Moving timelines from Premiere Pro to Encore?

The only options that seem to work in my Premiere Pro/Encore version CS3 are to export from Pro using "export to Encore" . However, once I do this I am left with a bunch of ncor files that I have not been able to consolidate into one project. Nor can I import it as a whole then razor it into parts in Encore so that I can create separate timelines in order to create menu links for my DVD. I have tried to save or convert the Pro timelines into wmv files with no luck. Mac users don't seem to have these problems. I am using a muscular PowerSpec PC with plenty of memory run by Windows Vista which is an awful operating system because it freezes periodically requiring me to start over. I am not sure that any of these other problems can be attributed to Vista. Encore seems to be an especially inflexible program. I assume I just don't know how to use the software well.

You have that option, but it's a multi-part process, as Jim mentions. In PrPro, just Export as a DVD-compliant MPEG-2 Video-only file. Do the same for the Audio, as either a PCM/WAV, or DD AC3, Audio-only file.
Then, in Encore, Import the MPEG as a Timeline, and the Audio-only file as an Asset. From the Project Panel in Encore, just drag the Audio file to the appropriate Timeline, where it will snap into place.
One can also Export from PrPro as a DV-AVI, Video-only, Import that into Encore as a Timeline, and let Encore Transcode that on Automatic.
Good luck,
Hunt

Similar Messages

Can't exort from Premiere pro to Encore CS3 with Dynamic Link

Hi,
I have finnished a projekt in Premiere Pro CS3 and when I want to export it to Encore with danamic link I don't have this option in the menu. I only have the option to use dynamic link to After effect.
I have Production Premiem and use Vista 32 bit.
I'm thankfull for any help
/Chris

No I have the same option as i Premiere, to import from After effects.
I have searched several forums and never heard anyone having this problem.
Chris

Change encore timeline from premiere pro cs5 via dynamic link?

I'm sure this has been covered before, but I can't find
anything on dynamic link in this forum.
I created my video in encore, and exported the sequence to encore via dynamic link.
I then created all my menus etc. in Encore, after which I noticed a couple of glitches I wanted to change, so I went back to premiere and edited the changes.
How do I get encore to pick up on these changes? It didn't happen automatically as I had hoped, and I don't want to have to recreate my menu structure again in Encore.
So, basically, how do I make a change in Premiere, and have it reflected in my Encore project without creating a new project?
thanks,
Andy

I have a similar problem:
I created a project in PremPro CS5, then used Adobe Dynamic Link which loaded into Encore
where I created menus then saved off both PremPro and Encore.
Today I opened each to make add some titles in PremPro, however, Dyn Link did not send them to Encore
as I assumed it would. How do I get link to do what I have been lead to believe it will do, that is, carry
over changes from PremPro to Encore?
(I tried "Revert to Original" botton suggestion but Encore does not give me this option.
Seems like a strange suggestion since I want to update not revert.)
Details would be helpful.
Thx

Quality reduction from Premiere Pro to Encore DVD

I have 3 videos exported as mpgs from PPro that are 4GB, 1GB, 1GB. I was happy with the overall quality of those files. But when I imported them into Encore and burned a DVD, they only took up ~750MB of space on the disk. The quality of the DVD output was not nearly as crisp as the exported mpegs.
How can I get the best quality DVD output from my videos to transfer to Encore?
Thanks in advance
Ray

Export from PPro as AVI, with settings appropriate to your area... NTSC or PAL
I second John's recommendation. That is my workflow.
My guess would be that your MPEG-2 Exports are not 100% DVD-compliant, or that the Export settings could be improved upon.
Good luck,
Hunt

Exporting from Premiere Pro CS4 using Media Encoder gets stop error

I am trying to export my timeline from Premiere Pro CS4, using the Adobe Media Encoder CS4 to export my timeline as an MPEG2 HDTV 1080 24, and it goes for about fifteen minutes then I get the blue screen and my computer restarts, telling me the program had a stop error. Is there a way to go around this step? Another method to get the mpeg2 without losing quality? Anything I can do?
Please offer any knowledge you have before I scream at my computer again.
Thank you

as I know Adobe products are buggy no matter what hardware you have.
I am sorry, but my experience has been the absolute opposite of what you have heard, or experienced. I have used many, many Adobe programs for almost 2 decades (maybe even more than 2 decades?), and have never observed such. I do have to admit that over those many years, I have always had a "state of the art" computer, but have made plenty of $ using Adobe software. Even with my now aging workstation, things work great. Time to upgrade though.
When troubleshooting issues, they shake out like this:
1.) system
2.) Assets
3.) Project
4.) OE
5.) Bugs
This is after troubleshooting Adobe issues from almost the time that PS hit the PC, when they were only NNTP, in what, 1985?
Now, I am not saying that your issue IS hardware, but only that that is the most likely issue, given a BSOD. Also, system is the #1 cause of issues, so that is where I start.
Good luck,
Hunt

Audio not transferring to Encore from Premiere Pro CS6

I'm trying to export a sequence through the Adobe Dynamic Link from Premiere Pro CS6 to Encore and the audio is not transferring with video. The video is 30 minutes long with multiple video and audio tracks. The video came through fine, but no audio track. However, I also brought a timeline into the project that was less than 3 minutes and the audio track came with it. Any suggestions/help much appreciated! Thank you!

Yes--that is correct. Audio track in Premiere but no audio track present in Encore. I believe the audio format in Premiere is Stereo. It is HD footage shot on a C-100 camera. The sound was recorded into the camera and all brought in together. I did end up doing the work around that was suggested and just exported an MPEG2-DVD and pulled the audio in manually. But, would love to try to figure out how to make it work directly using Adobe Dynamic Link. Any suggestions are greatly appreciated!

Burning DVD from premiere pro timeline

Is it possible to burn a project from premiere pro timeline directly to DVD without encore?
thanks
arikw

>trying to get as much info as possible.
Here Tutorials
http://forums.adobe.com/thread/913334
http://forums.adobe.com/thread/845731?tstart=0
-and http://forums.adobe.com/message/3234794
A "crash course" http://forums.adobe.com/thread/761834?tstart=0
A Video Primer for Premiere http://forums.adobe.com/thread/498251?tstart=0
Premiere Tutorials http://forums.adobe.com/thread/424009
CS5 Premiere Pro Tutorials http://forums.adobe.com/message/2738611
And http://blogs.adobe.com/premiereprotraining/2010/06/video_tutorials_didacticiels_t.html
And http://blogs.adobe.com/premiereprotraining/2010/06/how_to_search_for_premiere_pro.html
CS5 Tutorials http://bellunevideo.com/tutlist.php
PPro Wiki http://premierepro.wikia.com/wiki/Adobe_Premiere_Pro_Wiki
Tutorial http://www.tutorialized.com/tutorials/Premiere/1
Tutorial http://www.dvxuser.com/V6/forumdisplay.php?f=21
Tutorial HD to SD w/CS4 http://bellunevideo.com/tutorials/CS4_HD2SD/CS4_HD2SD.html
Premiere Pro Wiki http://premierepro.wikia.com/wiki/Main_Page
Exporting to DVD http://help.adobe.com/en_US/premierepro/cs/using/WS3E252E59-6BE5-4668-A12E-4ED0348C3FDBa.h tml
And http://help.adobe.com/en_US/premierepro/cs/using/WSCDE15B03-1236-483f-BBD4-263E77B445B9.ht ml
Color correction http://forums.adobe.com/thread/892861?tstart=0
Photo Scaling for Video http://forums.adobe.com/thread/450798?tstart=0
-Too Large = Crash http://forums.adobe.com/thread/879967?tstart=0
After Effects Tutorials http://www.videocopilot.net/
Authoring http://www.videocopilot.net/tutorials/dvd_authoring/
Encore Tutorial http://www.precomposed.com/blog/2009/05/encore-tutorial/
And more Encore http://library.creativecow.net/articles/devis_andrew/
Surround Sound http://forums.adobe.com/thread/517372
CS5 User Guides - online and PDF (right click PDF link to save PDF to your hard drive)
http://blogs.adobe.com/premiereprotraining/2010/08/help-documents-for-creative-suite-5-pdf -and-html.html
Run as Administrator http://forums.adobe.com/thread/771202?tstart=0

Encore CS6 crashes when importing from Premiere Pro CS6

When sending a project to Encore as a Dynamic Link from Premiere Pro, Encore hangs then a message pops up that it has stopped responding then closes. How do we get this to work?
The computer has an Intel Core i7 processor, 16GB of RAM and is running Windows 7 Pro x64 with Service Pack 1. Adobe CS6 Master Collection is installed. The computer is joined to a Windows Server 2012 domain and the user of the machine has local administrator rights.
The Adobe suite has been uninstalled and re-installed multiple times without success. Sometimes after re-installing, sending a Dynamic Link to Encore will import as expected once, but then after restarting the computer, the problem will occur again. This has been tried with and without installing any Adobe updates. The system has also been wiped and had Windows and all software clean installed on it again which has not resolved the problem.

More below... may not help, but does say that the programs are not designed to work on a network, and may not
Some? versions of Premiere do not work properly, if at all, over a network
-see messages #1 and #3 in http://forums.adobe.com/thread/771151
-you MUST give all users administrator accounts to use Premiere
-and especially Encore dual layer http://forums.adobe.com/thread/969395
-a work around, of sorts http://forums.adobe.com/thread/957523
-and not on a "domain" http://forums.adobe.com/thread/858977
-http://helpx.adobe.com/premiere-pro/kb/networks-removable-media-dva.html

If I select a clip on my Timeline in Premiere Pro cs6, everything to the right of it is also selected. What can I change in my settings to prevent this from happening?

If I select a clip on my Timeline in Premiere Pro CS6, everything to the right of it is also selected. What can I change in my settings to prevent this from happening?

Most browser have a addblocker or addblocker plus.
Safari>Extensons
Firefox is a add-on. Firefox>Tools>Add-On

Problems rendering and exporting from Premiere Pro, Encore CS 6

I am having a problem with Premiere Pro and Encore CS6 . In Premiere Pro, my preview files do not get saved and I need to re-render each time I open the project. When the project opens it shows mainly red bars separated by blank (uncoloured) space. I am currently attempting to re-render this project, and it is stuck at 0.01%. In Encore, when I open my project I get the message The transcoded Dynamic Link asset _______ has changed on the server. Would you like to reimport it? I select yes, but am unable to preview the project, probably because it is unrendered in Premiere. When I attempt to build a DVD the building initiates and then freezes. I have the project set up correctly and no issues come up when i go through 'check project'. I've searched forums for solutions to these problems, but haven't been able to resolve the issues. please help! My computer is an IBM ThinkPad LENOVO W510 with 16GB RAM. The premiere project is linked to After Effects compositions

Hi Else,
Footage is encoded ONCE. Since the "MPEG-2 for DVD" file that you create in AME is DVD-legal, when you import into Encore, you will see next to it "Don't Transcode", it just uses the file as is. The .wav audio will be transcoded to Dolby AC-3 automatically when you build the disc in Encore.
So in AME, for Format, choose "MPEG-2 DVD", then choose a Preset to match your footage type, such as "NTSC Widescreen High Quality". Under VIDEO tab, you can adjust the data rate. For a short program, just choose CBR (Constant Bit Rate) and a setting of 7 or 8. Nothing else to touch in there, just choose a filename and destination and encode. Will create .m2v video and .wav audio clips. In Encore, use Import > As Tineline" and select both clips.
If source project is HD, then at bottom of encoder window, select "Max Render Quality", as this helps with downscaling quality.
If you say what the source sequence settings are I can be more specific on output settings.
Thanks
Jeff

Audio and video not synchronized when exporting from Premiere Pro CS6

Hi
We have made a project in Adobe Premiere Pro CS6 that´s intended to be exported to DVD (it´s a weeding). We are working with NTSC DV Widescreen. The exporting is 720x480
We have 2 audio lines activated and sounding on this project.
The question is:
When exporting the entire video (the entire timeline sequece) using Adobe Media Encoder to formats like H.264 (NTSC DV Widescreen)... Quick Tile Movie or AVI without compression (we tested these formats) the 2 audio channels get unsynchronized from the video. The same problem occurs if we get a direct link of the timeline from Premiere to Encore.
And Inside Premiere Preview audio is preety correct.
Does anyone here are getting such problem?
Also..can I ask another question (as I´m not expert on video production)?. What´s the best format for our purpose? Export a video to be played to DVD (we record weedings, birthdays..social events). No problem the time to export. We´d like the best quality for output.
Thank you for the help
Gustavo.

Hi John and techkid123
We have 4 cameras here. 1 is Sony model HD1000 (since it works with Mini-DV cassete we need to capture the image via Firewire). 2 cameras are Sony HD2000 (it generates *.MPEG files if I remember well). And 1 camera is a Panasonic AG-DVC7 (it generates *.MTS files)
We start a new project using the Standard NTSC Widescreen 48Khz format. When we drag to the timeline for example the MTS file...Premiere ask us if we want to Keep and Change timeline to suit the file specification. Anyway we always have 1 or 2 camera files that has a yellow line over timeline.
But I renders correct...no problem to edit...and we had no problem with Premiere CS5.5 :/
We are downloading the latest update of Premiere. I´ll make some test and publish here if the problem persist.
Thank you a lot for the help
Gustavo.

Is there a way to set a default "Source Range" in AME when exporting from Premiere Pro CC?

When exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. Good luck spotting that little guy on a long timeline. Sadly, this affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
So my question again...is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
Thank you!

shooternz wrote:
Here is the solution: Slow down. Give your project some love. Smell the roses.
Agreed about the roses but alas my next project always calls. Actually, I think what happens is I give each project SO much love that when it comes to exporting, I've run out of time.
shooternz wrote:
Then it would not be a default...it would be an option and you already have that option.
Semantics aside, I would love to be able to have it at least default to whatever option was last chosen. Or, perhaps I shouldn't use the word default again...I'd love it to simply remember my preferred setting. That's all.

Why cant I install Adobe Premiere Pro CS4/Encore ?

So a while ago , my encoder for PP stopped working, so I uninstalled everything today, and I re-downloaded the Premiere Pro trial version - but when I install it , after about 3 min it says that it couldnt install Adobe Premiere Pro CS4 & Encore.
when I press the more information botton it shows me a pop-up with this text:
Adobe OnLocation CS4
Fel:
Error 1603. Ett allvarligt fel inträffade under installationen.
Adobe Premiere Pro CS4
Fel:
Error 1603. Ett allvarligt fel inträffade under installationen.
Adobe Dynamiclink Support
Fel:
Error 2.
Adobe Extension Manager CS4
Fel:
Error 2.
Adobe Media Encoder CS4
Fel:
Error 1603. Ett allvarligt fel inträffade under installationen.
Adobe Media Encoder CS4 Additional Exporter
Fel:
Error 2.
Adobe Output Module
Fel:
Error 2.
Photoshop Camera Raw
Fel:
Error 2.
whats wrong?

I'm not sure that I am getting everything from your post.
my encoder for PP stopped working, so I uninstalled everything today, and I re-downloaded the Premiere Pro trial version - but when I install it , after about 3 min it says that it couldnt install Adobe Premiere Pro CS4 & Encore.
Did you have the full-paid version originally, or the "trial?"
If you had the full-paid version, why did you download the trial?
If you had the trial, it does stop working after a period of time - it is limited that way. If you had the trial, you can never install another trial on that machine. It's a one-time deal.
If you did have the trial, you will want to not only uninstall it, but also run the Adobe CS4 CleanScript a few times, before you attempt to install the full-paid version, or you WILL have problems.
Let us know exactly what you had, and what you wish to do now, and someone can help you.
Good luck,
Hunt

Pushing and pulling from Premiere Pro CS 5

Hi,
Recently, I came across a problem and I was wondering if you could confirm this is a limitation within Production Premium CS 5 or whether I am doing something incorrectly?
If I render a sequence within Premiere Pro and push it to Encore via Adobe Dynamic Link, the rendered sequence correctly shows its rendering within Encore. However, if I render my sequence, save, and exit from Premiere Pro and then start Encore and pull the sequence from Premiere Pro via the Adobe Dynamic Link, I don't necessarily keep the rendering. I know that this has happened when using a 64-bit plugin from a third-party. The sequence shows with a watermark as if it had never been registered. The problem further manifests itself by, when I restart Premiere Pro, while the rendering looks intact, if I click on the third-party plugin as if to modify it, it won't let me make changes until I delete the already rendered sequence. It seems like somehow, the sequence has become corrupted.
Any thoughts - is this a known problem? Has this been addressed with CS 5.5? Are there plans for this to be addressed? Is there a workaround?
Thanks,
Steve

JSS1138 wrote:
The pros are faster encodes with superior quality. I use the free HC Encoder for MPEGs. You'll also need Avisynth to use it. The process is somewhat cumbersome, but if you have the time and want the quality, it's noticeably better, in my opinion.
To add to this, I've been producing commercial blu-rays using the free x264 encoder. The quality is unmatched by any commercial encoder, however there are some features absent that some commercial producers need (such as the ability to directly place I-frames, re-encode a section of GOPs with different bitrate targets, etc. which commercial encoders like CineVision can provide). If you don't have any need for those, x264 is the way to go. As quality is more important to me than bitrate, I use the single-pass constant ratefactor "--crf" mode with something better than the default, like 18 or 16, and it has never let me down.
Just be prepared to wait a while if you have a longform project. x264 is very fast, taking advantage of multi-core machines, but it cannot utilize the GPU/CUDA for encoding. A 3.5 hour 720p60 project (over 750,000 individual frames) at maximum quality takes a full 24 hours to encode on a 3.2GHz core i7, with all hardware threads at 100% (so make sure your machine is stable if it is overclocked!).

Exporting from Premiere Pro in .mov format

How can I export a video from Premiere Pro CC in .mov format suitable for posting on the Amazon bookselling site?

What version of Quicktime do you have installed... and are you Windows or Mac?
The PPro/Encore tutorial list in message #3 http://forums.adobe.com/message/2276578 may also help, with a link to the user guide PDF for easy searching

Moving timelines from Premiere Pro to Encore?

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