MulitCam editing and color correcting each cam

I do a lot of 4 or 5 camera editing of some concerts and I always have to go through each shot and tweak the colors.
This time I'm taking the original clip, color correcting, exporting then using the exported clip in my multiclip editor.
Is there a quicker or better way? Let's say I want to tweak the colors on cam 1 but tweak the colors differently on cam 2, cam 3 and so on. Is there a way in the sequence to quickly add the color correction to one cam at a time? Can you highlight just a certain cam quickly?

Once your edit is locked and collapsed, just set a correction for an angle, copy it, then do a search/find for that angle's name in the sequence.
I run the find using 'from in to out' / 'select all'. Then paste the filter to all at once.
Be advised, the slightest changes in framing, lighting, etc can make a difference between shots (from the same angle), so you still might want to go shot by shot and make any necessary adjustments.
That's the quick and dirty way, anyway.
Bottom line IMHO, is each shot needs individual attention.
K

Similar Messages

5930K vs 5960X for AVCHD editing and color correction?

***I have also posted this in Hardware Forum because I'm not certain which forum will be the best place to ask. Mods, I apologize if this is a no-no and of course you're welcome to remove the one you deem inappropriately placed. Thanks**
Hi guys, getting ready to have a new custom system built (probably iBuyPower, not sure yet). I would love your input on choosing the ideal processor. I have read benchmarks and forums on both the Intel 5960X and the 5930K. Most benchmarks are only concerned about encoding times, not the actual editing and color correction processes. I realize that encoding (exporting) would be generally faster on the 8-core 5960 compared to the 6-core 5930. HOWEVER, all my source material is AVCHD and for that, higher clock speed does make a big difference during the actual editing. So let's forget about encoding/exporting right now and ONLY think about the actual editing. Let's also assume I will not overclock, or if I do then never more than 20%.* I 'm not a gamer and this workstation is ONLY for editing. I use Premiere Pro CC 2014.x and always keep it up to the latest version.
Since the 5960X is only clocked at 3.0 Hz. I'm concerned that editing and color correcting AVCHDs will be not as smooth as one would expect from a $1000 chip. The editing process is quite complex, with multiple video layers (all AVCHD, either 60p or 60i), picture-in-picture, color correction (mostly GPU-accelerated ones such as the Three Way CC and RGB Curves), and so on. It's not simple cuts and a few transitions. In fact, the work required on those AVCHD files is very much beyond what AVCHD is meant for but it is what it is.
So, considering all that, would you STILL fork out the extra cash to get the 5960X versus the 5930K, and if so, why?
I thank you in advance for your opinions and insight!
Current planned system specs (highlights)
- Win 8.1
- 5930K or 5960X (help!)
- Asus Rampage V
- 32 Gb 2666 RAM
- GTX 780 (possibly will invest in a Titan X 12 Gb if funds allow)
- Intel 730 SSD (480 GB) for OS and programs
- I will use my current set of 5-6 SSD drives for sources, scratches, misc pull files, exports
Thanks again for your feedback!
PS: I would like to emphasize again that the actual process of editing and color correcting AVCHD files is what matters most to me here rather than getting the absolute fastest encoding times.
* I realize that both chips are unlocked and made for overclocking. I've overclocked for years but frankly, I was never that comfortable with it, lots of crashes and instability - and that was at low overlock levels of around 20% or less. I do not want manage overclocking or thermal management or worry about frying the chips. If at all possible I would like to run the chips at stock, or as close to stock as possible. However I'm also open to suggestions about that.

Actually the 5960X will clock the turbo speed for all cores if you set it that way which is one of the things we do with our systems. All Intel chips that are not locked can clock to their turbo rating for all cores if set that way. Even without setting all cores to the peak turbo ratio they will turbo to a clock speed higher than base when all cores are active. It's just not the peak turbo ratio. That has to be manually set. Turbo occurs anytime the system load reaches beyond a low level regardless of what your doing. The system boards and bios effect that. You can also disable a setting in the bios and the system will always stay at it's peak clock ratio. The 5960X clocked at 3.9 will easily outperform the 5930K with all codecs due to the cores and cache.
We can configure the systems with any hardware available in the market. However we cant include all those items on the website right now without making it far harder for people to configure systems. The hardware options we list are there because they are tested to work with the video and audio hardware/software and the reliability. We also support the systems as a solution for the life of the system. We have price the systems for that support which is part of the price difference. The options you are looking at wont have near the same support or expertise with the hardware and software together hence why your asking the questions here.
Eric
ADK

E71 and Color Correction

I have noticed even with the new updated version firmware that when using the camera it still has a blue or purple tint and lacks sharpness.I preceded to http://mosh.nokia.com/content/4F546B0D59DD282DE040050A45300EA2 and D/l this file and installed on the E71.
I took two pictures using the normal camera on the E71 and the conditions were set that both images not use flash. The first image was taken in the living room by the door leading to the deck and the other image was taken in a room just using the overhead fixture.
I then preceded to using the installed program and went to camera-color correction and color corrected blue by adding yellow and increased the contrast slightly. I will add another post so that you might see Roomlight 1.jpg
You decide if its better or worse and i also noticed and using the installed program that the file size just about doubled.
Message Edited by iraf1 on 16-Feb-2009 04:13 PM
Message Edited by iraf1 on 16-Feb-2009 04:17 PM
Message Edited by iraf1 on 16-Feb-2009 04:22 PM
Solved!
Go to Solution.
Attachments:
Living Room.jpg ‏237 KB
Roomlight.jpg ‏257 KB
Living Room1.jpg ‏480 KB

Somebody asked me to make a comparison of that living room photo with and without contrast.
All photos reduced to 640x480 as if they were sent mms.
Original Living room Photo
Living Room Photo color corrected by adding yellow and slight magneta
Living Room Photo same as 1. except contrast added.
Color corrections done on the spot via photoeditor
Message Edited by iraf1 on 17-Feb-2009 11:00 PM
Attachments:
Living Room.jpg ‏75 KB
Living Room1.jpg ‏75 KB
Living Room_Contrast.jpg ‏81 KB

AE CS6 - 3D Compositing and Color Correction workflow

AE CS6 - 3D Compositing and Color Correction workflow
Hello everybody,
I have some questions about work flow in AE concerning compositing and Color Correction. I saw many tuts about (f.e. Lynda.com Premiere Pro Color Correction and Enhancement... and tuts by Andrew Davis here in creative.cow).
Essentially, he have this CC work flow:
GRADING (primary and secondary)
Adjusting Tonality (Brightness and Contrast)
Adjusting Colors (White balance and fix color dominance)
MATCHING
Conforming colors of different clip shoted with different camera and lighting set up.
ENANCHING LOOK
Giving to all clips a unique "look"
But what does it happen if we have NOT just some clips but ALSO a 3D object (rendered in a 3d sw or, actually also a 3d object inserted by 3D Element by videocopilot)
or/and
a keyed clip from a green screen shot?
How does this footage (3d object and green screen keyed shot) transform
the aforementioned work flow?
We have to consider that this footage (3d object and green screen keyed shot) must to be pre-multiplied to make a right compositing but when you make CC it must be again "straight"... (NOT pre-multiplied)
Is really hard also understand how dale this work flow between AE and Pre Pro if you want to make CC in Pre Pro after compositing in AE.
I try to present a work flow for this (very common) situation:
I have a landscape clip as a background
a keyed clip (pre-multiplied) with a Character watching sky
and a 3d (pre-multiplied) object U.F.O. on sky.
When I have done compositing, how make I a right CC of all footage if I have two clip (3d object and green screen keyed shot) still pre-multiplied?
I think, but I'm not sure, that should be a good idea to send to Pre Pro a composited Comp with separate layers (by dynamic links) to have all single separate layers (Background, 3d object and green screen keyed shot.. but also the Color Warping...!). Than, in Pre Pro you should make a CC (Grading) just for a BG and than try to Match (Matching) this color corrected BG with 3d obj and keyed shoot. But we have a problem at this point cause our 3d object and green screen keyed shot are still pre-multiplied, and before make matching we have to re- multiplied theme, but how? And if we re pre-multiplied them, compositing will be also right?
Or maybe, before exporting comp from AE to Pre Pro, he have to create both layers for 3d object and green screen keyed shot, one pre-multiplied and one "Stright"? But, again, how to combine them to have a right compositing and a a right CC?
Anybody can help me to understand or maybe suggest any tuts to dale this common issue in AE- Pre Pro?
Many, many thanks!

Dave is correct. (And so is Mylenium. No need to be rude, when he was jsut trying to explain that you were introducing unnecessary complexity.)
The color matting is removed to interpret the alpha channel when you import the footage. After that, any color correction that you do to a layer based ont hat footage item doesn't have anything to do with whether the channels were straight or premultiplied for the source item.
You color-correct your individual items to amke them match as part of the compositing process in After Effects. Then, if you want to do a color grade of the shot in Premiere Pro along with other shots, you'd be working on the single rendered/flattened composite, so the details of the original elements that went into the composite are irrelevant.

CS5.5 crashes when I change work space from editing to color correction

When I change my work space from editing to color correction CS5.5 crashes.
Can get it to change from editing to audio work space without crashing, but when I want to change back from audio to editing it crashes then too.
Any help appreciated.

In my quick search (check me out there), THIS DRIVER appears to be the latest. I would install and test with it. I find it a good idea to do a System Restore Point for before a driver install, and to also keep a few older drivers available, just in case one needs to roll-back.
Good luck,
Hunt

I downloaded CS6 Red Plug-In and added to Package Contents, replaced the current files with the new without backing up, now my RED footage thumbnails and color-correction don't WORK! How do I get my old importerRed file back!!?? HELP!

I downloaded CS6 Red Plug-In and added to Package Contents, replaced the current files with the new without backing up, now my RED footage thumbnails and color-correction don't WORK! How do I get my old importerRed file back!!?? HELP!

Try asking in the Premiere Pro forum seems to be an Adobe Lab for Premiere Pro

Chroma keying and color correction on same clip

I have an image, with some people shot on a green chroma key background. I want to key it on another image, and desaturate it, except the yellow color.
I have no problem keying out the green. I can also desaturate the image, with the deaturate filter, but if I apply the color corrector, and work with it to only keep the yellow color in the image, then my chroma keying is lost.
It kinda turns of the chroma key completely.
What is the easiest way to chroma key out the green of an image and desaturate everything except the yellow color of the image?
I have Final Cut Studio, so if it's easier to do it in Motion, then I'll do that...?
It's shot on HDV, so it's already a little tricky to key out the green perfectly.
thanks for your help.

After you key the image, export it as a self contained QT movie. Then re-import it, and color correct it to suit your needs.
Shane

System Setup for editing / motion graphics and color-correcting

I am looking to add a second monitor for previewing in FCP as well as color-correction. I've looked into a JVC LCD 20" Production monitor with SDI, etc. coupled with a Blackmagic Decklink HD card. But that combo costs over $3500. Is there a lower-cost solution to this? A second Apple Cinema Display? Or some other recommendation? And would I need a Blackmagic or AJA card to properly monitor?
Any recommendations/brands/costs would be appreciated.
The bulk of the footage I edit with is shot in XDCAM-EX format (EX3).
I currently run a Dual 2.3 PPC G5, but will be upgrading shortly to a Dual 2.8 Quad Core.
Thanks.

You want us to do all of the research and cost breakdown for you? Uh...no.
But I will recommend a low cost alternative. Matrox MXO and Apple Cinema Display (which Apple as discontinued).
http://magazine.creativecow.net/article/matrox-mxo-broadcast-monitoring-on-a-des ktop-monitor
Shane

Multicam and Color Correcting

Is there a way that I can set the color correction for one camera, and it applies to all of the cuts. When I drag the filter onto the clip it asks to apply it to the source angle, or to the multiclip. I have tried both, and it will only apply to that one clip and not all of the other clips that are from that camera. Will I have to apply to each individual clip, or is there and easier way?

hi Rod
color correction workflow for Multiclip projects is no different than for any other FCP project
that is, correction is applied on a clip by clip basis
you can only apply a universal correction to a clip (or angle) by applying the correction to the source before you start editing with it ... thereafter, every instance of that clip will have the filter applied
of course, you can apply the color correction filter to an angle of your multiclip and every instance of that angle that you cut in will have the filter applied
(i did notice before, that even though the clip may be color corrected, the multiclip display only shows the unfiltered clip, and the filtered clip only displays correctly once it is cut into the timeline)
sure, it might be nice if there was an option somewhere to force a filter applied to a master clip (or angle) to be applied to every other instance of that clip ... but there isn't!
good luck
Andy
Message was edited by: Andy Mees

Work Flow with FCP and color correction

I am looking for a decent workflow between FCP and motion when I need to apply color correction to the clips.
I have a goup of clips in FCP that I would like to send to motion, animate them and send them back to FCP. Problem is I want to use FCP for the color correction- nicer than motion's. The, all bad options I have come up with are:
1. color correct in FCP and then send to Motion- will not work because filters are not applied in send.
2. Export the clips as one QT self containned movie- I lose the clip partitioning.
3. Exports individual clips to QT then into Motion- I lose the clip ordering
4. Color correct after I get back into FCP from Motion- clip boundaries are lost making applying color correction harder.
Any ideas?
Rick

I've done this two ways - both variations on the methods you have outlined. First and simplest and one I used last week on a PSP project was to apply the color correction to the Motion clip (.motn file) after it came back from Motion. This is simple and easy, but if you've done titling, you may not want to color correct that.
The second is as you said to render and export a self contained movie, then import it and copy it onto the timeline above the original clip that produced it, thus (at least organizationally) maintaining a connection between them. I then send the quicktime to Motion.
Sorry I cannot think of another better way of doing it...
Patrick

Color correct 3 camera angles

this might be a stupid question. i know how to open the color correction window and bring up the wfm/vts/rgb parade and then scope/eyeball color correct with 3 way cc. is there some kind of automated way fcp5 in multiclip can match camera angles? i saw an eyedropper. can you sample white and black and match this way? thx in advance

See III-471 of your user manual. This is accessible from the "Help" menu. I think that's as automated as it gets.
JC

How to Save Camera Calibration and Lens Correction in Camera raw 6.1

I downloaded and installed the Camera Raw 6.1 release candidate. I open an image and set the camera calibration and the lens correction to auto for Nikon. I save these settings as new Camera raw defaults, but when I open other images, the changes were not made. How can I save these items as defaults?
Swila

Swila, were your "other images" previously edited in Camera Raw? I.e., do they already have saved image settings? The defaults that you save via the flyout menu will only apply to new images, or if you reset an existing image to the defaults. (e.g., choose "Camera Raw Defaults" from the flyout menu).
Eric

Color correct clips before making muliticlip?

Hello,
I would like to color correct my three camera clips before making a multiclip to save time, but the video scopes will not allow me to see my changes when I color correct. I have to drag each clip to the timeline and color correct each clip before I see modifications to the videoscopes. Even then, I have to use only the clips in the browser to make the mulitclip. Is there a more efficient process to put my clips through a filter(s) process (ie..color correction, de-interlace) before making a multiclip?
Thanks,
Jordan

Hello Andy,
Yahoo! Thank you Andy for your information. You just saved me a lot of time. Cheers!
Jordan:>)

Question about moving a project from FCP to Premiere to do color correcting/sound finalizing.

My friend and i have been editing a film on FCP express. I've been learning more about editing and color correcting recently and have been teaching myself on Adobe Premiere. I offered to color correct the film on Premiere on my system. I'm curious what the best way to do this would be. is it possible to take the timeline from FCB with the raw data and somehow open that in CS? Or should he export the pre corrected final cut without correcting as a certain type of file, then I work on that, then export that as the final cut?

If FCP express has XML export, then you can export the project and then import the XML into Premiere Pro. It will give you the basics of the timeline and basic transforms for each clip (position, scale, rotation). However, not everything comes across - titles and 3rd party effects will not come across.
Given that, another option is to render out the entire movie and then grade it in Premiere Pro. But you lose a lot of control if you go that way.
The third option is to import into Premiere Pro and rebuild the bits you might be missing from FCP and then you have both the control and options.
Hope this helps,
Dennis

Unable to Export Color Corrected Video's to Original format for AVCHD (GH2) and ProRES Codecs.

I imported a 176 MBPS AVCHD clip from my GH2 into Lightroom 4, then i added color presets to the video and color corrected the video, however during export when i select the video format as original the color correction does not apply to the video, only the original video is saved, But when i select H.264 or DPX the video is saved with the effects applied. I also tried using a AVCHD clip converted to Apple ProRES but when i export the video the effects are not applied to the saved video. Also the option i get for saving H.264 files is only 22 MBPS.

Original, whether for photos or video, means "unedited". Bear in mind that this isn't intended for high-end video editing - just simple edits for digitial photographers. It won't replace your video editing software anytime soon, if ever.

MulitCam editing and color correcting each cam

Similar Messages

Maybe you are looking for