Microphone's frequency response

Hi,
Is it possible to plot a microphone's frequency response using sound and vibration? If it's possible, can anyone tell me how?
Thanks

Hi popcorn,
If you have the Sound and Vibration Assistant with SignalExpress, there is a step you can add under Analysis - Frequency Domain Measurements called, Frequency Response.
Here's a link to an article that discusses various functions, Sound and Vibration provides. Although the article discusses LabView, many of the same functions are found in SignalExpress as well. The Frequency Response Function can be found at the bottom.
http://zone.ni.com/devzone/cda/tut/p/id/3030
Aki T.

Similar Messages

Buil-in microphone frequency response graph

I'm curious as to where I can find a frequency response graph for the built-in mic in the 15" MBP 2.8. I know it's a silly thing to want, but... Sometimes I don't have the time or resources to set-up an external mic with a flat frequency response, and would just like to use the built-in mic very quickly to "EQ" or "ring out" rooms. I can't find the info on the built-in mic anywhere. Any suggestions?

Have you ever used the microphone? Have you ever actually used a laptop to do this?
I don't have a graph, but from years of working with audio I can tell you that it doesn't have the frequency response, sensitivity and directionality to do what you want.
A nice external mic and portable interface like the iMac would not only do a better job but would look a lot more professional than running around trying to point the cheap microphone of a laptop in the right direction.

Microphone frequency response function

Hi all,
I am trying to do an impact test with 3 types of sensors to investigate surface properties of a material.
The first sensor is the sensor in the modal hammer.
The second sensor is a geophone , whilst the last sensor is an air-coupled sensor in the form of a microphone.
Aside from the microphone which is directly connected to the laptop by USB, the instrumented hammer and the geophone is connected to the NI 9233 which is connected to the NI USB-9162 which finally connects to the laptop.
This hardware doesn't support analog triggering therefore software triggering is used.
I am using a vi example from http://www.ni.com/example/28438/en/
I have successfuly setup the LabVIEW VI to read the raw data coming in from all the sensors and to obtain the frequency response of the geophone due to stimulus signal created by the impact hammer.
I have tried to obtain the frequency response of the microphone due to the modal hammer however no results show up in the graph for the frequency response of the microphone.
My question is this, what is going on and how do I fix this so that I may obtain the frequency response of the microphone?
I have attached my vi for your consideration.
Solved!
Go to Solution.
Attachments:
Y2014M01D28 IRnMicFRFRecAll .vi ‏190 KB

I cannot fix your VI because I do not have DAQmx or the SVFA toolkit. What I have attached is a simulation which shows some of the concepts.
The left side simulates acquisition of two channels (hammer and geophone) via the DAQ device and one channel of sound (microphone). Don't worry too much about the details. I just threw this together quickly. The hammer signal is a square pulse, the geophone signal is one cycle of a sine wave with noise, and the microphone signal is one cycle of a triangle wave plus noise. Each of the pulses is dleayed from the start of the acquisition by different amounts to represent the trasmission delays of the sound and vibration. The values chosen are arbitrary and do not simulate any physics.
I used the sampling rate, block size, and duration controls from your VI, so the numbers of samples and the sampling rates should be the defaults from your VI. The three graphs one the left show the three signals as generated. Note that the Microphone graph has X-axis autoscaling turned off. Also the data is all in waveforms or arrays. I avoid the use of the Dynamic Data Type produced by Express VIs because it effectively obscures the data structure.
The right side shows one way to do the triggering. I used Basic Trigger Level Detection.vi from the Waveform Monitoring palette and the Get Waveform Subset.vi from the Waveform palette. Note that there are separate trigger VIs for the DAQ channels and the sound channel. Because they are not started at the exact same time and they do not have the same dt (= 1/sample rate), the waveforms cannot be combined to use a single trigger. The geophone signal is synchronized with the hammer signal so one trigger from the hammer can be used to get both subsets.
Note that with the default delays the microphone pulse occurs 30 ms after the geophone pulse but in the subsets it occurs about 4 ms before the geophone. This is due to the independent triggering.
Since you do not have a common signal or trigger for both devices (DAQ and sound), you cannot know exactly what the timing relationship is between them. On every run the differences in the start times will vary. So you will need to do some kind of calibration to determine the time delays. I am thinking of some kind of periodic stimulus which will produce several pulses to both the geophone and microphone. The first pulses will have indeterminate delays but subsequent pulses should have reproducible delays. The relative spacing and directions during the calibration runs should be the same as the hammer position for the real experiment.
Lynn
Attachments:
Sound and hammer sim.vi ‏28 KB

Microphone frequency response

Hi
Does anyone know where I might find data on mobile phone microphone frequency response (like frequency response curves)?
Thanks.

Hi
Does anyone know where I might find data on mobile phone microphone frequency response (like frequency response curves)?
Thanks.

Room frequency response measurements

Does anyone know of a Shareware program available that use your PC's sound card to play pink noise while recording from the microphone, and then display the room's frequency response?
I have a high-end stereo system and am looking for something that will show me what my room modes are doing.
Thanks in advance.

thanks but I'm not looking for pink noise to drown out others. It's to use as a measurement. see my post again.
1.33ghz PowerBook g4, 17-inch Mac OS X (10.4.7) 1.5gb ram

Loudspeaker Frequency Response

Hi all! I'm making a program to measure the frequency response of a loudspeaker. I'll be using a sweep to test the loudspeaker.
Particularly i would like the program to be like this, which is real time. How can i implement this in LabVIEW. This is the screenshot
Details about the plot.
First graph:
Shows a plot in real-time of a frequency sweep with a constant sine sweep amplitude of 1 V. When sweep is started, the graph shows a plot of FFT moving from left to right, with peak of FFT at maximum amplitude of 1 at corresponding frequency of the sweep.
Second graph:
Shows the plot of the Sound Pressure Level in dB versus freqeuncy.
Please refer to the picture and video link below.
https://www.youtube.com/watch?v=sKC3ioWXG38, skip to 4:10

Assuming your idea is to sweep a frequency into an amplifier connected to the loudspeaker, and measure the frequency response with a microphone:
You need to monitor the signal at the loudspeaker terminals to account for any non-linearity's in the signal generator and amplifier.
You need to know the frequency response of the microphone, this is difficult, and that is why calibrated microphones are expensive.
You need an anechoic chamber so that the results are not affected by any room resonances.
Your sound level plot is in dB (A). My understanding of the A weighting is so that the human perceived loudness is constant across the audio frequency range. If you are concerned about loudspeaker performance, is it worth discarding the complexity of this additional frequency response curve?
This will be a difficult project. Please let us know how you get on.

Frequency response formula

Hello!
I have done the following experiment to find out the frequency response of a "box":
I have introduced a sound speaker inside a box emitting pink noise-->I have measured the noise using the "sound and vibration assistant" and a microphone( the microphone is also inside the box)
Then I have put the microphone outside the box and I have emmited pink noise again (the sound speaker is inside the box)
With these datas I want to calculate the frequency response of my box so I am using the "frequency response step" of the sound and vibration assistant software.
My question is: The unit of the amplitude graph of is "dB ref 1E+0" Could someone tell me which is the formula to calculate the frequency response of my box and obtain the units of "dB ref 1E+0"???
Thank you!

Hi dSierra,
Sorry but I do not understand when you say : "If you want to reconvert to natural units, you just have to invert the equation 20 log (FreqResponse/1 unit (stimulus/response))". Could you explain a little bit more please
Thank you!
Best regards

HT1665 frequency response of

Dear Sir/Madam,
I used my iphone 4S to collect some acoustic signal. For processing the signal, I need to learn about the frequency response of the in built mic to evaluate the valid frequency range of the result.
Could you please let me know the frequency response (valid frequency range)of the in built microphone of iphone 4S? Whether the response frequency curves in the picture below is correct?
Looking forward for your response. Many thanks in advance!
Best regards,
Zhen Yang

http://manuals.info.apple.com/en_US/iphone_user_guide.pdf
Try that
Hope it helps

Where can I find the amplitude and phase frequency response when the AC coupling is set on the 4472

My friends,
I need to know the amplitude atenuation but most important, the phase distortion introduced on the low frequency components of the signals when the AC coupling is setted (i.e. when the high pass filter is connected) on the 4472 and 4472B DAQBoard.
I can construct the amplitude frequency response by generating and aquiring a sine waveform of a knew amplitude. But I cannot construct the phase distortion introduced by the circuitry.
However, I assume that this crucial information should be available in the DAQ Manual or in the website of NI, but untill now I haven´t found it.
Thankning in advance,
crimolvic from Chile

crimolvic,
Here are the Specifications and Datasheet for the 4472. They indicate a phase non-linearity of less than 0.5 degrees across all frequencies.
For information on how this varies with frequency, see the attached
spreadsheet. This response was the result of testing on a single
4472. Although this is classified as a "typical" response, it is
not gauranteed.
Have a great, day!
Travis
Attachments:
4472 Phase Linearity.xls ‏21 KB

MacBook core duo Sept. 2006 - the audio is a mystery. Any analogue out has bass boost with bass distortion. With digital out, by USB or Airport Express Airtunes, the frequency response is normal. Somewhere, Apple put in an analogue bass boost.. why?!

Since new, my Macbook core duo has sent all audio to all analogue outputs with frequency distortion. Some physical hardware or firmware in the analogue section adds a bass boost to the frequency response of the audio.... And, this boost adds bass frequency distortion to most, if not all, of the audio analogue output.
This happens for all audio sources, players, iTunes, videos, streaming audio/video, movies... any sound source available to the Macbook. No-one with whom I have talked about this problem, has ever heard of it. Not elegant ideas for reducing it are to use equalisers on players and iTunes. iTunes even has a preprogrammed "bass reduce" on its equaliser, as if it knows already that this inherent bass boost "feature" has been built into the Macbook, and cannot be defeated by the user.
The digital audio is of sufficiently high quality to play well on a very good to excellent sound-system; so, it's a shame someone has mucked around with the frequency response of the analogue conversion, by designing the frequency distortion right into the computer. This motherboard, (which includes the sound-section), has been replaced, along with the speakers, and everything sounds exactly the same as it was before.
To receive a flat frequency response and no frequency distortion, I listen on one receiver using Airtunes, (it doesn't matter whether or not the analogue or digital output jack is wired analogue or connected via optical cable.... the freq. response is flat); and I listen on a high-end stereo system using an USB output port to an A/D converter, passing the analogue result using long patch-cords connected to the "line-in" jacks of the stereo. The bummer is that most of my audio sources are not derived from iTunes... hence, I cannot use Airtunes with Airport express for them. I've tried using "Airfoil" without luck. The sound becomes distorted with sibilance and other frequency anomalies.
Question: has anyone else discovered this sound imperfection in any Mac product? And, does anyone know if Apple is aware of it? Finally, has anyone found an Apple fix for the problem; or, at least, come up with better solutions than I have?
Thanks heaps for any impute and answers you may supply!! junadowns

Army wrote:
This might not help you a lot, but if you want a stable system, try using packages from the repo wherever possible, look at the news before you update your system and don't mess things up (like bad configuration etc.).
When it comes to performance, you won't gain much by compiling linux by yourself! Just use the linux package from [core] or if you want a bit more performance, install the ck-kernel from
[repo-ck]
Server = http://repo-ck.com/$arch
(this has to go to the bottom of /etc/pacman.conf)
(use that one which is best for your cpu (in your case this might be the package linux-ck-corex).
Hmmm, Linux-ck-corex doesn't even load.. I am now trying to install the generic one. Hope it works.
Edit: I will first try linux-lqx...
Last edited by exapplegeek (2012-06-26 18:33:31)

Frequency response requirements for headphones with CMSS on XFi ???

Hi,
I would like to know if someone could tell me what kind of heaphones are suitable for the CMSS mode with the XFi.
I mean between : flat response/free-field correction/diffuse-field correction.
Applying HRTF filtering should mean that headphones with flat response is the best option ( same configuration as binaural recordings).
But I have a big doubt that Creative team expects costumers to possess such a pair of headphones, as it is rather for scientific uses (psychoacoustics, audiology etc...).
So, if we look at the technical solutions for wide audience we have two options (FF correction and DF correction). Here is a trick because these corrections intend to reproduce some of the effects from HRTF (for two different environment configuration of HRTF measurements). It is why the frequency response of most of the headphones have a notch between 4Hz and 0 kHz.
To simplify, if we listen binaural sounds with classical headphones the effect of outer pinna is reproduced twice.
So I guess Creative have implemented a kind of normalization/equalization/correction process to deal with the non-flat frequency response of headphones, but do someone know if they have chosen diffuse field or free field correction ?
This post might seem a detail but the issue can be very important for the accurate localisation and the coloration? of 3D sounds with headphones.
Thank you, and please forgive my english!

The only possibility that I can think of is that 2/2. mode is NOT as simple as headphone mode with crosstalk cancelation. Perhaps the HRTF only kicks in for sound sources outside of the arc directly in front of the listener. If that were the case, you wouldn't percei've any distortion for sound sources in front of you.
Also, you are wrong regarding DirectSound3D. Keep in mind that Direct3D and DirectSound3D are not the same. The whole point of OpenAL and DirectSound3D is that they present an API to the programmer through which there is NO specification of the number of speakers. When using OpenAL or DirectSound3D, the only thing a programmer can do is specify the location of a mono sound source in 3D space relati've to the listener. The speaker settings for your DirectSound3D or OpenAL device will then determine how this sound is "rendered" by the soundcard. It is not under control of the game. For example, if you have 5. speakers and the 3D position is behind you, the SOUND CARD will make the decision to use the rear speakers. If you use headphones, the SOUND CARD will decide to apply an HRTF to create the illusion of a rear sound source. The point is that the game does not have control over how many speakers you will get sound from.
However, to further complicate the situation, there are SOME games (HL2 is an example) where DirectSound3D is used, BUT the sound output of the game itself IS a function of the Windows speaker settings. This is not how programmers are SUPPOSED to use DirectSound3D. I've written about this countless times. There is a good post on [H]ard|Forum about this. Do an "advanced" search with my username (thomase) looking for the terms "hl2" and "cmss".

What is the frequency response for the new iPhone 5 earbuds?

I have recently purchased a new iPhone 5 with iOS 6.0.1. I was wandering about the specifications of the new earbuds. What is the frequency response? Thank you for the information.

Apple has released 2 sets of earbuds with the iPhone 5 release. There are the earpods and also the in-ear headphones. Here are the in-ear headphones: http://store.apple.com/us/product/MA850G/B/apple-in-ear-headphones-with-remote-a nd-mic?fnode=49. The frequency response on these is 5kHz-21kHz. I was unable to find the earpods response for definite but the best response I got was 30Hz-16kHz. Hope this answers your question.

Why do I get a Track out of memory error while running open loop frequency response?

MatrixX Build 61mx1411: I get a "Track out of memory" error when I run the Open Loop Frequency Response from the MatrixX pull down tools. What can I do to prevent this? We are running on an HP B1000 with 768 MB of RAM under HP-UX 10.2.

In the old days of Mx say Version 5 and prior the user actually selected the amount of memory that would be allocated. Depending on the size of the model etc. you would have to allocate memory. In version 6.0 and going forward there is no need for the user to manually allocate the memory.
Build {rstack=50000,istack=200000,sstack=50000,cstack=500 000}
If this is a command in a script file that you are running and the error is resulting from that then I would try commenting out everything after the letter d in the word build and then starting it back up.
i.e. only use Build
I don't believe that there is a way to manually allocate the initial SystemBuild Stack size.
I believe initially the stack size is set to 10010.
However, one way
you can manually set the initial SystemBuild stack size,is to create a large StateSpace as soon as you start up SystemBuild. This will prevent piece-meal reallocs while using SystemBuild.
You can created a new SuperBlock in SystemBuild and then drop down a StateSpace Block with 199 inputs and 199 Outputs and 1 State and entered ones(200,200)as the StateSpace Matrix without any problems. This would resize this internal stack to at least 40000.
You really should not have to do this but if that helps then you might think about doing this in your startup.ms file you could use SBA or load the file then you could delete the superblock and begin working.
"Bob" gave me this little tid bit.
Please let me know if any of this is of use.
Garrett
Garrett Thurston
[email protected]
Phone: 781.993.5540

Frequency Response Function & FFT & Inverse FFT (problem of unit Volts-RMS)

Hello everyone,
I am currently working on a VI in order to compare two analog signals : the first one corresponds to the output signal (my reference) which is sent by my data acquisition card to a shaker and the second one corresponds to the input signal recorded by an accelerometer fixed on the same shaker. The final goal of the VI is to correct the analog output signal by using the analog input recorded signal in order to have the vibrations on the shaker which corresponds to what we really want.
To summary, I have a problem of unit with the Volts-RMS...
So this is my method for the VI :
First, I have to calculate the Frequency Response Function between the two analog signals (output and input). For it, I use the " Frequency Response Function (Real-Im).vi " which returns the complex values of the FRF in Volts-RMS (but I don't want to use this unit).
Then, I want to calculate the FFT of the analog output signal (my reference). There are two different blocs which can be used : " FFT Spectrum (Real-Im).vi " and " FFT.vi ".
The " FFT Spectrum (Real-Im).vi " returns the FFT complex values of the signal in Volts-RMS and the " FFT.vi " returns the FFT complex values in Volts (or say me if I am wrong, thank you). I really would like to use the second one because of the unit.
Then, I divide the FFT just calculated with the Frequency Response Function calculated just before.
For the end, I calculate the inverse FFT of that with the " Inverse FFT.vi " which use the complex values with the same unit than for the " FFT.vi ".
I don't want to use the Volts-RMS unit because I absolutly want to use the blocs " FFT.vi " and " Inverse FFT.vi ".
The problem is that I don't find a bloc which use the same unit for the Frequency Response Function. The " Frequency Response Function (Real-Im).vi " returns only the complex values in Volts-RMS unit. Maybe it is possible to convert it correctly? Or maybe there is an other bloc which can be used in order to calculate the Frequency Response Function with the same init than for the FFT and Inverse FFT ? Because I can't mix everything for the moment...
Thank you for your help,
Best regards,
Sebastien

Hello Preston,
No, I have not use the Sound and Vibration toolkit. I have only used the signal processing toolkit with the two toolboxes " Waveform measurement " and " Transforms ".
But I think that what I have done for the moment in my VI is correct (I have finished the complete VI). But I am not sure of the units (Volts, Volts-RMS...) and I would like to understand.
I have tried with the Sound and Vibration toolkit for the frequency response function (because you say me that it deals with all the unit conversion) and I can obtain the same results than with the " Frequency Response Function.vi " of the toolbox " Waveform measurement ".
But I would like to understand the units (see my previous post please). For example, for the FFT (the result is a complex), why sometimes it is in Volts, sometimes it is in Volts-RMS ? Is it possible to convert it ? How ?
If you want, I can attach on the forum my VI and that will maybe help you to explain me. Maybe it will help other people interested.
And if someone else can give me other precisions or advices about it, do not hesitate.
Thank you for your help,
Sebastien

PXI-5610 RF Frequency Response adjustment

Hello,
I have noticed that adjustment for 5610 in RF frequency response is taking long time (about 2-3hr) with Cal exec 3.5, and I have tried to get the PXI chassis in a good enviroment and with some extra fans around since the adjustment has the legend "RF Freq. Response accumulated Meas. (Normalized to 45°C)
I am wondering if the enviroment has some important point here or it needs some update in a particular application inside Cal Executive 3.5?
I also have this question, Win7 has some advantage over WinXP in this particular or general adjustment?.
Br,
Omar

Hello Omar_Rdz,
Thanks for using NI forums! Calibration Executive usually takes a considerable amount of time for some of the PXI modules. By reviewing the Cal Exec manual it says that for the 5610 module it could take up to 240 mins (around 4 hrs). But definitely the temperature is a factor that can affect the performance not only of the calibration procedure but the whole system. Have you tried to execute the calibration when the controller and the chassis are cold? Also try to avoid dust accumulation in both the modules and the chassis because these can impact on the general performance of the system.
Answering your question regarding the OS, Win7 has a better performance compared to WinXP but it will also depend on what type of controller you are using. In order to give you a better answer, could you please tell me what controller and chassis are you using?
Regards,

Microphone's frequency response

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