"Media Offline" in Premiere Pro CS3 .. but it's not offline!

If anyone is able to advise on a technical problem in Adobe Premiere Pro (CS3), I'd be most appreciative I'm hoping someone will be around anywhere to help solve this...
Please look at:
http://www.thepfjstudios.com.au/images/PremiereProblem.jpg
to understand my issue better. (Img 1440x900, approx 210kb)
In the upper left box are the videos in the project. This issue is with all videos in the project, but for the example, I'm looking at the highlighted video, MOV03C_03.mpg. The thumbnail at the top of the list shows the video is working, I can play it fine by pressing the play button next to the thumbnail.
The same video, MOV03C_03.mpg, is in the timeline at the current point of the cursor. The current timecode is 00:00:55:22 (hh:mm:ss:ff). I don't understand why the monitor on the upper right corner is showing the video (and all videos in the project) as "media offline", when they're all in the project and able to be played, therefore *not* offline.
Is there some way I can fix this? It's for a university project that I'm needing to deliver to our customer this week...

The guy that said "if an Asset appears as Off-line, it is because the Asset IS Off-line" obviously hasn't seen this problem before.
You are absolutely correct here. Most users have not seen this problem before. In my search of these fora, I found only this, and one other thread where this behavior was reported. In all others, the problem came about because of things like Paths changing (external drive letter changes were the most common). There were cases where the Path was changed by Renaming, Moving and Deletion, but only this, and one other instance, where something else intruded.
Now, it appears that you also encountered the issue, so that runs the count up to three. There are possibly others, who have never posted here, but we cannot count them, unless one searches every possible forum on the Internet.
It is good that you have found a way to get around the issue, and thank you for posting that.
I do, however, have a little problem with your attitude. A forum respondent can only comment of problems that they have had, observed from others, or have read about. If few users have encountered this issue, it might seem that it is related to but a few Projects, systems, or users' actions. If it were a universal Bug, it would seem most logical, that many others would have encountered it, and reported it.
You are correct. I have not encountered this problem, and it appears that most other users are in the same exact position. Maybe we do something differently, or our systems and Projects are different enough, that we have just been spared. I am not sure that is a bad thing.
Again, thanks for posting your keystrokes to handle the problem, when it arises. I hope that will help others, when they show up.
Good luck,
Hunt

Similar Messages

Premiere Pro CS3 -"Recording audio is not possible"?

I am reinstalling Adobe Premiere Pro CS3 on a new computer but get the message "The currently installed soundcard driver does not support DirectSound Input. Recording audio is not possible". I have noted comments on similar sound problems elsewhere but have not seen anything that seems to solve this problem. Is the problem related to the change in windows environments from Vista to Windows 7 (on Dell i7 Alienware) or do I need to buy another Sound Card or is it Premiere Pro CS3 where the problem lies? With thanks, eirrom.

Yes, quite likely a compatibility issue. CS3 used an older compatibility model, which long has been surpassed by newer versions of DX. However, it still should be backward compatible, so any issues you may have may depend on requiriung a specific driver, installing the full legacy load of DirectX or as a minor, changing some permissions on teh system to allow loading of unsigned legacy drivers and/or compatibility modes. It's a more complex problem than just flipping a switch eitrher way. Check your device manager and then work your way through...
Mylenium

MPEG4 in, MPEG4 out: why getting bad quality using Premiere Pro CS3?

I have to edit a great number of MPEG4 footage (H.264, 720p, 29.97 fps), created with a Samsung NV24HD camera. They have a good quality regarding sharpness, contrast, color. I want the final movies as MPEG4 files, in the same format as the sources.
When I export an edited movie using the Adobe Media Encoder of Premiere Pro CS3, the quality is disappointing. A lot of details are lost and the contrast is less than the original footages. Further, I see that the size of the movies are reduced with about 30%.
I use the H.264 preset ‘HDTV 720p 23.976 High Quality’, but with the frame rate changed to 29.97 fps. Other settings are default.
My questions are:
1) What's wrong here?
2) Is the method using the Adobe Media Encoder of Premiere Pro CS3 the right one to do this job?
3) Do I use the correct settings?
Any help is appreciated.
Arman

created with a Samsung NV24HD camera.

No Audio after Relinking mxf Media Files - Premiere Pro CS3

Product: Premiere Pro CS3 - Version 3.2.0
Hardware: Pentium 4; 3 GHz; 1GB RAM
Hard Drives: Using 2 external 1TB Hard Drives for my film's storage and access
Clips: High Def mxf files
User Experience Level: Novice
Whenever I unplug one or both of my external hard drives - or - forget to turn them on before entering Premiere, I am required to relink my clips. After relinking, and upon entering my Project, I click "Play" in the Timeline Window to begin editing for the day - to realize: "the Audio Is Silent."
To experiment on how I can get the audio to work:
1)I've clicked on an individual mxf clip file in the Project Window
2)Clicked Media Offline in the Project menu drop down list
3)Copied and pasted the Offline Media mxf clip file to a new folder in the same project
4)Clicked on the Offline Media mxf clip file in the new folder
5)Clicked on Link Media in the Project menu
6)Dragged the Linked File into a new sequence
7)Clicked Play and Still No Audio
8)Additionally tried to play the clip in the Source Monitor, Still no Audio
A friend suggested something about offline editing - copying the file somewhere else and relinking but I'm not sure of the process now apart from what I enumerated above.
Would any of you Premiere Pro geniuses be willing to help a wannabe Premiere Pro user? I'm not giving up and appreciate any advice you could give me! Thanks in advance for your help!
Sincerely, susan

http://www.google.com/search?client=firefox-a&rls=org.mozilla%3Aen-US%3Aofficial&channel=s &hl=en&q=sata&btnG=Google+Search

Premiere Pro CS3 - Preset & Media File Questions

Volunteered to create a high school football highlight video using Premiere Pro CS3 on a Mac. The video will be shown in a banquet hall using a NEC projector attached to the ceiling. The hall owner doesn't have any info on the projector, so I don't know its native resolution or any other specs. The screen is standard size.
I'm being given a potpourri of media:
1) The team's game DVDs shot from the press box. MPEG Streamclip shows the VOBs have these properties: 720 × 480, 4:3, 29.97 fps, 9.30 Mbps, upper field first - 128 AC3 2/0, 48 kHz, 256 kbps. Right or wrong, I converted the VOBs to dv files for import into PP with these properties: DV/DVCPRO - NTSC, 720 × 480, 4:3, 29.97 fps, 28.77 Mbps - DV stereo, 48 kHz, 28.77 Mbps.
2) Field level video taken with a Canon HV30 (HD, wide screen). The files I've been given are: Apple Intermediate Codec, 960 × 540, 29.97 fps, 30.09 Mbps - 16-bit Big Endian stereo, 48 kHz, 1.54 Mbps. I could ask to have these files recaptured as SD files.
3) Many side line photos (TIFFs) taken with a Canon 30D.
After editing the project, I was planning on exporting the final video/audio as a mov file to be played from my lap top hard drive rather than from a DVD. Not sure about the export settings to do this for best quality.
But first, which PP preset should I use for this project, or should I use custom settings? If so, what should they be?
Have I converted the VOBs to the proper format?
Should I recapture the HV30 footage or convert it to another format?
I have the photos in Lightroom and can export them as TIFFs, JPEGs, PSDs or DNGs and can resize them down if necessary. Any suggestions?
Finally, I was thinking of converting the background music from mp3s to aif files at 48 kHz, 16-bit to be consistent across the different audio files. Any suggestions with the audio?
Any thoughts or suggestions on these issues would be most appreciated. If the answers to these questions hinge on the projector type, I may have to wing it....or buy my own projector. Ouch.
Sorry for the length of this post.

I recommend setting up a 720x480 4:3 project. At the very least, have
them recapture the #2 video files as widescreen SD. (I'll refrain from
making any comments about the usefulness of AIC at half-HD) The
recaptured widescreen SD files will end up letterboxed in your 4:3
timeline. Your other choice would be to set up a 720x480 16:9 project,
but that would end up pillarboxing the 4:3 footage. Your choice.
I think you did a fine job converting the VOBs.
Resize the images in Photoshop. Get them as close to 720x480 as you
can, adjusting that upward to account for any panning and zooming that
you might want to do. But don't increase the size any more than you
have to. You definitely want to avoid working with huge frame-size
images in Pr.
48k 16-bit stereo audio should work just fine.
You should find out the native resolution of the projector, and whether
or not it has an internal scaler.
-Jeff

Premiere Pro CS3 Media Encoder question...

Hi,
I got a question regarding the Premiere Pro CS3 Media Encoder.
I am converting a sequence in Premiere Pro CS3 which contains footage from a '.vob' file which is NTSC, 720x480, 16:9 to a '.flv' file.
Now I'm doing this via Premiere Pro CS3 Media Encoder and it let's me choose the Width & Height but there is no checkbox to keep the proportions - which I find is very, very inconvenient...
So if I wanna convert this to a .flv file which is 400 high, the width should be 600, right ?
Also, there is no way to specify to keep the 16:9 aspect ratio.
Is that done automatically or how/where can I specify it ?
Thanx for your help in advance !
Mike

If you want 16:9. you need to consider that the lower number should probably be divisible by 72. So, if you want something about 600 wide, I would use 360 for the lower number which gives you a frame size of 640X360
When divisible by 72, it is evenly divisible by both 8, which is great for encoders, and 9, which is the frame ratio you want.
Just choose square pixels and you will be fine.

Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
Any help would be greatly appreciated!
Doug Herbst
Holmdel NJ

Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
1. Create a new Premiere Pro project as 5.1 audio from the get-go.
2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
5. In Encore, create a separate timeline for each pair of assets (.m2v and .ac3 for example). DO NOT ATTEMPT TO PLACE MULTIPLE PAIRS OF ASSETS ON THE SAME TIMELINE! For some unexplained reason, the build process will transcode the audio back to 2.0, and if you continue pack new 5.1 audio assets on the same timeline, you will get an error message "an input contract violation has occurred" because you now have 2.0 and 5.1 assets on the same timeline, even though you really don't know that and didn't ask for that to happen anyway. (Thanks to Bill Hunt who mentioned his habit of keeping the asset pairs on separate timelines in another thread - that suggestion was absolutely essential to the solution here.)
6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
Doug

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

Adobe Premiere Pro CS3 image on student machines

Hello! At the beginning of the 2008/2009 school year I installed Adobe Creative Suite 3: Master Collection on some of our school computers, a media lab. All the applications work great, such as Adobe Photoshop, InDesign, etc. The one application we can't get to work for the life of us is Adobe Premiere Pro CS3. It works on my machine in my office, which is a standalone box, but for machines which have been sysprepped and imaged, it doesn't work the same. It will render videos fine if they're slideshows made from individual pictures and music. But as soon as you try to add video, Premiere either crashes, or bluescreens. Happens on any one of the 30 computers in the lab, and my computer in my office which it works perfectly on, is identical hardware. Exact same builds. Only difference is mine wasn't sysprepped and Ghosted, and I'm an Administrator.
The other interesting thing, is none of the machines will capture. Not a single one. They all show "Capture device offline", but when I plug the cameras into my machine, it picks up perfectly. So tell me, to install Adobe Premiere Pro CS3, do I need to install individually on every machine? Or is there something else I'm missing?
Also, the students are not local administrators. They're just "Domain Users" on a Windows XP machine part of a server 2003 domain.
Thanks! I look forward to your replies.

Some troubleshooting tips.
Cheers
Eddie
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Audio in Premiere Pro CS3 appears on one PC, not the other

Hi everyone,
I'm the Network Administrator for a high school and we have a digital media lab here using Adobe Creative Suite 3: Master Collection. All systems here are running Windows XP Professional and are on a Windows domain. All users are standard users, with no administrative rights for obvious security reasons. When I originally did the deployment of the lab by running sysprep on a reference computer and using ghost to deploy the rest of the computers, I noticed a problem with Premiere Pro CS3 after the deployment. In that lab, none of the computers would capture video via firewire and the built in capture function in Adobe Premiere CS3. I believe I have a post about this on these forums that was never resolved. To get around this, I'd capture the footage for students in my office and then transfer it over to their network drives so they could import it into Premiere Pro CS3 and edit the footage.
Recently, the school purchased some HD cameras that record to a built in hard drive or an SDHC card. The idea here was that the .MTS files could be copied from the camera to the computer running Premiere Pro CS3, the media files in .MTS format [at 1280x720] could be converted using KoyoteSoft's Free HD Converter using the settings MPEG2 [a preset], MPG2 as the format, 1280x720 // 16/9, 29.97 FPS, 9000 video bitrate, and 224 audio bitrate, and then the new media files could be imported into Premiere Pro CS3 and edited using the HDV 720p30 preset within Premiere Pro CS3.
This works great...on my office computer.
The problem is that if any student tries to import their footage on a computer in the digital media lab, the converted media files, the exact same ones that just imported into my Premiere Pro CS3 installation on a computer in my office with identical hardware as the computers in the digital media lab, fail to import the audio. I can see the video with no problems in the lab, but no audio layer appears. If I right click the video file and choose Open With> VLC or another media player, the media plays fine with audio. All audio/video codecs that are installed on my machine are also installed on the digital media machines. If I right click Adobe Premiere Pro CS3 from within a student account on those computers and choose Run As and use the local administrator account, Premiere Pro CS3 does the exact same thing, it still can't see the audio. Adobe CS3 is fully up to date on both my office computer and all digital media computers.
Any help fixing this would be greatly appreciated, spring break is coming up here this coming week and I'll be here all week. Hoping to get this resolved during that time so students can edit their own movies. Again, video imports, audio doesn't. No audio layer appears.
Thanks!

See if this helps... To work with AC3 sound files in Premiere CS3, copy the ad2ac3dec.dll file from the Encore CS3 directory into the Premiere directory

Unable to play Cineform avi files in Premiere Pro CS3

I am using Cineform NeoHD version 5.3.2 to convert the MXF files from my Canon XF300 into Cineform AVI.
Then I import these AVI files into Premiere Pro CS3 and here is where the problem begins.
Premiere is unable to play these Cineform files. All I get is about a second of audio, and a still frame of the video. This happens both in the source window, and also on the timeline.
The Cineform AVI files play perfectly fine when using Virtualdub for playback, but Windows media player behave just like Premiere.
Everything worked fine a week ago. Premiere appeared to use something called "ffdshow" to play the Cineform files, and I could edit without any trouble.
A few days ago, when I tried the same, that's when the problems came. Whenever I hit Play button in Premiere, a popup window came up, saying Premiere wanted to use ffdshow, and the options was "never", "no once", "yes once", "yes always".
When everything worked a week ago, I had to use the "yes always" option.
Now, it does not matter which option I use, Premiere will not play the Cineform files.
I did not make any changes to my computer between the day everything was okay, and when the problem appeared.
A Cineform representative suggested "ffdshow" is the troublemaker, so I uninstalled ffdshow and removed any traces of it I could find, but the same problem still exist.
Then I uninstalled Cineform NeoHD
Uninstalled and reinstalled Production Premium CS3 suite
Reinstalled Cineform NeoHD
Still same problem, nothing has changed.
It does not matter if I use 50i or 25p source files.
My system: (Laptop)
Windows Vista ultimate 64-bit
Intel 2,66GHz quad core CPU
4GB ram
Nvidia Geforce 8800M GTX
3x internal 7200rpm harddrives set up with raid-0
Anyone else experiencing this?
Any ideas what might be wrong?

dont know , but this stuff might fix your prob.. overwrite whatever ffdshow screwed up...
cfrepair utility:
http://www.siliconimaging.com/DigitalCinema/SiliconImaging_support.html
cineform codec (neo player)
http://estore.cineform.com/NeoPlayer.aspx
never used the cfrepair thing..but did install neoplayer which gave me the codec to use cs3 with cf raw files ( sample of cf raw at the si 2k site -- avi ext )
ps.... to keep overhead down on my computer I took the resulting cineform "player" out of my startup directory....as it wants to run in background when you install it...no need for that for my purpose of just getting the codec

Importing AVIs into Adobe Premiere Pro CS3 !!!

Heres what Im trying to do: We have been working on a PC Leitch Velocity Q NLE system for the past couple years and just got 2 new Matrox Axio LE NLEs with Adobe Premiere Pro CS3. We are trying to get all our old projects from the Velocity system onto our Matrox systems and not sacrifice any of the video quality. I've been thinking that the best way to do this is by compressing old projects to AVI format from the Velocity system and move them over to the Matrox using an external hard drive.
I was actually able to bring in an AVI from the Velocity system onto the Matrox yesterday using the same Velocity settings below, except that I changed the aspect to 720 x 480 and the audio sample rate to 48,000. When playing the video on the timeline in Premiere the video looked great on my computer monitor but on my external NTSC monitor all motion in the video looked a little jerky as if frames are missing. I tried importing the test clip into both Matrox uncompressed 8-bit and uncompressed 10-bit projects and had the same resulting jerky looking video. Even after rendering the clip the video looked the same. Then I tried exporting the clip to mpeg using the Matrox media encoder but saw no change in the jerky movement. Here are my project and export setting for both systems.
The AVI was made on a PC Leitch Velocity Q NLE system. My project settings on the Velocity system are;
29.97 drop frame
720 x 486 24 Bit
Interlaced field order B
Sub pixel off Cropping off
Audio:
16 sample
44 / samples / second
2 channel
Export settings are; (These are the settings I was trying the first time that didnt work. All I changed the second time was the aspect ratio to 720 x 480 and the audio sampling rate to 48.)
AVI
Frame rate 29.97
720 x 486
No Compression
Color 24 Bits
Field handling interlaced field order B
Audio:
16 sample
Sampling rate 44
2 channels stereo
Do you recommend compressing the video coming out of Velocity?
There are a couple other options other than No Compression in the export dialogue such as: Microsoft H.263 video codec, Microsoft H.261 video codec. I definitely want to maintain the highest quality possible.
Matrox Axio LE project settings
Editing mode: Matrox NTSC
Timebase: 29.97 fps
Video
Frame Size: 720 x 486
Pixel Aspect Ratio: D1 / DV NTSC (0.9)
Fields: Lower field first
Display: Format 30fps Drop Frame Timecode
Audio: Sample 48,000 Hz
Display: Audio sample
Video Rendering: Maximum bit depth is Unchecked
Previews: File format Matrox uncompressed 8-bit NTSC (tried Matrox uncompressed 10-bit too.)
I think the jerky video might be due to dropping frames but Im not sure.
Any help is greatly appreciated!

While it seems that the field order is consistent, I have seen issues where converting from clips that change field order creates this sort of problem. This is particularly obvious when converting from MJPEG codecs like Meridien or Miro/Pinnacle to DV.
What happens if you just import the files into Premiere and let it do the rendering to the project settings?

"Premiere Pro CS3" is missing some codecs!

Hi!
First of all, thanks for stoping by and read my post.
It's me first time ever using Premiere Pro CS3. I tried to some basic video editing on it, but I cannot hear any sound coming out of my laptop speakers; when i import the video clips. Even tho, I can hear them with "Windows Media Player". So, I investigated a bit and I did some of the things adviced by Adobe's knowledgebase thing.
And, I came up with a paper saying to download "MediaInfo" and "GSpot" to find out the codecs of the "mpg" files. Here is a report i made with the information given by those programs:
DVD "VOB" format
Format: MPEG-PS
MPEG-2 Program Stream << { 1 vid, 1 aud }
Sys Bitrate: 10080 kb/s VBR
Bit rate mode                    : Variable
bit rate                 : 5 899 Kbps or 5 324 Kbps
Nominal bit rate                 : 9 100 Kbps
Width                            : 720 pixels
Height                           : 480 pixels
Display aspect ratio             : 16/9
Frame rate                       : 29.970 fps
Standard                         : NTSC
Colorimetry                      : 4:2:0
Scan type                        : Interlaced
Scan order                       : Top Field First
Codec(s) are Installed
Audio
ID                               : 128 (0x80)
Format                           : AC-3
Format/Info                      : Audio Coding 3 (AC3)
Bit rate mode                    : Constant
Bit rate                         : 256 Kbps
Channel(s)                       : 2 channels
Channel positions                : L R
Sampling rate                    : 48.0 KHz
Resumen:
0xbd[0x80]:48000Hz 256 kb/s tot , stereo (2/0)
Codec(s) Installed
Missing:
DSH FmtTag: 0x00ff    "MainConcept (Adobe2) AAC Decoder" {214CD0D1-FC06-41B1-8BB8-84DA4CFB17D9} 0x00600000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2daac.ax"
DSH Video "MainConcept (Adobe2) H.264/AVC Decoder" {FF890B41-A4C5-4B19-87CF-65D86EC12F1C} 0x00600000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2dsh264.ax"
DSH MPEG1Packet "MainConcept (Adobe2) MPEG Audio Decoder" {25AD5730-4DE0-4CF8-952A-2AEF53AC4321} 0x005fffff ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcdsmpeg.ax"
DSH MPEG1Packet "MainConcept (Adobe2) MPEG Video Decoder" {25AD5740-4DE0-4CF8-952A-2AEF53AC4321} 0x005fffff ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcdsmpeg.ax"
DSH MPEG1System "MainConcept (Adobe2) MPEG Splitter" {25AD5720-4DE0-4CF8-952A-2AEF53AC4321} 0x005fffff ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcspmpeg.ax"
DSH Video "MainConcept (Adobe2) MPEG Encoder" {25AD5750-4DE0-4CF8-952A-2AEF53AC4321} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcesmpeg.ax"
DSH YV12 "MainConcept (Adobe2) H.264 Encoder" {FF890B51-A4C5-4B19-87CF-65D86EC12F1C} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2esh264.ax"
DSH RGB24 "MainConcept (Adobe2) MPEG Video Encoder" {25AD5760-4DE0-4CF8-952A-2AEF53AC4321} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcevmpeg.ax"
DSH PCM "MainConcept (Adobe2) MPEG Audio Encoder" {25AD5770-4DE0-4CF8-952A-2AEF53AC4321} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mceampeg.ax"
DSH MPEG1Video "MainConcept (Adobe2) MPEG Multiplexer" {25AD5780-4DE0-4CF8-952A-2AEF53AC4321} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2mcmuxmpeg.ax"
DSH RGB24 "MainConcept (Adobe2) H.264/AVC Video Encoder" {FF890B61-A4C5-4B19-87CF-65D86EC12F1C} 0x00200000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2evh264.ax"
DSH PCM "MainConcept (Adobe2) AAC Encoder" {866DFE40-5582-4FA6-B4BC-665781A007E6} 0x00100000 ** File Missing: "C:\Program Files\Adobe\Adobe Premiere Pro CS3\ad2eaac.a
As you can see "Premiere Pro CS3" is missing some codecs, so my question is where can I download those?
I forgot to tell you, that I use a HP laptop Dual core Intel processor with Win Vista Home 2 GB of RAM and 160 GB of HD
Thanks in advance
P.S. I am attaching the Diagdx.txt, even tho I don't think has to necesary
P.S. 2. I just saw another post similar to this one, but it doesn't tell you how to make "Premiere Pro" get the audio to work in my clips and finished project

Most good file converters can handle Video and Audio. If you are having issues with the Audio, both Audition and SoundBooth can convert to almost anything and any sample rate and bit depth.
Here's a LINK to the PrPro Wiki. There are links to various aspects of conversion there.
Now, remember that when working FROM MPEG-2 and also AC3, the files are compressed to begin with. Quality will suffer, and there is only one way around that - go back to the original source files. If not possible, then you have to determine if the quality has suffered too much.
Good luck,
Hunt

Adobe Premiere Pro CS3 is exporting in the wrong size

I want to export my clip I've made in Adobe Premiere Pro CS3 while choosing the option "HDV 720p24" (I've also tried 25, 30 and a few others).
It says in Video Settings before I even start to work on my clip:
"Frame Size: 1280h 720v"
Which is EXACTLY what I want.
However, whenever I choose to export my clip, it ends up being 720 x 480. That's not even 16:9/Widescreen.
I've tried entering the settings when choosing the export options, but the preset 720 x 480 can't be change.
Why is this? Is it impossible to expert a clip to be in 1280 x 720 or any other custom pixelsize I want?
Best regards, Izzy.

Hi everyone,
I apologize for digging up an old thread, but I figured that I'm experiencing this exact problem and have no idea how to work around it I might as well post in an already started topic.
I'm trying to export 1280 x 720 video to that same resolution, but Premiere Pro will not let me choose anything other than 720 x 480 for the size when I try to export through File > Export > Media. I have attempted to use multiple media formats but have had no results for what I need. If it really help, I've posted a couple of screenshots showing my current project settings, but this is just one of a few different formatting attempts which have all turned out the same:
http://www.derektoigo.com/assets/screenshots/premiereexport1.png
http://www.derektoigo.com/assets/screenshots/premiereexport2.png
Hopefully those will be enough to give you a detailed view of exactly what the problem is.
Any help with how to work around this would be greatly appreciated. Thanks to all.

How to bring an Avid project into Premiere Pro CS3?

My client has an old Avid project that needs to be re-edited. I'm using Premiere Pro CS3. Can easily purchase any necessary conversion software (NOT going to buy Media Composer :P). Is there any way to 'easily' import it?
I'm familiar with the Automatic Duck software suite, but they don't seem to have an option for conversion to PPro. What about converting from Avid to After Effects, and then somehow importing the After Effects into PPro?
I'm extremely new to EDLs and very hesitant to use them :). Any advice?

I've had some degree of success going from Avid to PPro through the use of AAF (Advanced Authoring Format). If the project is really complex, the transfer may not work that well, but I was surprised to see just how much transferred cleanly. Check the Avid documentation for exporting a project as an AAF, and the PPro documentation for importing.
One thing to note is that you will have to recapture the media from the original source tapes, as PPro will not work with media files created during capture on an Avid system.

"Media Offline" in Premiere Pro CS3 .. but it's not offline!

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