MOTION TRACKING PROBLEM WITH ADJUSTMENT LAYER

Hi.
I'm trying to  blur out a logo on a shoe, but I'm having some difficulty getting the  tracker to stick to the logo.  Can someone help me, please.  Here are  the steps I took:
1.  I used Tracker to track a logo that I want to blur out.
2.   After analyzing the layer, I went back to check the attach point frame  by frame  The attach point is centred perfectly on the logo on every  frame.
3.  Then, I added an adjustment layer, and used the pick  whip to ensure that the position of the adjustment layer is the same as  the attach point position from the tracker.
4.  On the adjustment  layer, I created an ellipse mask, applied a gaussian blur.  But when I  do playback, the ellipse mask is all over the place and not sticking to  the logo.
Does anyone have an idea as to what I'm doing wrong?  Any advice would be appreciated.  Thanks, in advance.
2010 Mac Pro.  After Effects CS5.  Snow Leopard 10.6.6.

To start off I always apply tracking data to a null then parent the null to the layers that should follow the track.
Make sure that you have picked the right target. Make sure that you've picked the right options. You should be using Transform as the track type. You should also do a quick Google search. There are a bunch of tracking tutorials out there.
If your null follows the object then you can parent the adjustment layer to the null. That should do it.

Similar Messages

  • MOTION TRACKING PROBLEM IN ADJUSTMENT LAYER

    Hi.
    I'm trying to blur out a logo on a shoe, but I'm having some difficulty getting the tracker to stick to the logo.  Can someone help me, please.  Here are the steps I took:
    1.  I used Tracker to track a logo that I want to blur out.
    2.  After analyzing the layer, I went back to check the attach point frame by frame  The attach point is centred perfectly on the logo on every frame.
    3.  Then, I added an adjustment layer, and used the pick whip to ensure that the position of the adjustment layer is the same as the attach point position from the tracker.
    4.  On the adjustment layer, I created an ellipse mask, applied a gaussian blur.  But when I do playback, the ellipse mask is all over the place and not sticking to the logo.
    Does anyone have an idea as to what I'm doing wrong?  Any advice would be appreciated.  Thanks, in advance.
    2010 Mac Pro.  Premiere Pro CS5.  Snow Leopard 10.6.6.

    I think you will have better luck on the After Effects forum.
    After Effects
    http://forums.adobe.com/community/aftereffects_general_discussion

  • Media pending with adjustement layer CC 2014

    Hi,
    I have so many problem with adobe premiere pro CC 2014
    - Media pending with adjustment layer track and some Red giant effects on it. Impossible to rendering ! Please, what the problem ?
    - I loose sound sometimes during playback, I can not hear anything.
    - Sound make a big noise sometimes, like a 1khz but not exactly. It appears when I go up the volume after adding gain or push up the volume in effect control.
    Have you got solutions please ?
    Thank you

    >What to do?
    Start by asking in a forum that is specific to your program... what program are you talking about?
    The Cloud forum is not about using individual programs
    The Cloud forum is about the Cloud as a delivery & install process
    If you will start at the Forums Index https://forums.adobe.com/welcome
    You will be able to select a forum for the specific Adobe product(s) you use
    Click the "down arrow" symbol on the right (where it says All communities) to open the drop down list and scroll

  • Track motion not working with Shape layer

    Track motion works fine with a text layer but does not seem to work with a shape layer. Am I doing something wrong?

    Here's what I'm doing. Let me know if you get the same results:
    I import a video sequence. I put it in a new comp. I create a new shape layer (a rectangle). I motion track the sequence (I click on Track Motion). At this point, my rectangle disappears. I click on the play button (analyze forward) and AE creates tracking points. I click on Edit Target and I select the shape layer and click OK. I click on Apply. A motion Track Apply Options window pops up, I click OK.  My rectangle is still gone, nowhere to be seen. When I do the exact same steps with a text layer, the text will reappear when I click OK at the end. Not the shape layer.

  • Exclude Track(s) from Adjustment Layer

    Hi everybody,
    I use Premiere Elements for many years and am now testing Premiere Pro in order to make the descision wether to change to pro or not.
    So I trying out several things and have mor than one question
    1.: I'm wondering if there's a method to bind an adjustment layer to specific tracks and not too ALL track below it.
    Problem: Using green screen footage and make the keying in the adjustment layer (because the footage changes with each project, but the keying settings are always the same - so an adjustment layer is great to keep the settings) means that the effects of the adjustment layer go down even to the track with the background footage that I want to insert. So I'm looking for a method to let the adjustment layer know an which track(s) it has to work on ... and to which it shouldn't.
    Is this possible? and how?
    2.: In Premiere Elements I loved the easy way to insert a fade-in or fade-out to video and audio tracks witch just a right click onto the clip in the Timeline and then choose "Add Transition" with the options "Audio fade-in", "Audio fade-out", "Video fade-in", "Video fade-out" that added the preset length for transitions to the clip. Tool me about a second.
    In Premiere Pro I don't find this feature in the right click options list. So, do I really have to add each fade-in and fade-out manually by using the effects options and setting the keyframes manually to 0 and 100? Seems odd that Pro is less clever than Elements ...
    Or how do I do that in Pro?
    3.: In the "Export Media" window I have trouble with the setting of what will be rendered, meaning that litte dropdown list with "all" or "workspace" - I hope you know what I mean?
    Problem: This settings always jumps back to "workspace", even if I used "all" last time. And "all" is the way I'm rendering my projects in 99%. So I'm wondering where I can change the preset of this option to "all".
    Thanks for your help in advance!
    Kind regards,
    Lutz

    Thanks @Ann Bens for your reply!
    1.: "save settings as preset" sounds great, in that case I guess I really wouldn't need any adjustment layer (which keys at least in my case great). And please keep in mind that I do not user 1 key only, but a combination of at least 3: can I define this combination as a preset, too? How? I just found a righ-click on the effect and then "save preset", I guess that's what you mean - but I couldn not make it work for a group of effects (keys) ...
    2.: Right! And I found out how to change the default transition and the shortkey for bringing it to the clip, works great
    3.: That's odd ... at least for the way I'm working. Is there no way to set the Export Tool to "all" as a new default? Because I need the Work Area Bar in the Timeline, too, but when rendering, I need all in 99% ... but am afraid I could forget to change the setting from WAB to "all". I didn't expect a professional and long developed software not to have settings for such an important option! Is there really now way?
    Kind regards,
    Lutz

  • Player compatibility problem with dual layer media

    I've created a dual layer DVD and there is a problem with compatibility from player to player.
    It plays fine in one of my DVD players but will not load in the other.
    The duplicators tested my master on 2 players and it loaded on both, but would lock up if a chapter was selected from the submenu.
    It has 4 tracks of content. 3 menus, and a bunch of chapter markers. The original build had stories (replaced with standard chapter markers) but I removed them hoping it would solve the problem.
    The imported video tracks were created with Compressor. MPEG-2 2 pass VBR max bit rate 7.5. AC3 audio tracks. 7.7 GB on disc.
    I'm already way over my deadline and ahve no idea what to do next other than maybe recompress so the disc is not so close to being maxed out.

    Thats just how compatible that media is... +R DL (double layer) & -R DL are not that compatible. Recordable media is less compatible that replicated discs but double and dual layer media can be 50% compatible at best (depending on your target market...)
    Good quality media, Verbatim +R DL for example burnt at slow speeds helps improve things,
    -Jake

  • Problems with adjustment layers in image

    I've been working with an image with about a half dozen layers. Some of these are Curves adjustment layers, I've also added a layer, using Soft Light mode, and then paint either in black or white to dodge and burn the image. At some point, when I started painting in this layer, or in the masks of the adjusment layers, instead of seeing my results in the image, I'm see red brush strokes being added to the image. It looks like the red you get when you toggle the "\" key and you're seeing what's in the layer and the masks in rubylith.
    Also, when I select a layer, it turns light gray, not blue, as with other images.
    What is wrong here?
    David

    Okay, I don't know what the problem was, but I fixed it by going into Channels, deleting the 'Mask' channel, then adding back a mask to the Curves adjustment layer.
    All is well, but I'm still curious as to what happened.
    d.

  • Problem: curve adjustment layer in cs4

    Ive upgraded to CS4 and I have found that the curves Adjustment layer runs slow and sticky and Its difficult to make fine adjustments. (the regular curves window works fine but you cant save it as an adjustment layer) I am running 10.5.6 on a 2x3 GHz Dual-core intel with 9gb of ram, a scratch disk of raid 0 with 500gb of freespace. This should not be a problem for my machine. is there a setting I am missing or is CS4 no good?

    I understand your annoyance about this. I didn't say it doesn't work, it does.
    "fine, critical moves that are intuitive and subtle" that's the problem with the new adjustments panel, it is more difficult to make these fine adjustments, still possible just less responsive. You can still bring up the old dialog.
    Did you do a search to find my explanation of how to use CS3 to create Actions that will bring up the modal dialog? I'm not going to take the time to explain it again, if you haven't done this. There is also a Configurator panel that John Knack posted has two buttons 'create new curve' and 'edit existing curve'. Configurator is a new app that Adobe have introduced. Read all the discussions so far on the forum.

  • Removing a portion of a layer with Adjustment Layer?

    My brain isn't working too well today. How would I go about removing a portion of a image using Adjustment Layers?
    I can't alter the opacity of layers below an Adjustment Layer using that Adjustment Layer can I?

    [I can't alter the opacity of layers below an Adjustment Layer using that Adjustment Layer can I?]
    Yes, if you apply AE's native "Transform" filter to the adjustment layer and keyframe the opacity.
    It's not really using an adjustment layer, but similarly you could also remove a portion of an image without directly editing that image layer by using asolid above it masked to the shape you need as a track matte ... or even with stencil/silhouette alpha blending modes.
    BTW, it makes me feel better to know I'm not the only one whose brain just flat out stops working at times and I have to go to the forums and ask how to do things I've done a million times. ;~)

  • Time effect problem with adjusment layer

    Hi,
    I made an adjustment layer above two footages. Everything is working (color, levels etc.) with that except time effects. When I drag twixtor to it the video turns to red. The original picture:
    The twixtored one:
    And when I use timewarp effect this happens:
    The lower side has crapped out and even my black and white color has been removed. Is it because of the size or fps or what else?
    (720p footages, 50 fps, I changed comp size, version is AE CS6 11.0.0.378)

    Pre-compose or render the comp that you want to speed up or slow down. Add a solid. Apply Twixtor to the solid. Use the pre-comp as the source and make the time changes you are planning.

  • Having problem with applying layer style "stroke" to group

    - Windows 8.1 / 64bit
    - i3-4150 / 4GB / Geforce GTX 750 TI
    - Photoshop CC 2014
    Hi!
    I don't know why, but there is some problem that applying layer style "stroke" to group.
    When i make a group with some layer and apply to group a layer style-stroke with inside option,
    the strokes looks like grid are generated inside.
    Why i said that stroke cross to ㅎrid, because it looks like grid if i make that group bigger.
    (that black square is 'Rectangle 1' layer. Just resizing bigger than before)
    Does anyone have same problem with me?
    Please, I need your help..

    pillfish wrote:
    I am having the same problem. it happens every time in cc and cc 2014. I am back using cs6. Which seems to run better on the whole.
    That's interesting. And this is happening with CC and CC 2014?  Do you have all the updates for the Photoshop CC versions?
    I've just tried to duplicate it without success, (windows 7, GTX570) so I wonder if there is a condition that triggers it?  Unfortunately, with this being such an old thread, the only person still around is R Kelly.
    OK, I just thought to try it on my Cintiq Companion 2, which has Windows 8.1 and Intel 5100, and the bug occurred. I actually got as far as firing up my Win 8.1 laptop before remembering that I had to sign out of CC to put it on my Cintiq, so I only have CS6 on it.
    Anyway....  looks like the bug is still there.  Are you using Win 8.1?

  • Problem with BMM layer warning messages.

    Hi,
    I have modelled with the following tables in BMM layer.
    Dimension tables: Regions,Countries,Departments, locations, Employees, jobs, job history
    Fact table: HR Facts (measured columns like salary, max salary, min salary, commission)
    The model is consistent with the following warnings:
    Logical dimension table REGIONS has a source REGIONS that does not join to any fact source.
    Logical dimension table DEPARTMENTS has a source DEPARTMENTS that does not join to any fact source.
    Logical dimension table COUNTRIES has a source COUNTRIES that does not join to any fact source.
    Logical dimension table LOCATIONS has a source LOCATIONS that does not join to any fact source.
    and also in the answers section (Presentation services) i could not able to view data, it's giving the following error (when i am trying to display REGION NAME field values)
    State: HY000. Code: 10058. [NQODBC] [SQL_STATE: HY000] [nQSError: 10058] A general error has occurred. [nQSError: 14026] Unable to navigate requested expression: REGIONS.REGION_NAME. Please fix the metadata consistency warnings. (HY000).
    I could not able to trace the problem where exactly is to be fixed.
    regards
    chandra kanth.

    Hi,
    Thanks for the information. Ideally that works out without any hierarchies. But the problem with which i was facing is somewhat different.
    Let me explain the problem scenario exactly:
    I have an employee, region tables in physical layer. Employee table has SALARY Column. Region table dont have any
    join with Employee table. In BMM layer i have created a fact table "HR Facts" and crated a logical fact column SALARY.
    The logical fact table source is Employee table. I have drag dropped Region table into BMM layer and joined with HR
    Facts table. While consistency check its given a warining message: Logical dimension table REGIONS has a source
    REGIONS that does not join to any fact source.
    What is the problem exaclty?
    regards
    chandra kanth.

  • Motion Tracking Problem

    Hi im am very new to After Effects Cs4 and i am trying to do some simple motion tracking on some of my videos. When i try to place my track points on a high contrast spot and the click anylize my track does not stay in place and just pounces around the video. I have tried everything to fix this but just cant figure it out. If any one can help please leave a responce.
    Thank You.

    In CS4 a version of Mocha AE is already included. I would prefer this, if the
    AE tracker fails on your shot.
    Here are some video tutorials to get startet:
    http://www.imagineersystems.com/videos?tagFilter=mocha+AE&sortBy=Newest
    Also, I highly recommend to use Mocha in combination with my MochaImport tool.

  • Changing skin tones with adjustment layer fails

    Hi,
    I am running PS CC 2014 and all I want to do is to adjust a skin tone to match it to the rest of the bodys skin color.
    I have watched some videos on YouTube but my PS doesnt seem to work that way and I wonder why.
    My workflow:
    Copy background layer.
    Quick select area of body where skin tone has to be changed
    (If necessary: improve selection)
    Now create adjustment layer with gradiation curve
    Select with double click midtone pipette and select one point of the "good skin tone" (also pressing CTRL at the same time when selecting it)
    Confirm with OK.
    Reject box which wants to take over skin tone as standard color.
    Click with pipette in the previously selected skin area which has to be changed.
    Instead of adjusting the color into a good skin color, this area turns into a strange orange color.
    All I can do now is to walk through the single RGB channels to makle adjustments and hope to get anywhere
    near the expected result.
    Where have I gone wrong ? Where does the orange color come from ?
    Any proposals how to get to a reasonable result ?
    Preferably with this workflow. But all other ideas are welcome, too.
    Thx.
    Arnold.

    For what it's worth: I have found that when sculptural modeling is involved, such as the in the hand, working with Curves in LAB (where tone is discrete from color) produces the color change more naturally and provides greater control over local contrast. You may want to consider that alternate approach. In this sample, the left forearm provided the reference color and I chose to lighten the tonal scale a bit.
    One off-topic comment: A shorter than normal focal length lens creates a foreshortening that makes near objects disproportionately large in relation to the rest of the object or scene. In this instance, consider its effect on the hand-head sizes. I would suggest that a focal length at least 1 1/2 times normal would be more appropriate.
    Good luck.

  • Multiple Video Tracks Problem with Back Button

    Hi,
    I am making a DVD that has to contain 16 films. Unfortunately the videos don't have the same aspect ratios, so I have to create one video track for each film.
    When the DVD is started they are supposed to play all in a row (no menus). So the end action for each track is to jump to the first chapter of the next track.
    My problem is that once I am playing, say, track 5, there is no way to get back to track 4 with the "back button" on the remote control.
    Do I have to script this? And if yes, how?

    That is exactly my problem. Chapter markers only work on the same track, for some reason you can't jump to a chapter in a different track. What I need is a solution to jump from a track to the previous one when pressing the back button on the remote.
    As I wrote before I can't use just one track for all films, because they have different aspect ratios.
    Message was edited by: schmiddl

Maybe you are looking for

  • Annoying: Mail app opens randomly after screen saver login

    Hi I have my security settings setup so that everytime my iMac goes into screen saver mode it asks for login password. Recently I have noticed that if I leave the computer unattended for a long period of time (a few hours) and come back, the mail app

  • Skype phone number- how to make it work?

    i am sitting in australias and got my mum in NZ to phone my NZ skype number with  09 xxx xxx4 and it just rang off to nuthing, i then rang from my mobile 0064 9 xxx xxx4 and it also rang off to no where can anyone tell my why it doesnt work, or why a

  • Exporting Still Image Sequence in Quicktime 10?

    I've been spoiled by the feast of 'export as' options in every quicktime I've used before, especially exporting as a still image sequence.  Just got a new macbook pro (os 10.7) that came loaded with quicktime 10, and now there are virtually no option

  • Minimum Browser/OS Requirements for Viewing iWeb '08 sites??

    Up until yesterday the only problem I'd seen viewing my site was a PC user who got a very small slideshow, about 1/3 the normal size. It was an entry level el cheapo laptop so I wrote it off to that. Yesterday I tried to show a friend my site and it

  • Render difficulty

    HI all I am having trouble with rendering a short HDV clip of 6 min, I rendered a shorter clip of 2 min OK but not 6 min or more. FCP Studio 2.0 fully updated. Frame size 1440 X 1080 compressor type HDV 1080i Video processing render all YUV material