Measuring Color In photoshop after adjustments

Hello,
So I am measuring the 'red' 'green' amd 'blue' values of a picture after I adjust the white balance with a grey card.. I notice that if I measure the colors from 'selected layer' they are different then if I select 'entire image' thise are both different if i do not do any white balance adjustment..
Which is the correct measurement that I should record? I want the the white balance adjustment included.
Thank you,
Ross

Yes, I'm getting a significant difference in the measurements.
If the two layers are merged then the resulting layer measures the same as the "Entire Image" measurement. Therefore, I would trust the "Entire Image" measurement.
The measurement of an adjustment layer alone is strange. Even a dummy adjustment layer that does nothing has a significantly different histogram than the image underneath it. Interestingly, dummy Levels, Curves and Exposure layers (and possibly others that I haven't checked) share the same strange measurement.
It's not specific to your file, though.
Here's screenshots of an example where the histogram of a dummy Curves layer is distinctly different to that of the underlying layer and composite image.
Can someone explain this?

Similar Messages

How to edit DNG in Photoshop after adjustments but without them?

Ok, this might seem a stupid question but let me properly explain...
Just to make it clear, I now know I cannot edit a DNG directly in Photoshop, this must be converted to TIFF and that one can be edited and imported back into Lightroom.
I've read many posts where people tend to all LR adjustments and then go to PS for the final touches, but I prefer the other way around, PS first for any pixel editing and LR to finish the image. But I have two problems this simply because I forgot to edit some image in PS before making my LR adjustments. The only thing I wanted to do in PS was to remove some sensor dust I didn't notice before.
The problem is that I have now finished all my LR adjustments and I can't find a proper way to edit the original (without LR adjustments). When I open the context menu in LR and select Edit » Photoshop, all LR adjustments will be processed and the TIFF file generated will have them.
Q1: Isn't there a way to edit a DNG file in Photoshop without LR adjustments just like we can do it for any other type of file that is not some sort of RAW file?
To answer my own question, the only way I found to do this was to preset the Reset button in the Develop module in LR and then to Edit » Photoshop. This will work but it's a little bit clumsy, anyway to avoid this or is it my only option?
Let's say I do it like that anyway. I'm now with the original untouched DNG file converted to TIFF opened in Photoshop, I do all my pixel editing and save the file. This TIFF file will be automatically imported into Lightroom so I can do any final touches. Since I did a "reset" and the image edited in Photoshop was the original untouched by LR, I now need to do all my editing in LR all over again.
I though of simply copying all develop settings from the old original DNG into the new converted TIFF. But this doesn't work, the files are different, the same settings do not work for these 2 different fle types. The image looks completetly different.
Q2: How can I fix this without playing with all the sliders again to achieve the same look?
I've been done this road before and it was a painful process, in the end, I was not able to get the same exact result.
EDIT: I did not mention the spot removal tool because I wasn't getting very good results with it, it doesn't work as good as Photoshop's tools. The sensor dust was in the sky and very close to some clouds, selecting the whole thing was not working. After some time, I added 5 spot removals and was able to properly clean the sky of that dust. Still would love to hear opinions on my questions above.

Not it's not, it's my workflow, why don't you understand that? If I want to edit in PS first, well, that's my decision, you are assuming I want to keep the RAW data intact and if I wanted yes, my workflow would be wrong because I couldn't do it like that, but I don't want to keep it. Actually, in a perfect world, I would want to be able to keep RAW data and do som pixel editing in the same file, but this is not a perfect world so I'm fine in losing the RAW data. I never stated that but I though it was implicit the way I described my workflow.
I already knew everything you said in your post, nothing new there.
"You really can't move back and forth it one direction only..."
Like I said, I'm not looking moving back and forth, I don't think yous guys are understanding my question properly. Let's take another approach to see if you guys understand it better. I shot some photo in RAW and converted it to JPG (yes JPG), I've now lost any RAW data. However, I like to keep my files in DNG (DNG is a container so I can do that) and convert the JPG file into a DNG. I know have my "master" file as a JPG file in a DNG container.
I start to do some editing in LR in my master file but I forgot to remove the dust on Photoshop and now I need someway to open the original in Photoshop to remove it, because I don't want to lose all my LR adjustments, I want to edit the original and keep my LR adjustments. But even if the file inside the DNG container is a JPG file, since the file format is DNG, I don't have the option to Edit without LR adjustments when I chose Edit » Photoshop. As soon as I do that, the DNG file will be opened in PS with all LR adjustments, but this file is actually a JPG, there's no RAW data anymore. The only way to edit the original file like this is to "reset" all LR adjustments before going pressing the edit context menu option and then copy back all settings from a to b.
Now, this will work just fine because the original file is no longer RAW data, but linear data (I think it's called like this? what I mean, is a JPG, not RAW; i'll call it like this from now on, sorry if this is wrong) and so the settings can be copied at will from one file to ther other without any problems. After a bit of research I read around this forums that LR settings differ slightly if the original file is RAW data or linear data. For instance, the middle point for Temperature is actually 0 for JPG files but if it's a RAW file, it's something like 6500K (not necessarily this, just an example), and that means I can't copy the settings back and forth with a copy/paste.
So, to recapitulate...
My original image is now linear data (JPG) not RAW and saved into a DNG container and since it's a DNG container I cannot open the context menu Edit » Photoshop » Without LR Adjustments. Why? Is there any other any way around it or there's nothing I can besides making a reset or saving a snapshot in LR with the original settings so I can open them at will in PS and then copy the settings from a to b. I just don't understand why there isn't an option, for DNG files, to open it without all LR adjustments like all other files. It's actually a JPG file inside, not RAW data, so, why not? But even if it was RAW data, there could be such an option to. I mean, when you have RAW data and press Edit » Photoshop, the file will be demosaiced (or whatever it's called) and opened in PS, when you save it, it will be saved as TIFF. So why isn't there an option to demosaic the original file without LR adjustments.
As to my second question, I guess there's no way to solve it either. The data on each file is different and the sliders behave differently so there's not way to copy the settings from a file to another if the saved data is not of the same type. And there's also no way to "convert" the settings from one file to the other, or is there? That was actually my question, if there was a way to copy/convert the settings from a RAW file into a linear file so I don't have to move all the sliders all over again and try to achieve the same goal. But after a quick search around the forums, I found a related question and I guess there's no way to do it.

Appearance of color in Photoshop after calibration, and outside of Photoshop

I bought an expensive monitor some time ago which claims to produce the color gamut of Adobe RGB, the NEC PA271W. I also bought an X-rite i1 Display Pro colorimeter, with software, to calibrate my monitor.
After calibration, the images appear right when displayed in Photoshop, and such images print okay on my professional printer with professional profiles, but such images don't appear okay outside of Photoshop, when displayed on my calibrated monitor. They appear far too saturated and contrasty.
When I check what profile is listed under the Color Management tab of my monitor, the default profile is the same as that listed among all the other profiles under Windows/system32/spool/drivers/color.
What's going on, I wonder. Is my video card not compatible with the X-rite calibration process? The video card is the AMD Radeon HD 7700 Series.
Any help would be appreciated.

Vincent RJ wrote:
I think we're either talking at cross purposes, or you are misinterpreting my words. I've always understood that the purpose of calibration is to standardise the appearance of the image on all monitors that are correctly calibrated.
You are indeed MASSIVELY WRONG there. Trust me, you're not even close to beginning to understand color management. What you are describing is a simplistic, deficient personal idea of Color Management, not "calibration".
STEP ONE in Color Management:
Calibrating and profiling are only a start of the whole Color Management process. Calibrating and profiling your monitor does nothing, absolutely nothing for the appearance of any image on other monitors. Trust me: ZILCH !
When you leave out the term "profiling" and refer to calibration alone you are talking sheer nonsense. Get yourself into the habit of thinking of both terms together, though they are part of the one starting point in process.
STEP TWO:
Set your saved monitor profile after calibration as your Monitor Profile File only. Never as your Working Space, never as something you ever embed in a file, never as a print or target profile.
Once you have set this profile as your Monitor Profile. You NEVER think of it again, and never mention it again—unless eventually, and for whatever reason, your monitor profile file gets corrupted, damaged or disappears by magic.
Note that your monitor profile is a strictly device-dependent profile, it applies to nothing else in the entire world, only to your video card and your particular monitor unit. Not even to an identical model and manufacturing batch. Each individual monitor has its own performance characteristics (industrial tolerances of components or manufacture and all that, as well as aging of same).
STEP THREE:
This entails choosing your WORKING COLOR SPACE. This will always be a device-independent (repeat: device-independent) standard workspace such as ProPhoto RGB, Adobe RGB, sRGB, etc., in descending degree of gamut width.
STEP FOUR:
You make absolutely sure to embed the device-independent Color Profile of your Working Color Space in your document (image file), this is called tagging your file. This is of such enormous importance that I always say: "If a moron hands you an untagged file, you're going to have to guess in which color space it was created. Once you make your best educated guess, remember to go beat that moron who gave you an untagged file mercilessly with a baseball bat or simlar, heavy object!"
This is just my way of stressing how wrong it is not to embed the color space profile in your finished file. The only worse offense would be to tag it with the wrong profile. Tagging a file with your monitor profile should be punished by quartering or by burning at the stake.
Again, just strong imagery to reinforce the concept.
STEP FIVE:
This will be using a device-dependent Printing Profile, also called a Target Profile, in the printing dialog of the Photoshop application or the RIP used by a commercial printing outfit. This will be a device dependent profile prepared exclusively and specifically for your particular combination of ink, paper and printer.
~~~~~~~~~~~~~~~~~~~~~~~~~~
Vincent RJ wrote:
…I'm not referring to any conversion of numbers or RGB values…
But of course you are Vincent RJ, you are!!! Most definitely you are! Why can't you grasp that basic concept? ?? !!
With a calibrated and profiled monitor and a properly tagged image file (with the color profile of your working color space properly embedded) Photoshop will use your Monitor Profile that you set in the application as such to CONVERT and CHANGE THE NUMBERS (VALUES) of the RGB colors in your finished image BEFORE sending them to your monitor. Every single time. Think of that process as making up for the deficiencies of your monitor and video card combination.
When other people look at your image, if they're using a color managed application, said application will use whatever they have set as their Monitor Profile in their setup to CHANGE THE NUMBERS of the colors in your finished image BEFORE sending them to THEIR monitors.
If their monitors are uncalibrated and unprofiled, you don't have a prayer of a chance to control even remotely how your image will look on their screens. That's 96% of web users, by the way. If their monitors are calibrated and profiled, the image on the screen will be reasonably close to what you see, but the gamut of their monitors (vs. your wide-gamut NEC) will necessarily change the RGB numbers and colors from what your setup does, and the variance will be greater.
Get rid forever of your silly concept of "standardisation" or standardization, whichever way we want to spell it. That is simply a pipe dream of yours. If you have a big stick handy, beat up the moron who got you to believe that. Use twice the numbers of strikes if that person is a teacher.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Lastly, I'm getting an uneasy feeling because you haven't mentioned printing at all.
You should be aware that Color Management is defined in terms of the art and science of controlling colors from the digital image to print. There are different variants of the definition, but they all end with the word PRINT.
What I'm trying to say is that a person who works with images only to be observed and shown on screens does not need to bother with Color Management at all, because the minute percentage of monitor viewers I mentioned above. Such a person can just set everything to sRGB (monitor, color space, tags, printer, etc), the lowest common denominator of profiles, and forget about anything else.
I would hope I got through to you, but I'm not holding my breath.
I wish you luck in your endeavo(u)rs.

CS6 workflow (Photoshop, After Effects, Premier Pro)

Hello, I'm new to CS and have been learning quite a few different programs over the past few months regarding post-production. I've primarily been using Photoshop, After Effects, and Premier Pro. I have noticed there are tons of different ways to work within and across these programs through the CS package. Because there are so many ways to accomplish an end result, I was unsure what is the right way to edit or manipulate video footage. For instance, if I plan on using after effects to do color correction using color finesse, or matte painting and rotoscoping, what order should I open the files and change them? Should I start in premier and then use AE, or should I change in AE and then import into premiere? I noticed not all AE changes are accepted in Premiere. Same question goes with any changes to footage in photoshop as well. Any advice would be great or at least a direction to look to get resources to help with my workflow. Thank you.

You'll get way more feedback in either PP or AE forums than you will here.
Bob

Can i measure moving distance using after effects?

can i measure moving distance using after effects?

I don't know what you mean. If you mean take measurements like you can in Photoshop and relating them to the real world then the answer is not easily. No Effect I know of allows you to do that. If you mean measuring the distance in pixels a layer moves on any axis, yes you can measure that and display the result using an expression by either referring to a valueAtTime of a keyframe or a layer marker. For a layer marker for example showing the X distance a layer moves starting at first layer marker you would add this expression to the source text of a blank text layer. The moving layer would be named "target."
t = thisComp.layer("target");
mp = t.marker.key(1).time;
ip = t.position.valueAtTime(mp);
np = t.position[0] - ip[0];
Math.round(np)
If the layer is moving left to right and the marker is in the middle of the layer then the numbers will be negative until the marker is reached, zero at the marker, then positive after the marker is past.

Anyone having a problem with iMovie in Mavericks v 10.9.3 ? when previewing the a slideshow the colors all disappear after the first image.

Anyone having a problem with iDVD in Mavericks 10.9.3? When previewing a slideshow all color is lost after the first image.

Is your problem with iMovie as the title suggests or with iDVD?

How to change background color in photoshop cs3

how to change background color in photoshop cs3
Please help me...

Background for what? You need to explain better and be more specific.
Mylenium

Suddenly unable to print in color from photoshop

Just put in new print cartridges (both b&w and color) in my HP officejet printer and I suddenly can't print color from photoshop. I'm using a mac os x 10.8.
I seem to be able to print color from other sources such as directly from the internet, or from preview. When I go to Print in photoshop if I try to select Color Matching ColorSynch and Vendor Matching are greyed out and unselectable. Not that I ever had to go there before but that seems to be the only difference between the print dialog boxes in photoshop and the other sources.

You should contact Microsoft for Mac Support and/or post in their forums.

Adobe Flash/Photoshop/After Effects CS4 Installation - Internet Explorer Script Error

Greetings everyone. Another Adobe Installation disaster story.
I'm trying to install the aforementioned products (Flash, Photoshop, After Effects) on my computer, but I get about 20 "Internet Explorer Script Error"'s every time. [I don't even use Internet Explorer] I don't understand why the installation worked on a different computer I own but not this one. Both of them are running Windows XP Home.
I've already tried removing all Adobe Products, using msicuu2.exe, CS4CleanupScript from Adobe, etc...
This is the install log that was generated for Flash.
Any and all help would be greatly appreciated. Thanks in advance.
[ 1572] Mon Jan 26 02:11:43 2009 INFO
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
Visit http://www.adobe.com/go/loganalyzer/ for more information
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
START - Installer Session
*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
RIBS version: 2.0.133.0
-------------------- BEGIN - Proxy File Summary - BEGIN --------------------
AdobeCode: {02FD2912-C5C4-41f0-B7D2-0C1871EB9565}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-es-ExtensionFL30\AdobeFlash10-es-ExtensionFL30.boot.xml
AdobeCode: {043A67CA-08C4-4669-A2A1-B03F6D8D509C}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeWinSoftLinguisticsPluginAll\AdobeWinSoftLinguisticsPluginAll.boot.xml
AdobeCode: {064F0D64-1F54-4F4B-953E-BAED5D7E69B2}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobePDFSettings9-mul\AdobePDFSettings9-mul.boot.xml
AdobeCode: {092DF7B0-6E10-4718-9763-9704CC4E6EF9}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeALMAnchorService2-mul\AdobeALMAnchorService2-mul.boot.xml
AdobeCode: {0967604F-33E6-4C6B-934B-157C3AB4ED4C}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeExtensionManager2All\AdobeExtensionManager2All.boot.xml
AdobeCode: {0A621EC5-B98B-45C9-95FE-A7D0DA3150EA}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlashPlayer10_axDbg_mul\AdobeFlashPlayer10_axDbg_mul.proxy.xml
AdobeCode: {14A5A29B-D252-4575-B40C-695B8D8B34D5}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeBridge3All\AdobeBridge3All.boot.xml
AdobeCode: {195C539A-1546-43A8-A224-C03FE427F47D}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\extensions\AdobeFlash10-es_MXLanguagePack\AdobeFlash10-es_MXLanguagePack.proxy.xml
AdobeCode: {2965A5F0-0326-4479-B140-F5799BD025B7}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeCameraRaw5.0All\AdobeCameraRaw5.0All.boot.xml
AdobeCode: {2B47D5DE-E019-4130-AB69-2DAB4DEEBB0A}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeColorJA_ExtraSettings2-mul\AdobeColorJA_ExtraSettings2-mul.boot.xml
AdobeCode: {2BD22DAB-D025-4c9a-A62E-DAD828393885}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-en-ExtensionFL30\AdobeFlash10-en-ExtensionFL30.boot.xml
AdobeCode: {3095E614-711B-48D2-BAAF-0CA9D9968F68}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeOutputModuleAll\AdobeOutputModuleAll.boot.xml
AdobeCode: {3251BB24-1889-4BB4-9774-BA0D57FE7D0E}
Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\extensions\AdobeFlash10-en_GBLanguagePack\AdobeFlash10-en_GBLanguagePack.proxy.xml
AdobeCode: {34BBC769-B1F1-412A-8663-50B2EAB6D5A9}
Path: C:\Docum

Great, it got cut off.
Anyways, this is the important part, since it says "ignoring original data since install source is local."
Updated source path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4
Updating media info for: {02FD2912-C5C4-41f0-B7D2-0C1871EB9565}, Effective: {02FD2912-C5C4-41f0-B7D2-0C1871EB9565}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-es-ExtensionFL30\AdobeFlash10-es-ExtensionFL30.msi
Updating media info for: {043A67CA-08C4-4669-A2A1-B03F6D8D509C}, Effective: {043A67CA-08C4-4669-A2A1-B03F6D8D509C}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeWinSoftLinguisticsPluginAll\AdobeWinSoftLinguisticsPluginAll.msi
Updating media info for: {064F0D64-1F54-4F4B-953E-BAED5D7E69B2}, Effective: {064F0D64-1F54-4F4B-953E-BAED5D7E69B2}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobePDFSettings9-mul\AdobePDFSettings9-mul.msi
Updating media info for: {092DF7B0-6E10-4718-9763-9704CC4E6EF9}, Effective: {092DF7B0-6E10-4718-9763-9704CC4E6EF9}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeALMAnchorService2-mul\AdobeALMAnchorService2-mul.msi
Updating media info for: {0967604F-33E6-4C6B-934B-157C3AB4ED4C}, Effective: {0967604F-33E6-4C6B-934B-157C3AB4ED4C}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeExtensionManager2All\AdobeExtensionManager2All.msi
Updating media info for: {0A621EC5-B98B-45C9-95FE-A7D0DA3150EA}, Effective: {0A621EC5-B98B-45C9-95FE-A7D0DA3150EA}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlashPlayer10_axDbg_mul\AdobeFlashPlayer10_axDbg_mul.msi
Updating media info for: {14A5A29B-D252-4575-B40C-695B8D8B34D5}, Effective: {14A5A29B-D252-4575-B40C-695B8D8B34D5}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeBridge3All\AdobeBridge3All.msi
Updating media info for: {195C539A-1546-43A8-A224-C03FE427F47D}, Effective: {195C539A-1546-43A8-A224-C03FE427F47D}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\extensions\AdobeFlash10-es_MXLanguagePack\AdobeFlash10-es_MXLanguagePack.msi
Updating media info for: {2965A5F0-0326-4479-B140-F5799BD025B7}, Effective: {2965A5F0-0326-4479-B140-F5799BD025B7}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeCameraRaw5.0All\AdobeCameraRaw5.0All.msi
Updating media info for: {2B47D5DE-E019-4130-AB69-2DAB4DEEBB0A}, Effective: {2B47D5DE-E019-4130-AB69-2DAB4DEEBB0A}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeColorJA_ExtraSettings2-mul\AdobeColorJA_ExtraSettings2-mul.msi
Updating media info for: {2BD22DAB-D025-4c9a-A62E-DAD828393885}, Effective: {2BD22DAB-D025-4c9a-A62E-DAD828393885}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-en-ExtensionFL30\AdobeFlash10-en-ExtensionFL30.msi
Updating media info for: {3095E614-711B-48D2-BAAF-0CA9D9968F68}, Effective: {3095E614-711B-48D2-BAAF-0CA9D9968F68}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeOutputModuleAll\AdobeOutputModuleAll.msi
Updating media info for: {3251BB24-1889-4BB4-9774-BA0D57FE7D0E}, Effective: {3251BB24-1889-4BB4-9774-BA0D57FE7D0E}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\extensions\AdobeFlash10-en_GBLanguagePack\AdobeFlash10-en_GBLanguagePack.msi
Updating media info for: {34BBC769-B1F1-412A-8663-50B2EAB6D5A9}, Effective: {34BBC769-B1F1-412A-8663-50B2EAB6D5A9}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\extensions\DeviceCentral2LP-fr_CA\DeviceCentral2LP-fr_CA.msi
Updating media info for: {395FC443-B34B-4E77-9928-23C147FC83F1}, Effective: {395FC443-B34B-4E77-9928-23C147FC83F1}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeTypeSupport9-mul\AdobeTypeSupport9-mul.msi
Updating media info for: {3A4D8E3D-83E0-425F-A8FB-B04538CDC2A0}, Effective: {3A4D8E3D-83E0-425F-A8FB-B04538CDC2A0}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeCSIAll\AdobeCSIAll.msi
Updating media info for: {3C2CCCD6-CB9D-4288-8B3D-EF7AEC16C35B}, Effective: {3C2CCCD6-CB9D-4288-8B3D-EF7AEC16C35B}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-mul\AdobeFlash10-mul.msi
Updating media info for: {3CD02B3D-9EEE-4786-95A8-73E7BA8558CA}, Effective: {3CD02B3D-9EEE-4786-95A8-73E7BA8558CA}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeDriveAll\AdobeDriveAll.msi
Updating media info for: {3D9625C4-525A-4368-932D-749B91B3B222}, Effective: {3D9625C4-525A-4368-932D-749B91B3B222}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeFlash10-fr-ExtensionFL30\AdobeFlash10-fr-ExtensionFL30.msi
Updating media info for: {490F274E-689A-4ECF-AC3E-322347ED7613}, Effective: {490F274E-689A-4ECF-AC3E-322347ED7613}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\AdobeExtendScriptToolkit3.0.0All\AdobeExtendScriptToolkit3.0.0All.msi
Updating media info for: {53560287-20EA-4EB6-9B5C-5B1EC080350A}, Effective: {53560287-20EA-4EB6-9B5C-5B1EC080350A}
Ignoring original data since install source is local
Type: 0, Volume Order: 1, Media Name: Adobe CS4, Path: C:\Documents and Settings\Chu\Desktop\Adobe CS4\Flash Professional\Adobe CS4\payloads\kuler2.0-mul\kuler2.0-mul.msi
Updating media info for: {5746C6E3-DC6E-4762-9445-F89C50B5E1D2}, Effective: {5746C6E3-DC6E-4762-944

Photoshop suddenly does not print to Epson 3880 - PROBLEM: Cannot print from Photoshop After restart error message appears: - "There was an error opening your printer. Printing functions will not be available until you have selected a printer and reopen

PROBLEM: Cannot print from Photoshop
After restart error message appears:
— “There was an error opening your printer. Printing functions will not be available until you have selected a printer and reopened any documents.”
• All print commands are greyed out and unavailable — even to call up the printer commands cannot be done.
The printer printed fine until about 2 weeks ago when this error message appeared. Printing continues from Pages, I-photo, preview etc. — only Photoshop fails.
The printer has been turned on and off, as have open documents been closed and open etc.. Preferences reset. Repeatedly I have read through blogs and forums and attempted to contact Adobe — all without results
Epson support struggled to find reason and several solutions were tried and they assume this is an Adobe problem.
Running Mac Powerbook X 10.10.2 / Photoshop CS6 13.0.6.x64
Attempting unsuccessfully to print to Epson 3880
What Adobe support will be of help.
Robert Darling — 2/19, 20, 21,22,23/2015

Probably best to ask in Photoshop General Discussion
This forum is about the Cloud as a delivery process, not about using individual programs
If you start at the Forums Index https://forums.adobe.com/welcome
You will be able to select a forum for the specific Adobe product(s) you use
Click the "down arrow" symbol on the right (where it says All communities) to open the drop down list and scroll

Colors in Photoshop all wrong but OK in other apps. (For example "Whites appear yellow.")

Q: The colors in Photoshop are all wrong. They have a neon look or are discolored with a blue, red, green or Yellow cast. I look at the same pictures in other applications and they look just fine. How do I fix this?
A: Recalibrate your monitor using Adobe Gamma (OS9) or the Displays Control in System Preferences (OSX). Photoshop uses your monitor profile to display your images other apps don't. Be sure you start the recalibration using a fresh monitor profile (sRGB or the profile that came with your monitor for example). If you try to recalibrate using the old corrupt profile you will still have a corrupt monitor profile and your color will still be bad. Also, if you are using OS 9 make sure you are using ColorSync 3.0.4. The 3.0.4 patch is available on the Apple web site.
See also support document 319456, "Colors Are Incorrect (For example White Appears Yellow)" at http://www.adobe.com/support/techdocs/319456.html. The document is for Windows, but it may be useful for Macintosh.
Here is another link to monitor calibration http://www.gballard.net/psd/colorlooksbad.html

Thanks. But it looks like in all my frustration, I wasn't sure my original call for help had posted, so must have submitted the same question again.
But I just had a new thought on the problem. While reviewing a story I received from another website, I noticed that the photos attached to the article looked a lot like what I described in my message. It made me wonder if I have a software problem at all . . . or if it's the screen on my Mac that needs recalibration!
It only took 2 minutes to find a website that discussed it — with sample screens to help determine if that was what I'm dealing with. Since a screen supposedly showing a mix of numbered, grey boxes looked totally white to me and I could only see the white numbers on a screen that supposedly contained boxes in varying shades of black, I think I might be on the right track. Just not sure, since I had to reach the bottom of the page before spotting the pitch for a product that supposedly will recalibrate for me. I'm not sure I want to tackle recalibration on my own, but may call the Mac Geniuses at our local mall and see if my hunch is right . . .and if so, what they would charge to do it for me.
BTW, if it sounds like a calibration problem, do you think moving my computer from one desk top another (just 5 feet away) could have caused it? I'm not sure, since it wasn't on my mind at the time, but I think that's roughly when I first started to notice discrepancies in color.

Question on scanned images and coloring in Photoshop

I have some sketches from my drawing class that I would like to scan and color in Photoshop. I scan the sketch
but I can't add color. I've tried 'lassoing' a portion of the drawing
but the paint bucket still won't add color.
What am I doing wrong? Please help.
thanks.

The Paint Bucket tool may be the wrong tool, or at least you may have its Threshold set to a low value, as it replaces pixels only of a similar color to the one you click on.
It may be more direct to just select the Brush tool and set up a large brush to paint solid color in the region you selected.
If you want to get into more advanced functionality, which will allow you to correct mistakes or continue to adjust your colorizing for example, perhaps you will want to create a new layer and paint on that layer. Without knowing your goals it's hard to advise further, but you might also want to learn more about Layer blending mode "Color" vs. "Normal".
-Noel

Color correction in after effects

I was wondering how you put a color correction pack into after effects once you download it. all help is appreciated.

> Color Finesse may not be in the AE tryout version.
There is no difference between the trial version and the non-trial version. See this page for details:
http://blogs.adobe.com/aftereffects/2011/04/improved-trial-version-for-after-effects-cs5-5 .html
See this page for information about color grading with After Effects:
http://help.adobe.com/en_US/aftereffects/cs/using/WSB48B246A-E34D-4d3f-A0A4-B932FD3F12E6a. html#WSB1713828-3801-4025-B9E6-E87E487AD828a
(Ignore the part on that page about Color Finesse not being in the trial version. That's wrong.)

All reds are rendered a rust color in Photoshop, but look fine in other programs.

All reds are rendered a rust color in Photoshop, but look fine in other programs.

Can you please post screenshots so we can get a better understanding of your problem?
Thanks,
Julia

How am I supposed to buy Photoshop, After Effects, Etc.?

Im a 16 year old with a strong interest in Graphic Design.
How am I supposed to get Photoshop, After Effects, Illustrator, Etc.
I know I can pirate them for free but I'd rather not.
Please let me know your opinion on this.
Thanks, Wronsz

Creative Cloud for students and if you go to college then you get this price for a very long time with all the updates during that period.
All the applications you need anywhere you are in the world.
$29.99 per month. You have remote storage etc. The normal cycle for version upgrades are about 18-24 months if you consider that it comes out to less than $700 for the two years cycle.
Production Premium is
$449.99
It has all of these, you just saved yorself $250.00 and upwards. Where did you get the $700.00 figure?

Measuring Color In photoshop after adjustments

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