on
the Windows machine
(in
> the document window).
>
> HOWEVER ... the colors do NOT match in the Dw document
window on my Mac.
Nor
> do they match when I test the page using Safari on my
Mac.
>
> I'm perplexed. I'm somewhat new to Dw, but I've been
using Ps and Gl for
a
> long time. I think I know how to match colors in the
workflow. I recently
> upgraded my Mac to 10.5.2 and I'm wondering if this is a
bug?
>
> One other thing ... the pull-down menus in the Dw color
selection areas
aren't
> always functional. Sometimes the color picking windows
will close leaving
the
> pull-down menus unresponsive. You have to hit the escape
key to exit. If
you
> are very careful you can get the menus to work using the
middle mouse
button
> (I'm using a wireless Mighty Mouse).
>
> Can anyone offer me guidance ... or has anyone else
experienced these
problems
> in Dw? TIA.
>

Error -1074395395 occurred at IMAQ Match Color Pattern after merge programs

Dear all
I have 2 separate programs that use same source image (red01a1.jpg). The first find location of color particles (color location 01.vi) and second find location of particles after threshold color image (particle location 01.vi). Both of them run good.
But when 2 programs were merged into one program (color sorter 01i.vi), that happened error . The error message is “Error -1074395395 occurred at IMAQ Match Color Pattern”. How can I fix it ?
Thanks
Solved!
Go to Solution.
Attachments:
color sorter 01i.vi ‏126 KB
Color -particle location.zip ‏86 KB
red01a1.zip ‏86 KB

Hi Xuan
Check it out the attached vi
Sasi.
Certified LabVIEW Associate Developer
If you can DREAM it, You can DO it - Walt Disney
Attachments:
color sorter 01i.vi ‏120 KB

IWeb 09 - Color picker not selecting matching color

I have tried to use the color picker to match colors in iWeb 09 and it seems impossible to match the colors. I go to the color picker and use the magnifying glass to try to match an existing color and the selected color is not exactly the same as the color I am trying to match. Very frustrating. I have searched and other folks have been reporting similar problems.

When are you seeing the mismatch? In iWeb after applying the magnifying glass or after publishing? What are you trying to match? Backgounds? Objects? Text?
It's been noted that after publication some colors have been changed in the css file from the rgb alpha code it was originally set to to the # number code (or vise versa - I don't remember which) which changes the published color slightly. Tried to find the topic just now but couldn't.
Definitely a bug to be reported to http://www.apple.com/feedback/iweb.html.
If you're trying to match a page background to a browser background and you're not using a theme that uses images for it's background you can set the page background to none and let the browser background color work for both areas.
OT

Histograms in Match Color

Hello,
As we all know, the Match Color utility was a great addition to the Photoshop series. But it does lack an important feature. When I have two images, [1] and [2], and I choose one image [1] to match color to, it copies colors that I see to the [2] image, but it does not preserve the brighness of the [2] image. In very most cases I want to preserve the brightness, so:
the Match Color screen should look like this: on the right half, the [1] image (or layer) preview, and under it, the histogram. On the left half, the [2] image (or layer) preview and its histogram. There should be the selection tool at the [1] source image screen half. Corresponding to what parts of the source image I choose, the histogram value should change, until the histogram of the selection will look like the histogram of the [2] image. Then I press the OK button and for the final image I get one with colors matched and brightness preserved.
Very useful for ones using the Match Color option intensely.
Thank you.

Folio Preview is only for Digital Publishing Suite output and isn't the best way to preview. The most accurate color can be see if you choose View > Overprint Preview. You DON'T want to disable color management, in fact, I don't think you really can.

Match Colors (Picture Styles) for D7100

Hello Everyone,
i am fairly new to Aperture and developing RAW Files. I´m currently testing out different RAW Converters and are between chairs on Lightroom and Aperture.
This far i like the workflow and handling of Aperture much better despite on thing.
While shooting JPEGs on my Nikon D7100 i like the colors set to Picture Style Neutral best and Lightroom does have Camera Calibration with this Colorset already matched perfectly. Aperture does display colors very differently. I tried to match colors manually and save it as a preset. So far without success.
Color reproduction could make the edge and i would prefere Aperture if i managed to get the colors right. How could i make a own Colorpreset "Neutral" in Aperture. Playing with the Color Brick didn´t work. I guess because i where doing it wrong.
Thank you,
Christian

Sorry, nevermind.
I just found a Thread discussing the exact same thing.
Seems like it is not that easy.

Matching color between a video and a photo in PS CC

Hi,
I am trying to match the color between a Video and a photo in Photoshop CC.
This works ok with the color matching tool. Image > Adjustments > match color.
However, it only matches the color of the 1st frame and no the whole video.
Is there a way to use the color matching tool to apply the adjustments to the whole video?
Thanks for the help
Regards.

Thanks for the quick reply
I don’t think I explained myself very well.
I want the video to match the Photo. Not to apply adjustments to the video and photos at the same time.
The Photos (raw) and video were taken at the same time with the same camera.
I have worked on the photos in adobe camera raw and saved them as tiffs.
Now I have opened up the video and tiffs in Photoshop and would like to match the new colors from the tiffs to the Video file.
When I use the match color tool, the Video and Tiff are the same color.
However Photoshop only matches the 1st frame of the video, the rest of the video is left in the original color.
My question is, how can I get the Match color tool to apply the color setting to the whole video?
So that the whole video is the same color as the Tiffs, not just the 1st frame.
Regards.

Does iMovie have an effect similar to Photoshop's "Match Color Tool"?

Here's a question for the iMovie pros...
There is an effect in Photoshop which is brilliant - if you already have a photo open you can use the "match color" feature to change the colors of your photo from another image file... that file could be a famous painting... the results are fantastic!
Does iMovie have an effect or a plugin that would do this? I can't find any information.

it's bigger brother FCPX has such an effect for video.-
no plug-ins for the actual version of iMovie.
for sure, when double-click a clip in iM, the Inspector/Video offers some basic color-corrections/-manipulations, such as moving the white-point.
your examples are a bit more tricky, due to some colors are not affected - ex #1 the sky stays blue allthough the color-temperature is set to more 'warmth'.
ex #2, the guy, is simpler: raise brightness, add warmth, raise saturation ......

Converting .tif files for match color output

How do you take a file from cmyk to a single match color output form and is there a way to do it for a duotone to insure that it seperates properly in pre-press?

I'm not certain I follow the question but here's my take on it.
For a single match color (I would assume you mean monotone):
1) Convert the image to Grayscale
2) Under Image select Duotone
3) In the duotone panel select Monotone (that's usually the default) and select the color you want to use there
For a duotone:
1) Convert the image to Grayscale
2) Under Image select Duotone
3) In the duotone panel select Duotone and select the colors you want to use
As for making sure it separates properly:
It should separate exactly the way the levels/curves are adjusted in Photoshop.
HTH

Matching colors 1 photo to another

II have to match a shade of "gold" that's more yellow than this copper look suggests to other shots in the series. Am going crazy trying to match numbers in levels, curves and/or hue saturation from one photo to the other; can get red and green right, but blue is way over and when I change it, the other numbers go awry. I'm working with CS4 on a MacPro. Have spent hours, feel like a dog gnawing on his tail. Suggestions would be enormously appreciated. Thank you.

Some people prefer not to make files with lots of layers and use the history brush instead and take snapshots so if that is the way you prefer to work the history brush is how you adjust certain areas or restore art or the image.
There might be a way you would prfer to work that is similar but different it takes a little getting use to but might help you.
Image>Adjustments>Match Color now since this is not a layer adjustment you either do the adjustment on a duplicate layer or you use the hitory brush to restore certain parts of the image which can actually also be done as fill command form the edit menu.
Say you wanted to restore the background to the original after you do your adjustments. So you do a selection of the background and the Edit>Fill>History and you since you can use that at a percentage it gives you quite a lot of control. Along of course with the History brush.
This is because some adjustments are not layer adjustments like Match Color.

10.0.6 and Match Color

I'm trying to use the Match Color feature and I'm having some difficulty. I can't seem to select a clip to match against if that clip is in the SAME storyline as the clip I'm attempting to apply the match to. Rather I can only select a clip to match against if it is OUTSIDE the storyline of the clip I'm trying to color correct. Sorry, I know it sounds convoulted. Has anyone ran across a similar problem?
Thanks in advance.

scottandlee wrote:
… Has anyone ran across a similar problem? …
No, I can choose from anywhere, in my Project or even Events.
so, just wild speculation:
do you use optimized/proxy media?
or 'other' encoded material ... ?

Why no match color control?

I'm a Color newbie. I use match color/hue a lot in FCP and just 'expected' it to be in Color-I'm sure there's a good reason for its omission.
I guess it could be argued that its a cheat, but then so is auto everything on a dSLR
Point is, it gets you in the ball park. You can choose to use it or ignore it. Why isn't it included?

Pataques wrote:
There are some odd ideas appearing in this thread.
Remember, the poster was asking about the AutoMatch feature in Color. I'm guessing you don't find it too useful either?
Firstly, a color match feature is definitely missing in Color. An easy, fluid, efficient function in both AVID and FCP's 3 way corrector, it just makes for extra, needless work in Color. Obviously it's not going to do all the work, but it's a very useful basis.
It's interesting. The pros I know who find the color match function useful are the same ones who find Avid's "Apply to entire reel" function useful. I've never found either useful. I think it depends on the type of projects you tend to work on.
On my projects, I'm lucky if I have a half dozen shots that can share a single setting. Apply a setting to a reel? Total waste of time. For me.
I know some colleagues that save much time because they're working on shows with controlled lighting on sets.
So - I think there's room for pros to disagree on the color match function. I think we can all agree it's a great demo and maybe marketing will get the Color team to implement something similar.
The upshot of all this is that the fastest, cleanest and most creative way of grading I know is to do most things in the 3-way filter and only go to Color for fine adjustments and special effects.
Well, I guess it depends on your setup.
With a control surface - no way. Color is far faster. And since I tend to always make fine adjustments, I might as well do the entire thing in Color.
But the original poster in this thread is working with a mouse so...
With a mouse, it's six of one half dozen of the other. Except at best all we can get done in FCP is a primary correction. Color sees only the last 3WCC filter.
- pi

Possible to apply Match Color to multiple layers in one go?

Hi there,
I have to deal with multiple layer documents for producing underwater mosaics. Very often, the images vary in colors a bit. For large mosaics, I run the images thru a batch job before I use them. For smaller mosaics (e.g. just 10 to 20 images), this is a bit of overkill, in case I have to tweak just 5 or 10 or so.
In this case, I prefer picking one of the 20 layers as my "reference" and manually match the colors of those layers, that need the match, one by one.
My question now: Is there a way, that I could select, lets say 10 layers that need the match and apply the Match Color to all of them in one go?
Thanks for ideas,
g

Will have a look there, did not think about scripting so far ... since I never scripted
Thanks,
g

Matching Color

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