N8 AUDIO suggestion

I GOT MY N8 FOR A MONTH NOW
I TS A COOL DEVICE RATHER THE COOLEST ONE
HOWEVER   THE AUDIO IS NOT LOUD ENOUGH FOR ME
FOR LISTENING TO MUSIC OR OVER HEADPHONE THE OINLY SETTING THAT WORKS IS NEAR THE MAX VOLUME
THE SAME FOR RINGER VOLUME IN A TWO STORY HOUSE IF THE HANDSET IS ON FIRST FLOOR UNABLE TO LISTEN TO RINGER
EVEN SIMPLE HANSEDS FROM LOCAL MANUFACTURES LIKE SPICE OR VIDEOCON ARE LOUDER THAN N8
THE EARLIER NOKIA HANDSET THAT MY DAD USES HAS A LOUDER RINGTONE
I ALSO HAVE AN E5 WHICH I GOT LAST NOV ITS MAX VOLUME IS EVEN LESS THAN N8
listening to music on its speaker is not a good exp . neither on headphones
for n8 i donot know whether this issue is with set or common .....
but it is supposed to be a mutimedia device    a few videos i put in it    and showed to my friend ...... u have to hold the mobile in your hands and at max volume so that the two people can get audio
tried putting it on a table nearby with some support   the audio fades away ( the spakers were not covered in that case)
i request nokia to plz make hansets audio louder    if someone has any problem it can be lowered by using volume keys

Bad headphones are connected, you need to connect until it becomes audible click

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5.1 audio suggestions for FCS2 with a Decklink Extreme and Mac Pro?

I'm using a Mac Pro with Final Cut Studio, and I'm wondering if I can get 5.1 sound out of the decklink card. When I use a Firewire interface (M-audio firewire 410) to output audio, it is out of sync with the video coming out of the decklink card. So I guess the alternative is to find out how to get AES/EBU to output the 12 channels it says it can do in HD. I can't afford an HDCAM deck with 12 outputs, so how would any of you suggest I go about doing something like this? I really just want to get 5.1 going and in sync for the Final Cut Studio 2 release.
Thanks so much for any help!
Bob Stovall

Hi Bob,
I'm using a Mac Pro with Final Cut Studio, and I'm
wondering if I can get 5.1 sound out of the decklink
card. When I use a Firewire interface (M-audio
firewire 410) to output audio, it is out of sync with
the video coming out of the decklink card.
See my response to your other post on this. Note that M-Audio is not famous for excellence with Core Audio drivers.
So I
guess the alternative is to find out how to get
AES/EBU to output the 12 channels it says it can do
in HD. I can't afford an HDCAM deck with 12 outputs,
so how would any of you suggest I go about doing
something like this?
The Decklink AES/EBU hardware output will only source 2 channels of audio. If you have the 410, just use that with your audio software and set up the offset as I previously described. Plug its analog outs into your surround controller. It's very straight forward and you shouldn't have too much trouble.
If you tell us what audio software you're intending to use to produce your soundtrack, we could probably be more helpful.

Audio Suggestions for Filming School Plays

I'm trying to obtain a better quality soundtrack for my wife's school plays (she's the music teacher). They don't have much of a sound system although I can combine the music from a digital source and the audio from the microphones (for speaking parts) into one stereo mini-jack. What is missing is the general audio; that is she has 100 kids on stage at once singing and there are no omni directional mic's that can pick that up. I have a Sony SR12 set up at the back of the auditorium and the audio is atrocious from that distance (and with that equipment).
Any recommendations? I'm looking for mic setup suggestions and recording source equipment that I can later take into Final Cut and sync with the video.
Keep in mind as best you can that while I do love my gadgets, I don't have $2000 bucks to spend on equipment, but I want to get this as close to professional as I can.
Thanks in Advance.

I video school plays as well: three cams (two HDV for following actors/action, one DV to cover the whole stage); My best audio has come from using a Rode NT4 dual capsule X/Y mic in the center, and a matched pair of Rode NT5's with omni capsules hard left and right.
The NT4 center gets good stereo and minimized the sound stage shift (left and right) as a centered actor turns his head left and right. Wide set stereo mics can have the sound stage flying all over the place as actors move their heads, but don't actually travel anywhere on the stage. The Rode needs phantom power OR a battery and plugs right into an XLR input on my HDV or DV cams. This mic pair I consider the stereo master audio track, so I use the DV camera (uncompressed PCM).
The two omni mics set left and right are used for overall ambiance if I need to add it (lightly), enhanced stereo, and uneven volume when actors speak from hard stage left/right, or even in the wings. I use the NT5 pair because they are a good match for the NT4 capsules from an audio perspecive, and they are small. They need phantom power and plug into XLR camera input.
The third camera only records audio for sync purposes, and I use the on camera mic.
Newer alternative that I've only tried on a short piece, but it worked well:
A Zoom H4n digital recorder. It has decent (not as good as the Rode's) on board mics that are in an X/Y pattern at 90 or 120 degrees (more centered / more stereo). It also has two XLR or 1/4" input jacks that can supply phantom power to external microphones. It will record all 4 tracks at once in 16 bit 48kHz uncompresed (WAV), or various compressed formats. It takes SD/HC cards, and a 8MB card (about $20 or less from Amazon) will hold hours of audio. It runs on batteries (risky or a wall wart that is included. It can mount to a camera tripod mount, and a mic stand adapter is included.
It's cheap enough, and for many uses, the onboard X/Y mics would be fine. Our theater stage is quite large, so the outboard external mics are needed to even things out.
Note also that I avoid whatever sound-reinforcement mics/speakers the theater wants to use. Too many ground loop issues, and reinforcement is different than audio for video. Keep your mics away from the speakers
The Zoom is about $350 from Sweetwater.
Then you can use your on camera mic for backup (something goes whoops, you still have sound, and you have flexibility in mic placement; the Zoom goes center, but maybe a bit back from the stage to pick up a more even sound stage; the omni l/r mics at about the same distance. Since the four tracks are two stereo pairs, you can play with delays if you get chorusing or echoing due to sound delays. But they are close enough to the audio source (the singers), that ambient echos are reduced and can be dealt with using compression, gates, etc. in FCP.
If you want to get more serious about audio for video, there's alway Logic or ProTools depending on your needs. I have ProTools for my studio (audio only), but have only used the LT version once for a problematic HVAC noise background I need to deal with. Probably could have done it in Sound Track Pro, but I'm just more familiar with PT.
Good Luck.
Eddie O
Message was edited by: Edward A. Oates

Scratchy face makes scratchy audio-suggestions?

I was looking for a FCP filter to reduce the noise from an interview. His face/beard scratches against his shirt collar and makes a prickly noise. I've tried adjusting the high and medium frequencies in the 3 band equalizer, as well as the DeEsser. I don't want to have to export this to Soundtrack if I can help it, but the FCP forum said I probably would have to do it in Soundtrack. I haven't used it much - any suggestions?

I've run in to a similar situation with audio. As EQing is really the only way you might be able to reduce the noise (certainly not eliminate it) there's probably no good reason to use STP. Although, STP does have some better EQ tools than does FCP. Either way, don't expect miracles. Again, you might be able to reduce it some but you'll likely not eliminate it altogether.

Multicamera and audio suggestions

Hi,
I have two cameras recording of an event. I have a separate audio recorded from someone else that I would like to incorporate in the final multicamera editing. What is the best work flow for this? In other words, I don't want the audio from the cameras. I want to use the audio from the separate recording in the final multicam output.
thanks!!!

Just bring the audio onto the timeline and visually align the waveform to the audio from the video. It's not hard. I do it all the time with music videos I make of myself fingerpicking acoustic guitar. No mic I stick on the cam is going to be anywhere near the quality I can achieve from a good 1/2" condenser a foot away from the guitar, so I record a wave into Audtion as I'm videotaping, do whatever editing I need to do with it, and then export and bring into Premeiere afterwards. It's really very easy.
In case you're wondering, I couldn't get as good of results running my mic into a cam even if it had good XLR ins and volume controls because acoustic instruments require some processing. Guitars especially love compression and reverb. There's not a plugin in the world for either compression or reverb that can come close to my hardware units, so I choose to run a mic through my mixing desk and add effects live as I'm playing. Of course this has nothing to do with your case. I'm just saying....

Audio Suggestions - Workflow

We do a show that's 28 minutes long. We break up the show into 6 parts since PP can't handle multi editors on the same project. Once the 6 parts are all done, we stitch them all together to make one big project and then realize all our audio levels are naturally all different in all 6 parts.
I have a two part question.
1. How can I handle this situation best? What's the best audio workflow for this set up?
2. What's the best way to crank up a clip's audio that is much lower than the surrounding clips? I've got some clips that are very low compared to the surrounding audio and I have them cranked up with the volume bar as high as they'll go, but they are still low.
Right now we are exporting each part with DNxHD and then just bringing in the .MOV files to the final project. I would like to dynamically link them, but for some reason it keeps crashing in PP and Encore every time we do this, so the best "fix" has been for us to export a movie out of each part and use the movie files in our final render. I don't like doing that because we are adding generations, but I don't know how else to do it and still keep the projects stable.

1. Define the projects needs clearly regarding audio levels, and make sure each editor understands (and follows) them.
2. Right click>Audio Gain...

HP Pavilion dv9218tx Notebook PC and HDMI audio problem with Sony TV and Windows 7

Sound does not come through with the HDMI connection and, on investigation, there is no HDMI audio driver/option.
Noting that there seemed to be an issue with windows 7 and HDMI audio which is addressed by updating the BIOS and the connexant sound driver I have done so to no effect.
The Sony TV is recognised as a standard monitor in the devices for graphics but not for audio
Suggestions as to why HDMI does not appear - including as a disabled service - and what to do t get is available?

Hello everyone,
Thanks for posting on the HP Forums!
I will definitely assist you with lack of sound issues. Before anything else is done, please make sure you try every step in this thread: Troubleshooting Guide: Audio does not Work after a Certain Period of Time
If every step does not help, please provide the following information:
1. The computer's model number. If you require assistance locating this information, please reference this website: Guide to finding your notebook product number
2. The computer's operating system. If you require assistance locating this information, please reference this website to determine your Windows operating system.
3. Does this occur on certain programs, or all programs?
4. Have you installed any new software or drivers on this computer, before the issue appeared?
5. What steps have been attempted from my first post on this thread, and what were the results?
Additionally, if the issue just began occurring, I would perform a system restore. I want you to bring the computer back to the earliest restore point possible, in an attempt to dodge whatever caused the issue. Here is a document on how to perform a System Restore: System Restore
Either way, let me know what happens. Thanks!
Mario
I worked on behalf of HP.

Exporting to QT and no audio

I have done this many of times and no issues.
Now when I export, using QT Movie and say audio/video self contained. I get the video on playback in QT but no audio.
suggestions
Using FCE HD 3.01, QT pro

Al and Tom
not really sure what happened, tried late last night and it worked, my mac has a mind of its own, or its the loose nut in the seat...:-)
Next time I will try your suggestions, I don't post a lot as I find most my answers in searching.
thanks again guys

Unable to play .avi files Elements Premiere 9

I am a new user. HP portable workstation running XP Pro, Nivida graphics
, using a older Flip camera.
When import from the Flip, .avi files are created. When I try to edit or view the files, the sound plays but no video.
I can see and play audio and video using the Microsoft viewer, but I can not in Elementss 9.
Additional information
Using a newer Flip camera that exports MP4 files, this notebook plays both video and audio.
suggestions Please.
Thank you in advance

Thank you for the response. The older Flip will be back into my office later today and I will respond to your questions.
Regards,
Doug
THOMAS COMPUTER CORPORATION
Doug Polkosky
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http://www.thomascomputer.com
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Orlando, FL 32803
P: 407-855-2020
F: 407-426-2805
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Why does Logic take so long to load?

I have a dual quad core Mac Pro from last year and 8 gb of RAM.
I have 4 internal drives and 2 external drives.
Most of my music is not that complex: perhaps 8-10 tracks at the most.
Typically it takes 2-3 minutes for Logic to completely load a song.
Where is the bottleneck here?
Thanks.

Thank you to everyone who replied.
I will try the audio suggestion.
I have quite a few plugins, etc.
Anyway it is not a big deal: I can wait a minute or two. LOL
Just thought that a dual quad core machine would be a bit zippier!
Thanks again.

HP Mini 110 - 3714tu Windows XP 32 bit Drivers

Hello Everybody, I had this netbook from a long time. Installed Win7 on it for a lot of time, but after every few days it becomes slow. So I decided to install windows xp. With great hectic I created a bootable USB of Windows XP SP3. After installing I got such a shock by seeing HP doesn't offer winxp 32 bit drivers for this model. All it offers is Win7 32bit or 64bit drivers.
I hope somebody can help me out with this. You can find complete specification of my model here:
https://h10025.www1.hp.com/ewfrf/wc/document?cc=us&lc=en&docname=c02842860
And Drivers here:
https://h10025.www1.hp.com/ewfrf/wc/softwareCategory?os=4062&lc=en&cc=us&dlc=en&sw_lang=&product=510...
I was able to find the Display driver for windows xp from intel easily and it worked perfectly. Please help for other things namely Audio, Blutooth, WLAN, LAN and Touchpad.
Thanks and Regards,
John Dalton.
This question was solved.
View Solution.

Hi, John:
It will be very hard if not impossible for you to be able to get the audio to work, but you can read the audio suggestions listed under the Difficult Models section of the XP downgrade guide at the link below:
http://h30434.www3.hp.com/t5/Notebook-Operating-Systems-and-Software/General-XP-Downgrade-Guide-for-...
Lan is easy...Download and install the 1st driver on the list.
http://www.realtek.com.tw/downloads/downloadsView.aspx?Langid=1&PNid=14&PFid=7&Level=5&Conn=4&DownTy...
LAN and BT should also be easy too, but I need some info from you...
Please go to the device manager and click on the device labeled Network Controller ?, then click on the Details tab.
If you have installed XP SP2 or SP3, you should see a string of characters that starts with PCI\VEN.
Post that string of characters.
Touchpad...I would try the drivers directly from Synaptics.
http://www.synaptics.com/en/drivers.php

ATV Movie rental...no sound on for 1 movie.

HI all,
I rented my 2nd movie via ATV last night and could get no sound at all from it. The 1st movie I rented last week was just fine, and any other content (previews, music, podcasts etc) was also fine so this was definitely just the individual movie, nothing else.
The only difference between this movie and the last one I rented was that this one was HD and the first one was SD, but that may not be the problem.
Has anyone else seen this issue? I am going to call Apple today to try to get the $4.99 back but I thought I would ask.
Cheers
Rixta

Similar situation for me - I rented my first movie last week on one Apple TV, and everything was fine. I rented a second film last night on a different Apple TV, and no audio for the movie (all other ATV audio - system sounds, preview, clips, YouTube - are fine)
Both were HD rentals. Both were connected via HDMI. When I tried an optical connection on the trouble film/ATV, I did get movie sound, but it was unlistenable - a very bizarre channel phase/reverbed sound.
I tried all of Apple HDMI KBase HDMI audio suggestions, to no avail - and the fact that all other audio on the unit played fine makes me think its an encoding issue on the film. The problem existed whether I connected the ATV to the display directly, or via an HDMI-compatible AV receiver

Ichat av no sound

hey I just got a new iMac and iChat doesnt make any sound when I recieve or send msgs or any other of the alerts. I checked and all my alerts are on at full volume.
any ideas?
thanks in advance,
mr.mac

Hi Mr Mac,
After confirming that all System Alerts are not working it seems that you got several ways of sorting this (mostly involving a computer Restart), including the GarageBand fix and a MIDI Audio suggestion.
If you are sorted can you mark the thread please ?
Hint
New Discussions ReponsesThe new system for discussions asks that after you mark your question as Solved. You should take the time to mark any posts that have aided you with the tag and the post that provided your answer with the tag. This not only gives points to the posters, but points anyone searching for answers to similar problems to the proper posts.
Alternatively, you can change the status to Answered.
If we use the forums properly they will work well...
10:12 PM Monday; July 3, 2006

0 ppm on final cut volume meter?

Hi,
I received some audio suggestions from our broadcaster and they said the peak should be up to 0 ppm.
1) how much is 0 ppm on the final cut studio pro 3 - volume meter (the dbfs one)?
2) how much is 0 ppm to db also?
Thanks,
aemi

aemi wrote:
Hi,
I received some audio suggestions from our broadcaster...
Suggestions?
You want very accurate specifications, not suggestions.
Tolerances will vary from one broadcaster to the other, most will say around -18dfbs for shows. There may be some leeway for commercials because no advertiser wants their commercial to be quieter than the others.
They might also specify average and minimum audio levels.
0 ppm = 0dB Analog.
Note that you should never ever go over 0dfbs because that is the absolute limit in digital audio. There is no more headroom, unlike analog.
A good spec sheet will detail analog and digital levels exactly . Stick to it.

Hello All... Back after a brief absence, things look a little bit different. I'm trying to take a 16 minute mini dv video and compress it for use on the web. I'm interested in any suggestions you may have on settings for the video and audio tracks. I'v

Hello All...
Back after a brief absence, things look a little bit different.
I'm trying to take a 16 minute mini dv video and compress it for use on the web. I'm interested in any suggestions you may have on settings for the video and audio tracks. I've tried using Sorenson 3 (15 frames, key frames set to automatic, 320 x 240) for video and IMA 4:1 (mono) for audio. The resulting video looked great but the file size came in at about 255 Mb.
Thanks!
PowerMac G5 1.8 Dual Mac OS X (10.4.3)
Message was edited by: Dan Foley

Thank you for the replies. Everyone was correct about the jack, interface, and phasing problems. I have been unplugging my motu audio interface and then using headphones at work. I have not changed any detailed audio output settings in logic. When I read that the jack might be a problem I tried switching headphones. This actually helped. I am using dre-beats headphones and they seem to be having issues with the mac/jack-(the phasing/panning problems. I can use these headphones with other devices but not the mac. I have to use ipod ear buds and the phasing seems fixed. Hopefully this information is helpful to someone else.
If anyone knows how to correct this issue please let me know its difficult to know what my final mixes are going to sound like and I have had to keep bouncing everything into i-tunes- sync to ipod and then listen in my car radio.

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