My shooting setup

Hi all
Well after reading through this forum it seems there is a lot of information about how many images should be shot etc. so I thought I would share my setup as I seem to be embarking on a bit of a mission. I need to be really accurate, as the images will be used in photogrammetry, so I am being as scientific as I can be. The camera is a Canon 1ds Mark II, and I have these lenses:
28mm
50mm
85mm
24-105mm
24-85mm
70-200mm
8mm fisheye
I have a small studio of approx 16ft in length.
Primes:
close-up focus distance: 9 x chart positions, 1 stop aperture increments
mid focus distance: 9 x chart positions, 1 stop aperture increments
far focus distance:  9 x chart positions, 1 stop aperture increments
Zooms:
close-up focus distance, widest zoom: 9 x chart positions, 1 stop aperture increments
close-up focus distance, mid zoom: 9 x chart positions, 1 stop aperture increments
close-up focus distance, tele zoom: 9 x chart positions, 1 stop aperture increments
mid focus distance, widest zoom: 9 x chart positions, 1 stop aperture increments
mid focus distance, mid zoom: 9 x chart positions, 1 stop aperture increments
mid focus distance, tele zoom: 9 x chart positions, 1 stop aperture increments
far focus distance, widest zoom: 9 x chart positions, 1 stop aperture increments
far focus distance, mid zoom: 9 x chart positions, 1 stop aperture increments
far focus distance, tele zoom: 9 x chart positions, 1 stop aperture increments
Now, not only do I have my work cut out for me, but I doubt I have the space needed. What I would like to know is are all the focus distances really needed? I guess giving how exact we need our profiles to be it is in fact a requirement? Also I thing getting smaller grids will be needed for some of the telephoto and close-up shots seeing as I dont have a huge amount of room?
Any thoughts will be appreciated.
Elliot

Hi Elliot, the first potential big timesaver is to check if the Adobe-supplied profiles work well on your system. For example, with the public Camera Raw 6.2 Release Candidate and Lightroom 3.2 Release Candidate (posted last night), Adobe has Canon lens profiles for all 50 mm lenses except the f/2.5 compact macro, both 85 mm lenses, the 24-105 zoom, and all 70-200 lenses. If these do work well for you, then that takes care of 4 of your 7 listed lenses, including two zooms (which are more time consuming to profile).
Regarding focus distance: yes, it does matter, but only if you shoot in those conditions. For example, if you never use your 28 mm at minimum focus distance, then it's not worth profiling it at that distance. Consider doing just 2, or maybe even just 1 focus distance.
When we build profiles internally at Adobe for broad distribution, we really can't assume how a lens will be used (i.e., we can't go around saying, "don't use this lens at minimum focus distance ... !"), so we need to cover the bases and build thorough profiles that will work well under a broad range of field & studio conditions. But for profiles that you're building for your own use, this is not necessarily the case.

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    I would also like to run the other studio apps on this box...including the new studio apps, such as color.
    when i bought this company, all this equipment was setup.
    So this is my first time setting up a system of this size.
    I've put together some great DV systems but that's nothing compared to the amount of money you could spend putting one of these HD systems together.
    I started looking into feeder decks depending on what camera we shoot with...Sony has a nice unit for about $7500...it seems to have all the pro outputs including hd-sdi.
    As for the video router...could you suggest where i might start to look for an item like that? Is anyone using something similar?

  • PC build and Disk Setup for a Pro-Wannabe

    Hi All,
    I know everyone asks these questions and I thought I will not but, when you spend more than $3000 it feels their is no "Harm" in asking the question (but hopefully their will be Harm somewhere in the comments).
    So, after waiting for the Mac Pro update for 2 years (just to fool myself that I may buy it), I have decided to move from the Mac OS to Windows after 4 years. I was only using a Macbook Pro to edit and feel now have the suitable experience to begin working on an actual machine.
    If you ask my budget, I didn't have any so I went on a buying frenzy with my credit cards and will hopfully be driven to work harder to pay it off .
    Here are the parts I have bought:
    CPU - Intel 3930K (duh! I don't see a point in waiting for the 4th Gen)
    Mobo - ASUS P9X79 Pro
    RAM - GSkillz 32GB (8GBx4) @ 1600MHz 9-9-9 (as 3930K is limited to 1600MHz and 1.5V)
    Will buy this same set around end of this year to make it 64GB if I feel AE would eat it.
    Cabinet - CoolerMaster Storm Stryker (was buying HAF-XM but could not resist the looks of this).
    PSU - Seasonic 860W Platinum Plus (Thought 1k is overkill and 750 not future proof, pricey though)
    Storage (I thought I will get 1 cheap SSD and 1 Hybrid but then I read all the threads and went crazy)
    Samsung 840 Pro SSD- 256GB - 2 nos.
    Samsung 840 (nonPro) - 128GB - 2 nos.
    Seagate 7200rpm HD - 2TB - 3 nos.
    Monitor (just fyi) - Dell U2412 (planning to buy ASUS PA '13 or Dell Ultra '13 24" after few months)
    .. finally GPU - Not bought yet
    I ordered the ASUS GTX 680 4G as 780 was too costly
    but then I read the actual successor to 680 is 770. So I cancelled my 680 but the seller still has not confirmed, just hoping they cancel. Then it turns out 770-4G is not yet sold in my country (am not from the US) so I may import from US (surprisingly importing from Amazon with duties costs the same as probable street price in my country). So I will mot probably buy a..
    Gigabyte GTX 770 4G
    So, Question 1> Any comments on the component list?
    As I plan to build this on my own, have not thought of overclocking as I am not a geek and feel I should first get comfortable. Fair thought?
    And hence I have not bought any additional Fans or Coolers.
    And now for the Question 2> disk setup! Can you please fill the blanks or suggest alternatives.
    This is what I have planned:
    C: > Samsung 840 Pro 256GB : OS and _____ ??
    D: > Samsung 840 Pro 256GB: Previews and Renders and/or ____ ??
    E: > Samsung 840 128GB x 2 RAID-0 : Footage and ___ ?? (the 128GB version has slowest write speed so assigned it to footage)
    F: > Seagate 2TB x 2 RAID-0 HDD : Exports and General Personal Files (like Docs, Music)
    G: > Seagate 2TB : Dedicated solely as Backup Drive for crictical data at any time (which for me can be on any drive, that is why no RAID3/5 I feel)
    And I plan to use my old external USB2/Firewire/USB3 external drives (500GB/1TB) for manual backups.
    I can buy 1 or 2 more 2TBs (not SSDs) if it is really critical for some configuration but not anything more.
    Usage: I shoot only DSLR footage and use PPro and AE CS6. I have till now been using a 2009 17" Macbook Pro with an SSD. And could have been spotted sometimes using a Class 6 SD Card on a USB 2 card reader being used as the Media drive (Ouch!). I feel (a) now I have the skill to justify this as many times I end up not implementing an idea in AE as my machine just won't budge and (b) I plan to buy the BlackMagic Pocket Camera to learn capabilities of RAW media. Like many I do hope to make an indie in the next 2 or 3 years but I hope I can employ services of a professional who should at least give me respect when he looks at my machine
    If you have made it till here, thanks for your time. Waiting for your comments.
    Cheers!
    Ps: And yes I am planning to subscribe to CC as its cheap for a CS6 owner. And then after 1 year will judge if I will continue with CC once upgrade pricing goes (hopefully yes as I wait for an extensively GPU using AE version soon).

    Regarding question #1, build list, and question #2 drive setup:
    everything looks great except...
    add a good cpu cooler; lots of good choices out there including but not limited to: budget: Cooler Master 212 EVO, high-performance air: Noctua NH-D14, simple liquid: Corsair H110, full water cooling: many options (full water cooling is a pain to plan and build, but ooooohhh so quiet!)
    RAM: suggest go for 64GB at the onset rather than trying to add RAM later
    definitely plan on overclocking - 4 Ghz is a walk in the park and very safe since you aren't totally comfortable with overclocking, and the performance gain is rather significant for renders, etc.
    One SSD is plenty to get started - 256GB would be good for OS, programs, as well as providing some room for AE and photoshop caching
    2 drives in RAID 0 would work pretty well for all projects, media, etc. If you really want to spend more in the drive area up the RAID to a 3 or 4 drive RAID
    Suggest putting your backup drive in a hot-swap tray so you can remove it and provide off-site backup capability
    Regards,
    Jim

  • NETWORK setup-HELP please !

    tried to access search & articles w/o success.
    i have 2 G4s wired via ethernet to a d-link router that yes does have both G4s working as far as internet.........but i am very confused about what is 'Server - Network - File sharing ' etc.
    when i first hooked this up i got G4 #1 to.......GO> connect to server >choose HD1 or HD2 (from G4 #2)
    it was listed in 'mount to volume'.
    now i have a weird problem, after [connect to sever] it simply WILL NOT connect thru my REGISTERED USER......only thru a [guest], and then it will only mount to 'somthing' i have named and offers DROP BOX only.
    OK technically i can 'file share' (i think) by using this....BUT what i really need is for BOTH G4s to be able to connect or 'mount' to the HDs.
    i have seen this work allready once on G4 #1 but #2 never did.
    things that seem important.
    -volume to mount
    -admin name
    -rendevous name
    -work group
    -apple talk
    -IP address
    so what did i do when i had the HD in my network, was that a server or file sharing ??????
    when im in an app like FCP i can easily import or open from ANY HD......'drop box' doesn't appear, so you can see why thats important.
    Each G4 has a seperate address....00 -01.......but when i enter that i get an error -36 (still can't find error list)
    when i try to login as registered user i get LOGIN FAILED.
    -since i don't use a password i am wondering about......'log on is disabled'.......what is that ?
    i remember in other apps when there is a problem it says to TRASH YOUR PREFS.........coult that be an issue here ?
    i have never used passwords and then i engaged the lock and restarted and it would NOT open w/o a password.......so needed to re-do one from install disk, im thinking that could have stuff-bad data stuck somewhere like 'keychain'.....so w/o doing a total re-install, how can i start over basically eliminating all the crap i have done ?
    But my main question is.....to see the other HD from connct to server.....is that 'fileshareing' or simply a network, i don't get it ?
    Any help would be great.
    -dave

    Cornelius & Gerald......
    Wanted to express my sincere appreciation in walking me thru this, offering your ideas and insight, but mostly your support....just knowing your real people (gentleman) that took a moment to offer what you could and were there with me thru the duration.......to me thats 'support'.
    As fun and rewarding and at time frustrating it is to work as a MAC person, a minority im proud to be proud of. Not so much for the 'magic' of the techknowledgy that at one time was very special......but now that magic in my opinion is in the people, the community which you guys just reminded me of.
    The current {MAC vs. PC} ads on TV reveal a 'part' of the many unique differences between the potential computer buyers.........MAC is young & hip, simple yet powerful, a symbol of yourself in a way. The window's based PC is complicated, designed for boring application,suseptible to illness....very much like why are parents drive practicle & boring and we drive the Super SUV that gets you there in style, can haul your boat as well as become part of your business.........
    Well as we all know..... many of us being older, single parents, running a biz that wasn't even thought of 10 years ago, surrounded by hi-tek gear EVERYWHERE probably would agree that its NOT the computer or even the software....its the USER who makes it special !
    It was 1995 and all my dreams of building grand set-designs for special events were put on hold cuz of spine problem that caused me chronic-pain and would be just too much to build and be responsible for.......thats when i discovered a dormant passion for video.
    A friend worked at local PC discount ctr. and deducted his comm. and i got my 1st PC-clone, pre-pentium, no power or memory, but at the time, like every other idiot i was happy w/this box.....it controlledmy music keyboard and drum machine, learned that basic concept of what a PC allowed folks to do. To compose a pristine document, w/spellcheck...wow. A fax app that could fax lists of numbers......you could see how this overgrown calculator can transform a biz in your garage and make it look like a huge pollished corp........but what changed everything for me guys was this simple gadget that i first saw demonstrated on HSN home shopping, and boy was i sold. It was called SNAPPY* and for $100 you plugged this into your parrelel port and Viola'.......i had access to litterly anything ! It was simply a capture device that used RCA in's.......so that meant anything from your VideoCam/VCR and that meant ANYTHING you could record, turned my 1st RCA OmniMovie cam (pawn shop $300) into a 'moving scanner'.
    It was one of those magical momets in life where you become drunk on inspiration....all the potential, all the images i could get inside and then real excitment imerged when realized that this wasn't just a media capture device but very sophiticated paint-photo retouch application. This was so new to me......my first ever computer exp was at 'kinkos' copy shop using the first MACs and i remember a simple way to add color by hand and maybe at that time i was impressed by that.......this was called Fauve-Matiste which i used before Photshop which if i remember that was something you went to commercial art school and then a ad agency to use the elite Adobe products........this was doing retouch right in my own home. I recall the brushes could mix and blend multiple colors paint, an effct i still havent seen in PS.
    I remember adding space and stars around faces, making wild collages using various images i would blend and layer. The project that really affectd me was a still of the bus in the movie Speed where it crashes into the parked Jet. Seeing rear of the bus all surrounded by flames i gave my self an assignment to add smoke clean up blurlike im prepping for a poster........that was such a huge thing for me. I had became pretty good at real air-brushing, but this was so controlled, no changing messy paint, clean up or mistakes that are difficult to repair, in the PC you un-do things that don't work (theres time in real life i reach to UN-do a task and realize.....duh) So I knew computeres were special in some way, they could 'run things' like machines, robots......but home PC had some limitations and when your young and nieve the limits can be as simple as your knowledge of whats available. Video games didn't impress me cuz i have never seen a game that brings a group of people into it, always 1 player then another.....I would rather do something creative that where the music MIDI interface was the first 'wow' i felt.....then the capture and paint.
    The reason im giving you this backstory is right at this point is where my creativity w/ painting/retouching captured stillsand my search for what else can i do w/this box led me to wanting to start editing these still projects into other creative projects. Keep in mind 'cable access has been around for several years and a great way to get exposer for any AV project you put some time into......considering all the cheezy crap i have seen on there I kick myself for not following thru. My biggest part of any creative endevour art or music, if no one else ever is exposed to it, no other feedback, its like the most important element is missing.
    Thats when i began to put 2+2 together and see that video, moving pics are gonna be important, and other then COPS-MTV there wasn't the range of reality TV we have today. The reason thats important, some very smart people thought FILM based projects whether animation shorts or documentaries whatever would always be the norm that VIDEO could never cut the mustard......and if you remember how bad early anolog video was, even Hi8 w/ pro lighting in the adult ent. could look pretty bad........so once DV entered and could be edited non-lin, OK the local news had good video quality but cost what over 100k and that old way of A/B roll was all changing. So my point was even though there were video cards for my old PC that actual footage would have been a few seconds........thats when i made the call !!!!!
    The point for this yaking rant.
    Instead of calling places that sell video gear (they sell you-what they want to)......i looked in the YP for companies that 'shoot-edit' produce professional video.........and thats when i heard those infamous words.
    "People who do pro work use MACs'
    Honestly at that timei had no real idea what made one diff from a PC. I new that this thing called Pentium was gonna be big, but i ask around about using PC for video and never got the feeling like they were made for that even though some apps claimed they could work......i remember some guy talking about [Jen-lock] which i think is what the news uses for editing, it doesn't capture ALL the footage, more like 2 videocams pluged into a VCR can do simple edits and i did make a few of my first video projects that way and that was cool........but the person at the video production who made it clear that MAC is the only way to go if your serious also mentioned that there are 2 new developments that are a huge deal.....1st being the G4 ready for video w/ Firewire and then the application designed for it Final Cut Pro. All you need is a DV cam w/ a FW port and you'll be set kid.
    Of course i had no idea what any of this meant or how it would change and dominate the next several years of my life. But for all the times i never listened when i should have, this time i felt i new something that i should keep in mind........so when my father who became ill and needed a care ctr decided to give me and my sisters a substatial some money i wanted to make a smart decision, not blow it on a car or trip or whizz it away on chasin girls, he said to me why not go to some tek school for video, get a degree. That sounded like a great idea make him proud in his final years, so i called that same guy up and asked a few more questions trusting his insight.> He told me that first off the teachers won't know this application, they will be learning it as you do, and it would be unlikely they will have the newer G4s......which means you spend all your cash........you now will learn at the pace the instructer does, he might have great knowledge on camera operation and lighting, but that can be learned other ways. Then if you don't live on or near campus you will always be fighting for MAC time probably on the older G3 and the most important thing you can do is spend time w/the proper gear. Sure being around other creative students who have passion and talent is very important, just like having access to real pros who know the biz old school........but if you have either or........invest in your own gear, you add a 3chip Canon DV to that setup and a few other things you willhave your own Digital Editing Suit that you can learn at your own pace and have access 24/7.......while those guys are fighting for time like a laundry mat you will master the basisin no time and then get to the place where its 'your creativity' that counts......you put that on your demo reel and if you've got it......that degree won't matter. Sure if you can do both, own your DVE and also have the class atmosphere cuz your gonna need people to help in your productions.......but if your excited and motivated you should be able to find plenty of people to work with.....hang around that class and any others to make contacts, but own your own gear. While they are paying back school loans you will be able to charge for your services.
    So thats my story i wanted to share with you guys and how ultimatly even w/o class mates to learn with......having a 'world' of fellow MAC users who are kind helping and loyal to not only their MAC of choice but the apple community and support friends they have never met but share a unique kinship in the elegance of what can this sleek machine add to our lives......and if we need help or ideas there someone out there has gone thru what you have.......and that almost always means it leads to some kind of success.
    Anyway i would really like to hear what projects you guys work on.....what led you to being loyal to MAC or experience's that made it clear your glad you did........and are the current MACs still special compared by speed-power-reliabilty-ease of use ?
    So again thanks for that support.......comcast wanted $150 plus $5 a month stating i would need their support........thast just too much for a simple router i found for $19........and w/ your help go it going.....having no support, no MAC community is when i feel overwhelmed and that steels my creativity away, so that why i shared allthis........i shows how important you all our.
    so thanks again.........share a bit yourself......i look forward to it.
    -dave

  • I have an iMac with mountain lion 10.8.3 with boot camp 5.0.2 .i installed windows 7 -64 bit with boot camp but the boot camp didn't install drivers for windows please guide me for trouble shooting .

    i have an iMac with mountain lion 10.8.3 with boot camp 5.0.2 .i installed windows 7 -64 bit with boot camp but the boot camp didn't install drivers for windows please guide me for trouble shooting .

    Kappy wrote:
    Boot Camp doesn't install the drivers. You have the drivers on a separate USB device if you followed directions. Once in Windows connect the USB drive with the driver software. It should startup automatically and install the drivers.
    You don't even need to do that. As downloading the drivers from within Boot Camp Assistant can be unreliable, it is better to get the package directly from here:
    http://support.apple.com/kb/DL1638
    Copy the .zip file to a USB flash drive or burn it to a DVD in OS X. Install Windows as normal, insert the flash drive/DVD in Windows, copy the .zip file to the hard drive, extract it, then run the setup executable.

  • Microsoft SharePoint Server 2010 encountered an error during setup. One or more required office components failed to complete successfully.

    Hi,
    I got the below error while installing share point 2010 on Windows 7 OS.
    Microsoft SharePoint Server 2010 encountered an error during setup. One or more required office components failed to complete successfully.
    Trouble shooted by following link as below
    http://christopherborman.blogspot.in/2013/01/installing-sharepoint-2010-on-windows-7.html
    But still i am facing the same issue.Please share your inputs to cross this issue.
    Regards,
    Sudheer
    Thanks & Regards, Sudheer

    Hi,
    I selected Server Farm Mode,stand alone.
    Post that installation went fine.
    Regards,
    Sudheer 
    Thanks & Regards, Sudheer

  • User Settings in Multi-user setup?

    We are using two new CS5 editors in our news department.  We set the machines up on our Domain partly for being able to use NTFS permissions and because our IT department hates stand alone machines.
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    They have to change the location of where the project is created to the 500 GB E:\ drive that we have shared on the network (this is for being able to copy and entire project from one editor to the other), then they have to change the DV-NTSC preset for correct audio tracks and then change the General tab settings for Playback through DV Realtime Settings (why is this no longer the default, doesn't anyone still use tape??).  Then they save a preset.  After that the preset will give the correct audio and sequence settings except the "Playback Settings" does not seem to track from one project to the next.
    Then they have to change the source channel mapping to Mono so the two tracks we record in the field, Interview/standup on track 1 and Natural sound on track two don't come in as stereo audio. (this one seems to stay for new projects under that user)
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    PHEW!!!, as you can see this is a time consuming annoying issue to have every user have to do this.
    Is there a way to make some of these settings the default for any user that uses the PC?  I don't want to go back to a shared project setup like we had under Avid as it caused a lot of issues with people deleting other peoples stuff.
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    Thank you,

    The main reason for the separate accounts is for allowing each user to have a folder in the E:\ Drive on each editor will be the 1 TB Scratch Drive.  These system are only going to be doing DV video for now and will use only basic edits for News packages and VO/SOT's and such.  Nothing complicated unless they want to.  When users leave every two years (Market 195) we can just delete the user and their folder to clear them out, which gets rid of all the garbage people seem to leave on the desktop.
    We have two editors and a common problem with them being stand alone (as they were with the avid systems) is a reporter would go in to Edit 1 and capture or import from camera (nNovia Media Pack) the video for a news story.  Then due to having to rush out to get another interview or breaking news they would leave for a while.  When they get back there is another user in that bay using it for the next 30 minutes to an hour and so that reporter is forced for time issues to re-capture the same content into Edit 2.  This causes wasted time and frustration.
    Other stations in our company use a server with large amounts of storage, each user has a folder on that server with all their content.  Because you can not edit across the network drives due to latency issues, they copy the Project folder with all their captured clips and files to the local drive of the editor, and go to work editing.  Then after working on that project for a while they copy it back to the server that is Backed up and has many TB of storage.
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    I haven't tested this other than it is similar to the Benchmark project I downloaded as a Zip.  When I extracted that, I was able to open it as all the source files were included.  I am sure there would be issues when the project/files gets so large that the time to copy is as long as re-importing from the tape/camera.
    Another benefit of this is users can navigate their projects on the two editors from their desk computer in the newsroom.  With a bit of training they will be able to delete the .avi files they no longer need.  Due to the video being the largest files, they can easily do cleanup without going into the bay at all. If they want to keep a great clip of B-Roll they shot, they can burn a Data DVD from their desk.  All of this is possible being on the domain and having user rights passed from one machine to another through their network login.
    If anyone knows of a major flaw to my idea I am not thinking of let me know,
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