Mpeg streamclip avi to mov conversion settings for Final Cut Pro

Some help please.
I have just started to attempt to edit some avi files on the latest FCP, and for one reason or another, I'm having trouble converting the AVI files to MOV files in Streamlip, I have tried quite a few variations, but with very little joy. When i try to import a recently created MOV file into my FCP project, it either has no audio or both video and audio need rendering once placed on the timeline.
When I try to play the created MOV on QuickTime, again, there is no sound.
I was just wondering if someone would be kind enough to tell me the exact Streamclip AVI -> MOV settings they have used to combat this problem, or simply just tell me where I'm going wrong.
Hugely appreciated.

Hi again,
I have spent the last few hours trying all different types of variations of conversion, but with no lukc.
Thanks for the tutorial link, but the problem isn't that I don't understand how to use Streamclip. i just don't know which video and audio settings to use to create a .MOV file that will provide me with audio. This seems to be my major problem so far. Audio isn't even present when I view the .MOV clip in quicktime.
I have tried DV - PAL, H.264, Apple Motion Jpeg A, Apple DVCPRO - PAL etc etc, none with any success. It may be the way I'm trying to compress the audio, but I'm pretty sure that I've now tried everything!
I simply need to know a good conversion and compression setting that will at the very least allow me to play the video with audio in QT. once I have that, I don't mind rendering the audio in FCP as it takes no time at all to do.
Cheers!

Similar Messages

Problems with Canon EOS MOVIE Plugin-E1 for Final Cut Pro

After about two weeks of using the Canon EOS MOVIE Plugin-E1 for Final Cut Pro, I've found some clips are cut short when they are transcoded to Prores and appear in the browser. Has anyone else had this happen?

Yes, just started using this and noticed pretty soon afterwards. Seems to happen when I start clicking around or doing anything that uses the processor more than just surfing the web, but that's just anecdotal. I immediately stopped and started using MPEG Streamclip, but I really want the timecode.
Most recently, I had Log and Transfer open, transcoding some 7D footage, and a few of the clips didn't come in—they were left with the red stop-sign symbol/exclamation point. When I clicked to "retry," it stopped importing the current clip and started on the clip I retried. I clicked "retry" on another unimported clip, and again, the clip import stopped and the new clip began processing. I let it go through and, after the checking the footage, I discovered it had been incorrectly named the first clip's filename! Needless to say, I hand-checked every file to make sure it was the right duration (a few weren't), deleted the files from the Capture Scratch folder, and reimported—making sure I didn't touch the computer.
I hope they fix this bug, whatever it is.
BTW, I've experienced it on two separate Mac Pros.

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

EOS MOVIE Plugin-E1 for Final Cut Pro Plug in not working?

Can anyone tell me the proper procedure for installing a plug in to FCP? Ive tried installing the above plug in, but when i goto log and transfer no thumbnails come up and nothing transfers?? Am i installing the plugin wrong, or is there an issue with the plug in??

This guy is having the same problem:
http://discussions.apple.com/thread.jspa?threadID=2491897&tstart=0

New Canon EOS Movie Plug-in-E1 for Final Cut Pro

Just thought your would like to know. From canonrumors.com
http://www.canonrumors.com/2011/04/canon-updates-e1-plugin-for-fcp/
Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.

And I just spent over an hour yesterday explaining to a client how utterly essential it was to maintain the exact folder structure for proper log & transfer:/
If I say that once a day to students, I say it a thousand times.
On top of that I just started Carbon Copy Clone today with all my updates in my editing lab. Not the end of the world but it's a little time consuming on 80 stations. Oh well.

Following Media Files Are Not Optimized For Final Cut Pro

I'm sure you've seen this before and I've tried to search for a thread on it here and fell asleep, so sorry if this is a repeat.
I have edited projects in Premiere Pro (on my PC) and I have tried to transfer them in FCP. It worked with the exception of two things:
1. the error message, "Following Media Files Are Not Optimized For Final Cut Pro"
2. the quality *****! watching it on the playback in FCP it looks great, but then when I burn it to Disc it's pixelated in spots and generally has a lower quality picture.
I know that it's Standard Def. and can't expect the best, but I've done it before (once or twice) and it didn't seem this bad.
Can someone suggest anything to help the quality? Should I run my AVIs through MPEG Steamclip to make it a QT file and if so what is the best format in that since there are many to choose from and most I'm not familiar with?
Thank you,
Crayton

I did compress them to DV NTSC then burned it to DVD and the result was no bueno.
I thought what I would do is try compressing them again before I send them on over to DVDSPRO. Here is a simplified break down of the situation:
- I have edited the raw footage in Premiere Pro on my PC. They were recorded and captured as SD.
- I rendered them in Premiere, then transfered the rendered AVI file to FCP.
- When went to place the files in FCP, I received the warning message; "Following Media Files Are Not Optimized For Final Cut Pro" but I went forward anyways and it allowed me to do so.
- Originally I went ahead and compressed them from FCP to QT Movie as a DV NTSC, which ended up poorly.
- Therefore my question is, should I compress them using another file type (other then DV NTSC)? Which leads me to another program that I have called MPEG Streamclip, which offers tons of file types of which I am unfamiliar with most. I want the best quality of course but don't know what file type is the highest going from AVI to a format that can be accepted by FCP and ultimately DVDSPRO. Keeping in mind that I only have FCP5 and do not have Prores.
Did that make sense?
Thank you again,
Crayton

Can I add a secondary location for Final Cut Pro Documents?

Hi Guys,
I'm working on a large project which has taken up most of my 2tb hard drive which I use for my final cut pro documents (capture scratch, render files etc). Is it possible if I plug in another hard drive to use that as a secondary location for final cut pro documents as I have other (smaller) projects which I could be uploading and working on in the mean time? If so, how is this achieved and what are the pros / cons?

Sure -- go to Final Cut Pro menu on your menu bar and select System Settings.
The first tab is SCRATCH DISKS -- that's the term too -- not secondary folder for FCP Documents.
Change it there.
Drawbacks...
It has been a while since I've had to deal with this, but FCP used to not remember (feature or bug??) a project's original scratch disk location and if you change it for ONE project it will be changed for ALL future AND past projects... until you change it back.
Now, that in itself isn't a BAD thing. All that that means is that if you continue to capture material into that old project it will now put it over here instead of over there. Also, other things like render files and such which won't really matter much unless they do... and now you've got stuff spread over a coupla drives.
FCP's projects don't care. They've already mapped where they need to go to get the video and render files it needs. Move your Scratch Disk 33 times... won't make a difference to the browser and timeline. -- UNTIL you remove one of the important drives. THEN red lines galore! Un renders, missing files... messy messy messy!
Much better to start and finish a project in scratch disk. Makes for easy cleanup. Kinda like cooking thanksgiving dinner (American??) in 5 houses at once.
Good luck,
CaptM

Change for final cut pro HD from Pinnacle Studio 10

Hello,
After lots of problems with Pinnacle Studio 10 (windoooooows.....) I finally chose to change for final cut pro HD on Mac OS 10.3.9
So far so good, I did lots of tutorials to learn but there is one very remarkable thing I really miss. Maybe there is just a thing in my configuration to fix...
Is it possible to view a part of a movie without randering it after every simple change? It must be technically possible because studio does it for years now, even with overlays.
Because I just upgraded my ibook with lots of RAM just to try out final cut for the moment, everything runs fine but rendering does take a few minutes/hours.... Well it is ok just to try out maybe I would get a macbook pro if final cut would assure me.
I feel like cutting blind!
Studio renders right before exporting, this may take a few hours but I would do this during night...
As I said, maybe its all my fault and I just have to change some configurations....
thanks for help
Fabi

Make sure your RT settings (upper left menu in the timeline) is set to UNLIMITED RT. This means that the render settings will be adjusted to play back at the best resolution they can without rendering. You might get a green render bar or orange render bar. If you get a red render bar, that means that you have a filter or two that isn't RT and requires a render, or you have too many layers to allow for RT playback.
If you simply drop a raw clip into the timeline and have to render, that means something is wrong. Your clip settings and sequence settings don't match. You need to choose an Easy Setup that matches your footage, then create a new sequence.
Shane

Where can I find a full manual for final cut pro 6?

I'm trying to learn final cut because I haver an amature film making contest I'd like to enter and that would give me quite an edge, considering most of the intries will be using movie Could someone help me find a full manual or something that would assist in this indevor? I do only have final cut 6 because I am using my schools imac and that is ther vertion they have. so, can anyone help?

You should ask your question in the Final Cut Studio forum.
This forum is for Final Cut Pro X.

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion Mac OS X (10.4.8) 2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

I can't install trial version for final cut pro x

I can't install trial version for final cut pro x on my computer..

What are you trying to achieve? Are you editing movies as a hobby? Or trying to build a business – and, if so, what kind?
iMovie is the first thing that comes to mind. Not the depth of FCPX, but it can still do some excellent work.
Russ

How do you add old movie count downs to Final Cut Pro X ?

I am trying to make a video from the films that i recorded while skiing, and i was wondering how i would add an old movie count down into Final Cut Pro X, becasue i cant seem to find anywhere that does it.
Thanks for the help guys.

No possible.... You'll need to jot them down manually. Very painful especially if your dealing with a 2hr long DVD

Why is there no disc for Final Cut Pro X, is there one coming, and how do I transfer the program to a new machine from the download? Thanks!

Hello:
Why is there no disc for Final Cut Pro X?
Is there one coming?
Can and how do I move the downloaded application from my old machine to a new computer?
Thanks!

You purchase FCX in the Mac App Store, there is no disc. You can reload past purchases under your account within the app store. You should also be regularly backing up your system

I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

I need to buy a camcorder -- upgrading from a Flip. Which would you recommend as easiest to use with iMovie 11? Which for Final Cut Pro? Thanks!

You can't run iMovie 11 on a PPC G5 running the old OS 10.3 Panther - which is what you say you have.
iMovie 11 - cameras supported:
http://help.apple.com/imovie/cameras/en/index.html?lang=en_US
iMovie 9 - cameras supported:
http://support.apple.com/kb/HT3290?viewlocale=en_US
iMovie 8 Camcorders supported:
http://support.apple.com/kb/HT1014
Digital camera RAW formats supported by OS X Lion:
http://support.apple.com/kb/HT4757?viewlocale=en_US
Digital camera RAW formats supported by OS X Snow Leopard:
http://support.apple.com/kb/HT3825?viewlocale=en_US

MacBook Pro 13" or MacBook Air 13" for Final Cut Pro?

I am looking at buying either a MacBook Pro 13 inch with 8Gb of RAM, 750 GB, and a 2.8 Ghz i7 Processor or a MacBook Air 13 inch with the 4gb of RAM and a 1.8 Ghz i7 processor. Which is better for Final Cut Pro X? I would rather have the Air, but if the Pro is better (which is what I currently have) that's what I will get.

Is it a very noticable difference? Will I REALLY notice it? I know that the Pros are more powerful but I just wanted to factor in the SSD in the Air.

Mpeg streamclip avi to mov conversion settings for Final Cut Pro

Similar Messages

Maybe you are looking for