"Multiple Tempo Events Detected" -- Propblem with Logic and Reason

I have just migrated from a MacBookProp to a MacPro. All seems well except for the rewiring of Reason. When I rewire, I get the error message in Logic "Multiple Tempo Events Selected" asking if I want to review the list. Since no song is open in Reason, this would appear to be some kind of glitch. Also, there is a huige amount of latency between Reason and Logic. When I have just Reason open, there is no latency at all when I play. the same in Logic when I create a software instrument. But in rewire mode, it is about half a second! Any advice and help would be appreciated.

Update on this: the tempo issue was relegated to one project where there was a tempo change within Logic, so I apologize. But I still have a tremendous amount of latency between the two programs.

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Logic and Reason Combinators

I am running into a problem with Logic and Reason's Combinator module.
As you may know, the Combinator uses multiple synth modules and "combines" them. When I create an Aux track in Logic and and try to assign it to a Combinator patch (ex: Reason Pianos), instead of the sum Combinator showing up, all of the individual synth modules show up, thus I am unable to play the sum result of the Combinator patches. I can only select ONE of the four or five pianos that makes up the patch.
Anyway around this?

Search the "ALL OBJECTS" layer of your environment to see if there is a rewire object labeled "Combinator". If you find it, click the "chain" button on both the environment and the arrange windows, create an external midi track in the arrange window (make sure the track stays selected), then use the MIDI tool to click on the rewire object in the environment to set it up as a track in your arrange window. If you can't find a combinator rewire object, then you will have to create a new rewire object in the environment. To do this, choose NEW/INTERNAL/REWIRE OBJECT. With the rewire object selected, you will have to select the channel for the COMBINATOR (keep in mind that the channel name of the sum combinator will be the same name on the combinator's label strip in Reason). In the parameter box, change the rewire bus if the channel selection is not available.

Noob needs help with Logic and Motu live setup.

Hello everyone,
I'm a noob / semi noob who could use some help with a live setup using 2 MOTU 896HD's and Logic on a Mac.
Here's the scenario:
I teach an outdoor marching percussion section (a drumline and a front ensemble of marimbas and vibes). We have an amazing setup of live sound to amplify and enhance the mallet percussion. There is a yamaha PA system with 2 subs and 2 mains which are routed through a rack unit that processes the overall PA balance. I'm pretty sure that the unit is supposed to avoid feedback and do an overall cross-over EQ of the sound. Other then that unit, we have 2 motu896hd units which are routed via fire-wire. I also have a coax cable routing the output of the secondary box to the input of the primary box (digital i/o which converts to ADAT in (i think?)..?
Here's the confusion:
There are more then 8 inputs being used from the ensemble itself, so I need the 16 available inputs to be available in Logic. I was lead to believe that the 2nd motu unit would have to be sent digitally to the 1st motu unit via coax digital i/o. Once in Logic, however, I cannot find the signal or any input at all past the 8th input (of the 1st unit).
Here's the goal:
All of my performers and inputs routed via firewire into a Mac Mini running OSX and Logic pro.
I want to be able to use MainStage and run different patches of effects / virt. instruments for a midi controller keyboard / etc.
I want to be able to EQ and balance the ensemble via Logic.
Here's another question:
How much latency will I be dealing with? Would a mac mini with 4gb of ram be able to handle this load? With percussion, I obviously want the sound as latency free as possible. I also, however, want the flexibility of sound enhancement / modification that comes with Logic and the motu896hd units.
Any help would be REALLY appreciated. I need the routing assistance along with some direction as to whether or not this will work for this type of application. I'm pretty certain it does, as I have spoken with some other teachers in similar venues and they have been doing similar things using mac mini's / logic / mainstage / etc.
Thanks in advance,
Chris

You'll definitely want to read the manual to make sure the 896HDs are connected together properly. ADAT is a little tricky, it's not just a matter of cabling them together. Go to motunation.com if you need more guidance on connecting multiple devices. Beyond that initial hookup, here are a couple of quick suggestions:
1. Open CueMix and see if both devices are reported there. If not, your connections aren't correct. Be sure to select 44.1kHz as your sample rate, otherwise you are reducing the number of additional channels. For instance at 88.2kHz you would get half the additional channels via ADAT.
2. You may need to create an aggregate device for the MacBook to recognize more than the first 896HD. Lots of help on this forum for how to do that. Again, first make sure you have the 896HDs connected together properly.
3. As for latency with Mainstage on the Mini, no way to know until you try it. Generally MOTU is fantastic for low latency work but Mainstage is a question mark for a lot of users right now. If the Mini can't cut the mustard, you have a great excuse to upgrade to a MacBook Pro.

Logic and Reason (via Rewire) - no sound?

hey there,
I've just linked up Logic and Reason, via ReWire, and although they seem to be working visually, there is no sound.
Do I need a separate track set up so I can hear it?
I dont understand!

http://discussions.apple.com/thread.jspa?messageID=5861224&#5861224
I'm going to try this... See if it works on your end as well!

Recording with Logic and Mackie Onyx?

Has anyone an opinion about how well these
new
Mackie Onyx mixers w/ the Firewire Card
perform working with Logic Pro 7?
Specifically in terms of tracking
16 live channels simultaneously and getting
low latency as well as tracking out thru Logic
and the Mackie Onyx to a standalone CD-R for
mixdown/mastering?

It was my understanding that the audio which passes through the firwire pipe (in or out) does not carry the channel strip information with it.
this means that for tracking, your EQ settings will be for reference only. and you will have to use logic to EQ your work, and be careful on the way back in for CD burning not to double EQ your work.
Seems like a great idea, but has a number of drawbacks.
why not get a presonus or similar interface with many inputs, and then distribute the control room signal with something like a big knob?
seems like a simpler, more direct and ultimately "higher fidelity" solution.
imbmo anyhow...

Using multiple monitors with Logic 8 & Reason

Hi Guys
Im using a macbook pro to run Logic 8 & slaving Reason with it. How do I connect another 2 monitors so I can look at Logic's arrange window on one, Logic's mixer on another and Reason on the third monitor?
Cheers guys
SS

SSuitor wrote:
Is anyone here using 3 monitors??!
Yes, but not on a laptpo, since you need a third video card and port.
On a desktop like the Mac Pro, you can use the first video card to run two monitors, and install a second video card for the third monitor.
Although, I can't see using more than two monitors....
Cheers

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OK, What's Wrong Here--Logic and Reason

OK, before anyone goes off on me about this post, I have searched the topics in this forum and followed all the advice for hooking up Rewire applications (and the manual is absolutely useless on this, I might add). However, after creating two separate audio objects in the Environment (L and R Rewire channels) and assigning them to their own Bus, (see below)I still can't here any sound. I get to see the faders gleefully bouncing up and down as if they're saying "You can't hear me, You Can't hear me". Is there something in Logic 7.1 that's not covered in these posts about Rewiring or have I just missed something? Here's what I've done which I got from another post on this topic:
Environment Window
In the Middle section of the parameters on the Left select Create
Name it Rewire
Under that windows "New" pull down (Top Left), pull down to Audio Object
In the "Channel" pop up (Left, bottom section) select>Rewire (Left, right, 3,4... What ever you want.
Double Click the Audio Object to expand it
Pan Left or right, or whatever you need.
Rename if you wish
Do the same for the other stereo side. Now's the fun part. Assign these stereo pairs to a bus (above the fader, the default is "Out 1-2")
Go to the Mixer window
Double click the Bus you assigned, this puts it in the arrange window
Arrange window
Name the Bus "Rewire" or "ReDrum" or something great like that.
Been there. done that but still no sound. Thanks, as always, for your help.

On a side note everyone, does anyone have trouble with Reason and Logic looping together? Everytime I try to get a Reason song to loop with Logic it might loop once or twice (or not at all) but Reason will eventually lock up and its playback marker will stick on it's right loop marker and I'll hear no sound from Reason as Logic just keeps on looping. Then, if I let Logic keep playing, Reason might sync-up and start looping with Logic again or more often it doesn't. Could take 5 to 10 times around before it catches again, if at all.
I thought these types of issues were a thing of the past with modern software?
What's the deal?
Noah

Is anyone using logic and reason rewired on a macbook pro?

when cycling, either logic or reason loopes back a moment too early and cuts the end of the loop.
anyone able to reproduce this?
17" 2.16 MacBook Pro Mac OS X (10.4.6)

nobody has this problem, or an answer?

Logic and Reason.

Need to take a track that's coming from Reason via Rewire into Logic and export it as an audio track. Not sure how?

NENA 77 wrote:
Need to take a track that's coming from Reason via Rewire into Logic and export it as an audio track.
Two methods:
1. Solo the Reason Rewire Aux channel in Logic and bounce, after that import the audio to an Audio track (can use offline bounce in this method).
2. Set the "Output Select" of the Reason Aux to any Bus (Bus 10 in the example picture below). This will create a new Aux (2 in the pic) - you can mute it or set to "No Output". Go to an Audio track and set its Input to "Bus 10". Now you can use the monitor "I" of the audio track or arm the "R" and hit record in Logic which will record the Reason on to the Audio track in real time.
!http://img227.imageshack.us/img227/1341/rewaudio.gif!
!http://img59.imageshack.us/img59/4967/aglogo45.gif!

Syncing issues with Logic and Akai MPC 1000

I followed the directions in the manual and even some advice on another forum related to MPC's, but I still keep having problems whether I sync as Logic being Master or Slave.
When I sync Logic as Master the Tracks are kept in time with each other but they are not syncing to the grid in Logic right. It's a little off even though I set a few blank bars at the beginning of the sequence I wanted to record, and set the the tempo in Logic to the exact same tempo on the MPC. When I go to copy and paste certain bars while arranging it's always off cause the tracks are not in time with the bars in the arrange window. I want the tracks to be in time with the grid so it is much easier to copy, paste and arrange.
When I try to sync Logic as Slave...I can't even get it to work at all. The transport location just seems to jog in place. The last digits in the transport just keeps repeating themselves but no others, and there is no movement of the play head. It's just stuck. I don't know why it's doing that. When I try to sync Logic as slave I make sure the MPC is NOT in slave mode whatsoever, and that Logic isn't sending (as far as I know) any Master info to the MPC, so I really don't understand why it locks up.
I'd really appreciate help in getting this sorted out as soon as possible.
Message was edited by: excLOUsiv

Ok, so I checked the SMPTE offset. I switched it so it will start at 00:00:00:00 or what have you. Good news is that the play head is no longer stuck. The first time I tried this I got an error message saying "System Overload. The Audio Engine was not able to process all required data in time. (-10011)" after about 8-10 bars of recording.
Next time I tried this I did I stereo pass of one track and it worked perfect. It recorded the whole sequence and the sync was perfect. It was only that one time. Now I can't even get the empty initial bars to go through without getting that error.
What is happening with this? I should have a powerful enough computer. I have a 2.2 ghz Intel core 2 duo Macbook pro, 2 gigs of ram, os 10.4.11

What's wrong with Logic and Soundtrack Pro

Just spent a frustrating day trying to record with Soundtrack Pro and Logic
Soundtrack is working on and off
Problems:
1. Even if sounds are loaded in the multitrack editor, no sound when playing. Only the Solo (S) button make a track sound. No idea what's wrong?
2. Trying to record directly into a multitrack sometimes works, and sometimes not.
3. When making another attempt to record, the noise of death appeared (same as the long thread on Logic.
Finally I just recorded in Amadeus Pro. At least that software works. It just crazy. Look I accept there is a learning curve but this s just crazy
Apple is becoming an arrogant company that is becoming more interested in creating gadgets that providing tools that work
Sorry for the rant

BenB wrote:
I've worked on both Windows and OS X (Unix), with a few apps over the years. No one can possible work with every app on every hardware configuration possible on every OS available. So to make the statement you actually have is preposterous.
That said, Logic is the most used software in project studios. Mixing engineers like ProTools better. But the two have way more market share than anything else.
Hey Ben,
Sorry to bump your fanboy applecart... (don't mean that as derogatory as it may sound, I liked the play on words)
From everything that's happening here and the west coast (USA) many of the Logic users I know have switched to other software, the two Logic studios here have gone to ProTools mainly because Logic version 8 was so unstable, there are no more Logic studios here. The studio with the most business uses a Radar system, the second busiest studio is running Sonar. There is a fellow with a mobile system using a MBP and Logic but he uses version 7.
The University here took bids 3 years ago and opted for PC/Nuendo/RME setups.
So yes, Logic may indeed have the most project studio percentage but since every jerk can download it for free what is the quality coming out of these project studios? My point is, for professionals, Logic is becoming less and less of an option, most everyone that used it professionally has been disappointed in Apples support of the product, a long time between upgrades and except for user boards like this... literally zero professional support. You know there's problems when you call up Apple and know far more about Logic than the support staff. It seems like both of those are starting to improve but I think it's a little too late. Also... there's still the "blast of white noise" problem that hasn't been addressed, no professional studio can take that kind of chance.
Apple is using Logic to sell hardware, smart business, absolutely. However, cutting the price in half, removing the copy protection and throwing in the kitchen sink plus seemingly not giving a d@mn that the program is pirated leaves a very bad taste in my mouth.
pancenter-

Whats the best Audio Interface to use with Logic and MacBook Pro?

I currently own a Line 6 Pod X3 Pro and although its much better than the Eleven Rack (what an overrated piece of junk in a pretty candy coating, more fizz than club soda and still no balls. Some say it just needs a cheap overdrive box to do the trick. I say how can it possibly be worth a Grand if a cheap added piece of equiptment is needed to improve the sound?) It's still not exactly top notch, to say the least.
     I was really considering the SSL (Solid State Logic) XLogic Alpha-Link MADI, a 24 channel high-end AD/DA Converter. It's somewhat pricy, but you can't possibly find a bigger bang for your buck, however I don't really need that many channels. I'm really going for quality over quantity, but I'll pay for the extra inputs if there's no way around getting top of the line otherwise.

Thanks but I already figured it out, or rather B&H did for me. Firstly, to use the SSL with a DAW you'll need to use the Extreme "PCIe card" which neither notebooks or iMacs accomodate. So unless I want to dish out an additional $1,500 for an RME laptop interface (with built in PCIe card) for this interface i'm shoot out of luck, boo! I was really looking foreward to that set up.
    However, to answer my own question (and save a couple hundred bucks) you simply can't beat Apogee's Ensemble, which is built specifically for Mac. Much simpler - no drivers needed, and I actually understand the specs, 16 channels, and 4 of which even have transparent mic preamps. And its only $200 more than the Rosetta (only 2 channels, and nothing but converters - no preamps).
     The main thing I also wanted was to have as least components as possible going into Logic. I already passed my "gear collecting phase," and the more I added the worst it sounded. I was already forewarned of such results, but when your a newbe like I was I guess you have to find out for yourself. So I'll be getting rid of my Line 6 POD X3 Pro; dbx 1066; Presonus Eureka; Aphex 204; and 8821 Sonic Maximizer ( I already got rid of the 11-Rack, good riddence!
   And replacing them all with an Avalon 737 - anything that sounds that good over YouTube has gotta kill - and the guy from B&H said "thats one SWEET set up!" Of course every body knows Apogee and Avalon are no brainers (if you've got the patience to save up for the good stuff) but I'm more of a best kept secret type of guy (or try to be) however this time I don't mind conforming. Taylored quality and simplicity...Perfect...what more can a guy (or girl) ask for (now if I can only get my hands on some Vienna Symphonic Orchestra Software to pick up the slack where Logic is lacking.)
    I just want to stop with the learning every new gadget nonesense already and get back to being a musician again.
PS How do I switch this topic to the Logic forum? I'm sure it will be more helpful to others there.

First time recording live with logic and makie onyx

this week i am due to record my band live for the first time. i am running logic on a power book with external lacie 250gig. and will require 16 channels.
here is the problem, after channel 12 the input selector goes back to one even though i have 16 audio channels, and i can clearly see 13-24 but they are dull so i cannot select them?
how do i increase the amount of input options?
best
justin

Hi Justin,
Unfortunately, LE7 is limited to 12 simultaneous inputs. Logic Pro is unlimited.

Is there any way to synch recurring events, including exceptions, with google and with iphone?

This seems to be on ongoing problem, which makes it difficult to synch my google calendar, needed for outside users, and the thunderbird (lightning) version. When i change ONE ocurrence, in Thunrderbird, the event disappears from gogole (and iphone synched calendar.) If I change either in google or on iphone, sometimes the exception does not appear in Thunderbird. Plenty of blogs pose the same question. Are there plans to "fix" it?
Thank

No. With IOS 5 you will be able to sync/backup wirelessly but it will be over wifi.
http://www.apple.com/ios/ios5/features.html

"Multiple Tempo Events Detected" -- Propblem with Logic and Reason

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