Multi camera audio synk

I have made a multi cam sequense with 4 cams + two separate audio tracks. (One with speech, one with man playing an instrument)
It all works fine until I began to adjust some levels in one of the the audio tracks. Then that sound went out of synk. Anyone knows why? Same thing happened when I used slip- or slide tool in the video track. (Nested multicam sequence)

What is the output format of your original video ? And did you try to convert them into another format then load into your Adobe?

Similar Messages

  • Multi-Camera Audio Source

    I remember being able to choose which track in my multi-cam sequence I took audio from but I cannot find that in Premiere CS4.  Can anyone point me to how to choose this?

    Welcome to the forums.
    I believe you will find the answer on this page.
    Cheers
    Eddie

  • Multi-camera audio with multiple tracks

    In Premier Pro 2 I was somehow able to use the automation features to adjust levels throughout my videos on multiple tracks, and that mix would flow through to the multi-camera sequence.
    It didn't work in Premier Pro 3.1.1 when I just tried it. I then noticed that the help file says "In order to retain audio from more than one track simultaneously, mix all the desired tracks to a single track in the source sequence, select the resulting audio track, and deselect the Audio Follows Video option."
    I opened my old projects in 3.1.1 and the multiple tracks still play in the multi-camera sequence.
    1: How was I able to do this before and can I still do it?
    2: If I must mix all tracks to a single track in the source sequence, how do I do that? I can't figure that out.

    You have two choices, either you can hear the audio for the selected camera, or just audio track 1. You can't hear all audio tracks simultaneously without a little tweaking.
    Once you're done with the multicam cut, place another instance in the new sequence on tracks 2. Then delete the video from track 2, and move the audio from track 2 onto track 1. This will allow all audio tracks from the original sequence to be heard.

  • Adobe Prem 5.5 PC - Editing a multi camera & audio Concert into separate songs without losing sync

    I have just finished completing a full synchronisation of multiple cameras and audio sources that took some imense amount of time to finish - phew!
    Now I need to edt this into 11 separate songs, each with its own opening and closing titles.
    I cannot easily cut in or using ripple delete or another cutting tool to change this without the calamity of losing sync.
    I almost need to save this whole project as a scene and then re import it as another sequesnce and just cut it to suit each song but still not sure what method for saving it as I do not want to drop a generation.
    Or should I copy and paste into a new sequence but then sync is a problem as soon as I cut it !!
    Anyone who might have had experience of such a heavy workload of a project that could offer some advice, would be most welcome please.
    In an older editing system, I was just able to save as a scene - just not sure with Premiere.
    I have 5 or 6 video tracks and a similiar number of audio tracks so far, so worried about the sync issue now.
    Many thanks in advance.
    Regards
    Alan

    I'm sure you're way ahead of me, but my simple question is stacking and synching your various cameras and using multi-edit wasn't what you wanted?

  • Sync audio with multi camera audio mistaken

    Hello everyone, i really need big help. It's not an adobe issue. propably it's my fault.
    So, here's the deal. I edit a music concert. I've been given the original audio footage and i used 3 cameras.
    Even though with synchronize option i synchronized each one with the original audio while i'm editing it seems like after a while it's unsynchronized. Any idea please? i've spent lot of hours doing it separately but it always losing synchronization.
    Thank you all, in advance.
    I've noticed that while the audio is in 44100hz camera settings are in 48000hz. i tried to convert the audio but finally it didn't worked.

    It seems fairly normal for separately recorded audio to drift out of sync on longer shots.  I'm not entirely clear why camera makers can get all their cameras to sync perfectly with each other, even across manufacturers, yet audio recorders have such a hard time with this.  But...they do.
    The solution is to find out by trial and error what percentage your device is off, and then apply that change to the audio clip.  I had a recorder that needed to be speed adjusted to 100.04% in PP for the audio to remain in sync, so I applied that to every audio clip from that recorder.

  • Multi-camera audio follows video

    What does this feature in the timeline do?

    Thanks. I did check and got my question answered. Appreciate your quick response!
    Thanks,
    Jeff

  • Multi-cam Source Sequence

    Recently I have been trying to master the multicam sequences using the audio sync system. I am frankly disappointed in the results that I have been getting. It seems that unless the 2 cameras are started very close (< 1/2 sec) to the same moment that the system is ineffective.
    Setup:
    Record using 2 identical Panasonic HMC 150p onto SDHC chips set at PH 720/30p.
    Sequences are 1280 x 720 square pixels as set auto matching the clips.
    The audio is generated using Sennheiser wireless systems to a mixer and feed the same output to both cameras. We copy the clips from SD cards to our hard drive, and have all clips and titles on a second hard drive. We are running PPCC on a HP with an Intel p7 cpu with 8 GB of ram.
    Last week our 2 cameras were started 7 seconds apart and PPCC could not synchronize those 2 clips. I could accept that, but today It could not synchronize 2 clips that were off by 15 frames. That seems to me to indicate that either I or the system is doing something wrong. I adjusted the offset by inserting a 15 frame delay in one clip using the source monitor and setting a new start point. Then the camera switching aspect of multicam system worked.
    I put the 2 clips, each about 10 minutes long, into one folder. Select the folder & hit clips>Create multicam source sequence. I viewed the synchronization by rt. clicking the generated sequence and then Open on Timeline. When I want to use the generated source sequence I drag the squence to the new item which will create a new sequence that can be edited.
    Is this all I should expect from the proram, or am I doing something wrong?

    It seems like I have finally broken the code on getting the Multi-cam audio synch to work consistantly!
    All of our 2 camera shoots have starting points that are not the same on the two clips.
    I have tried using having the 2 clips in a folder and then selecting the folder and using the Clips>Create Multi...
    That process worked some of the time, also selecting individual clips and then using the Clips>Create Multi... worked sometimes.
    To get to the bottom line, PP in using the Create Multi-Cam.... is controled by the order in which clips are selected.
    Apparently if a folder is selected then the selection is alphabetic which is proper sometimes. I have found that
    THE FIRST CLIP SELECTED MUST BE THE ONE WHICH STARTS EARLIEST!
    Nowhere in my review of all the info on the use of the Multi-Cam... did I find any reference to that factor. That has certainly been a source of much frustration.
    Once the proper order of selection is made then the system works nicely as expected.

  • Help with multi camera editing in Premiere Pro

    Ok I'm new...so bear with me.
    I am editing a basic interview shot on two cameras and cutting away to some still images.
    The rushes are 4 lots of film about 10 mins in length.
    I inputted the footage from the two cameras and created a new sequence for each using the multi camera audio synchronisation method (which worked great).
    So how do I go about creating my edit? Something tells me I'm going about it in the wrong way.
    Do I need to create my edit using single camera shots and then create multi camera sequences for each individual clip? It seems so laborious as its all already synced up for two cameras.
    I am a bit confused about creating clips v creating sequences.
    I'm sorry if this is making some of you cringe :/ ....but I really can't find any help in online tutorials.
    I need basic step by step instruction.

    I am editing a basic interview shot on two cameras and cutting away to some still images.
    The rushes are 4 lots of film about 10 mins in length.
    I inputted the footage from the two cameras and created a new sequence for each using the multi camera audio synchronisation method (which worked great).
    So how do I go about creating my edit? Something tells me I'm going about it in the wrong way.
    Do I need to create my edit using single camera shots and then create multi camera sequences for each individual clip? It seems so laborious as its all already synced up for two cameras.
    humm, sounds like your 4 lots do not overlap in time, and that there is space between each lot. So would that be 4 multi-camera sequences with the two cameras?
    If so, why even multicamera edit that? and just set up to Video tracks, sync the audio and opacity keyframe between the two tracks.
    Good to get your multi-camera edit workflow going proper though.
    Sounds like you need to multi-camera edit your 4 sequences separately, unless you sync each lot with its corresponding clip and put on the same timeline, then do one sequence and one multi-camera edit

  • How to add newly imported audio - as a new storyline/angle to existing multi cam Project??

    I have a 6 camera multi cam Music Video Project I have been working on in depth for 5 days. The "band" has sent me a new & improved .wav file to replace the audio I have been working with on one "song". I have imported it into the event, cannot figure out how to add it as a new angle (that I will manually sync on the timeline) and then make it the active audio monitor angle. I see ways to "connect it" but not how to have it appear in the 6up display & on its own story/time line in the precision editor. This is like reinventing the wheel. I am losing mu mind. Please help?
    Thanks

    Man oh man. I need to take a break & eat somthing, how embarassing. I swear I knew that but had an attack of hysterical blindness or... the disclose arrow>add new...  Thank You Tom for your quick & thouriough reply. Have a swell holiday.

  • Clip audio gets quieter after enabling multi-cam.

    I have a sequence with two video tracks and one stereo audio track (recorded separtely and synced), and placed it into my "main" sequence for editting. Before enabling multi-cam, the audio levels are noticibly higher, and once setting multi-cam to enable, the volume levels drop about 2-3db. I then have to raise the volume to compensate for that. Is this a bug or something particular about the way multi-cam clips are handled?
    Steve

    This is normal.  Multicam by default only uses Audio 1 of the source sequence.

  • Audio limitation in CS6 multi-cam?

    I'm trying to use stereo audio from my source files when I create a multi-cam clip (I've confirmed the source files are indeed stereo as there is different content on the left and right sides and when I bring that into a new sequence on it's own the source will use 2 audio tracks).
    However, if I create a multicam clip in the media browser and bring that into a new sequence, the audio becomes mono and only refers to the left side of the source files and pans that center, making the right side unusable.
    Is this a bug?

    If the right channel is on A1, and the left channel is on A2, then you must open the multi-camera source sequence in a Timeline and enable A2.
    Here's the part of Help I wanted you to note:
    By default, Premiere Pro CS6 only enables audio channel one in the multi-camera source sequence. For multi-camera editing workflow, enable other audio tracks manually before editing the target sequence. To enable audio tracks for the multi-camera source sequence, do the following:
    Open the multi-camera source sequence by selecting the multi-camera source sequence icon in the Project panel, right-click (Win) or Ctrl-click (Mac OS) the icon, and then choose Open In Timeline.
    The Timeline opens. Select the audio tracks, and then enable the other audio tracks by clicking the Toggle Track Output button for each audio track you would like to monitor.
    Now that your chosen audio tracks are enabled, you can close the sequence.
    You should now be able to monitor both channels as you cut your multicamera source sequence.
    Let us know if that worked for you.
    Help article: http://helpx.adobe.com/premiere-pro/using/editing-multi-camera-sequences1.html#id_60276

  • Im loosing audio when I enable Multi-Camera

    First, a rundown of my system and software:
    Vista Ultimate x64 Service Pack 2
    Q6600 Quad Core
    8 Gig
    (2) Western Digital 74GB 10,000 RPM SATA Raptor's
    Adobe Premiere Pro CS4
    Im just now delving into multi-camming in Premiere, and, I can get it to work perfectly, to a point.
    I will describe, briefly, and quick, because I am good up to the point that I experience my problem.
    I create my first sequence, import three video clips, kill the audio on clips 2, and 3, set my clip markers, synchronize based on numbered markers, then create another sequence, with only 1 video, and 1 audio track,  to nest the first sequence in.
    Drag the first sequence into the second, and scrub it. I have audio, as I should at this point.
    But as soon as I right-click on that single video track, and enable Multi-Camera, I no longer have any audio.
    All video windows, and aspects are there, and working perfectly.
    If I go up to Edit, and then Undo, to dis-enable the Multi-Camera, then I get my audio back again.
    Any tutorial, or instructional video I watch on this process, they still have audio, after enabling Multi-Camera, as you should.
    Why do you think I am loosing my audio, just at that step?

    Believe it or not, I ended up solving this mystery myself.
    And the explanation is quite long, and tediously detailed, but, I’ll try to explain while keeping it as brief, and concise as possible.
    The problem actually lies in the setting up, track wise, of your initial sequence.
    Ill first explain the correct way, and then I’ll explain why my way did not work.
    Be very careful to design your initial sequence, given all the details of the video clips that you’re going to use.
    If you’re going to use 3 video clips, and all 3 video clips have stereo audio tracks, design your initial sequence with just that, 3 video tracks, and 3 “stereo” audio tracks.
    But what you have to remember is, and this may be where the misconception comes into play, but, within Premiere, in the “New Sequence” box, under the, “Tracks” tab, is where you setup how many video tracks, and audio tracks you want this sequence to have. So, if you have 3 video clips with mono sound, naturally you would want to change the setting to “3”, for the number of video tracks, and “3” for the number of mono audio tracks, under the audio section.
    Wrong.
    First thing under the Audio section, is the setting for the, “Master” audio track, or, audio track #1.
    So, if you would have followed the above scenario, you now would have 4 audio tracks, instead of just 3 mono as you entered.
    Why?
    Being that the “Master” audio track, or audio track #1, is by default set to “Stereo”, via its drop down selection menu, Premiere will not put any of your, “mono” track info on audio track #1, because audio track #1 is set to stereo, so it will start filling, “after” track #1, and on downwards, creating a new, or 4th audio track, as in, your 3 mono tracks will go on track 2, track 3, and the newly created, track 4.
    The correct way to have done the above scenario, would have been to create 3 video tracks, 1 “master” audio track of mono, and 2 mono audio tracks. That would give you 3 total mono audio tracks.
    Always remember to use the “Master” audio track, as your first audio track.
    So what happened in my scenario?
    Well, first, I forgot to remember that the “master” audio track, or audio track #1, had to be manually assigned by using its drop down selection menu, to pick either mono, stereo, etc.  And by me not setting it, its default state was stereo.
    Well, I had 3 video clips, only one clip had audio, and it was mono.
    So, immediately, that means that my mono audio “WILL NOT” be on audio track #1.
    Well, so what?
    Well, I also discovered through tedious trial and error, of creating 3 seperate mono videos of me speaking 1 on video 1, 2 on video 2, and 3 on video 3, that once you enable Multi-Camera, in your second sequence, Premiere tracks, …you guessed it, audio track #1.
    And at this point, I have nothing on audio track #1, because it was set, by default, to stereo.
    Thus why I had no audio, as soon as I enabled Multi-camera.
    The true moral, just pay close attention to setting up your initial sequence, and you “should” have no problems.
    Thanks once again to all who attempted to help, you folks are great.

  • Audio targeting in Multi Camera edits Premiere 5.5

    I am editing 6 days worth of a 3 camera multi camera set up from a seminar I shot last month. I am using Premiere Pro 5.5.
    I shot the class with the speaker mic'ed with 2 wireless lapel mics: one mic going into Cam 3 left channel, and one going into Cam 2 right channel; the open channel on both catching ambient audio via camera mics. The thought here was I would have some redundancy in the event one mic popped out due to battery issues, or interference, and still have an audio channel to sync to with PluralEyes.
    Camera 1 was a wide shot of the front of room, and had 4 choir mics directed at the audience (to pick up questions and such) and one shotgun focusing on the front where the speaker stood (again, for redundancy) running into a mixer, and then into Cam 1 right and left channels.
    In Premiere, I line up all the video shots with PluralEyes (or manually) and then nest that sequence into a new multi cam sequence and begin editing.
    When nesting the video and audio into a new sequence and turning multicamera editing on, I get the one track of nested video, and the one track of audio.
    My issue is how to get the cleaner audio of the instructor, which is on either CAM 2 or 3 (with the lapel mics), onto the track of CAM 1, which is the only track I am able to hear when doing multi cam edits. If I simply copy the instructor audio onto track 1 in the 'source' sequence,  I lose the audience replies and sound. But I don't know how to mix other channels onto the main track of the parent sequence (source).
    I have worked around this by copying the audio from track 2 or 3 onto track 1 in the original (not nested) sequence and that has worked and I could keep on editing. But now, I need to do a group discussion portion, and need the audio from track 1 as well as the others and I am not sure how to mix them into the main audio track that the multicam process requires.
    I hope I am clear in my explanation. In essence, how do you get a mix of tracks to show up onto track 1, the only audio track that seems to be able to be read by the multicam feature in Premiere 5.5?
    Many thanks!!
    Mark

    Since I didn't want to ask a stupid question, I have been trying to do what
    you suggested below, but I am not meeting with success (which means I am
    doing it wrong :o)
    I have made my edits in the multi Camera sequence I created and used the
    Multi Cam "enabled" setting (labeled this sequence "Multi"), and then
    placed the original multiple camera and tracks sequence (labeled
    'source' which was first lined up and synced) into the video 2 track in the
    multi cam sequence.
    So now I have 2 tracks of the original "Source" sequence in the "multi"
    sequence: one cut into shots and one uncut from the original sequence.
    But, only the audio is coming in from the first track, even though the
    tracks are all activated in the original sequence (nothing muted).
    I know I am close, but not sure what I am doing wrong, and the audio from
    the tracks is important for the final product.
    Thanks again!

  • Multi cam sequence - how to take audio from multiple tracks?

    I have a multi cam sequence with multiple audio sources (cameras plus separate audio tracks).
    According to this page, in order to have multiple audio sources, I need to mix them into a track in the source sequence:
    http://help.adobe.com/en_US/PremierePro/4.0/WSADF1BC06-B8FB-4f23-8446-8D8F8539D7BD.html
    So I mixed several tracks into submix 1. But when I use the multi cam monitor, submix 1 is not available as an audio source.
    Is it perhaps possible to mix audio into a non submix track? If so, how?
    premiere cs4

    Multicam can only use audio 1, or audio follows video (you hear whichever track you see).  There's no way to hear more than one track at a time.

  • Audio out of sync with multi-cam

    Hi *,
    I searched the forum with no big success. Many people seem to have the no-audio problem with multicam. My problem is different.
    I enabled the multi-cam feature in CS4.1 in the preview (source) monitor. I have 2 video tracks (1 MPG, 1 AVCHD). Both appear and are in sync. Also the audio is in sync as long as the multi-cam feature is turned off. As I turn it on and play the monitor, it's totally out of sync with the video. Totally means, that it's really about 40 minutes away.
    Any ideas?
    - Stefan

    Any ideas?
    My only recommendation is to just not use GOP-based media.  It's a bad idea at it's core and issues like this are not uncommon.

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