My video footage in FCP is jumpy---help me please!!!!!

i am having problems with my mac and sony sr10 camera again.
when i am capturing footage with FCP it seems to be really jumpy once it is in FCP. in the camera it is fine.
i am doing my editing on a mac pro. new machine. havent used it for a big project yet. can someone please help me? i have a show that opens on friday and i have 5 videos that are all jumpy. i am freaking out. please help!
thanks a bunch.
julie

to answer some questions..
so i control clicked and yes the footage is still stuttering in quicktime.
i use a tripod when i shoot....so when i say stutter it is like this flickering in the video. if that makes sense.
yes i am using final cut pro now too. and a mac pro to edit on too.
sequence properties
vid rate 29.97 pfs
framesize 1440x1080
compressor apple pro res 422
data rate 15.1 mb/sec
pixel aspect 1440x 1080
oh also i am logging and transferring my footage in.
i hope this helps to figure out some answers!
thanks guys.

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  • FCP Novice needs help with video quality and FCP 5!!

    Hi,
    I have a real problme that I cannot seem to fix. I think its because I am doing something really wrong!
    I have a Sony HC42E MiniDV Camcorder which by default records video in full widescreen. I recorded several tapes this way and have now begun trying to edit them in FCP 5.04 (Tiger 10.4.6). Whenever I log and capture my clips they appear to be fuzzzy and unclear on the Mac monitor whilst being totally crisp and sharp on the camcorder viewfinder. I tried capturing using the DV PAL 48Khz Anamorphic Preset which keeps everything the right size (the final output needs to be true widescreen and not with black bars added) but the resulting video on screen is blurry and bitty. I then tried capturing using the DV PAL 720 x 576 normal preset and the video is a little clearer on the screen (for both presets I have chosen lower field dominance) but when I play back it plays back in widescreen on the mac canvas window but at 4:3 on the camera's viewfinder.
    I then assumed that maybe this is just becuase the mac screen (CRT by the way) doesn't use fields. So I exported the sequence as a QT movie using DV PAL 16:9 and used quicktime (OS9 Classic - my compressor has never worked because of the dreaded "unable to connect to baackground process" problem which I've never managed to correct) to convert it to MPEG2. When I import this as an asset into DVD Studio pro 4 and set the track size to 16:9 it comes through at the right aspect ratio. However it looks blurry on screen. Thinking that this will be fine on a TV I burned the disc - inserted it into my DVD player (a good one!) and watched it on my new 32" widescreen TV (a good one!) and the picture qualitty is poor. Its so much blurrier and bittier than the original footage looks when played through the camcorder's viewfinder!
    The final footaage looks like an old VHS recording that's a year or two old!
    Does anyone know how I can capture my footage in FCP with the maximum quality, edit it without quality loss and the export it for DVD again without such significant quality loss whilst all the time keeping it at proper 16:9 widescreen?
    Is there some presets I should be working to?
    I'm tearing my hair out! Help!

    Hi Guys,
    thanx for your replies.
    here's the latest:
    Brian, I followed your instructions and the DVD burned successfully. However the video quality of the dvd when viewed on my TV ('ve tried on all 3 of my tvs now) is still a lot poorer than the quicktime movie that was imported into DVDSP4. When I play the original QT Movie on my Mac CRT monitor it looks a little blurry and grainy because I guess its non interlaced however when viewed on an external Video monitor it looks great - very sharp.
    When I view the burned DVD on my television the picture quality looks like the non interlaced version of the original QT Movie that appeared on my Mac CRT and not the sharp interlaced (lower field) version that appeared on my external video monitor.
    Its almost like taking a sharp jpeg into Photoshop and applying a gaussian blur of about 0.3 followed by jepg compression compressing it down to 5% quality!
    I'm totally mystified. Can the conversion to Mpeg2 be removing all interlacing so that you get the less sharp computer monitor look? I just want the video on my final DVDs to be as good as the original source footage! I appreciate that along the way there might be loss of some quality but surely not that much?
    Does this make sense to you guys or am I still doing something very wrong?
    Robert: I have tried setting all manner of drives including a fresh external firewire HD with nothing on it (clean out of the box) but it doesn't seem to help.
    Brian: I tried the no network suggestion a few months back but I'm not sure if I got it right. At the moment I have broadband through an external speedtouch usb modem and am also connected (occasionally although not for the last 3 months) via a crossover cable to my PCs ethernet card. When I last tried the No Network solution I had immense trouble getting my internet to work again! Can you please help me by directing me to the best ay to do this while protecting my internet settings?
    any more help guys would be greatfully appreciated.

  • Where can I learn how FCP references video footage?

    I'm sure this is a basic (but perhaps involved?) question.
    I've been learning and using FCP on and off for over a year. I've been using online tutorials and developing a basic knowledge of the program.
    I just bought a new 27" iMac with two internal hard drives (the 256GB solid state drive, and a 2TB regular drive). Up until now, I've only ever owned computers with one internal drive, and have never even gotten into editing footage on an external drive.
    I've installed FCS 2 on my new iMac, and now I need to transfer the projects I've worked on to my new iMac, along with the video footage those projects use. And I need to know what the best way to do this is. FCS is on the solid-state drive (of course). I'm sure I should put the footage I'm editing on the secondary 2TB internal drive. And maybe the project files, too? Or should they be on the solid-state drive?
    Anyway, I really don't have a good understanding of what should be where, and what I need to be transferring, and how to make sure that FCP "knows" where to look for the footage I'm editing.
    Is there a place in the manual, or a post here, or a FAQ, or somewhere where I can read about this and get a good understanding of it? This is something I need to know, anyway, so I will know how to backup and store projects that I might want to edit further in the future.
    If it matters, I'm editing footage shot in AVCHD on a Canon camcorder. To date, all I've done is backup the actual AVCHD files on multiple drives, reasoning that if I had a crash I could edit the footage all over again. But I want to learn the proper way to do all of this.
    Thanks!

    When you "uncompress" AVCHD files
    You aren't uncompressing. You are RE-COMPRESSING. AVCHD is compressed, and you can't uncompress that. But, you compress it into an editing codec...ProRes.
    would the result be exactly the same if you did it more than once?
    Not sure what you mean by that. There will be slight loss when you recompress, but nothing you'd notice. Transcoding, as it is called, is quite a normal process. ProRes is so well designed of a codec that you can recompress to ProRes again and again 10 times before you see any issues.
    if I logged and transferred using the same settings, would the footage be exactly the same?
    You can't. FCP doesn't work with AVCHD...it must be converted to ProRes.
    My understanding is that FCP "looks" for video footage where it "expects" it to be based on how and where you imported it.
    Yes. Once you set your Capture Scratch to your external drive, say MEDIA_01...FCP keeps looking for it there. If you move it, then FCP loses contact with it. Until you tell FCP where it is again.
    Let's say I had my project saved, but somehow lost my footage. If I logged and transferred it again from the same AVCHD files, would it come out exactly the same so that (if I put it on the right drive in the right folder) my FCP project would work with it as though it was the original logged and transferred footage?
    Yes....absolutely. The project file is the most important thing. Those clips in there point to the media. If the media drive dies, or the media is deleted, simply highlight all the clips and do a BATCH CAPTURE...FCP will look for the original SOURCE files, the AVCHD files, and then re-transcode them. And they will be exactly like the first time you imported them. And your cut will be rebuilt.
    Or would there be small differences that would result in my FCP project not recognizing it?
    Yes. If you move the footage, rename the footage on the FINDER level, meaning opening the drive and renaming the raw footage, or if you rename the folder that they are in, FCP will lose the connection. Which is why you DON'T do that. Designate the Capture Scratch...import the footage, and only deal with the footage in FCP...until you really know how things work and how to get FCP to reconnect to this footage.
    Shane

  • What are the best sequence settings in FCP 5 for exporting screen capture video footage?

    I capture video footage of websites in order to showcase in a demo reel. Using Snapz Pro, the compression type I have found to have the best quality is H264. When I take this footage into FCP (v5.1.4), I choose DV NTSC 48khz for the sequence setting. If I then select H264 for the sequence compression type, when I go to render I get a 'Codec error.'
    The only way I am able to render properly is by choosing DV NTSC 48khz for the sequence setting and DV/DVCPRO-NTSC as my sequence compression type. The problem with this though is I get a perfect picture in the Viewer, but the picture quality in the Canvas (and the subsequent exported video) is slightly blurred.
    I've been trying to find a solution to this problem off and on for years. I've finally decided now to get to the bottom of the issue. If you can solve this one you are my hero!
    Ted

    Thanks for the suggestions. I've tried using DVCPRO HD in the past, but the picture quality of the captured screen footage turns out blurry. The only codecs I've found that provide a perfectly clear image are H264, Animation and Uncompressed 8-bit. The problem with the latter two is that video files lasting only a few seconds measure in the 100s of MBs. Working with files that large would slow my editing and rendering down to a non-workable length.
    I just don't understand why I can't edit H264 video if my sequence codec is set to H264. The 'Codec error' I get is baffling.

  • My video footage is underexposed how do I correct this in FCP 7?

    My video footage is underexposed how do I correct this in FCP 7?  Shot an interview on a JVC hm100u HD camera.  Any ideas?

    Please post your thread in FCP 7 forum.

  • I recently reinstalled Snow leapod on my mac because I was having problems. I backed up everything onto disks, but after formatting, i quickly realized that some files did not transfer. I am missing some very important video footage. Please help me!

    I recently re-installed Snow leapod onto my macbook. Previously the system was running snow, I believe I may have visited a corrupt website or something. Anyhow, I backed up all of my information onto disks before reformatting, and the format went well. However, I realized after the fact that some important video footage did not transfer to my DVD-R's that I saved my data too. Is there any possible way I could recover this information? I'm trying to recovery software I found recomended online, but im not sure what the outcome of it will be. I know things are not looking good, but was hoping someone could please help me.

    Also, as for what I did. I put the OS disk into my computer, restarted it and ran through the screens to completely reinstall the OS. Then, I had to install my Snow Leapord CD because my origional OS was not the newer SL. Its my own fault, I just didnt think of every file off the top of my head before startign the process. I assumed everything was on the backup disks I had just burned.

  • Video footage I've imported from iMovie to Premiere cs6 is missing after the import!  please help!

    I initially imported raw video footage from an event that I shot into iMovie 11, but later decided to try an edit the footage in Adobe Premiere CS6.  I successfully imported the iMovie file folder into CS6, then saved and exited the program to work on it after lunch.  When I returned and reopened the file, the footage could not be found.  I attempted to reopen it in iMovie and it came up as a missing file also.  I know it successfully opened in Premiere because I've seen the footage.  I didn't trash anything so it's not in the trash.  Where did my footage go, and how can I retrieve it?

    Hi Ann, Hi JSW,
    I looked around a bit and noticed that this same problem sometimes happens in iMovie itself. People lose their media because it gets copied inside the project file itself. If you right click to see the package contents, you might be able to locate the media and copy it to a dedicated folder, then reconnect media to it in Premiere Pro. See this post on the apple website: Source clip missing | Apple Support Communities
    Thanks,
    Kevin

  • Importing and organizing raw video footage - options

    greetings-
    Looking for a better solution, if available, for importing & organizing raw video. I am using imovie for now. Soon to switch to FC express. After much exploring & learning on my new machine (recent convert), I’m a bit frustrated on how it video is handled.
    Please correct any of these that I’ve got wrong, but it appears that:
    Importing video (from DV camera) with programs provided on my machine can only be done through imovie and idvd.
    Importing video through these programs requires creating a project, and importing the video to that project.
    Then that imported video is associated with that project.
    So I want to take the imported clips (say from imovie), and organize them archiving, use on other projects, backup, etc. I know that I can find the actually video files by control clicking on the project in finder, hit show package, and get to "clip 1, clip 2...clip 55". This represents the raw footage, but now I’ve got say 55 separate clips, for just one import.
    I’d like to effectively organize my various raw videos by year/event etc. So that when working a project, a can pull in the different footage that I want to use. For instance, I previously imported and organzied video footage with my PC editing software, and now, thankfully, I can just bring that various footage from the external drive into Imovie and edit. If I want to do a project and grab some footage from 04, 05, 06, it's all right there.
    Is there a better solution for import & organizing my raw video clips more efficiently with imovie or idvd?? Or perhaps another program. Such that I’ve got the 1/2 hr of video "Christmas 05", one file (not 40 seperate clips), saved, and can pull it into projects as needed in the future... Ideally maintaining the clip breaks. Am I asking to much from apple? How do you all import/manage/save your imported video?
    Much thanks for any feedback!
    20" G5 core duo   Mac OS X (10.4.7)  

    Ciao Rubbersoul,
    unfortunately iMovie doesn't allow you to rename the clips (other than within the project), so if you want to label them for future reference, you'll have to do that outside iMovie.
    I personally save the best shots from each project to an external hard drive using the following method:
    • simply drag the desired clips from the iMovie project to the desktop
    • organize the clips by creating the appropriate folders (e.g. by subject, time, etc.), so you'll find your footage faster
    • rename the clips within the folders. If you don't need to give each clip a separate name, you can use tools like Renamer4Mac (http://www.power4mac.com) to batch-rename the clips.
    • transfer and organize your folders/clips on the external (Firewire) hard disk. You can do that manually or by using media browsers like iDive to organize and view your clips. iDive is a digital hub that can help you to keep not only your video but also music and pic collections under control, and it integrates with iMovie and FCE/FCP. Check it out here:
    http://www.aquafadas.com/idive-digital-video/index.php
    Always remember that DV eats up a lot of disk space and don't forget to back up your footage to tape.
    spero che ti sia d'aiuto
    mish

  • INGESTED DVCPRO HD FOOTAGE IN WRONG "EASY SETUP" - HELP!

    OK, this falls under the heading: Just plain stupid. Nevertheless, now I am looking for a fix. I'm new to HD. I shot a short film with a Panasonic HVX-200. I was not going to have to do the post-production and would periodically load the footage into FCP as it was shot just to see how it looked. Then it turned out, I was asked to edit it under a tight deadline. However, when I ingested the footage into FCP I never changed the easy setup. The editing is now done and I wish to output to Digi Beta. But I now see the sequence settings are set for CCIR 601 NTSC! Is there a way to "undo" this and put in the proper setting? Or is the only way to re-ingest and re-edit? This is embarassing. But, hey, we all have to learn. Maybe publishing my error will save someone else down the road! Thanks for any help.

    That's very interesting to learn that 601 NTSC is the proper setting for Digibeta. I didn't know that. Here are the exact current sequence settings:
    Frame Size: 720 x 486. Aspect Ratio: CCIR 601 (40:27)
    Pixel Aspect Ratio: NTSC - CCIR 601 / DV 720 x 480
    Field Dominance: Lower (Even)
    Editing Timebase 29.97
    QuickTime Video Settings:
    Compressor: Uncompressed 10-bit 4:2:2
    Quality: 100%
    Audio: 48Khz, 24-bit
    Config: default
    I shot in DVCPRO HD 720p60
    Gosh, I'm trying to remember if I had to render the footage as I dropped it into the timeline. I didn't think so. But now I can't swear to it.
    I guess I have (at least) 2 questions: (1) Is there a way to "revert" to the HD format for this sequence now that it's edited? (2) Do I even want to do that if I want to output to digibeta print? What's the best thing to do to obtain a maximum quality digibeta print?
    By the way, I just heard this week that the film was accepted into a film festival, so I'm under a dead line to deliver a print, preferrably in digibeta or beta sp format.
    Would greatly appreciate any help. And thanks for the welcome to the forums!
    Rob

  • Canon 5D Mark II footage in FCP

    Does anybody edit Canon 5D Mark II footage with FCP? My playback stops at every blade cut or in the end of the clip for a second before resumes the next clip ... pretty annoying. All the other HD camera footage plays just fine.
    Help!
    Jarmo

    I can only covet your camera, but I happen to have a FCP tutorial for the Mark II. It says do this:
    1. Make sure you have latest MacOS (10.5.6 or highter), Quicktime (7.6 or higher), and FCP (6.0.5 or higher). And of course an Intel-based Mac (2.8 Ghz recommended). You may still get some stutter during playback with multiple layers of video, audio, and transitions/filters. But output will be OK.
    2. Make a Mark II pre-set as follows (one day FCP will include one, sigh):
    Select Audio/Video Settings.
    select Sequence Presets. Select this one to duplicate and modify: DV NTSC 48 kHz.
    Pull down Aspect Ratio and select HDTV 1080 i (16:9). that is is really correct but 1080p is not a choice but you will not convert to interlaced anyway.
    Change *Pixel Aspect Ratio* to SQUARE. Do NOT check Anamorphic 16:9
    Select *Field Dominance* Upper(Odd)
    *Editing Time base*: select 30
    *Timecode Path*: 30 Non-Drop Frame
    Compressor: H.264
    *Audio Settings*:
    Rate: 44 kHz, Depth: 16-bit, Config: Cannel Grouped
    Under SUMMARY tab in Audio/Video Settings:
    (make sure Sequence Preset shows name of the one you just made)
    Capture Preset: Generic Capture Template
    Device Control: Non-controllable device
    Video Playback: none
    Audio Playback: default
    Click Create Easy Setup (put in your Mark II name) and click Create
    Enable verification tab: checked
    NOW when you begin a new project, go to Easy Setup and pull down your newly-created Mark II preset. The tutorial I got this from said to be sure you create a NEW project or some default presets may still be in play.
    You may need TRANSCODING if your system still struggles with the above.
    Convert H.264 to a managable HD codec (Apple ProRes 422 or 422 (HQ) or DVCPRO HD 1080p30)
    I assume you would know the steps doing this, but if not, let me know.
    Would really like to know if this works for you. Have the Mark II on a short list of possibilities for a new camera.
    Good luck!

  • Importing iDVD footage to FCP

    I have a disc containing a sample of my video production work that was created with iDVD. I am trying to transfer this video to Final Cut Pro in order to break it up to make different chapters on a new DVD.
    I extracted the .VOB files using MacTheRipper, but when I import them into FCP, the audio tracks contain nothing.
    MacTheRipper created both a VIDEO_TS and an AUDIO_TS folder when it extracted, but the AUDIO_TS folder is empty.
    I have been able to burn the .VOB file to a new DVD (including audio), but unable to import it with FCP.
    Any ideas as to why the blank audio bars in FCP or suggestions on how to manipulate the footage?
    Thanks for the help,
    Ryan

    Ryan
    Search is your friend this topic has been covered ad infinitum on this and may other forums ...
    google for MPEG Streamclip ... that is a free app that will let you "demux" the MPEG2/VOB file so as to enable you to access the audio

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