My crop tool isn't visible in the effects controls of Premiere Pro. Where could it be?

I've just downloaded Premiere Pro CS6 and it's all up to date. When I go to the effects controls to crop a graphic the "crop tool" is not showing as in it's simply not there. To be clear, it's not there at all, no selection for a drop down. Is there some where that I need to access to make it show up or what? The motion, scale, opacity, etc are all showing as an option, but not the crop tool.

I just did that write before I read this post. I was going on here too delete this, but saw you answered it! That's exactly what I did. I've been watching tutorials and they show it as if it automatically shows up in Effect Controls...

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HT202213 The screen displayed on the instructions for home sharing described as being found on the left side of iTunes isn't visible on the new iTunes page?? Where do i find that screen i.e., how do I fine the home sharing icon on the new iTunes page?

The screen displayed on the instructions for home sharing described as being found on the left side of iTunes isn't visible on the new iTunes page?? Where do i find that screen i.e., how do I fine the home sharing icon on the new iTunes page?

ontthe top menu
View > Show sidebar
Then the computers for home sharing show up under the Shared section

I'm unable to drag-and-drop a script from the Story window in Premiere Pro to a clip

I have a film script visible in the Story window, and I try to drag it to the relevant clip in the Premiere Pro project window—but nothing happens.
I have also tried to attach an astx file, but I get the "matching scene number not found" error, even though I put scene number 1 in the clip and in the astx.
What am I doing wrong?
Incidentally, though your help indicates that "all the scripts" you have in Story will be visible in the Story Windows in Premiere Pro, I can see only the film scripts—not for instance the multicolumn scripts I also have. Is there something I can do about this?
Thanks you,
PIerre Sauvage

Hi,
Please make sure that you are performig drag drop with scenes and not complete scripts. You will notice a cursor change when you do so. For more clarification, please refer to this post. 'http://forums.adobe.com/message/5533247#5533247'.
Importing astx is a much longer way to go through the same thing , so i would suggest to try out the drag drop workflow only and let me know in case you still face issues with it.
Also, yes, column scripts wont be visible to you in the Story panel inside Premiere. For this, I am afraid you will have to convert your column scripts into a film script. Let me know if you need help with this.
Hope this helps.
Thanks
Rashi

Generate text from the effect controls

Is it possible to generate text from a textfield (or something similar) from the effect controls?
I have an Adjustment Layer with a custom effect on it with a Slider, two Color pickers and four Checkboxes.
Can I somehow add a textfield that the user can input text in, and then link this to a text layer in the composition?
The reason I want this, is because the user can add all the information in one effect, instead of having multiple text layers to edit.
I don't think there is a textbox for this, but is there anpther way? Let's say I add an effect that has a dynamic name, that I can link up to the source text of my textlayers in the composition.
Any help would be much appreciated
Eirik

Thank you for fast reply!:)
Ok, then I guess it can't be done, not the way I hoped anyway.
This is the effect I have made. I have linked the properties to other layers.
What I wanted was an input field where the user inputs for example "My Title". The source text of my text field in the composition would then update to "My Title".
I know I could probably do this by code, but then the original point kinda disappears. It should be easy for the user to adjust the settings under one effect, instead of having to adjust it multiple places.
I guess the user have to edit the textfield in the comp by actually going into the layer (doubleclick it/highlight it with the text tool etc.) unless you have a genius workaround? (Please say you do:P)
Eirik

The Next Version of Premiere Pro CC - Warp Stabilizer

With the recent post of what's coming in the next version of PPro CC, I was sad to see no mention of Warp Stabilizer. As amazing of an effect as it is, it needs a bit of help. I know there are improvements and fixes that probably weren't mentioned in the post so I'm still holding out hope. We use Warp Stabilizer more than anyone I know. Several hundred times per week. Yes, per week, no exaggeration. Over the last few years, we've built an entire style of shooting around the strengths of this awesome effect that emulates the use of a slider, steadicam and crane all without having to have them. So we've become really familiar with its PROS and CONS.
Here is a short list of SEVEN things that should be addressed with regards to warp stabilizer within Premiere Pro CC to maximize its effectiveness (and yes we did submit multiple Feature Requests for these so far to no avail):
FIrst and foremost and by far MOST IMPORTANT to us - Allow users to create a CUSTOM PRESET with any altered settings that will engage (or begin Analyzing/Stabilizing) automatically when added to a clip!! This is huge. If you double click on Warp Stabilizer with a clip selected, it is applied to that clip and begins the process of stabilizing that clip. However, the vast majority of the time we need to alter the settings of the effect. If we create a custom preset, that's all fine and good, but when we add that to a clip, it does NOT begin stabilizing. Instead you have to manually go into the Effect Controls for each clip and select ANALYZE. Huge waste of time when adding this effect to hundreds of clips. PLEASE FIX!
BUG when saving projects!!! - If this is not a bug, it needs to be fixed because it's awful. - If you have more than one sequence with multiple warp stabilizations added and GPU ACCELERATION IS ENABLED, then after you SAVE a project (or if it auto-saves) when you toggle between the two sequences you are hit with a delay or freeze while the render bar goes from Yellow to Red...and finally back to yellow again. No work can be done during this delay/freeze. The more stabilized clips, the longer the delay. For us, on our larger projects this delay is sometimes 30 seconds to almost a full minute! Once it turns back to yellow, you can toggle between sequences without the delay...but as soon as it saves again...and you toggle between sequences, the delay hits again. If this is a bug, or somehow a result of Premiere Pro's way of CACHING projects after it's saved, then I sincerely hope it's fixed asap. It's awful!
The third is more of a feature request than a fix - Add the ability to set the maximum scale to work WITH the smoothness control so that if you never want your clips to scale more than say 105%, you can set that and have Warp Stabilizer stabilize the clip and adjust the "smoothness" percentage from the default "50%" down to whatever it needs to be in order for that clip to be fully stabilized and scaled to no more than 105%. Correct me if I'm wrong, but this is not possible currently. Right now we have to manually adjust each clip if it is initially scaled too much by dropping down the Smoothness %.
Another great feature would be the ability to manually keyframe the scaling so that if you have a longer clip that starts fairly steady, then needs to be smoothed out a bit more in the middle, before it ends relatively steady again, you can slowly and seamlessly ramp up the stabilization/scaling so that the whole clip doesn't have to be scaled to make up for the misgivings of one portion of the clip.
Minor bug - sometimes when you have extended the length of a clip, the clip needs to be re-analyzed again. However, the "analyze" button is often greyed out. You need to click away from the clip and then click on the clip again to make that button appear again. Nothing big, but still, a small bug.
After Effects Warp Stablizer VFX feature carried over - It would be nice to carry over to Premiere the ability to isolate what in frame is supposed to be stable (sometimes someone nodding their head can trick the effect into thinking that it's the camera shaking). Great to have it in AE, but would be nice to carry over to Premiere Pro CC.
Finally, I've always believed that no matter how cool "Subspace Warp" sounds, it is not as effective as "Position, Scale & Rotation". This SHOULD be the deafult "method" within the Warp's settings. I'd say 95% of the thousands and thousands of clips we've stabilized we ended up switching the "Method" within the settings to "Position, Scale & Rotation" because it either scaled the shot less or created less "wobble" in the resulting stabilized clip. I know everyone shoots differently, and sometimes Subspace Warp is the way to go, but we have stabilized all sorts of shots with great success by simply switching this setting. Granted...if #1 on this list was taken care of we could then easily have this set as our default setting.
Hopefully this list either reaches someone within Adobe that can do something about them or at the very least inspires others to write feature requests and bug fixes as we have. Even resolving #1, #2 and #3 would be HUGE and would save our editors probably 10 hours per week. It's an awesome effect, far better than "smoothcam" on FCP7, it just needs a little love.

CoSA_DaveS wrote:
All good points, thanks for posting.
For #1, you can make this work in AE at least. This tip is from my colleague DanW:
If you make a preset by only selecting the values you change (and not a preset for the whole effect) then it will auto-analyze on apply.
Simplest way: apply WS, make edits, hit UU to reveal changed params, select all "i-beams" in the Timeline, drag them to the Effects & Presets panel.
For #4, you can get manual control over the scaling by setting Framing to Stabilize Only, and then keyframe Additional Scale to taste. At one point we were going to try to automate this, but found automatic scaling to be very subjective as to the best way to handle it.
For #6, Warp Stabilizer will not track areas with zero alpha channel. So you can pre-mask the input to reveal just the parts you want to stabilize. Do this inside a nested sequence, with Warp Stabilizer applied downstream (in the outer sequence). The just-announced masking & tracking capabilities of the next CC version should be handy for this.
-DaveS, Adobe Dynamic Media, Advanced Product Development
Hi DaveS!
Great to hear that you guys are taking a look at this list. Hope it helps make it better. #1, #2, and #3 are by far the biggest time killers for us so hopefully they'll be able to be fixed/resolved within Premiere soon.
Regarding your note about #1: Allowing this functionality within Premiere specifically would be very helpful. Would it be possible to eventually allow Premiere to auto-analyze when a saved custom preset is applied to a clip? I tried it in AE as you suggested, and couldn't figure it out. But realistically we use Warp Stabilizer on so many clips that round tripping literally hundreds of short clips to AE would be just as time consuming as going into the settings in premiere for each one and adjusting the parameters. We usually adjust the method and then adjust the smoothness scale so that it doesn't "Auto-Scale" more than 104%. That's where our #3 suggestion would help. I didn't quite understand how to make a preset of specific changed values. I tried, but couldn't follow DanW's suggestion. Granted, I'm not that great with AE. I really just use it for the Warp VFX's ability to isolate what in frame is stabilized (hope that comes to Premiere one day) and that's about it. And I really only have to do that a couple times per project. Anyway, I'm sure I'm doing DanW's suggestions wrong but regardless, I'm not sure it would save us much time when we have several hundred individual little clips that would all need to be sent to AE. Any hope for adding this auto-analyze functionality (hopefully allowing a custom preset on the whole effect and all it's adjusted parameters) in Premiere CC?
Regarding your note about #4: That is a valid work around for now. I appreciate that thought. Thanks!
Regarding your note about #6: I think I half understand what you described. I'd have to try it. Although, as I said before, the AE way of doing it is ideal and I just hoped that ability to show the tracking points and delete them over time would come to Premiere CC one day. When the next CC comes out I'd love to try this masking method although I think I'll have to claify exactly what you want me to do just to be safe. Is there no hope to port this added functionality that's in AE's Warp VFX over to Premiere's Warp Stabilizer? Again, not the end of the world for us. I'd rather #1, #2 and #3 be addressed inside Premiere Pro CC for now.
Fixing the first 3 on this list would be HUGE time saver for us.
Thanks again DaveS to you and the rest of the Adobe team for looking into this list. Very much appreciated.

Please inform me where I can get the title template as the plugin for Adobe Premiere Pro CC 2014?

Dear Adobe Premiere friends,
Previously I the user of Pinnacle Studio which I can easy use the Title style/template, now I'm using Adobe Premiere Pro CC and difficult to have the Title style/template, can anyone inform me where i can download the free Title plugin/template.
Tks & B/regards,
Handjojo

Hi,
Here is a link to download the additional templates for premiere pro: Library, title templates, template projects missing: Premiere Pro, After Effects, Encore
They are common for cs6, cc and cc 2014.
Thank You
Arjun

What is the shortcut to snap to the cut point in premiere pro?

what is the shortcut to snap to the cut point in premiere pro?

S.
There is also an option to set snap in the Preferences/General.

What's new in the next version of Premiere Pro? Check it out!

Here's some of what's coming up in the next version of Premiere Pro and AE. Can't want to play with this!
http://wwwimages.adobe.com/www.adobe.com/content/dam/Adobe/en/products/creativecloud/cc/pd fs/nab2014-reveal-whats-new-for-pre-release-20140321.pdf?sdid=KLBWR
Preview videos here: http://tv.adobe.com/watch/adobe-at-nab-2014/whats-new-in-premiere-pro-cc-nab-2014/
Some awesome new stuff coming our way!
Fingers crossed they also fixed Multicam editing (i.e. intelligent separate window UI). I'll find out soon enough at NAB.

Lots of great new things coming our way!
However its seems that many basic improvements are still missing. Here's the list of items I'll be going over with the Adobe reps at NAB. See something missing in my list? Feel free to share!
Disappearing markers when track below a certain height (http://forums.adobe.com/message/6205015#6205015)
all effects on/off toggle, especially to disable transitions while working with keyframes in the ECW (http://forums.adobe.com/message/6210552#6210552)
'Source Clip: Next/Previous' not working in full screen mode (http://forums.adobe.com/message/6140378#6140378)
Effect presets too easy to rename by mistake
Auto color coding of clips with Warp stabilizer applied (http://forums.adobe.com/message/5946227#5946227)
Project window tab name: just 'Project', nothing else (http://forums.adobe.com/message/5935706#5935706)
Multicam angles in separate, full screen viewable window (http://forums.adobe.com/message/5934039#5934039 and http://forums.adobe.com/message/5931933#5931933)
Pasting at cursor position instead of lowest active track (http://forums.adobe.com/message/5934219#5934219)
Remove gaps function (http://forums.adobe.com/message/5946226#5946226)
Intelligent tooltips that report info on individual clip or selection, depending on what's selected (http://forums.adobe.com/message/5934215#5934215)
Constant rasterization of titles and Illustrator files (http://forums.adobe.com/message/5934211#5934211)
Multiple Effects windows (http://forums.adobe.com/message/5929261#5929261)
Default to first clip loaded in Source Monitor (http://forums.adobe.com/message/5909239#5909239)
Sticky solo settings in Audio Meters window (http://forums.adobe.com/message/5908879#5908879)
Smooth fades (http://forums.adobe.com/message/5901648#5901648)
Prevent off screen changes (http://forums.adobe.com/message/5792648#5792648)
Keep focus on Timeline when tilde toggling out of full screen mode (http://forums.adobe.com/message/5777794#5777794)
Intelligent 'Nudge Clip Selection Down/Up' (http://forums.adobe.com/thread/1267353?start=0&tstart=0)
Keyboard shortcuts to apply transitions to CTI only (http://forums.adobe.com/message/5542185#5542185 and http://forums.adobe.com/message/5544651#5544651)
PP windows wirelessly sent to tablet/smartphone (http://forums.adobe.com/message/5538217#5538217
Drag/drop modified clips from Timeline to Project window (http://forums.adobe.com/message/5300065#5300065)
Shift-toggle to restrict movement to up/down or left/right in Program monitor (http://forums.adobe.com/message/5293341#5293341)
Smart Bins that auto collect certain asset types, such as titles
Ability to move entire motion path as in AE (http://forums.adobe.com/message/5292523#5292523)
Non-slipping keyframes in ECW (http://forums.adobe.com/message/5284322#5284322)
Aesthetically correct rounded/clipped corners in Titler
'Zoom to Keyframes' shortcut in ECW (http://forums.adobe.com/message/5192692#5192692)
Consistently intelligent font lists across all CC programs (http://forums.adobe.com/message/4955178#4955178)
Offscreen media overwrite warnings when moving a clip would overwrite content outside the viewable bounds of the Timeline (this would be an NLE first afaik)

How to transfer the content of the video to Adobe Premiere Pro CS3 for editing ?

Hi there,
I have an old video camera that is still working. That video camera uses a Hi 8 tape. The tape is bigger that the current DV tape. The size of the tape is something like a tape cassette.
How to transfer the content of the video to Adobe Premiere Pro CS3 for editing ? Being an old video camera, the output doesn't have any firewire or USB connector. In fact the only output is has is the Yellow, Red & while connector (is this referred to as composite).
So, how do I input this Yellow, Red & White cable into the PC (or rather into Adobe Pro CS3) ?
Any established hardware/convertor to recommend ?
Thanks

Ryan,
For "composite out," only you will need an A-D "bridge" to Capture from that camera. Grass Valley/Canopus offers two really good ones, the ADVC-110 and the ADVC-300. There are others and also PCI A-D capture cards, but the Canopus units get very good reviews.
One other workflow would be to hook your older camera to a digital video camera with passthrough (not all have this and it is being discontinued fairly rapidly in consumer cameras) and then doing the Capture through that digital video camera via FireWire. You will not have Device Control, but can easily start/stop via the mouse and one hand on the switches, or on a remote.
Good luck,
Hunt

I am trying to export a video as an flv but the list of possible formats is much shorter than it used to be. I cannot find any way to make an FLV using the newest version of Premiere Pro. Need help fast! I am on a Mac

I am trying to export a video as an flv but the list of possible formats is much shorter than it used to be. I cannot find any way to make an FLV using the newest version of Premiere Pro. Need help fast! I am on a Mac

Support for exporting to FLV and F4V has been removed. To learn more, please consult this blog post: removal of FLV and F4V export features from Adobe Media Encoder, After Effects, and Premiere Pro | After Effects regio…

What's coming in the next version of Premiere Pro CC

Hi all,
Here's a blog post by Al Mooney telling you about what's coming in the next version of Premiere Pro.
http://blogs.adobe.com/premierepro/2014/04/thenextpremiereproccrelease.html
tclark also posted this link a bit earlier about all the CC video applications: http://blogs.adobe.com/creativecloud/revealing-the-next-wave-of-innovation-in-pro-video-ap ps/?sdid=KLCUB&PID=3515632
Let me know if you have questions.
Thanks,
Kevin

Congratulations on a significant amount of development.
Not sure yet which ones I would consider "best for me".
Maybe Masking , definitely SG Scope, Master Clip Function.......
http://wwwimages.adobe.com/www.adobe.com/content/dam/Adobe/en/products/creativecloud/cc/pd fs/nab2014-reveal-whats-new-for-pre-release-20140321.pdf?sdid=KLBWR

FAQ: What are the best resources for Premiere Pro CS6?

Here are high quality resources for troubleshooting and tutorials related to Premiere Pro CS6.
Premiere Pro CS6 troubleshooting articles
Issue: I'm having trouble downloading and installing Premiere Pro CS6. What do I do?Answer: See troubleshooting documents, post in the appropriate forum, or contact support.
More info: http://blogs.adobe.com/aftereffects/2013/09/troubleshooting-issues-with-downloading-and-in stalling-after-effects.html
Issue: What are the system requirements for Premiere Pro CS6?See this article: http://helpx.adobe.com/premiere-pro/system-requirements.html#Adobe%20Premiere%20Pro%20CS6% 20system%20requirements
Issue: Why won't Premiere Pro CS6 play back AVCHD media?Answer: Update to Premiere Pro CS6 (6.0.5). Previous versions of CS6 had this issue.
More info: http://blogs.adobe.com/premierepro/2013/08/premiere-pro-cs6-6-0-4-update.html
Issue: Does Premiere Pro CS6 work with OS X 10.9 (Mavericks)?Answer: Yes, make sure you update to Premiere Pro CS6 (6.0.5)
More info: http://blogs.adobe.com/premierepro/2013/10/premiere-pro-and-mac-os-x-10-9-mavericks.html
Issue: Is there a trial available for Premiere Pro CS6?Answer: Yes, subscribe to the free version of Creative Cloud, then download the trial.
Issue: I'm having unexpected behavior in Premiere Pro CS6 and want to trash preferences. How do I do that?Answer: See this blog post: http://blogs.adobe.com/genesisproject/2011/02/premiere-pro-cs5-maintenance-two-great-tips. html#more-537
Issue: I'm getting errors related to QuickTime. What do I do?Answer: See this blog post for troubleshooting items related to QuickTime: http://blogs.adobe.com/aftereffects/2011/02/troubleshooting-quicktime-errors-with-after-ef fects.html
Premiere Pro CS6 tutorials
Issue: I'm new to Premiere Pro CS6. How do I get started?Answer: See this blog post: http://blogs.adobe.com/kevinmonahan/2011/05/20/getting-started-with-adobe-premiere-pro-cs4 -cs5-cs5-5/
Issue: I'm switching to Premiere Pro CS6 from Final Cut Pro 7. Are there any tips for me?Answer: See this article by Scott Simmons on Pro Video Coalition: http://provideocoalition.com/ssimmons/story/105_adobe_premiere_pro_cs6_questions_answered
Issue: I just switched to Premiere Pro CS6 from Final Cut Pro 7. Are there any missing features between the applications?Answer: See this article: http://provideocoalition.com/ssimmons/story/10_fcp_things_fcp_editors_might_be_missing_in_ adobe_premiere_pro_cs6
Issue: Are there any good, free Premiere Pro CS6 tutorials available?Answer: See these tutorials: http://library.creativecow.net/series/Premiere-Pro-Basics-CS6--above-with-Andrew-Devis
Issue: How do I optimize Premiere Pro CS6 for best performance?Answer: See this article: https://www.video2brain.com/en/courses/after-effects-premiere-pro-performance-workshop
Issue: How do I operate the multicam function in Premiere Pro CS6?See this article: http://provideocoalition.com/ssimmons/story/working_with_multicam_in_adobe_premiere_pro_cs 6

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How do I get my file into the time line in Premiere Pro CC?

How do I get my file into the time line in Premiere Pro CC? I am use to Premier Pro CS6 and unfortunately my labtop took a crash and I lost all of my adobe products. I wanted to check out a trial version and I cannot seem to find one for CS6! Please Help Me! My project is due tonight!!!!!

Hi Aneumann,
Welcome to the Forums.
You have to just right click on the clip imported, in the project panel and select new sequence from clip. You can also go to file menu>new>sequence and create a sequence and then drag the clips after importing them , into the timeline.
Regards,
Vinay

Can I change the fisheye look through premiere pro, from a GoPro camera?

Can I change the fisheye look through premiere pro, from a GoPro camera?

That depends, at least in part, on which platform you're. [That and the exact version of Premiere Pro you have are two data points that you should always include...]
On Windows, Premiere has an effect called Lens Distortion. I'm not sure what your options are on Mac. If someone else doesn't come along with suggestions for Mac, then Googling "'Premiere Pro" mac fisheye GoPro" yields some promising hits.

Download the trial version of Premiere Pro CC on my Mac 10.9 keeps crashing

I am trying to download the trial version of Premiere Pro CC on my Mac 10.9 but the download keeps crashing. I have no idea why and how to fix it. Any help?

Hi SandraMeorme,
Please try downloading from here: Download New Adobe CC Trials: Direct Links (no Assistant/Manager) | ProDesignTools.
Note: Kindly follow the very important instructions before download.
Regards,
Romit Sinha

My crop tool isn't visible in the effects controls of Premiere Pro. Where could it be?

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