Name gradients and adjustment brushes

Is there a chance we will get the possibility to give each adjustment brush and gradients a name?
The way it is now it is pretty confusing when using more than one.
Like:
Gradient1: Horizon
Gradient2: Colour
Adjustment Brush1: Eyes
Adjustment Brush2: Teeth
ect....
TIA
Joe

Just wanted to quote John Miller from this link
It had never even occurred to me to be able to name the pins! BRILLIANT! And SO easy to implement!
Adobe, I can't think of a reason why at least this aspect couldn't make it into LR4 Final. Particularly since we have to do so much layering and stacking of different adjustment brushes and gradients to accomplish what we really want to with this tool. The ability to label these adjustments for future reference would really help.
I find it shocking that something so obvious isn't even taken into consideration by Adobe officials (not to mention any kind of response to this). :-(

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I agree that it would be nice if the individual tools remembered their own last used preset.
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In this episode of The Complete Picture, discover the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.
http://adobe.ly/QPYXzm

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After initially retouching the first image I wanted to copy some of its settings into the rest of the photos. Before clicking on the Sync button I had to select all the target files. Probably because of the relatively small number of images, instead of going to the "Edit / Select All" function I used "Shift+Right Arrow" for the selection. LR simply crashed...
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Once I selected an already retouched image, with the Adjustment Brush tool open. The existing adjustment mark came up over a formerly brushed area. Then, without doing anything with the open image, I moved to the next picture. To my surprise, the Adjustment Brush marks of both photos appeared on the last opened image - the one, which belonged to the previous picture and another, associated with the second picture. It goes without saying that I was not able to click on any of the Adjustment Brush marks. Closing and re-opening the Adjustment Brush tool did not help, so I had to restart LR.

I must admit that I have not fiddled too long with LR 5.0. The reason is quite simple: its extreme slowness, even in comparison with 4.4, which is far from being fast. After slightly retouching some 40 images I fell back to 4.4 and finished testing 5.5 for a while. Anyway, in addition to the speed problem I have collected some - also not too promising - experiences:
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In several cases I was not able to re-open and modify formerly 'adjustment-brushed' areas. When I moved the cursor above the relevant white 'knob-shaped' mark, nothing happened. The cursor did not even change to hand form, so the "Effect" panel remained dark and the formerly set parameters did not come up. As I kept the cursor there for ages and the image was not 'over-adjusted' (as also indicated by the small size of the associated XMP file), this failure was surely not a result of the above-referred slowness.
Once I selected an already retouched image, with the Adjustment Brush tool open. The existing adjustment mark came up over a formerly brushed area. Then, without doing anything with the open image, I moved to the next picture. To my surprise, the Adjustment Brush marks of both photos appeared on the last opened image - the one, which belonged to the previous picture and another, associated with the second picture. It goes without saying that I was not able to click on any of the Adjustment Brush marks. Closing and re-opening the Adjustment Brush tool did not help, so I had to restart LR.

Issue with Clone Tool and Adjustment Brush in LR5.3

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Lens corrections and adjustment brush bug

First of all, congratulations for a spectacular implementation of these seemingly "conflicting" (at least in a non-destructive workflow) features.
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The thick stroke gets distorted in a way that fill almost the entire image. This happens on extreme debarreling only. For normal lenses, it's a non-issue.
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HELP! Lightroom Crashes Only with Adjustment Brush and only when using HDMI output!

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You have switched the overlay mask to always show. Fortunately, it's easy fixed i.e. tap the O key. Shift+O will cycle the overlay through various colours
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Open Adjustment Brush - K
Open Gradient Tool - M
Show/hide Pin - H
Always Show - Shift + Cmd/Ctrl+H
Show Selected/Never Show - Shift+H
To increase Amount - Right Arrow
To decrease Amount - Left Arrow
To increase/decrease brush size - ] / [
To increase/decrease feather - Shift+] / Shift+[
Set Flow Amount - Number Keys
To commit and/or start new a brush stroke or gradient - Enter / Return
To delete the selected pin - Delete
Holding down - Alt/Option key activates erase mode
Toggle Auto Mask On/Off - A
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To constrain gradient to vertical/horizontal - hold down Shift plus drag
To invert the gradient - '
To scale from center - Alt/Option plus drag

How to find out the PATTERN, GRADIENT and BRUSHED objects?

How to find out the PATTERN, GRADIENT and BRUSHED objects information in illustrator active document file. And also how to find the CMYK and RGB color information in illustrator file through javascript. Could you please provide any examples.

I tried using the below code. But for both "cmyk" and "grayscale" pattern it gives only CMYK. Kindly check and advise.
Code:
var docRef = activeDocument;
for(var i=docRef.inkList.length-1;i>=0;i--){
var inkRef=docRef.inkList[i];
var inkRefName=inkRef.name;
alert(inkRefName);
alert(inkRef.inkInfo.kind);
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Adjustment Brush: Flow and Feather

Not so much a question, as an observation. Maybe it will help somebody.
I'm not a big user of the Adjustment Brush. I tend to use it occasionally for applying Clarity, Highlight Recovery, or applying/removing Sharpening.
I'd never much paid attention to the Flow and Density settings before today, and I certainly never really understood the Flow setting. The Feather setting never seemed to work as expected too. So, I just spent 10 minutes with a 50% grey image and a -2-stop brush, getting to the bottom of it all.
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Rob Cole wrote:
To be clear (and I think this is what you were saying too): Flow controls amount of paint per unit of time, regardless of brush movement speed..., for example:
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Name gradients and adjustment brushes

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