Multi color gradient for touch and selected color of spark mobile list

multi color gradient for touch and selected color of spark mobile list
how to get dat?

or how about a bitmap as the background for the touch and selected color for the items in a list.

Similar Messages

Applications - are they only for touch and phone?

Are there any applications for the 30g ipod 5th generation?

Applications - are they only for touch and phone?
Yes.
Are there any applications for the 30g ipod 5th generation?
No.
(36283)

How do I add a color pallet for Keynote and Pages?

This seems like it should be straightforward, but I need to add a new color pallet for use with Keynote and Pages. I have the .clr file, but I'm not having any success getting it to show up in the color picker.

Within Keynote, show the colour palette (command shift C or view > show colours)
click the image palette button (arrowed)
click the Palette drop down menu and select either: new from file or new from clipboard

I must have a setting wrong on PSE 10. When I use selection tool and select color, it is always blue. What am I doing wrong?

I must have a setting wrong on PSE 10. When I want to fill a selection with color, I choose the color but it always comes up blue. What am I doing wrong?

What IP address does the TC have and what IP does the computer have?
We need more info as we really have no idea what your network looks like.
Modem router, model, type of broadband?
TC setup as bridge or router?
Is the computer getting internet via the TC?
Are you using wireless or ethernet?
Have you set IPv6 correctly to local link in the computer on whichever network client is doing the connection?
Did this work the first time for backup and has now failed? If so simply reboot the TC. It is a constant bug that the TC is lost to the network.

Color profile for Viewer and Canvas?

I've noticed that the color of the video in the FCPro 4.5 Viewer and Canvas looks absolutely nothing like the color when I output to DVD or QuickTime movie. (The video in FCPro seems to be much darker.) Is there a way to make the Viewer and Canvas look more analagous to what I'm going to get on final output?
Thanks.

Nope. Computer monitors colors have such a wide range that they are very unreliable. This is why it is best to hook up a TV, or better yet a properly calibrated NTSC Monitor (the latter only if you are producing professional video).
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
For all the stock answers, click on this link:
Shane Ross, "Stock Answers", 03:58pm Jan 13, 2005 CDT

After updating to 10.7.4, my second monitor lost its color profile, for Photoshop and Lightroom. I'm on a 2011 MBP with the AMD video chip

Has anyone else had this happen? Is Apple aware - how can I inform them of my issue - do I have to wait months and months till 10.7.5 comes out, for a solution?
Thanks,
George

I have had the issue with a Snow Leopard but never with Lion.
Can you go to System Preferences>Displays>Color and select your profile.
I had made 3 profiles and they are all still there and my iMac is still using the same one I previously selected

Javabean for colorpicker to select color for form item

1- copy the colorpicker.jar in your /forms/java directory
2 - update the archive and archive_jini tags of your /forms/server/formsweb.cfg file:
archive_jini=frmall_jinit.jar,colorpicker.jar
archive=frmall.jar,colorpicker.jar
3 - in your form, add a Bean Area in a block - bean name = 'bean'
4 - initialize the bean in a When-New-Form-Instance trigger:
FBean.Register_Bean('block.bean',1,'oracle.forms.demos.beans.ColorPicker');
5 - pick the color anywhere you want:
PROCEDURE PickColor(pvcTarget in VARCHAR2) IS
vcColor VARCHAR2(11 char);
BEGIN
-- now display the picker with that color as an initial value
vcColor := FBean.Invoke_char('block.bean',1,'showColorPicker','Select color','');
END;
I will follow these steps and colorpicker is shown but i want to select the color for form item such as text item , canvas etc.
I want when i select the color from colorpicker that color is assign to that item. such as changing the background color and foreground color of text item.
I need help about this.
How i solve this problem.
need code.

Hello,
Once you get the color, you can apply it to the item with the Set_Item_Property() built-in (see the online doc).
Francois

Color management for web and print.

Hi there. I would like to post my images and have them print ready for clients. When I read about both of these I find one thing for web and one thing for print. I don't want to edit them twice. What would you suggest for easiest workflow? I like to post the images in an online gallery for my clients and if I really like them maybe use on my homepage. Do I have to edit twice or what is the optimal setting for a photographer. I do mostly portraits --family, baby, couples, etc.
I am pretty well versed in actual editing processes but my understanding in this portion is still lacking. I am trying prophoto rgb on photos today, but will this compromise my online quality?

brwmmw wrote:
…I knew of this option but did not know if it was optimal quality…
You define the quality of the saved image in the Save for Web and Devices dialog box.
brwmmw wrote:
…I have just been… using same files for web and print. I wanted to increase quality across the board in print and web…
That is absurd! (Sorry.) By doing that you are generating unconscionably and unnecessarily large image files. You're clients won't like that.
Remember that you have no control over how anyone sees your images on the web. Something like 97% of Internet users are running non-color-managed web browsers and uncalibrated monitor.
You and you're clients are best served when you stick to the lowest common denominator, namely sRGB images, for web.
brwmmw wrote:
…What mode do you use for prints?…
Personally, I like to stay in 16-bit ProPhoto RGB when I print my images myself. If sending them to a pro lab, I discussed it with the lab techs. But I have gathered a lot of experience by now. One really has to know exactly what one's doing to edit in ProPhoto RGB and stay in that color space. If sending my images to a cheap lab like Costco, I stick to 8-bit tagged images that I soft-proof with the specific printer profile that will be used by the local store.
You should—and probably do—know that ProPhoto RGB has a very wide gamut that includes colors that cannot be printed by many printers, and it's up to you to compensate for that. If you run into problems with ProPhoto RGB consider converting to Adobe RGB for print. Make sure the printer drivers that will be used to print actually support 16-bit printing, otherwise convert to 8-bit.
Since you're a pro, I would warmly recommend you watch the video tutorials comprising the "From Camera to Print - Fine Art Printing" series by Jeff Schewe and Michael Reichmann, that are/were available for download from the Luminous Landscape. They're working on a new 2011 edition, but the 2008 edition was just superb. Best $35 or so I've spent in a long time.
http://www.luminous-landscape.com/videos/camera-print.shtml
Wo Tai Lao Le (no connection to Adobe or Schewe/Reichmnan/Luminous_Landscape.)
我太老了

Color profiles for web and print

Hi,
I am editing photos from my DSLR. They were shot as jpg in Adobe RGB. I am editing photos for both web and print at the moment and was wondering if there is a way to do that so that I would be able to edit for both simultaneously in the Photoshop process.
Here are the details for what I normally do:
For print, I would work photos over in AdobeRGB while the Proofing option is set to Working CMYK (usually SWOP, depending on what printer I use). Then I'd flatten the artwork, resize and sharpen, and change the color mode to CMYK, save as TIFF.
For web, I usually edit while RGB Color Settings are set to sRGB IEC61966-2.1, and Proofing is set to Monitor RGB. I flatten, resize and sharpen, and Save for Web.
Is there any way I can edit a single photo (shot in Adobe RGB) so that they can be used for BOTH print and web? I know CMYK vs. RGB would mean that they would end up looking different in the end, but is there any way I can have a single Photoshop file for a photo and go through the necessary steps to make it ready for print and for web... or is it that due to color profiles and proofing options, there's nothing I can do but to edit each photo twice?
Thanks in advance to anyone who might be able to help.

karoleend wrote:
Thanks for the advice. I'll try that out.
I posted my second question before I read your response, but yes, it does seem the best choice to convert to sRGB when Saving for Web. And you say you place your .psd file into an InDesign document? Do you do that if you only wish to save as a pdf... what do you personally do when saving as TIFF for print?
I don't save Tiffs for print. I use PSDs. I don't ever give ID files with all linked files to the printer only PDFs. If i'm working on something like a coffee table book I would do the conversion in Photoshop. but most magazines and newspapers, CD covers, posters, brochures everything stays aRGB until I make the PDF.

Color Picker Doesn't Reflect selected Color

>>In Fireworks CS4, the color picker doesn't reflect the color selected on canvas. <<
How can there be a value in Fireworks. When will this be fixed, cause lets face it, the world is about color?
Bob

Does your image have an adjustment layer or a layer mask
on the layer that is active when using the color picker?
If you have an adjustment layer, make another layer active
and see what happens.
If the layer that is active has a layer mask, click on image
thumbnail to the left of the layer mask and try the color
picker.
MTSTUNER

Text for block and select option on the selection screen of Logical Databas

Hi,
I have copied a standard program (RFBELJ10) which is making use of LDB (BRF) and created a custom program. Now, the requirement is to add a selection screen option to the custom report and do some validation on the data extracted. I have added the select option and provided a text (lets say "Segment") to it using menu path Goto --> Text Elements --> Selection Texts and activated. But this text is not displayed on the screen when i execute the report. It is showing the string which i used while defining the select option.
Also i need to provide a frame and title to it. but its not displayed.
i have written the following code for that:
SELECTION-SCREEN: BEGIN OF BLOCK seg WITH FRAME TITLE text-h01. " Segment
SELECT-OPTIONS: s_segmnt FOR faglflexa-segment. " Segment
SELECTION-SCREEN: END OF BLOCK seg.
Could you please help me in getting the texts displayed for fram and the select option?
Thanks,
Phani

Solved the problem. I have maintained the text in German. So, when I execute the report in english, it is not displaying the text. I have translated the texts to English and is working fine now.

An Important AS3-based Multi-Platform Framework for Developers and Adobe

Hello to all developers and to all representatives at Adobe!
We're all fortunate for Adobe's progressive thinking and their immensely helpful programs to battle against device fragmentation. In order to advance our efforts, we, as developers, must also permit our creative juices to flow to allow the cup of opportunity to runneth over -- not just for our and Adobe's benefit, but for the benefit of businesses and consumers who demand innovation.
There are, however, barries in the shape of human form that deter potential developers, businesses, and consumers from embracing and capitalizing on such a powerful platform. These obstructions aren't only coming from behind walled gardens; unfortunately, they're entrenched within our own camp.
Ignoring rules of optimization and taking careless shortcuts, combined with not possessing an optimized and simplified alternative to targeting a wide range of browers and devices in one fell swoop, are the ammunition needed for skeptics to plant seeds of doubt about such a useful and future-proof ecosystem.
Much like any platform and object-oriented programming language, the Flash Platform and ActionScript 3 are powerful weapons that must be wielded with responsiblity, or risk creating wounds that, in the minds of consumers, aren't easily healed.
And since this is OUR responsibility, I've decided to take on that burden...which then became a challenge...which soon became the innovative answer we so deperately need.
As an offering to my fellow developers, and as a proposal to Adobe -- the company in which I'm devoted to -- I've created an OOP-based framework that simplifies the process of developing optimized applications that cover a broad spectrum of browsers and devices.
It's called Cross Model View Controller™, or XMVC™ for short, and it offers the following features:
-Imagine using one base source code -- which you build just once -- to target a multitude of platforms: from smartphones and tablets, to desktops and browsers, and even to smart televisions.
-Your concrete View classes determine the layout of components and animations for each targeted device; once your base classes are built, your concrete View classes are the ONLY classes that require alteration (see diagram).
-Utilize the flexibility of the XMVC UI Components to work across ALL devices and browsers. You simply specify the platform type (mobile, desktop, browser, or television) in the concrete view classes, and the XMVC UI Components do the rest.
Example: The XMVC Container (which holds child elements and incorporates scrolling): When set to "mobile," it incorporates touch scrolling; when set to "desktop" or "browser," it incorporates a scroll bar; when set to "television," its scrolling is controlled by remote control directional events, as well as incorporates virtual directional buttons. And this is all from ONE instance of the XMVC Container component; this eliminates switching out various types of containers for each targeted device.
-Animations are created using Greensock's TweenMax platform, for lightweight, optimized animations.
-For complete orientation control, you can assign custom animations for orientation changes. It even incorporates an Upside Down view for Android devices.
-You can allow users the preference of turning animations on or off, with a flip of a switch (litteraly).
-XMVC automatically removes event listeners for better Garbage Collection processing.
-XMVC accepts various data structures, including XML, PHP/AMFPHP with SQL, SAP, and HTTP Web Services. It would be incredibly beneficial to allow incorporation of ColdFusion, LiveCycle Data Services, and BlazeDS data structures, as well.
Necessity is indeed the mother of invention, and possessing and utilizing a powerful tool is necessary to progress our efforts in reaching an abundant amount of individuals and entities.
The primary functionality of the framework (as displayed in the diagram) is complete; improving and adding additional XMVC components are the primary objective at this point of the development stage.
Very soon, I will upload the source code to an outlet (such as Google Code) for developers to download and experiment. Within the same timeframe, anticipate demo apps within App Markets to test on your devices.
Adobe has such an incredible development community, and my hope is that XMVC provides these developers, as well as Adobe, an incredible amount of leverage to persuade businesses, consumers, as well as other developers to embrace and utilize a platform that can withstand the change of time.
Imagine businesses excelling beyond their self-imposed barries due to the robustness and flexibility of a platform and framework that can function in any environment.
Imagine liberating consumers to allow them to use your applications whenever, wherever, and on WHATever they desire.
Think of the possibilities of quickly submitting applications -- with very little, or no, alterations to your programs -- once device manufacturers like Windows Mobile, webOS, and Symbian finally accept Adobe AIR.
If there are developers out there who share the same sentiment, and if there are Adobe representatives who find this framework intriguing and effective, by all means, contact me.
The possiblities are endless...so must be our efforts.
Onward and upward,
Adrian-Cortez Jackson
[email protected]

Thanks for posting.

Weak support of Nokia and Suppliers for Touch-and-...

Hello friends!
After a long time of recherche, searching information, reading test reports and opinions in forums and testing lots of mobiles, I finally came to the result, that my e52 is the best solution in my case although it is not perfect - with its calender (s40-calender was much better, with better items and simpler parameters) and its T9 (typing on my s40-3120c is double time quicker than on the e52).
The c3-01 for sure is a brilliant phone, also the x3-02 - the concept of Touch-and-Type is top, combined with the quick s40-operating-system. The combination of Touchscreen with 12-keys-keyboard was very interesting for me. The first test with this phone was also great - top feeling, easy understanding, quick system, good browser, great WLAN functionality, the good "old" calender and T9 behaviour.
BUT:
Then I read, that this phone doesn't support Google Maps or any other navigation tool, because the navigation buttons are now solved as touch behaviour.
Then I searched for apps for this phone, but barely found some.Only themes, sounds etc. - everything, which is compatible to these phones.
The problem is in the end, that Nokia forgot to implement a possibility to simulate cursor keys with the touch pad, e.g. "left" is pressing left area or moving from right to left. Tapping in the middle would be th Nav button.
With such a adapter/converter it would be possible to use every tool for S40 and QVGA screen on the c3-01 and x3-02.
So actually those mobiles are great ones - but without apps and without maps But IMHO it is not that important e.g. for pedestrians to know the own position, but it is important, WHERE somebody can find WHAT, e.g. where is that restaurant? With a browser you can find out the adress, but then again one has to hask somebody for the way to that adress.
I used a normal simple s40-phone before, but it hat Google Maps, and only today I looked for a watch service, and I could find the place and the way to that service. With a c3-01 there would have been NO WAY.
Maybe somebody at Nokia reads this proposal - Touch-and-Type is a brilliant idea, but something very essential is still missing.
Best regards,
Schlaumy
"Two beer or not two beer?"

Sorry to hear about the lack of navigation on the C3-01. I was looking at this phone to replace my E51, but I do not want to give up navigation (which works OK on the E51 with the not-approved-by-Nokia version of Ovi Maps posted on this forum, coupled with Maps Booster, only available for purchase outside the USA!). The E52 does sound like the best, but there is no North American version.
Isn't it incredible how Nokia willfully conspires to not quite make the candy-bar phone everyone would want? They so cleverly avoid the obvious home run that I suspect they are afraid it would cannibalize sales from higher end models.
Is Nokia so distracted by the iPhone that they have failed to notice that they are the only contenders for a small, unlocked, international, one-handed phone with long battery life that can nevertheless do Internet, Email, navigate and play music--all without incurring expensive network-connection charges (ie. able to use WLAN)?
Here's what I want, and I am sure many others would too:
unlocked
all international frequencies, voice and data
long battery life
one handed operation: nice T9 keyboard with T9 Nav built in
all frequencies of WLAN
bluetooth
Ovi Maps
Maps Booster built in
SmartConnect built in
sturdy candy-bar form
screen as large as C3-01
sunlight readable display (as E51)
USB charging
USB data access
MicroSD card
3.5 mm stereo
Internet browser as good as E51
IMAP email as good as E51
Come on, Nokia, we know you can make it!
For goodness sake, you're already making the iPhone Nano--now do you understand?

Key pressed in Jlist and selecting the item of key list accordingly

Hi,
I have a JList with the items in sorted order.Now I want that if a person presses any key (say K) then the first item starting with K should be selected.Hmmm I can do it by addding a key listener to the list and cheking all the items in the list ,by traversing through the whole lenght of JList and selecting the item if it starts with the character of the key pressed.
But i was thinking if there is any better way to do that?
Regards Amin

see bugid: 4654916 - it does say that the the
scrolling for the JList should now work with keyboard
selection.I have the same problem. Thanx for the hint with the bugid. Saw a good workaround there with a simple subclass of JList. Works for me although it is annoying to subclass JList all the time. The bug seems not to be fixed in the 1.4.1 JDK.
Andreas

2 color gradients for offset printing

i am setting up a job for 2 color offset and have 2 PMS colors. I have some artwork that has a gradient from one of the PMS colors to the other. Is this going to be something the printer can deal with, or do I have to do something to set it up for separations for the printer. I am stuck thinking how easy it is in 4 color, but haven't had to deal with this using only 2 colors. Thanks in advance for any information.

James: You're the kind of client I prefer! The more educated you are, the better off we both are! You have more tools under your belt and I have more productivity dealing with clean files. I applaud you fostering this relationship, it's NOT the norm!
And like you, I do wish for better things with every version of ANY program I work with. Bravo!
Scott: I never said FH had inherent output issues. I've imaged MANY FH generated EPS files not native FH files (which was my point in an earlier statement that I may not have conveyed well).
I also agree that the user has much to do with the success of any prepress job (though Corel's crappy Postscript was their own doing.) The issue, historically, was that Corel's suite was a lot of "bang for the buck" to businesses to cheap to pay for professional design. So they bought Corel and foisted on their secretaries (or gave it to their kids) and had "in-house design". (This is the same cause of the Publisher plague). So you had many amateur files coming from Corel but also the occasional pro was using it and using it well. (I've designed files in Corel 4 that I never had a problem ripping!)
Doug: "Graphic Find and Replace" does NOT make FH better than AI. Blending spot colors is a deficiency? Even today I caution people to use Blends sparingly. Gradient Meshes provide Spot to Spot blending capabilities. Do I say it's perfect and the most intuitive tool? No. But in the hands of those who give it enough time it is a masterful tool unequalled in FH. But it doesn't make AI better - it's just a tool other programs don't have. What about the Automation interface? When FH was Macromedia's, it's scripting dictionary was paltry. AI supports Applescript, Visual Basic, and Javascript. I build front to backend workflows for AI using various combinations of these. This doesn't make it a better program than FH - though it may be superior in this regard.
As far as conventions go, FH's Pen Tool is what YOU are comfortable with. You see it FROM YOUR PERSPECTIVE. I have an associate that is by far the fastest and most accurate user of ANY Pen Tool I have EVER seen and he uses AI as his weapon of choice.
If you drop the qualifiers "flexible, elegant" (which merely describe YOUR feelings about it) you end up with one versus four. Appears to be a slam-dunk to you, I'm sure. But in practice, by a given individual, it may appear to make more sense and be faster than your experience. (Just like the cry for multiPage support in AI. I think this is a horribly bad idea but from many users' perspectives this is a must-have.)
I just don't understand why these forums become a continual p*ssing match between FH and AI users?!?!

Multi color gradient for touch and selected color of spark mobile list

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