Motion animation when imported into FCP comes out as 4:3 instead of 16:9

Hi,
I'm trying to create a bumper animation for my feature film. I started in Motion 3 created a simple animation and imported into FCP and flagged it for 16:9 but still comes ot as 4:3 when exported to Quicktime. Any ideas as to why?
Chris

Set the anamorphic flag. Click on you clip in the FCP timeline or browser and type ⌘9. Check the Anamorphic flag.
Patrick

Similar Messages

  • PSD Logo stretches when imported into FCP

    I began work on a project awhile back and I am finally returning to it. In a previous thread I was explained how PSD and EPS files work and don't work in FCP. It was very helpful. (http://discussions.apple.com/thread.jspa?messageID=4144809&#4144809)
    However, I've just noticed that all my PSD logos have stretched out horizontally and they have that lovely fat (incorrect) look to it. The original PSD files in PS looked fine after some tweaking, but as I said, the stretching only appeared once imported into FCP.
    Any thoughts? Many thanks.

    Hi:
    Check the Distort settings in the Motion tab.
      Alberto

  • Swf's/flash,banners When Importing Into Dreamweaver Put Out Slices..

    Hi guys/gals
    I think im doing it wrong or missing something, even have a funny feeling i might have to use some css? Not really sure.
    My problem is after i have saved my move,banner - when imported into dreamweaver it puts all the slices out of whack ?
    I cant find anywhere to import it into my photoshop layout, can't "Bring to front" in dream weaver <- ? :/
    I have searched everywhere and I can't find with my terms what im looking for..I figure if nothing is coming up then im going about this
    the wrong way 
    Any help would be muchly appreciated.
    J

    Hi
    Slicing images from a photoshop comp and then creating a web page from them is never a good idea, and will present many compatibility problems for you. A better alternative is to use css based layouts, this does not mean that you must forget what you have done in photoshop just that the procedure is probably slightly more complex for someone who has not used css layouts before,
    A good place to start would be the css basics tutorial then the, using css starter pages tutorial from the tutorials shown on this page - http://www.adobe.com/devnet/dreamweaver/css.html.
    (the 2 tutorials mentioned are - http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt1.html, and http://www.adobe.com/devnet/dreamweaver/articles/table_to_css_pt2.html.
    There is also a number of videos that may interest you at - http://tv.adobe.com/product/dreamweaver/.
    PZ

  • Unwanted grey lines when importing into FCP?

    I have a simple lower 3rd in LT that consists of a 600 x 40 px background (rendered in After Effects as a QuickTime) and a static type track. The setup is standard 720x480 DV. When I import this into FCP, there's an unwanted dark grey line on both the top and bottom edges of the imported element (1 pixel horizontal lines).
    All project settings match, and background is not being rendered. This is about the most basic compositing setup, so I can't figure out why it fails to render this properly. All other aspects of the files look fine -- type quality, drop shadow, etc.
    Any thoughts? I'm happy to post screenshots if that would help.
    Thank you.
    FCP 5.04
    LT 2.02

    Im having the same issue with live type these grey lines keep appearing ,also im only using factory settings. If you come with any suggestions or answer please reply back

  • Pie chart created in edge animate changes to a square animation when imported into dps

    I Have created an animated pie chart in edge animate and all works fine.
    I then import into indesign and again all looks fine (even though at this stage it is a flat image) but when i export for dps and preview folio etc the animation turns from a circle to a square.
    Anyone have any pointers or experinced the same problem etc?
    Cheers

    The top image is a screen shot from edge and what it should be like, and the bottom image is of when you preview it in dps
    Also when i view this in browser via edge animate and then preview it seems fine and as you can see on the bottom image when i import the oam into indesign again it is fine but then when I come to preview my 'folio it turns the animation from a circle into a square.
    Also if its any help, the animation works perfectly if exported by epubs and viewed through ibooks.
    Thanks,

  • WMV file causes popping sound in audio when imported into FCP

    I am trying to import a WMV file that a client wants inserted into their project. When I import the file into a bin, it's fine. When i try to insert clips from the file into the timeline, I get popping sounds throughout..seems to be ad hoc.
    Can anyone suggest a fix?
    thank you!

    The only fix that I know of is to convert the WMV file into a format that FCP works with natively ... preferably one that matches your FCP Sequence settings.
    To get the best results, don't use WMV as a source. See if the client can provide the footage in it's original format in order to maintain quality.
    -DH

  • P2 card video out of sync when importing to FCP

    Trying to transfer P2 card video (specs on file show 720P60 960x720 59.95 FR with time code 30FPS NDF. P2 plugin is installed and I can view the clips in log and transfer fine. But when importing into FCP the audio is OK but video is slow motion and out of sync. Help what can I do?

    Go into the LOG AND TRANSFER preferences, that sprocket menu on the upper right, and uncheck REMOVE PULLDOWN.  It really needs to be defaulted to OFF.  It causes so many issues.

  • Blurring of text once motion file is imported to FCP

    I've been experiencing this problem for a while now. I guess this could have been posted in the motion forum as well. When I create a simple text screen (black solid background) in Motion it looks as it should, but when I import that same file into FCP the text seems to lose a lot of quality and becomes blurred. Sometimes the quality is so bad that the crosses on T's and the dots on I's are not visible!
    Both motion & fcp projects are set to 25fps. When I open Motion to start a new project I normally leave it to default (pal dv i think)
    I'm sure this can easily be corrected so if anyone can point me in the right direction it would be appreciated.
    Alex

    Still receiving a number of Motion to FCP problems.
    Not only is the text blurring when imported into FCP but motion files with for instance a particle emitter/behaviour (such as stars moving towards frame) is taking nearly 2 hours to render & even then when i go to play the file in fcp the timeline freezes with a 'dropped frames' pop up appearing.
    Help?!

  • Motion project imported into FCP looks different...

    I have a Motion project that moves 17 magazine covers across a background. When I preview it in Motion it looks great, but when I import it into FCP the mags overlap and run into each other. What could be happening during import and is there a fix??

    I'm posting in response to my own question because this may actually be a bug. When I import the Motion project into FCP with the Motion layers locked, the animation is altered. When I go back into Motion and unlock all the layers and import into FCP, the animation is perfect. No kidding, locked tracks and the animation is funky, unlocked and it's fine. Anyone ever stumble on this??

  • Importing Photos to FCP come out grainy and pixelated

    HeyHey,
    So I've got a bunch of pictures (JPEGs) I'm trying to import into FCP. I can get them physically into the sequence, but they're grainy and crappy looking. When I view them in iPhoto, they're perfectly good looking, but when I put them in the sequence, they loo really bad. Any suggestions?
    Thank you.

    Match your pixels to your sequence settings or get close.
    Don't enlarge the Scale (in the Motion Tab) to a setting beyond 100
    and then
    Shane's Stock Answer #2: Blurry playback
    ONLY JUDGE THE QUALITY OF YOUR MATERIAL ON AN EXTERNAL BROADCAST MONITOR, OR AT LEAST A TV.
    The Canvas shows you what happens after the codec you are working with has been applied. The Viewer shows you the material in its native format. Once you drop the footage from the Viewer into the timeline, it inherits the attributes of the sequence. If it is a DV sequence, the footage will render out as DV.
    1. Disable overlays on the Canvas.
    2. Make sure you've rendered everything (no green bars at the top of the timeline).
    Video playback requires large amounts of data and many computations. In order to maintain frame rate and be viewable at a normal size, only about one-fourth of the DV data is used in displaying the movie to the screen. However, the DV footage is still at full quality, and is best viewed thru a TV or broadcast monitor routed thru your camera or deck.

  • Creating animations that will import into FCP

    What are some program options for creating and manipulating objects like squares, rectangles and circles that will be used for creating animations to be imported into protions of FCP projects. The final output will be DVD's. Director MX2004 works very well for creating the animations, however when converted to a QT movie and imported into FCP, the animations look like a copy of a VHS tape. (Export settings were component video.) The animations are not acceptable when viewed on both a TV and NTSC monitor. Is anyone successfully using Director for such an application? I would certainally appreciate any suggestions.
    G5 2 X 2   Mac OS X (10.3.9)   G4 15" Power Book

    I agree about the material that is coming out of Director being the problem.
    The fundamental questions is "is Director capable of this kind of output?"?? I was hoping someone would tell me "this is how I did it" or "It is impossible using Director". All I know is there was some animation from Director in at least top movie a couple of years--I don't remember its name. So someone was able to get animation out of Director good enough for the film industry!
    As for other questions you posed. The vector graphics I need can be created and manipulated as I need in Director. The whole project could be done in Director and outputed as a cross platform "projector" from a Mac or PC version of Director. However, there some issues with keeping things "in time" using Director. Using Director for the whole project is "plan B".
    With regards to your other questions. In short, I want to animate some very detaliled shop type activities that are hard to video and understand. The animations will compliment the video and will show/simplify concepts needed to learn particular shop skills.
    I want to make and market a series of DVD on these shop activites. Yes I know it is not a small project. I have been working on problems relating to everything from copyrighting to the insurance/liability aspects for several years. I also have the hardware & software to make DVD "demos" and examples to "show and tell". Now I need some help getting the stuff to do what I want/need!
    FCP is the best option for "putting together" audio, video and amimation before making a DVD.
    Thank you for your input.
    G5 2 X 2   Mac OS X (10.3.9)   G4 15" Power Book

  • After effects animation Codec won't import into FCP

    Hi
    I have used After Effects to do a green screen key on some HD 1080i footage.
    I then went to export - quicktime movie - animation
    I understand that the animation codec is the only way to export with an alpha channel so that I can put other footage in after my nice green screen key.
    I set quality to best and frame rate to 25, I also tried frame rate as current and it exports and plays back fine in quicktime movie player, but won't import into final Cut.
    The error message is "wrong frame rate"
    Does anyone have any suggestions? I am quite new to after effects and wonder if there is something wrong with the way it is seeing the footage as I shot in widescreen and the image is squeezed as for a 4:3 TV aspect ratio.
    Thanks.
    Ajay

    1. Check your AE composition settings (cmd-k) and be sure your frame rate is set to 25... AE uses the frane rate of your composition and not the settings in your export module...
    2. Do not use the "export" command in AE... that is used only for special purposes only (i.e. for using "quicktime exporto compnents" not available under the export queue)...
    3. use the "make movie" or "add to export queue" command instead
    4. You expot module should be set as:
    - best settings
    - animation + alpha
    do not specify any frame rate in the export module!! AE automatically uses the frame rate in your composition settings!!
    5. Export and import into fcp...
    I never had problems with AE animation+alpha and fcp 6.0.1

  • Why is my 60i video pixelated/choppy when imported into Final Cut Pro X?

    I just bought a brand new Nikon D5200 to get into some indie film making. I put together a quick short the night I got it (http://www.youtube.com/watch?v=uN8OAprluOI) and filmed in 1080p at 24fps. It turned out great, footage looked great, was ready to test out the 1080 60i they put on it. Again, the footage looked great but only on the camera this time...Every time I go to import it into FCP X it comes up pixelated and choppy but if I'm just watching it in Quicktime its smooth and looks fantastic. Is there anything I can do to get my 60i footage imported into FCP X and stay true to the quality? The codec it's importing on is
    h.264 and when it gets into FCP X it switches over to it's true nature of 29.97i so i just don't know what the problem can be!!
    HELP PLEASE!!!!
    Thanks in advance!

    ZacBecker wrote:
    It turned out great, footage looked great, was ready to test out the 1080 60i they put on it.
    Hey Zach.
    How did your progressive footage wind up in an interlaced video? (Who is "they"?)
    Typically, one wants to edit as close as possible to what was shot. The cases where progressive needs to be converted to interlaced would typically be where one needed to match delivery requirements in broadcast. The conversion to interlaced is almost certainly going to introduce "issues".
    Russ

  • LiveType .ipr won't import into FCP - File type not recognized

    LiveType file is greyed out when trying to import into FCP as a Standard File type. If we change Standard File to All Files we get an error stating, "File Error: 1 file recognized, 0 access denied, 1 unknown."
    The project and media are on an external FWHD, originally edited on a G5, moved to the G4 FWHD with Media Manager.
    We've trashed FCP preference files, repaired permissions, checked ownership of files on the FWHD, created new LT files on the internal drive to no avail.
    Is it time for a reinstall of FCP Suite?
    G4 Tower 1.42 Ghz Mac OS X (10.4.7)
    G4 PowerBook 667 Mac OS X (10.3.7)
    G4 PowerBook 1.67 Mac OS X (10.4.7)
    G5 2.5Ghz Mac OS X (10.4.7)
    iMac G5 1.8Ghz   Mac OS X (10.4.7)  

    The project and media are on an external FWHD, originally edited on a G5, moved to the G4 FWHD with Media Manager. We've trashed FCP preference files, repaired permissions, checked ownership of files on the FWHD, created new LT files on the internal drive to no avail.< </div>
    This is usually two things: In compatible versions of FCP or a missing element that allows the .ipr files to be imported. I have forgotten what the enabler is but it's obviously working on your G5 or you wouldn't be asking the question. If you create a LT file on your G4, can you import it into FCP on the G$?
    (You can search the forum for similar problems, it comes up about twice a month.)
    That leaves the problem of incompatible copies of FCP. You have not provided that information. FCP is not backwards compatible.
    bogiesan

  • What happens to CC or Watermarks when imported into PrPro

    HI all,
    my question (s) are about information that is stored in the out of tv safety feilds when imported into Adobe premeir pro. files will be mpeg-2 video files SD and Hd
    1) what happens to closed Captioning data (does it get moved or is it stripped)?
    2) what happens to Nielsen watermarks on line 22 and 20?
    Can anybody give me an understanding of this.
    thank you much!!
    Jay Agoglia

    Nothing happens to the music on your computer. Nothing will "combine" unless this other person actually downloads something to your computer. Simply logging into an iTunes account does not instigate any automatic downloads of anything.

Maybe you are looking for

  • My finder is not working. It won't relaunch and I can't access any files through it. How can I fix this?

    Also, my battery life is at about 2 hours with only Safari and Google Chrome open. I have a 1-year old 13 inch Macbook Pro. I made a different user and the finder worked on there, but I'd like to make it work on my main account since that has all my

  • New report requirement

    Hi Experts, How to design the report for Finished and Semi finished goods on 0IC_C03 cube on daily basis, Wt are the objects i have to use in this report, please give the suggestions and help to do this... Help full answer will be awarded with points

  • Kodak camera dock 6000 will not complete upload to iPhoto

    After installing Yosemite and updating I photo, My Kodak camera dock 6000,opens I Photo and starts the upload but goes no further.

  • What to expect with the "log pair" actions

    I've never quite understood what I should expect to find in the pcap file for the "log pair packets" action. Take the following example: SigId: 6256-0 (HTTP Auth fail) Engine: Atomic IP TCP Mask: Ack,Fin,Rst,Syn TCP Flags: Ack Source Port Range: 80-8

  • Keychain Scripting: error fetching Appleshare passwords

    The following seems to be a commonly recommended way of mounting an AFP volume via AS (e.g. http://www.google.com/search?q=keychainscripting+mountvolume): tell application "Keychain Scripting" set theKey to first key of current keychain whose name is