Multiple output ultrabeat logic pro x

I am currently using Logic Pro X and I was wondering how do you set the multiple output to mono in the ultrabeat.
In Logic Pro 9 there was a mono option under the channel fader but I can't seem to find the mono option for the Ultrabeat in mutliple output mode in Logic Pro X. Can someone help me out with an answer please.

I've been running Mavericks for a while now, and Logic both X and 9 run great. I haven't experienced these specific bugs, so can't guarantee that upgrading will help you, but the word on the street is that Logic runs better in Mavericks. Personally, I'd recommend upgrading to Mavericks. Just my $0.02.
Before upgrading, be sure to backup your drives. Clone your system drive using SuperDuper or Carbon Copy Cloner. If not that, at least run a full Time Machine backup.

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How to record stereo output in Logic Pro X

I am trying to record the stereo output in Logic Pro X on the spare stereo track. In other words what I would like to do is to record audio/software instruments tracks existing in my project as well as my real time performance on top of that (let's say a software synth played using a midi controller) to a new stereo track, just like if I were recording Logic's stereo out to an external recorder except in this case you are recording that to a spare tracks within Logic X.
Any help will be highly appreciated.

Send everything to Bus X - Bus X to StereoMstr (for monitoring)
Create new Track/Channel
- for Input choose Bus X
- for Output choose No Output
Engage Record on the newly created track and off you go.
Have a nice day!

Can I control the system output via Logic Pro?

I know how to record system output in Logic Pro (CH 13&14), but in order to do that, the tracks in Logic Pro must be muted to avoid feedback.
What I'm wondering is if I can control overall system output via a track/tracks in Logic Pro. I've got a Plextor PVR set up so that I can watch tv on my Mac, but when I connect my digital cable box to it the volume is down at around a faint -24 dB. I'd like to be able to boost the gain with Logic.
Thanks in advance for any help!

Never mind. I found a cool app called Audio Hijack Pro that works perfectly for this.

No Sound Output from Logic Pro 9

I recorded a 4-track performance in Logic Pro 9, but when I play it back the displays show that the sound is there but no sound comes out of my computer. Other files that I have recorded in Logic Pro 9 play fine. Any Suggestions?
My Preferences Core Audio is set to Built-in Output, with an I/O Buffer Size of 256, 24-Bit Recording, Unversal Track Mode and Software Monitoring. Audio Settings specify Automatic Management of Channel Strip Objects, Automatic Naming of Channel Strip Objects and Playback Pre-roll, with a sample rate of 44.100 kHz. My Apple Sounds System Preferences are set for Built-In/Internal Speakers, the output volume is all the way up, and the mute is off. I cannot figure out what is keeping the sound from coming out. Again, any ideas would be appreciated...

Here are some things to try.
You said you have core audio set to built in outout , yet you have an Apogee ensemble. Can you hear audio coming from the computer output?
Can you play other audio files from this session?
In the lower right hand corner of Logic in the arrange window there is a volume control, did you turn that down without realizing it?
Can you hear audio from another Logic Session?
Can you hear Audio From Itunes?

Address physical audio outputs in Logic Pro

Hi,
I can address the physical outputs of my audio interface as stereo pairs in Logic Pro. How do I create mono physical outputs. My audio interface is a Digi 003 rack.
Peter

Hi Peter
I have a Digi 003R with Logic Pro 9.02 and tried the steps above to get mono outs and it worked so I don't think it's a driver issue. I tried to do the same on Logic Pro 8.x with a Motu I/O and it would not do it with either the Motu selected or internal audio so maybe this is a LP8 issue. What's your setup?
Regards
Bobbi
Within LP9
Message was edited by: Bobbi Style
Message was edited by: Bobbi Style
Message was edited by: Bobbi Style
Message was edited by: Bobbi Style

Multiple soundcards with Logic Pro 7 ?

Hi!
I have been a long time user of Logic, although I am still using Logic Pro 6. (started with the 2.5 version around 8 years ago)
There's something I can't see answered anywhere.
I wonder if Logic Pro 7 has support for simultaneous use of different soundcards? (i.e. tracks 1-16 are being routed via outputs 1-16 on souncard A, and tracks 17-32 via soundcard B)
Does anyone knows if this can be done?
Thanks in advance.
Andre'
PowerMac G5 1.6 Mac OS X (10.3.2)

I wonder if Logic Pro 7 has support for
simultaneous use of different soundcards?
No, but the 10.4 operating system has (device aggregation). Unfortunately, you're still under 10.3 which doesn't support the combination of several sound cards and make them appear as one device in Logic.
Combining sound devices has never been a feature of Logic, one had to rely on the features of the driver of the sound device manufacturer.
Regards, Daniel
G5 Mac OS X (10.4.6)

Using multiple controllers in logic pro x simultaneously

I am using Logic pro x, updated today.
Two USB controllers
1 Alesis DM 10 Electronic drum kit
2 M-Audio Keystation 88es
When we record, the problem is that if I have the Software track like a piano selected then both of the controllers play it. If producer drum kit is selected then both play it. If both selected both play both. How do I assign the Alesis kit to the producer kit channel/track and the keystation to the piano channel/track for example
I have the brain/module of the alesis set to just send midi signal (no audio) to macbook pro via usb
I also use a presonus studio live 16.0.2 that is my mixer / firewire interface and I have the output of the software piano instrument output set to CH 11-12 and the producer kit channel output set to Ch 15-16
One thought that I had is to use a midi cable for one of the controllers to go to presonus first and then it would communicate to macbook via firewire connection.
Is that necessary?
Thanks for any help.

Hi
You need to do several steps:
a) Set each controller to transmit on a separate MIDI channel
b) In Logic, set each track to receive on a specific MIDI channel (see step 1) in the Track parameters Inspector
c) In Logic, go to File:Project Settings:Recording and enable "Auto demix...
d) In Logic, Record arm both Instrument tracks
CCT

Multiple Input Multiple Output Fuzzy Logic Controller

I am designing an autotuning PID temperature control system whose PID gains are adjusted using a Multiple Input Multiple Output (MIMO) Fuzzy Controller. I am unsure how to set up specific inputs and how to use specific outputs when there are multiple inputs and outputs. Specifically, my Fuzzy system has two inputs and three outputs.
For the input, I have two 1D arrays of scalars (doubles) which I have used to build an array and concatanated the inputs to the array. How do I configure which values of this array are used as each specific input value to the fuzzy system?
Similarly, for the output, the fuzzy system gives three output values which are used as the PID gains. How do I configure these such that they are in the right order to be used as the PID Gains of the PID VI?

Hi natsmi,
You can find some examples by navigating to:
C:\Program Files (x86)\National Instruments\LabVIEW XXXX\examples\control\fuzzy
Some of them are at least MISO systems and might be helpful to clarify some ideas. You can also find them using the Example Finder from LabVIEW (By going to help on the top menu, and then Find Examples). There you can go to the search tab on the left and type in fuzzy.
Hope this helps.
Regards,
AGJ

Analog Levels vs SPDIF Levels Input and Output in Logic Pro

Hello,
I ran a test last night for recording input and output levels from my Yamaha Motif XS8 through an Apogee Ensemble to compare Analog to SPDIF
I connected two TRS cables from the L and R outputs on the Motif XS into the Analog Inputs on the Apogee and also have the SPDIF connection from the Motif to the Apogee.
I put the master fader all the way up on the XS for the volume for analog.
The ensemble in Maestro has a +4 and -10 reference notional level option for analog inputs. i had it at +4 but changed to -10 and the analog got louder (i figured it would get louder for +10, confusing).
anyways, why is it that I can record louder levels for analog than the digital transfer?
I tracked both options at the same time then recorded vocals over it. the digital sound is too low. what's up with that?
and when I tried to bounce the recording to listen to it in ITunes, the volume levels were way lower than my cd playing through iTunes. Please enligthen me on these?
I use to record in a Roland 2480, and had similar results with loudness, but got a little louder through mastering but still....pro cds are way louder and still clear.

I think there is much confusion here!
In summary, you wont be able to control the recording level of S/PDIF.
The reason is that you don't want to!
You need to think of the SPDIF connection as being more like a file transfer method. You are copying the digital data at an output to your harddrive in effect. If I send you an MP3 via email you'd never imagine that your email software is capable of changing the gain of the MP3 I send you. This might sound daft but its a useful analogy. If you need to increase the "volume" of that MP3 then you'd need to ask the sender. Its the same with your set-up.
There could well be somewhere on your synth that adjusts the instruments level, other than the master (analogue) output control. For example, make sure the midi volume of the intrument being played is set to full - ie midi vol 128. Perhaps there is somesort of virtual mixer onboard to control all the muti-timbral parts so make sure your part has its virtual fader turned up.
This is what (basically) is going on in the chain...
Your synth creates sound in its "digital brain". This sound is sent to an "output stage" which will distribute the sound to various outputs. In the case of the S/PDIF it will just send the raw digital data untouched. For the analogue side the digital signal (same as the one sent to S/PDIF) will be converted to analogue and then sent to a amplifier to get it to an appropriate "line level". This final level could well be controlled by an anogue volume control which could be adding more gain (than you think) too.
When things go to your sound card/ daw...
The purpose of a analogue gain control is to set the i/p signal so that it suitably loud to beat any noise that exists in your input circuits - so that a good signal to noise ratio is achieved. Analogue signals need to work in the right loudness zone (so to speak) as the analogue electronics will be designed to handle signal levels of a particular range. the gain control is there to make sure the signal is in that range.
Digital signals are far more predictable though and there is no advantage to your recordings if the incoming digital signal gets an increase of level at the input stage. All you are doing here is effectively adding a few zeros to the binary digital data!
Lets face it the point of recording is to get a copy of the original sound, that is as similar to the original as possible. With S/PDIF you get a perfect copy of what's coming out of your synth - so job's a good un!
If, when you come to mix in logic, you find the level of the digital recording is indeed too low for mixing/mastering purposes then just boost it in logic via a fader or via the gain plugin.
Those referrence values of -10dBV and +4dBu refer to analogue voltage levels only. they have nothing to do with the digital domain. The -10/+4 switch will be only relevant to analogue inputs and outputs. Using an analogue VU meter you should find that a sine wave that peaks at 0dBVU (totally different to 0dBFS BTW) is the equivant of a digital sine wave peaking at -18dBFS.
The analogue headroom (how loud you can go before things distort) depends on the analogue electronics and varies with different design. Analogue stuff, like mixers) often has headroom of 24dB or more. So that digital stuff can interface with analogue properly we allow for that analogue headroom to be around 18dB (usually enough in practise!)... hence -18dBFS(digital)=0dBVU(analogue).
To make your digital and analogue input signals sound similar in level you will probably have to reduce the gain of the analogue input. If you set the incoming analogue signal to peak around -14dB (or less!) or so you will probably find things more equal. If you are working in 24 bit your analogue levels can be seemingly very low before sound quality is affected. Its quite safe to record at -20 or even -30dB as shown on logic's meters for eg.
I hope all this waffle helps LOL!

A problem with channel strip outputs in Logic Pro 8

I have a Power Mac G5 2.3GHz dual core processor with 2GB memory, running LogicPro 8 connected to a MOTU 2408 Mk3. I originally assigned the outputs on the individual channel strips on my Logic default work page to the individual outputs on the MOTU, (1, 2, 3, 4, etc.,) as this is the optimum configuration for the amount of channels required for the recording I do. Checking theses settings recently though, I find the menu only gives the option to set outputs to 1-2, 3-4, 5-6 & 7-8? What has happened and how can I change them back?
Thanks

Sounds like your channel strips are stereo and not mono.
Click on the little linked circle button (format button) in the bottom of the channel strip to set it's mode to MONO (single circle).
If you have effect plugins inserted on the channel strip make sure they are mono and not stereo. (Click and hold on the effect on the insert slot and choose the mono instance of the plugin from the plugin menu).
Hope that helps
R

XML output on Logic Pro

On Locig pro, once I have edited an audio file, is there a way of exporting the volume bandings as xml so I can visualise it on a timeline on another product?

Several options, the simplest would be to use the Inspector of the Software Instrument track. There's a parameter called dynamics which you can set to fixed; all notes will sound at a velocity of 64.
This function is non-destructive, you will see in your event list that all notes will still have different velocities (screen 1), so if you turn the fixed dynamics off, it all returns to how it was. On the other hand, you can also choose to fix the velocities on that track/region permanently, then all you need to do is choose the local arrange menu MIDI>Region Parameters>Normalize Region Parameters (see screen 2) to make any region inspector setting permanent, as shown in screen 3.
Screen 1
Screen 2
Screen 3

Ultrabeat and Multiple outputs into a new Aux strip???

Hello,
I am new to Logic and have not been able to get a new Aux strip to take inputs from the multiple outputs ultrabeat has to offer (i.e. output 5-6). I tried to follow a tutorial I found in the help window, but couldn't get it to work. In the tutorial, when a new Aux strip is created, in the input pull down there is an option to select instruments>Ultrabeat>5-6. When I set up an Aux strip, no instrument option shows up in the input pull down. What do I do? I noticed that the tutorial I am looking at was made in 2005, and I am working in Logic Pro 9. So, maybe the issues is with the different versions. How have other logic 9 users done what I am trying to do?
Thanks for the help.

if you didn't click the + sign in the mixer (as Sampleconstruct suggests) which automatically creates stereo and mono Auxes for that UB instance and you have created the Aux Channels in the environment etc ....by default they are in mono ...if you click on the bottom of the channel to set it to stereo then you'll see the instrument
A

Multiple outputs from LE9 ( to soundcard cuemix/ outs? )

I know it is possible in Logic PRO 9 but I got confused by the comparison charts saying express cannot do 7.1 mixing..
Differences between the Logic Pro 9 and Logic Express 9 applications
The 3 Logic Pro 9 features that are not found in Logic Express 9 are:
Surround sound mixing (up to 7.1).
afterall Surround 7.1 is just 4 pairs of Stereo outs:)
thanks

This is my point - the currently active channel does not produce sound through its multiple outputs unless Logic is playing.
So, for example, if I am auditioning different drum grooves from RMX through the multiple outputs (for the purpose of putting effects/processors on the outputs in Logic) this only works when Logic is playing.
Or if, in BFD, I have the direct Snare coming out of one output into an aux, and then a direct Kick coming out and output into another aux, I cannot hear them unless Logic is playing - I can only hear the ambient mic's as these are mapped to Outputs 1-2 which are the initial track you set the multiple output AU up on.
If none of this is something you tend to do, I guess it's hard to understand!
Thanks,
Alex.

Logic Pro &Tascam US 2000, record enable trks 1-12?

How do I get Logic Pro to recognise an external I/O device like the Tascam US200?
How do I get the Sound Preferences to "see" it?
Once it's seen, how can I enable multiple tracks in Logic Pro, so I can record my live drums ?

Did you install the appropriate driver(s) for the unit?
http://tascam.com/product/us-2000/downloads/
You should be able to assign any of the 16 inputs (not 14) to any Audio Channel Strip/Audio Track in Logic. Same for any of the 4 outputs.
If you use stereo Channel Strips/Audio Tracks, you should be able to record 8 stereo tracks simultaneously, or 16 mono tracks, or probably any combination of those, like 4 stereo and 8 mono tracks.
Yes, Logic is also designed for multi-track recording. Dûh. That is just an ignorant and nonsensical remark, probably born from frustration.
http://documentation.apple.com/en/logicpro/usermanual/index.html#chapter=2%26sec tion=5%26hash=apple_ref:doc:uid:TempBookID-ReplacedWhenAssociatingWithMessierRev ision-43984SET_SC_1002-1016046

Why do I have Logic Pro (9.1.3) and Logic Pro 9.0.0 in my app folder?

I have multiple versions of Logic Pro on my computer. Both seem to work the same. Plus I have 2 logic nodes. Should I delete one and which one? Any suggestions? Thanks

9.1.3 is the current version.
Delete any other versions you have and don't want.

Multiple output ultrabeat logic pro x

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