Missing "(sent)" files roundtripping b/n FCP and STP

Sorry, but I'm posting this here because the STP forum is quite slow to reply. And, I'm not sure if this is an FCP or STP issue.
I have just finished my first project using STP. I was doing a lot of round tripping b/n FCP5 and STP (about 15 clips) and everything was working splendidly. Airconditioner noise easily zapped! A beautiful thing. Annoying pops and cracks removed with just a few clicks of the mouse. More beautiful things. Then...I finished the project (thank gawd), output via Compressor and into DVDSP. The final DVDs are produced and the client loves them. But, I had both a 30i and 24Pa version of the project. I had originally edited the 30i version and then duplicated this project and removed all the Advanced Pulldown to produce the 24P version (without having to re-edit; another beautiful thing). Note, I DID NOT do the STP round-tripping until the 24P version of the project. After everything was complete, I deleted the 30i project (it was never needed) leaving just the 24P version on the internal disks.
Suddenly, when I next opened the 24P version of the project ALL OF THE STP-FIXED AUDIO WAS GONE! NOW OFFLINE!!!
Where the heck did they go? And, where were they originally? When you round-trip like this, what kind of file is STP (or FCP) creating? In the Browser, I noticed FCP creates a new audio file clip icon and appends "(sent)" to the original audio clip name (e.g. an audio clip with the name "21DConfRoom03" has a duplicate? audio clip created, presumably by STP, with the new filename "21DConfRoom03 (sent)")
Where are these so-called "(sent)" audio clips source stored on disk? Where in the standard FCP file structure are they? Is it possible FCP was putting them into the 30i version of the project file structure by mistake? (remember, i first edited in the 30i project version before duplicating and creating a 24P version).
Any help is appreciated.
Thanks,
-Michael

When you say ProTools outputting individual aiff, is it a mix down file?
Yes. I have certain audio configurations that we need to output for the networks. Ch1 & 2 are a stereo mix, then CH3&4 might be Mix minus Music, then Ch5 Mono Dialog, Ch6 Mono Prod Audio. Ch7&8 SFX....9 and 10 Stereo music.
So the mixer mixes down what we need for the various tracks.
Also, as I change my film, is there any way to update the found files in ProTools?
Don't change your cut. You should not be sending the audio to the mix if you aren't done cutting. You wait until you have picture lock, then send the audio. If there is a change, then you re-export the OMF, they reconform, and send new tracks. HOW does the audio guy conform? Got me...I just know that they can.
Shane

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