Moving from RAW FILES on hp-ux to ASM on Linux

We need to migrate a 10g R2 Database from HP-UX raw files sitting on EMC Storage to ASM on a Linux machine.
How can that be done with minimal downtime since the endianess is different between the 2 O/S ?
Yoni

If you can; create a DiskGroup on the HP/UX system and let ASM move the files. If you can do it that way downtimeshould be zero.
Otherwise use RMAN.

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How to Create a OLAP Cube in DEV using SSAS from Raw file system backup from Production?

How to Create a OLAP Cube in DEV using SSAS from Raw file system backup from Production? I dont have a .abf file available. Two paritions in production are missing data. We were able to get back file system backup which contains the files for these two paritions.
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we are on SQL Server 2008R2.
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How to Create a OLAP Cube in DEV using SSAS from Raw file system backup from Production? I dont have a .abf file available. Two paritions in production are missing data. We were able to get back file system backup which contains the files for these two paritions.
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Printing from Raw files?

I have been trying to print directly from Aperture to an Epson 4000 using the adjusted RAW files (Canon 1DMK2). I have the files looking great on the screen, I choose the printer and all of the correct printer settings but the prints are totally blue. If I export the RAW files to jpegs, then bring those jpegs into Aperture and print them using the same print settings they print just fine. Likewise if I use Adobe Bridge to adjust the raw files, then have them printed thru Photoshop using Contact Sheet, they print fine. It's only when trying to print from the RAW files within Aperture that I have problems.
Does anyone have success printing from RAW files to a printer?

The most likely answer to this question lies in a bug
apparently introduced in Aperture 1.5.1. Supposedly
1.5.0 was OK in this respect.
Anyway, if you print RAW using a Contact sheet
profile, the colors are messed up. Any printer. Any
OS. Any camera.
Print that same picture in RAW using single photo on
a page and it will work fine.
Any other format besides RAW works fine in contact
sheets. Many of us are waiting for Apple to fix this
bug. In the meantime, you will indeed need to either
convert the picture to tiff or jpeg OR send it to
some other program to print (Photoshop, etc.)
Interestingly, if you hit print preview, a picture
will get created and loaded into Preview and it will
show you just how badly this is going to print.
Compare some RAWs in single and contact print
profiles to see how the same picture would be printed
very differently. (without wasting ink)
It looks like GeneTucc had it right. I got the latest update that was released today (December 11) and the contact sheets print much better. Still have a long ways to go, but that's just the normal color mgmt issues.

Moved my Raw files from Windows to MAC - did they automatically turned to JPEG???

Very new to the MAC!!! I just loaded Elements 6 for the MAC on my new Macbook Pro. I had
about 500 photos that I transferred from my old PC via USB drive to the Mac to Iphoto. They were shot RAW+JPEG. When I open them, it appears in Iphoto that I really have 2 jpegs - on my old PC I have two files per photo - A blue PSE and a Jpeg. What transferred to Iphoto is 2 JPEGS that are basically the same size as their Windows counterparts - 9 MB and 2 MB, respectively. They both have JPEG extensions and when I open the large one in PSE6, i get the regular PSE6 menu - not the RAW options for adjusting WB, temperature, histograph, tint, exposure, etc!!! Am I a complete Moron???? I think so!!! I was expecting to have this all work like my PC? Basically - what is going on, where are my raw files and converter and what do I need to do to work on raw files on the MAC?????? Thanks and I am really enjoying this computer. But getting the cross platform transfer from Adobe was a ***** (10-12 calls over 10 days - and cost $28! Thanks for any help

I knew you would come to the rescue, Barbara!!! And you are right! I do have CR2 files on the PC and I drag/drop them to the USB drive - where they stay CR2. It is in the importing to IPhoto that IPhoto turns them into JPEG (I notice when the CR2 file goes over, for a millisecond - the resolution of the thumbnail gets a little less sharp - so I guess that is what is happening). At any rate, when I just connected the USB drive and dragged the CR2 file to a folder on my MAC and opened it with PSE6 - all was perfect!!!! It opened with the RAW converter!!! - YOU are absolutely right! Iphoto doesn't know how to handle RAW. So, I guess that is how I will transfer over RAW files from my PC. BTW - in Image Capture - it was set to "no application". Should I keep it that way and just import files from my Canon 40D (which will come over from a card reader) to a temporary desktop folder? Thanks again!!!!

Crystal Reports Moved from one file server to another - very slow opening

Hello,
I am new here, and I am in need of a solution. If I am not in the correct forum, please advise.
Our crystal reports were moved from an old file server to a new file server. Once the old file server was shut down the reports opened very slow in Designer and in our 3rd party application. Our server team determined that the reports are still attempting to connect to the old file server. If the old file server is brought online or dns is changed to reflect another machine that it can make a connection to, it opens with no delay.
For some reason, not every report is affected. Most of the reports are Crystal 8.5, but I have some Crystal XI reports that do the same thing. I can't find any reference in the reports to any file server/location....
I need to resolve this issue on the Crystal 8.5 version due to the application that we are running.
Is there a way to fix this other than to recreate the reports (I have over 400 of them)?
Any assistance or advice is appreciated!
Thanks,
Nancy

Hi Nancy,
The server info still needs to be updated. Are you setting location for each subreport also?
Possibly this registry key will help, I only have CR 2008 installed so you'll have adjust for what ever you are using:
HKEY_CURRENT_USER\Software\Business Objects\Suite 12.0\Crystal Reports\DatabaseOptions - VerifyStoredProceduresOnFirstRefresh = No
and
VerifyStoredProceduresOnSetLocation = No
And
VerifyWhenDBDriverUpgraded = No
And
ViewOutOfPlaceSubreports = No
Close CR designer before making any changes. And the usual warning about modifying the registry.
Thank you
Don

Contact Sheet II from RAW files?

I'd like to be able to use the Contact Sheet II to make a print as early in the composite Workflow as I can, before opening the RAW images in ACR. Is it possible to make a Contact Sheet II while the images are still RAW files? From Bridge 6, they appear in PS 6 as Layers. I'd appreciate any help. Thanks.

PC users can install CS5 Contact Sheet II plugin into CS6 to get Picture Package back there are 64 bit and 32 bit versions for the PC. Mac users can not install CS5 Contact Sheet II plugin into CS6 for there is only a CS5 32 bit Contact Sheet II plugin for mac and there is only a 64 bit CS6 Photoshop for a mac.
http://forums.adobe.com/message/4575734#4575734
Mac users can use my Photo Collage Toolkit to get the function of Picture Package but it will be slower and use more resources. http://www.mouseprints.net/old/dpr/PhotoCollageToolkit.html
Paste Image Roll Script and Picture Package Support

Aperture incorrectly reading white balance data from RAW file?

I'm having some problems with both Aperture 1.1.2 and 1.5 importing RAW files from a Nikon D70 and a Canon G6. In both cases, Aperture is not reading the "as shot" white balance correctly.
With the G6, Aperture is always setting a fixed color temperature of 6016K, and a fixed tint of -15, regardless of the image in question. If I read the same image using Adobe Camera Raw, or Lightroom, then it I get the white balance value as set in the camera.
With the D70, it's picking up a different white balance value from the one set in the camera, always one far warmer than it should be, and with a green tint. Again, the Adobe tools get the right value out of the RAW file. With both cameras I have experimented with setting the white balance manually on the camera, and also with the "auto white balance" setting, but it makes no difference to Aperture.
Obviously I can change all of the values manually, but it's very time consuming, and in most cases the in-camera value is pretty close to what I need, so I'd much prefer Aperture to use it.
In any case, I'm worried about the discrepancy between Aperture and Camera Raw on something so basic.
Anybody got any ideas? I'm hoping I'm just doing something silly, as I have only been using Aperture for a couple of weeks, and maybe something is mis-configured.
Thanks
HG

In any case, I'm worried about the discrepancy
between Aperture and Camera Raw on something so
basic.
Sorry I can't help you directly with Aperture as I haven't bought it - yet. However, re-the above quote, I'd just mention that the interpretation of colour temperature values is not quite as simple as it might seem. Even more so when you bear in mind that RAW converters from 3rd parties like Adobe or Apple are not based on the RAW conversion engine produced by the camera manufacturer - in effect they have to guess/estimate what the temp/tint values in the RAW file actually mean...
Some time back I made a series of tests using 3 Canon cameras, with ACR, Capture One & the Canon RAW converter. Each produced noticeably different results, and C1 & ACR showed quite different temp/tint values. (The Canon software only showed 'As Shot' - no values). The differences were consistent between shots from each camera (using WB values input or AWB) - but they weren't consistent from one camera to another. Which program produced the best result depended very much on the Camera/Subject/Personal taste...
Hope someone can help with Aperture specific info, I'm sure there must be a way of making camera specific adjustments to the RAW conversions...

Aperture Exporting JPEG's from RAW: file size and quality questions?

Hey Everyone,
So, I'm using Aperture 2 and I've got some questions about exporting from RAW to JPEG. I shoot with a Nikon D70 so original RAW files are 5-6mb in size. After doing some basic post processing when I export the pics at "full size" with picture quality of 11 out of 12 then the resulting JPEG is about half the file size of the original RAW file. For example a 5.6mb RAW becomes a 2.6mb JPEG. The resolution in pixels per inch and and the overall image size remain unchanged. Have I lost picture quality due to the exporting JPEG being smaller in file size?
My friend who works with me prefers to edit in Photoshop and when he follows the same workflow his saved JPEG from the identical RAW file in Photoshop is minimally smaller in file size, say 5.6mb to 5.3mb. He's telling me that my Aperture edited photos are losing quality and resolution.
Is he right, are my pics of lesser quality due to being a smaller file size? I've always been told that the quality of a picture is not in the mbs, but the pixel density.
I've bee told that Aperture has a better compression engine and that the resulting files are of the exact same quality because the PPI and image size are the same. Is that what explains the much smaller file sizes in Aperture?
I tried changing the picture quality in the export menu to 12 out of 12, but the resulting JPEG then becomes larger than the original RAW at over 7mbs.
Can someone please help me understand this better? I don't want to lose picture quality if that is indeed what is happening.
Thanks in advance for your help.

mscriv wrote:
So, I'm using Aperture 2 and I've got some questions about exporting from RAW to JPEG. I shoot with a Nikon D70 so original RAW files are 5-6mb in size. After doing some basic post processing when I export the pics at "full size" with picture quality of 11 out of 12 then the resulting JPEG is about half the file size of the original RAW file. For example a 5.6mb RAW becomes a 2.6mb JPEG. The resolution in pixels per inch and and the overall image size remain unchanged. Have I lost picture quality due to the exporting JPEG being smaller in file size?
JPEG is a "lossy" file compression algorithm. Whether Aperture or PS, *every time a JPEG is saved some loss occurs*, albeit minimal at the 11 or 12 level of save, huge losses at low save levels. Some images (sky, straight diagonal lines, etc.) are more vulnerable to showing visible jpeg artifacts.
My friend who works with me prefers to edit in Photoshop and when he follows the same workflow his saved JPEG from the identical RAW file in Photoshop is minimally smaller in file size, say 5.6mb to 5.3mb. He's telling me that my Aperture edited photos are losing quality and resolution.
*Both of you are losing image data when you save to jpeg.* IMO the differences between the apps is probably just how the apps work rather than actually losing significantly more data. The real image data loss is in using JPEG at all!
Is he right, are my pics of lesser quality due to being a smaller file size?
I doubt it.
I've always been told that the quality of a picture is not in the mbs, but the pixel density.
The issue here is not how many pixels (because you are not varying that) but how much data each pixel contains. In this case once you avoid lossy JPEG the quality mostly has to do with different RAW conversion algorithms. Apple and Adobe both guess what Nikon is up to with the proprietary RAW NEF files and the results are different from ACR to Apple to Nikon. For my D2x pix I like Nikon's conversions the best (but Nikon software is hard to use), Aperture second and Adobe ACR (what Photoshop/Bridge uses) third. I 98% use Aperture.
I tried changing the picture quality in the export menu to 12 out of 12, but the resulting JPEG then becomes larger than the original RAW at over 7mbs. Can someone please help me understand this better? I don't want to lose picture quality if that is indeed what is happening.
JPEG is a useful format but lossy. Only use it as a _last step_ when you must save files size for some reason and are willing to accept the by-definition loss of image data to obtain smaller files (such as for web work or other on-screen viewing). Otherwise (especially for printing) save as TIFF or PSD which are non-lossy file types, but larger.
As to the Aperture vs. ACR argument, RAW-convert the same original both ways, save as TIFF and see if your eyes/brain significantly prefer one over the other. Nikon, Canon etc. keep proprietary original image capture data algorithms secret and each individual camera's RAW conversion is different.
HTH
-Allen

Saving tiff from Raw file is very slow (10 min) CS6?

MY OS is 10.7 and using CS 6, Raw 8.3.0 . I am having difficulty saving files from my RAW file, it is now taking up to 10 min just to do a simple save in photoshop. I have 32 GB of Ram and 2700GB on an internal scratch disk. The process of saving will stop at about 50% then stall and at about 8-10 min the file will save as a tiff. What is going on, this just started in the past week?
I reinstalled all programs and OS and updated CS6

anmacka wrote:
MY OS is 10.7 and using CS 6, Raw 8.3.0 . I am having difficulty saving files from my RAW file, it is now taking up to 10 min just to do a simple save in photoshop. I have 32 GB of Ram and 2700GB on an internal scratch disk. The process of saving will stop at about 50% then stall and at about 8-10 min the file will save as a tiff. What is going on, this just started in the past week?
I reinstalled all programs and OS and updated CS6
Whenever I begin to experience a slow-down in my system (Mac OS) I launch "Activity Monitor" which shows me where all my CPU and RAM resources are being allocated and how much. This is where I will usually find the resource hog. There is probably an equivalent system utility for Windows OS.
The next thing I would check (often alluded to by the resource allocation check above) is what programs are being automatically loaded at launch -- your Start-Up list. For a Mac this can be found in the User info. I believe Windows also has this list, maybe somewhere in the Control Panel.
Next, I will do as R_Kelly suggests and replace my preferences files for both Photoshop and Bridge. I have a good copy of each file saved where I can reload it when necessary.
Last I will do a diagnostic hardware test, available on Mac OS by accessing the recovery disk. Not sure about Windows, probably in System Accessories folder or in the Control Panel. Once I discovered I had a bad stick of RAM memory that was slowing things down and even causing Photoshop to crash. Also check to see if your Scratch Disk is clean and defragmented. I re-formated my Scratch Disk once and that cleared up a problem I was having with Photoshop.

ACR and Stitching From RAW Files

I see something peculiar happening on recent stitches.
I have say, three frames to stitch from RAW. One frames a little overexposed, so I open in ACR, drop the exposure to compensate and save. Then I open all three frames in Photoshop>Merge as RAW files. When the adjusted frame shows up, the adjustment is ignored.
I can fix this by opening the other two and do a very slight change to them, save, then all three show up as expected, the bright one matching the other two close enough to get a uniform stitch.
Now I am doing this as a quick test of the stitch, to see if I really am interested, and if so, I go back and open all three in ACR and make the corrections. After doing all three, I can uncouple the bright one and tweak its exposure, then save and stitch, no problem.
Is this normal?

I am selecting the images after making the raw adjustments in Bridge and selecting Photomerge under the Tools.
I haven't experienced this either until now. The difference is that Iwould always select the images and open in ACR first, and run the corrections synchronized. Occasionally, one would be off enough to require special tweaking so after the synch corrections, I would select it, correct it then click Done. Getting a bit lazy, especially with many panos waiting, I do a quick test and in this case, only one of the three needed tweaking. Running Merge as above ignored the tweak.
Try it yourself. Pick some images to merge that have not been through RAW, and tweak one only in ACR. Click Done then Photomerge from Bridge under Tools.
I've done this twice now, after exiting Bridge and Photoshop first.
Make that three times
Message was edited by: Hudechrome

Clonning from RAW file system to Coocked using RMAN ..Possible ?

One of our customer wants(For a project) to migrate their 9.2.0 database from one machine to another using a physical standby. Their current production machine uses RAW files for the Oracle datafiles. On the new machine (what will originally be the physical standby) they want to use filesystems (eg cooked files).
The process (very basically) will be :
1. backup production
2. restore production to new server
3. establish physical standby
4. switchover/failover to standby
5. Former standby is now production
The question is, assuming that the backups are being taken with RMAN, is it possible to restore the datafiles to cooked filesystems (given the original backups were taken from raw)? Are there any additional steps or gotchas we have to watch out for when doing this? Do you have any documentation which details how to clone a database in this way?
Regards
Manoj

he question is, assuming that the backups are being
taken with RMAN, is it possible to restore the
datafiles to cooked filesystems (given the original
backups were taken from raw)? Are there any
additional steps or gotchas we have to watch out for
when doing this? Do you have any documentation which
details how to clone a database in this way?Yes, it is possible. and infact this one advantage of using RMAN. RAW or cooked filesystems makes no difference to RMAN.
As far as I know , no additional steps are needed ( except common step to define new loaction).
Virag

Problems with prints from RAW files

I wonder if someone could shed some light on this problem. I uploaded some photos to Kodak through iPhoto, some were JPEG's from my old Canon Powershot and some were RAW files from my new Nikon D40. The images on my monitor from the RAW files from the D40 were great with very vivid colors and I was looking forward to my first prints from the D40. When I received the prints the photos from the old Power shot looked good but the D40 looked terrible. The prints were all washed out and very dull, the strange thing was that there was one photo that was taken with the D40 which was edited and that came out as a good print and seemed to be a JPEG. I guess its something to do with the upload of RAW files, should I be shooting in JPEG ?. I thought that iPhoto uploaded JPEG's
Thank you in advance

Printed RAW files will always look unsaturated or "dull" until processed and saved as a jpeg or tiff files. Think of RAW/NEF as a means of preserving ALL the available information to later "develop" a final image to be saved as tiff or jpeg for publication. Shooting in Large Fine JPEG mode will yield great results for print and web publishing, and also leave more room on your memory card and computer drive to make more great photos
Nikon D70 & D200; TiBook 1Ghz; MacBook 2Ghz; Dual 1.8Ghz PowerMac G5; 20" Cinema Display Mac OS X (10.3.9) additional 300 GB internal; 160GB and 300GB externals; 10GB, 40GB, 60GB iPods

Highlights disappear from RAW files

I have a bunch of raw photos that I took from a dinner party. When I use Adobe Bridge (Windows Vista 64)to view them, the raw files look great. If I double click to open one in camera raw and then make no changes at all, just click to save it as a jpeg with the highest quality, the catchlights in people's eyes and any sparkles on jewelry nearly disappear. Do I have something set wrong? I know you lose detail going from raw to jpg, but it should not lose this much. The catchlights nearly fade out completely.
Thanks for any advice.
Jean

Hello,
Thanks for responding. I hardly ever accept the default ACR settings. My problem was that I was NOT making any changes to the RAW file. All I wanted to do was to convert it to a jpg. I think my problem was with Adobe Bridge, though, because once I opened it up in Photoshop, it looked much better, even though it looked horrible in Bridge.
In fact, now Bridge is giving me a different problem. After I save a file as a jpg, it shows up in my Bridge browser. If I click to view it in bridge, the bottom half is completely obliterated with horizonal colored bands. (Looks like the graphics card dying, except it's only in Bridge.)Only random files this happens with. If I open that same file in any other program, it's fine. Aargh!
Jean

Why does my PS work better than my Lightroom 5 exporting jpegs from raw files?

So,
I'm editing some raw files with Lightroom 5
but when I export the jpg file, the result is terrible, it looks washed out, loses contrast, noise levels are higher than the edited file on suite
However, if I do the same thing using camera raw through PsCS6, the exported jpg is perfect. Any reason for that to happen?
've been reading a lot about color spaces, and I don't think is the case, since the same doesn't happen with photoshop.
Also, it might be worth mentioning I'm exporting B&W images
Thanks!

ok
just to illustrate the problem a little better, here's the actual difference
this is what I have in Lightroom after editing:
and here's what I get after exporting

Cannot save JPEG file from RAW file edit.

After editing NEF raw file 8 bit channel in Elements 9 > open image> edit again> save as JPEG maximium> OK. Then end up with broken file image in organiser. Will save as a PDF file. Edited JPEG's saved. Previous edited NEF files (sucessfuly saved as JPEG) will not save as JPEG this time. OS MAC 10.6.8. Do I need to re-enstall? Dread the thought of re organising thousands of images even when tagged.

When you click on the open image button in the Camera Raw dialog make sure the dropdown menu doesn’t show 16 bit. If it does change to 8 bit and then click open image. You can only save jpeg in 8 bit mode.

Moving from RAW FILES on hp-ux to ASM on Linux

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