Multipage forms- best workflow for future editing

I'm struggling with understanding the proper workflow for creating and editing multipage forms.  I need to create a medical history form (PDF) where patients can enter their medical history and patient info. 
This form is usually 6+ pages.  Each page has a header (logo and office address) and a footer (page number). 
The problem I'm running into is when we need to make a change like add a question or change the wording of a question.  Is there a way we can edit the form (either in Word or an Adobe product) and not have to recreate the form in Acrobat Pro?
I've hired contract workers from Odesk and each one I've hiried claims they can edit the questions after the form is created.  But each time this happens, the form looks worse after each edit.  I'm pretty sure this is the problem because they are editing the text in Acrobat Pro, which has very limited text editing capabilites.
I'm wasting so much time going back and forth with contractors explaining to them that the text format looks like crap.
I'm very capable of designing and editing these forms myself, but I just don't have the time.  So I'm contracting this work out. 
I'd greatly appreciate any advice on the best workflow for PDF forms.
Thanks!

Yes, there is a way. You need to edit the original file format (Word, in
this case), and then create a new PDF.
You then open the old version (that has the form fields in it), and use the
Replace Pages command to replace the old pages with the ones from the new
file. This will maintain the form fields in place, although you might need
to rename them and align them with the new page contents.
This is a much better approach than trying to edit the PDF directly
(although this option has been greatly improved in Acrobat XI).

Similar Messages

  • Best workflow for sound editing

    When I have finished working on a project in FCP and want to do some final tweaking to the sound mix, is it a better option to do that work in Soundtrack Pro or inside FCP?

    You have more options for mixing/cleanup/mastering in Soundtrack Pro than you do in FCP. Here's an example:
    http://www.youtube.com/watch?v=xFuqTYXkVik
    Cheers!
    ~Mike
    [Screwfilms.blogspot.com]
    Message was edited by: screwfilms

  • Best workflow for multicam editing?

    Working in fcpx on a 2 camera interview with separate audio. I've synced the cameras and sound into a multiclip and now I want to go through the interview and tag good soundbites but I don't want to work in the sequence. How can I tag bites in the preview and quickly find them in my synced sequence?
    Right now I'm just creating cuts in the synced sequence and deleting what I don't need.

    Select the multicam clip in the browser. Play it, mark In and Out points and press F to mark the segments as favorites.

  • What is the best Monitor for Video editing & Graphic Design?

    Hi every one,
    I would like to find out what is the best monitor for video editing and graphic design that you recomend, I am trying to buy one but not sure which one is good and not expansive.
    Thanks very much

    I don't want 2 monitors, so a single 27inch model just what I need... plenty of room for PPro, or I can have a Word document and a Text file open and side by side
    John,
    That is personal taste and there is no discussing taste. However, from my perspective, and that is personal, I prefer 3840 x 1080 resolution with dual monitors over 1920 x 1080 with a single monitor, but that is because I very often have Firefox, Filezilla, Dreamweaver and some other applications open at the same time, switching between the Adobe forums, Gmail accounts, Notebook results from the PPBM5 data submissions, PPBM5 form submissions, MySQL access, phpadmin pages to update the database, the PPBM5 results pages and various DW .php pages for the maintenance of our database and switching back and forth between various versions of PR. I occasionally really run out of real estate with all these applications and could not consider a single monitor with only 1920 x 1080 resolution, even if it were a 105" screen. In the future I would even like to have a four monitor setup (with MPE hardware support) in a two by two configuration, so that I can freely move my application screens around.
    If that happens, notice I say if and not when, my preference for a monitor would be something like 4 Samsung F2380 monitors. Small bezel, great display and panel, affordable.

  • Why jpeg file exported from Aperture with 300 dpi's it opens with 72 dpi's on PS ( image size)? I've tried several combinations and all give different results. And I am confused on what is the best workflow for me.

    Ok.
    My workflow is
    RAW > Aperture Library > export jpeg high resolution 300 dpi's > one file on PS > edit > Save us jpeg. The I realised that files from PS were being save in a smaller size from the ones exported form Aperture. That is when I went o see <image size> on PS and files were with 72.
    Since ten I've trying different things
    1. Aperture > export as PSD > open on PS > edit > Save us jpeg = small file (around 15 MB)
    2. Aperture > export as jpeg high resolution 300 dpi's > open on PS > CHANGE dpi's to 300 on <image size> edit > Save us jpeg = big file (Huge, actually)
    What am I doing wrong? Would someone give me guidance and tell me what is the best workflow, considering I edit photos to deliver to my clients and I shall give them 300 dpi's.
    Thank you

    This is a known Aperture issue: Problem with Aperture 3.6 preset exports. | Apple Support Communities
    Benjamin

  • What is the best workflow for Final Cut Pro X across multiple computers?

    I travel on a team that is in a different location every week, so all of our video editing has to be fairly moble. We have 3 macbook pros and would like to use final cut X on all of them. What would be the best workflow for us all to work on the same project and sync it across the computers? (eg, one of us editing the footage, one editing the sound, one working on visual effects?)

    My first question would be how well 5.1 would work with SL. People have reported problems.
    As far as cameras are concerned, I would guess most any tape-based camera would work and so much depends on the kind of projects you work on that I wouldn't want to start guessing at your needs.
    If you want broad access to tapeless and advanced formats try to locate and purchase an upgrade disk to 6 or 7.
    Good luck.
    Russ

  • Best workflow for working on a project on two computers (i.e desktop and a

    What is the best workflow for the following--
    I have a project where I want to do some work on my laptop, then work on the desktop, then back to the laptop?
    As a video guy, in Final Cut I do this by having two identical copies of my media, and simply transferring the FCP project file back and forth between the two computers.
    Is there an equivalent in Aperture of transferring your selections/edits between two copies of Apeture with the original master files on both in identical projects?

    I don't know what you mean by "bandwidth options". If you mean the frequencies and bands the iPad can use with cell carriers, those are listed in the Wireless and Cellular area of the tech specs. For iPads sold in the US, see:
    http://www.apple.com/ipad-mini/specs/
    If that's not what you meant, please post back and clarify what you mean by "bandwidth options".
    Regards.

  • Best Workflow for Multicam Sequences?

    I have a project that includes video from 2 cameras and audio from 2 audio recorders. I synced everything up using PluralEyes, then imported it back into Premiere. Then I opened the synced sequence, deleted the camera audio, nested the video, and enabled multicam. After that, I started going through and editing the multicam footage by selecting the appropriate camera by pressing 1 or 2 (or command-clicking on the appropriate camera in multicam view). My question is, now that I've synced everything up and finished my rough multicam edits, how do I mark the selections of the sequence that I would like to keep?
    For example, part of the sequence is an interview. Instead of just cutting the sequence up, I would like to first mark and label the portions of the interview that I would like to keep. That way I can easily go through and know what the interviewee is speaking about in each clip without having to play the whole thing. I understand that to do this on the original clips in the source monitor, I would need to create subclips. But how do I do it on a synced multicam sequence? Is there a way to open the sequence in the source monitor? What's the best workflow for something like this?
    I've been using Premiere for all of two days (switched from FCPX), so any help would be much appreciated. Thanks.

    I use comment markers for this sort of thing as I prefer to keep my project bins thin. To open a sequence in the source monitor, right-click on the sequence in the project window and select Open in Source Monitor. Position the play head at a point of interest and press M. Go to Window>Markers to view a list of markers and add comments. When you want to review a marked section click the corresponding marker in the marker window and the play head will advance to that point. Btw, you can do this within the timeline and in any monitor, not just the source monitor.

  • Best workflow for doing a QC check?

    Hi all,
    A client wants me to do a technical QC check on video files I receive before editing them. The items they want checked are as follows:
    o   File format (GOP structure, bitrate, wrapper, codec, chroma subsampling)
    o   Macro blocking
    o   Artefacts induced during transfer from VT, frame rate conversion, size or bitrate conversion
    o   Field dominance issues
    o   Chroma/luminance levels
    o   Aspect ratio discrepancies
    o   Flashing/strobing
    o   Frame slicing
    o   Audio levels to EBUR128 recommendation.
    o   Wide dynamic range
    o   Audio distortion, clipping, phasing and dc offset etc
    Most of these are fine, as they can be spotted during manual playback. But what would be the best workflow for monitoring the Chroma/luminance levels? I figured I could turn on the YC waveform and play the clip back through a monitor - but the main issue is keeping an eye on both the picture & the waveform at the same time.
    Can the scopes be set to give me a indication/alarm when a specified peak occurs? The same way audio does when it clips, where you get a red dot on top of the level meter?
    And is there anything else Im overlooking?
    Thanks in advance - cheers!

    Thanks shooternz,
    The client has specifically requested each file be QC checked. They will be delivering files to us for editing, which will be broadcast after we return the files.
    So we need to manually watch each video we receive to check for any audio peaking or pixelation/slicing/artefacts, etc, that may have occured during the enciode - but I'm just wondering if the YC waveform can be set to raise an alarm or "peak" if the video file goes outside of legal limits at any stage. We will be viewing the video file - so it'll be awkward to also have to try to watch the YC waveform too, so hoping that part can be automated via a 'peak alarm' or similar!

  • Best Workflow for Deleting?

    Hi Folks.
    Would anyone like to suggest the best workflow for deleting files after a project? Let's assume that i have no future need for any of the captured footage or PE7 files. It would be helpful to know what the default locations are for all the footage and files that are now on my computer.
    Thanks, Stan

    In my book I recommend that, whenever you start a new project, you create a new folder for it. That way, all of your captured video, project files, rendered video and scratch files are in the same folder. Removing it all from your hard drive is as simple as deleting the folder.
    If you didn't do that, things get a bit more complicated. Once you've backed up what you want to keep, you can manually delete the captured video, rendered files, etc., from the sub-folders -- but you'll need to do it manually. Hopefully the files will be recognizable by the names you gave your project and capture files when you created them.

  • Best workflow for burning Blu-ray and DVD

    Hi,
    What's the best workflow for effciency sake for burning both a Blu-ray and a DVD of the same project?
    Essientially I'd like to export and create a menu once, then be able to downrez to DVD. However, I'm not sure that is possible since blu-ray and DVD are differnt codecs.  
    Thank you

    The only way that you can get acceptable re-scaling of menus is to go from BR to DVD, and do the editing in Photoshop.  Simply re-scaling the menu here will not give acceptable results.
    I usually copy the various button layers from the BR menu to a new DVD menu file created using the provided Photoshop preset.  You will still have to do  some manual re-scaling and alignment.  The thing that has given me the most trouble over the years is round button highlights - a segment is often chopped off.  Font sizes will probably need adjusting too.
    Unless you are adept with handling layers and groups within Photoshop, it may be easier to start again.
    Any attempt to convert within Encore is unlikely to produce acceptable menus in my experience.

  • Which of these would be the best iMac for video editing?

    Hello, pretty simple question, which of these 2 iMac configurations would be best suited for video editing? I want to use Final Cut Pro X and Adobe After Effects (not cutting edge effects just simple stuff).
    Option 1 - 21.5 inch
    3.1GHz Quad-core Intel Core i7, Turbo Boost up to 3.9GHz
    16GB 1600MHz DDR3 SDRAM - 2X8GB
    1TB Fusion Drive
    NVIDIA GeForce GT 750M 1GB GDDR5
    Option 2 - 27 inch
    3.4GHz Quad-core Intel Core i5, Turbo Boost up to 3.8GHz
    8GB 1600MHz DDR3 SDRAM - 2X4GB
    1TB Serial ATA Drive @ 7200 rpm
    NVIDIA GeForce GTX 775M 2GB GDDR5
    For some reason Apple don't offer more than 1GB of dedicated video ram in anything but the maxed out 27inch. Personally, I’m not fussed about the bigger screen and  I would say that having the faster processor, double the ram and a fusion drive would be more beneficial than the extra gig in the video card  but I’m not 100% sure, what do you guys think?
    Thanks.

    If you do a significant amount of video editing the larger display is nice but not absolutely necessary. I’d also recommend an SSD or Fusion drive rather than the stock mechanical drive which really is dog slow. If you choose an SSD 8GB will be plenty though 16GB is better if you go with the smaller model.

  • Whats the best software for photo editing and creating product catalogues that can be saved as PDF's

    Whats the best software for photo editing and creating product catalogues that can be saved as PDF's

    You are asking two different questiions:
    1. What's a good photo editor? Answer to that here is probably obvious.
    2. What's a good desktop publishing/page layout program for creating PDF files for production? Answer, not PSE. It's a photo editor, not a page layout program.

  • Best workflow for colour grading in CS5.5

    What is the best workflow for colour grading in Premiere Pro CS5.5? I don't like the 3 way colour grader in Premire I like to use Levels and Curves, so I normaly use Color Finese 3 LE in After Effects but it's hard to export an entire timeline to AE due to it not improting transitions and title text correctly.
    I see in CS6 there is now Speed Grade available from Premiere Pro. can you export your entire timeline into Speed grade and it retain your titles and trasitions?
    So how are most folks colour grading their finished timelines in Premire Pro?
    Kevin

    If I can CC in Pr, I will. What prevents me from staying in Pr is if I need to do a lot of masking, secondary type corrections.  Ae is better for that, IMO.
    I guess my general rule is, "The more love I need to put on my footage, the more likely it is I'll need to take the project to Ae."
    When I do CC in Pr, my tools of choice are RGB Curves (which is CUDA friendly, and I have a CUDA card) for CC, and I use Three-Way or Fast CC mostly for increasing saturation.  I leave the other controls alone.
    The advantage to doing CC in Pr, is the CUDA accelleration.  If you use CUDA effects, you can work a lot faster, due to less rendering.  Once you go to Ae, you lose CUDA, but you gain flexibility.  Therefore, there's not a single one-size-fits-all answer.
    I also have a lot more available plugs in Ae.  I like Frischluft Curves, which is an oustanding curves based plug.  And the native Hue/Saturation effect in Ae is extremely useful for single hue corrections.  Pr doesn't have a similar native effect.
    And then as a last step, after getting all my corrections "evened out," I'll add Magic Bullet Looks to an adjustment layer for an overall treatment.
    I only opened SpeedGrade once after installing it.  I don't see why anybody would use it, unless they were already familiar with it.  You can't go back to Pr easily.  And in my world, projects are rarely finished.  Clients think they can make massive changes at any stage of post, even after mastering and delivery.  I've had clients make changes to spots after they've been airing for several days.  I laugh at editors who name anything "final."

  • Best workflow for creating logsheets before ingesting.

    I'm looking for the best workflow for creating detailed log sheets of my avchd footage before ingesting/transferring it to FCP. I have many hours of footage shot with my Sony NX5U and only want to ingest the necessary clips. I'm using FCP 6.5 on a MacPro tower. Thanks.

    >I'm using FCP 6.5
    NO you are not.  You might be using FCP 6.0.5.
    Well, the only way you can ingest only sections of tapeless media is by using Log and Transfer.  And you cannot Log clips first, and transfer later.  You cannot do the same thing you did with tape, make a Batch Capture list.  So you would look at your footage in the FCP L&T interface, and you can send one to be transcoded while you move onto the next one to watch.  That can happen at the same time.
    But, there's another issue here.  The Sony NX5U uses an AVCHD format that is slightly different than normal...not that there is a normal.  But I discovered that importing clips up to 10 min in length work fine, but anything over 10 min, and it took 4-5 times longer to import.  meaning a 30 min clip took just over two hours.  It was something that ClipWrap2 addressed before FCP did...and they only addressed the issue with the FCP 7.0.3 update.  FCP 6.0.5...or even the last update for that version, 6.0.6, doesn't address this.  There might be issues in importing this footage into FCP 6.
    And the other options...Avid Media Composer and Adobe Premiere...don't have a "log and transfer" type interface.  They bring in the full clips only.  With Premiere, you are stuck with them being full length.  But with Avid, you acccess the footage via AMA (Avid Media Access), and then you'd make your selects on a sequence, and then consolidate/transcode only the footage on the sequence. 
    And no, there's no way to make a logging sheet for these apps either.
    The best you can do is watch the footage, note the timecode, and manually enter those numbers when you go to bring in the footage.

Maybe you are looking for

  • Significance of pipeline in asynchronous queue receiving

    Hi           Just want make sure I am getting the concepts right:           A pipeline size of 10 [default] indicates that 10 messages will be prefetched for the asynch queue consumer [say an MDB].           Also lets take that there are 100 msgs in

  • Line width tween

    How do I tween line width? I want to make a line increase its width in an animation. I can't figure out how to do it. Please help. Thank you.

  • SOA Manager

    Hi, On our IP 7.10 SP7 system we have deployed XI content for SWCV u201CESA ECC-SE 604u201D I have found a standard service u201CSalesOrderCreateRequestConfirmation_Inu201D in SWCV u201CESA ECC-SE 604u201D namespace http://sap.com/xi/APPL/SE/Global.

  • How to get VMs for RAC

    I wanted to try the Oracle by Example - Oracle Database 10g on VMWare/RAC and it says get started, first download the VMWare software and then the VM that contains the Oracle environment with all the software you need already installed I have VMWare,

  • Benefit of Updating my WRT54GS

    I have had a WRT54GS for a few years and was wondering what the main benefit to updating the firmware is? It is a V.3 and I use it at home for surfing the web and playing xbox 360 online. Message Edited by travis13 on 02-02-2009 10:44 AM