Need help understanding IP Precedence traffic types

I was reading through the different IP Precedence values and most seemed to be fairly straight forward, but I'd like to make sure I have my facts correct. According to the list below, IP Precedence treats traffic lowest to highest priority with numbers 0-7, respectively, is that correct?
Is it a matter of drop rates increase with the IP precedence value then as well?
What type of traffic would fall under 4? I've never heard of Flash, or Flash Overide type traffic, a little clarity would be much appreciated.

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Interface fair-queue treats IP Prec marked traffic differently. As interface FQ was the default on serial interfaces E1 or slower, you might consider it as "automatic". (NB: FQ within pre-HQF class default, works the the later interface WFQ.)
Explicitly configured QoS WRED (on interface or within CBWFQ), with defaults, treats IP Prec marked traffic differently.

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I need help understanding how the Apple components integrate to create a system across all my devices?

I need help understanding how the Apple components connect to create a whole system across all my devices?
Is there a resource that describes current system and associated functionality?
For example:
Buy A, B, C to achieve "X"
You will need:
an internet provider which supports <specs>
add D to achieve "Y"
You will need:
an internet provider which supports <specs>
add "E" to achieve "Z"
You will need:
an internet provider which supports <specs>
For example, I am looking at the Gen 6 Airport extreme. For intended performance do I need broadband? if so what are the specs, or will basic internet service suffice? Do I need the internet provider's modem or does the Airport extreme replace that? And then I think, if I am doing this, I should also look at Apple TV....What do I need and Why? Then I look at the New Desk top coming out in the fall, and I think well, if I wait and get this, what does this component do for the system, and what becomes redundant? What does this awesome desktop do for my ability to sit and use a new macbook air when I travel or sit on the couch in my PJs?
If there was a place that plainly stated "if you buy the new dektop you can configure a system including only these components and achieve <this result> and by adding <additional components> you will achieve this result.
I have been to the genius store a few times, but I come out of there more confused unless I have SPECIFIC questions or already know what to buy.
A "System Configuration App" would be a really great sales tool--Just saying.

I have no idea what "fully optimized" means.
No Apple device will let you watch broadcast TV. The Apple TV is a good option for watching streaming TV from iTunes, NetFlix and Hulu. If you want to watch from other sources, you may need to look at other devices.
Any Mac computer or iPad will allow you to surf the web.
What business software?
Time Capsule is a good option for back ups.
Update what across all devices?
For accessing documents from all devices, a service like Dropbox is your best bet.
I have no idea what "step as far away from an internet provider as possible" means. If you want Internet access, you need an Internet provider.
Lighting fast speed for what? Processor? The specs are listed for all devices in the Online Store. Internet? We're back to the service provider.
Technology changes. The only way to keep pace with it beyond a couple of years is to buy new stuff.
The bottom line is you need to look at the specs for devices availble and at your budget and decide what best meets your needs. If you are unable to do that on your own, there are lot of technology consultants out there who will, for a fee, look at your exact situation, make recommendations and even handle the purchase and set up. Perhaps that would be the best route for you.
Best of luck.

Need help understanding syntax

Hi,
I need some help to understand the following syntax .
PPRAMImpl am = (PPRAMImpl)pageContext.getApplicationModule(webBean); What is this PPARAMImpl?
I know "am " is a variable . And with pageContext.getApplicationModule(webBean) we are trying to get the AM name for that page, then why do we need to add (PPARAMImpl) before pageContext.getApplicationModule(webBean) ?
For example in plsql , apps.testpkg.mainproc(param1,param2)
means
schema.packagename.procedurename(parameter1,parameter2).
So can you explain "PPRAMImpl am = (PPRAMImpl)pageContext.getApplicationModule(webBean)" in that manner?
pageContext.getParameter(EVENT_PARAM))
What is this ?
What are the possible values for EVENT_PARAM ? And by the way , I need help on setting a default value for one of my search parameters in a search region .
Correct me If I am wrong, this is what I thought
1. EOImpl has setters and getters for that attribute. So call the setter method in controller and set the value , if this is right then I don't know how to right the code ,can you give me some sample code ?
or
2. get the view object name and then set the value for that . like viewobject.setattribute('att name',att value'),if this is right then I don't know how to right the code ,can you give me some sample code ?
Thanks
Sri.

Hi,
No. These are not equal.
pageContext.getApplicationModule(webBean) return AM of type OAApplicationModule.
It would be fine if your variable am, is of type OAApplicationModule:
OAApplicationModule am = pageContext.getApplicationModule(webBean) // this would be fine.
But as you are using of type PPRAMImpl, you must have to type-cast that externally using:
PPRAMImpl am = (PPRAMImpl)pageContext.getApplicationModule(webBean);
If you are still not clear, then refer any java book or google for internal & external type-casting in java.
--Sushant

Need Help Understanding How To Use iMessage Between Two iPhones

I have an iPhone 4 and my wife an iPhone 3GS. We both have iOS 5, but I have discovered something about iMessage I need to make sure I understand correctly. As I understand it iMessage can send text even if our voice carrier service is unavailable. I tend to loose signal inside the building I work in. I usually can get texts in and out, but sometimes not. But in testing the two phones sending iMessages, I've noticed is that if I have one of the phones with iMessage turned on and the other with iMessage turned off, the two phones will not be able to exchange text. Is that how it's supposed to work? Even though one of these phones can receive an iMessage doesn't mean the other one send one back. Can't the system detect when one phone is connected and another one not, and the one that is not gets sent SMS messages instead? I don't want to try to send my wife an iMessage because I can't get a voice signal in my building, but her have iMessages turned off and not able to get any messages from me, iMessage or SMS. I guess I need help better understanding how this actually works between the two phones so I can always get texts back and forth between my wife and I. My other misgiving is that this iMessage thing consumes my data limit. My wife gets unlimited because she had her phone before the limits were imposed, but I got on board after, so I am hesitant to use iMessage all the time because of it. I have no intention to send picture mail through iMessage, but the thing is if I wanted to switch to SMS to send picture mail to save data, but my wife's phone is set to iMessage, she won't get it. If this is how this thing is supposed to work, I'm not really impressed. Some insight would be appreciated

I think you are making this way too complicated. Why are you turning iMessage off? If you are at your office connect to the WiFi there and send your wife messages that way (unless your office is blocking the port iMessage uses). When possible the two phones will use iMessage but will revert to SMS is iMessage is not available if that option is set that way.
I would not worry about using up your data plan if you have the 2GB, text iMessages are going to be very small and MMS (picture) ones are not very large either. Unless you are sending hundreds of picture iMessages a day you will have a hard time using up your data.
If you are near an Apple Store you should explore signing up for an intro iPhone course and have them run through iMessage options.

Need help in generating L4 Traffic monitor logs

Hi,
As a part of my project I need to study different types of logs produced by Cisco IronPort. I could generate some access and authentication logs however not sure about generating the L4 Traffic Monitor logs. Can anyone point me to right documentation that will help me generate those logs?
Thanks,
Harshad Kashikar

Harshad,
L4 Traffic Monitoring needs to be configured within the IronPort - first question is do you have a SPAN/TAP port set up on your switch to capture L4 traffic?
Second, I only use this feature to capture information on malware/spyware - I have seen P2P, IRC, and 'phone-home' traffic amongst other things. Do you have an infected host you can monitor?
BF

Need help Sorting an Arraylist of type Object by Name

Hey guys this is my first time posting on this forum so hopefully i do it the right way. My problem is that i am having difficulties sorting an Array list of my type object that i created. My class has fields for Name, ID, Hrs and Hrs worked. I need to sort this Array list in descending order according to name. Name is the last name only. I have used a bubble sort like this:
public static void BubbleSort(TStudent[] x){
TStudent temp = new TStudent();
        boolean doMore = true;
        while (doMore) {
            doMore = false;
            for (int i=0; i < x.length-1; i++) {
               if (x.stuGetGPA() < x[i+1].stuGetGPA()) {
// exchange elements
temp = x[i]; x[i] = x[i+1];
x[i+1] = temp;
doMore = true;
before many time to sort an array of my class TStudent according to GPA. This time though i tried using an Array list instead of just a simple array and i can't figure out how i would modify that to perform the same task. Then i googled it and read about the Collections.sort function. The only problem there is that i know i have to make my own comparator but i can't figure out how to do that either. All of the examples of writing a comparator i could find were just using either String's or just simple Arrays of strings. I couldn't find a good example of using an Array list of an Object.
Anyways sorry for the long explanation and any help anyone could give me would be greatly appreciated. Thanks guys
Edited by: Brian13 on Oct 19, 2007 10:38 PM

ok still having problems I have this line of code to try and all Arrays.sort
Arrays.sort(Employee, TEmployee.FirstNameComparator);Then in my class TEmployee i have
public static Comparator FirstNameComparator = new Comparator() {
    public int compare(Object employee, Object anotherEmployee) {
      String lastName1 = ((TEmployee) employee).getEmpName().toUpperCase();
      String lastName2 = ((TEmployee) anotherEmployee).getEmpName().toUpperCase();
       return lastName1.compareTo(lastName2);
};Here is the rundown of what i have for this. I have 2 classes. One is called TEmployee and that class holds fields for Name, ID, Hrs Worked, Hourly Rate. Then i have another class called myCompany that holds an ArrayList of type TEmployee. Then i have my main program in a Jframe.
So maybe i am putting them in the wrong spots. The code in TEmployee thats make the comparator is fine. However when i try to call Arrays.sort from class myCompany i get this
cannot find symbol
symbol: method sort (java.util.Array list<TEmployee>.java.util.Comparator
location: class java.util.Arrays
I have to put the comparator in TEmployee right because thats where my fields for Name are? Do i call the arrays.sort from my main program or do i call that from the class myCompany where my ArrayList of TEmployees are stored?
Again guys thanks for any help you could give me and if you need any code to see what else is going on just let me know.

Need help understanding PC vid card options in MP

Hi all,
I have a 2008 MP with the 2600 XT video card, but I just installed Windows 7 via Boot Camp and decided I'd like to get a second video card just to play games in Windows.
I do know that a PC video card won't work in OSX unless flashed, but I'm just not entirely sure about buying and installing a PC video card for Windows. Can someone help me with answers to a few questions?
1. If I install a PC video card in the 8x PCIe slot of the Mac Pro, does it have to be a particular type (i.e. have a particular type of DDR onboard, have a particular mHz GPU processor speed, etc)?
2. I've read many vague references to power requirements, but I've yet to read something that clearly states whether I will need to rig up some kind of additional power to the second card. If I do, what exactly would I need in terms of power adapters/cables? (my 2008 Mac Pro is completely stock right now).
3. I would be buying a DVI KVM switch in addition to the video card. With the switch and the 2nd card installed, would I be able to see the "hold down the Option key" boot loader screen as long as the KVM switch is set to the OSX video card, choose Windows, and then use the KVM to switch to the PC card so that I can use it in Windows?
4. Does anyone have any recommendations of a good PC video card for gaming, in the $50-$100 range, which are also potentially flashable for use in OSX? I'm not ready to take that flashing step yet, but I figure as long as I'm buying a PC video card, I might as well get one that can be flashed if I decide to do that down the road.
Thanks folks....I've done a lot of searching on this issue over the past two days, but just can't seem to find any clear, straight answers.

Good and $100 or less don't compute!
Suggestion: get the Apple ATI 5770 ($249), if you like it, get a 2nd for Crossfire.
http://store.apple.com/us/product/MC742ZM/A
The 2600XT has trouble enough, and now seems like the 5770/5870 don't get along with it.
Each card would say what it needs as far as using aux pcie power cables.
Apple's write-up on requirements are just off the farm in regards to
Requires Mac Pro (Mid 2010) with PCI Express 2.0 slot
Works in all Mac Pro models.
Your 2008 MP 3,1 has two 16x slots.
The ATI Radeon HD 5770 graphics card requires one auxiliary power connection and the ATI Radeon HD 5870 requires two. The Mac Pro provides two auxiliary power ports.
More about hooking up displays and adapters:
http://support.apple.com/kb/HT4279
http://www.barefeats.com/wst10g7.html
http://www.barefeats.com/wst10g6.html

I need help understanding how this works. AS 2.0

Its my first time here and i only started learning flash today. I aint too great with maths and i was showed this piece of code that makes a triangles point follow the cursor. It involved mathimatical things ( which i aint so great at) and the guy said "You dont need to know how it works, just how to use it." well i copied his code and it worked, but i have no idea how to use it in other rotation apart from the one he taught us. I dont even understand how to redo his code i saved it to a word document and anytime i wanted to make something rotate something in that fashion i would refer to that. But i dont want to have to do that, i want to know how to use it, dont have to understand it, but use it for other rotation matters. If you are going to help, please try to be a bit simmple i explaining it, cause im new. Dont get me wrong i aint thick but i can find it a bit hard to follow some things, that is i my current problem.
here is the rotation code:
onEnterFrame = function()
hero._rotation = getmouse(hero);
getmouse = function(mc:MovieClip):Number
dy = _ymouse-mc._y;
dx = _xmouse-mc._x;
rad = Math.atan2(dy,dx);
rotate = rad*180/Math.PI
return rotate+90
also if it helps, here is the video i was watching: http://www.youtube.com/watch?v=w3OfrpbNhHs
please if you can, explain how the entire thing works.
thanks for any help given in advance.

Hi,
Here's a short primer. It may not be sufficient but here goes.
1st, move the closing bracket at the end and put it on the third line. This makes the code more efficient
onEnterFrame = function(){                               // this causes Flash to repeatedly
                                                                          execute the next line at the
                                                                          frame rate you selected
                                                                          for your document
       hero._rotation = getmouse(hero);               // this tells Flash to rotate a
                                                                          movie clip (named hero) based
                                                                          on the function getmouse()
};                                                                     // putting the }; here makes the
                                                                          code more efficient and readable
getmouse = function(mc:MovieClip):Number{   // This is the function called with
                                                                         mc referring to hero that was
                                                                         passed from the second line.
     dy = _ymouse-mc._y;                                // dy means delta y which subtracts
                                                                        the y position of the movieclip
                                                                        from the mouses y position
     dx = _xmouse-mc._x;                               // dx = delta x (same as above line
                                                                        but on the x axis)
                                                                     // once you have the x and y sides
                                                                        you male a triangle.
                                                                        Now use trig to find the angle
     rad = Math.atan2(dy,dx);                           // the computer works in radians
                                                                        the arc tangent atan2 will give the
                                                                        angle in radians
     rotate = rad*180/Math.PI                            // you want to convert the radians to
                                                                        degrees, that's what this line does
     return rotate+90                                         // this returns the value of rotate back
                                                                        to the calling function in line 2.
                                                                        the +90 determines which part
                                                                    // of the hero movie clip is facing the
                                                                       mouse.
If you put the mouse cursor over any of the green reserved words above in the Actions panel you will get a desctription of what these do.
hope that helps.

I need help understanding export options and optimizing for web

I have been using FCP X for a short while now and have a pretty good grasp on the editing capabilities. What I'm having a horrible time figuring out is the export/share options. The videos I create are typically approximately 1 minute in length and get posted to a web site (we have our own CMS and video player so I'm not using YouTube or Vimeo or anything like that). In order to post them I need them to be MP4s and then I have to create .webm and .ogv files. The source material I work with is generally great, high quality stuff, so I end up with very large output files from the initial FCP share master file options.
When I use MPEG Streamclip to make my MP4s I end up with files that are still quite large and I can't seem to ever get the file size manageable without losing tons of quality. I do not have Compressor, though if that will solve my problem I will put in for the expense of it. What I'm trying to understand is what sorts of settings I should be trying out to get my file sizes to be manageable without completely compromising my quality. And I know this can be done, because the company I work for pays for a great quantity of video work each year (from an outside production firm) and the clips provided are beautiful in quality and small in file size -- for example, I recently worked on a video and got it into the 40MB range before quality went to crap, working off the same material the production company we do work with had theirs down into the teens and looking beautiful!
To throw an even greater wrench in the works, I am working off a mac. But when my boss, on a pc, saves the mp4s I create (raw files -- not what is posted to the web) locally on his machine and views them from there the sound is always off a tad and the people in the videos look like they're lip synching.
Any advice on either of these is MUCH appreciated. I've been trying to figure this out properly for months, and only today decided to stop seeing if someone else had the same question and just post my own.
Bronwyn

Thank you Karsten, this was helpful I have utilized the Quality slider and the frame size options before though with limited results. I've never messed with the Limit Date Rate option as I don't know what I'm doing with it, I see you put 5Mbps. Is that a typical setting that I could use?
Using stream info, here's info on my original source file:
Stream: Charles_0023_2.mov
Duration: 0:00:51
Data Size: 96.51 MB
Bit Rate: 15.77 Mbps
Video Tracks:
H.264, 1920 × 1080, 29.97 fps, 15.64 Mbps
Audio Tracks:
MPEG-4 Audio stereo, 48 kHz, 127 kbps
Stream Files:
Charles_0023_2.mov (96.51 MB)
As a comparison, here's the info on a similar clip that the company we sometimes use created:
Stream: Charles_0019_4.mp4
Duration: 0:00:49
Data Size: 4.66 MB
Bit Rate: 0.80 Mbps
Video Tracks:
JVT/AVC Coding, 710 × 400, 29.97 fps, 635 kbps
Audio Tracks:
MPEG-4 Audio stereo, 48 kHz, 162 kbps
Stream Files:
Charles_0019_4.mp4 (4.66 MB)
I'm fine with bringing the frame size down some and modifying the limit data rate, but sometimes I feel like I'm forcing my video into something it's not and the quality suffers -- this is where my understanding of video work breaks down LOL. Any suggestions of how I can get my .mov into something like the the .mp4 above?
Also have you had any experience with mp4s not playing back properly on pcs?
Again, thank you!
Bronwyn

Need help understanding profiles and color management

I made the big leap from inexpensive inkjets to:
1 Epson 3800 Standard
2 Spyder3Studio
I have a Mac Pro Quad, Aperture, PS3, etc.
I have a steep learning curve ahead, here's what I've done:
1 Read a lot of books, watched tutorials, etc.
2 Calibrated the monitor
3 Calibrated the printer several times and created .icc profiles
What I've found:
1 The sample print produced by Spyder3Print, using the profile I created with color management turned off in the print dialog, looks very good.
2 When I get into Aperture, and apply the .icc profile I created in the proofing profile with onscreen proofing, the onscreen image does not change appreciably compared with the no proof setting. It gets slightly darker
3 When I select File>Print image, select the profile I created, turn off color management and look a the resulting preview image it looks much lighter and washed out than the onscreen image with onscreen proofing turned on.
4 When I print the image, it looks the same as was shown in the print preview...light and washed out, which is much different than what is shown in edit mode.
5 When I open PS3 with onscreen soft-proofing, the onscreen image is light and washed out...just like displayed in PS3 preview. If I re-edit the image to look OK onscreen, and print with the profile and color management turned off, the printed image looks OK.
So, why am I confused?
1 In the back of my simplistic and naive mind, I anticipated that in creating a custom printer profile I would only need to edit a photo once, so it looks good on the calibrated screen, and then a custom printer profile will handle the work to print a good looking photo. Different profiles do different translations for different printers/papers. However, judging by the PS work, it appears I need to re-edit a photo for each printer/paper I encounter...just doesn't seem right.
2 In Aperture, I'm confused by the onscreen proofing does not present the same image as what I see in the print preview. I'm selecting the same .icc profile in both locations.
I tried visiting with Spyder support, but am not able to explain myself well enough to help them understand what I'm doing wrong.
Any help is greatly appreciated.

Calibrated the printer several times and created .icc profiles
You have understand that maintaining the colour is done by morphing the colourants, and you have understood that matching the digital graphic display (which is emissive) to the print from the digital graphic printer (which is reflective) presupposes a studio lighting situation that simulates the conditions presupposed in the mathematical illuminant model for media independent matching. Basically, for a display-to-print match you need to calibrate and characterise the display to something like 5000-55000 kelvin. There are all sorts of arguments surrounding this, and you will find your way through them in time, but you now have the gist of the thing.
So far so good, but what of the problem posed by the digital graphic printer? If you are a professional photographer, you are dependent on your printer for contract proofing. Your prints you can pass to clients and to printers, but your display you cannot. So this is critical.
The ICC Specification was published at DRUPA Druck und Papier in Düsseldorf in May 1995 and ColorSync 2 Golden Master is on the WWDC CD for May 1995. Between 1995 and 2000 die reine Lehre said to render your colour patch chart in the raw condition of the colour device.
The problem with this is that in a separation the reflectance of the paper (which is how you get to see the colours of the colourants laid down on top of the paper) and the amount of colourant (solid and combinations of tints) gives you the gamut.
By this argument, you would want to render the colour patch chart with the most colourant, but what if the most colourant produces artifacts? A safer solution is to have primary ink limiting as part of the calibration process prior to rendering of the colour patch chart.
You can see the progression e.g. in the BEST RIP which since 2002 has been owned by EFI Electronics for Imaging. BEST started by allowing access to the raw colour device, with pooling problems and whatnot, but then introduced a primary ink limiting and linearisation.
The next thing you need to know is what colour test chart to send to the colour device, depending on whether the colour device is considered an RGB device or a CMYK device. By convention, if the device is not driven by a PostScript RIP it is considered an RGB device.
The colour patch chart is not tagged, meaning that it is deviceColor and neither CIEBased colour or ICCBased colour. You need to keep your colour patch chart deviceColor or you will have a colour characterisation of a colour managed conversion. Which is not what you want.
If the operating system is colour managed through and through, how do you render a colour test chart without automatically assigning a source ICC profile for the colourant model (Generic RGB Profile for three component, Generic CMYK Profile for four component)?
The convention is that no colour conversion occurs if the source ICC device profile and the destination ICC device profile are identical. So if you are targetting your inkjet in RGB mode, you open an RGB colourant patch chart, set the source ICC profile for the working space to the same as the destination ICC profile for the device, and render as deviceColor.
You then leave the rendered colourant test chart to dry for one hour. If you measure a colourant test chart every ten minutes through the first hour, you may find that the soluble inkjet inks in drying change colour. If you wait, you avoid this cause of error in your characterisation.
As you will mainly want to work with loose photographs, and not with photographs placed in pages, when you produce a contract proof using Absolute Colorimetric rendering from the ICC profile for the printing condition to the ICC profile for your studio printer, here's a tip.
Your eyes, the eyes of your client, and the eyes of the prepress production manager will see the white white of the surrounding unprinted margins of the paper, and will judge the printed area of the paper relative to that.
If, therefore, your untrimmed contract proof and the contract proof from Adobe InDesign or QuarkPress, or a EFI or other proofing RIP, are placed side by side in the viewing box your untrimmed contract proof will work as the visual reference for the media white.
The measured reference for the media white is in the ICC profile for the printing condition, to be precise in the WTPT White Point tag that you can see by doubleclicking the ICC profile in the Apple ColorSync Utility. This is the lightness and tint laid down on proof prints.
You, your client and your chosen printer will get on well if you remember to set up your studio lighting, and trim the blank borders of your proof prints. (Another tip: set your Finder to neutral gray and avoid a clutter of white windows, icons and so forth in the Finder when viewing.)
So far, so good. This leaves the nittygritty of specific ICC profiling packages and specific ICC-enabled applications. As for Aperture, do not apply a gamma correction to your colourant patch chart, or to colour managed printing.
As for Adobe applications, which you say you will be comparing with, you should probably be aware that Adobe InDesign CS3 has problems. When targetting an RGB printing device, the prints are not correctly colour managed, but basically bypass colour management.
There's been a discussion on the Apple ColorSync Users List and on Adobe's fora, see the two threads below.
Hope this helps,
Henrik Holmegaard
technical writer
References:
http://www.adobeforums.com/webx?14@@.59b52c9b/0
http://lists.apple.com/archives/colorsync-users/2007/Nov/msg00143.html

Need help understanding component id values in a region

Hi, I have an adf region that is assigned the id of r1. The region uses a .jsff that has various UI components, for example a commandButton assigned the id of cb1. I'm trying to understand how ADF creates the id for the button that's rendered.
For example, in this case, the id of the button is something like a:b:r1:1:cb1 (where a & b are the ids of other parent naming containers). What does the ":1" in r1:1 indicate? It seems like it's some index value and not referring to a naming container, but not sure what this means in the context of a region.
Other times, I've noticed that the id of the same button is something like a:b:r1:0:cb1. In this case, r1:1 got changed to r1:0. What is the meaning of ":1" and "{noformat}:0{noformat}" in the ids and why would this change?

I am assuming that your mum's email address is a sub-account of your dad's.
If it is you need to set up a BTID for her. This will allow her email account to be managed and only accessed by her rather than being managed by your dad.
If your dad is the account holder log onto his MyBT and go to "My Extras" and you will see "Manage BTMail" Click on that and you should see their email accounts. Make sure that you "gift" your mum's email to her.
You should now set up a BTID using your mum's email address and password as the BTID username and password. Once you have done that she should be able to log onto MyBT using her BTID and you should be able to log onto her email.
See links which might help
http://bt.custhelp.com/app/answers/detail/a_id/45822/c/346,6769,7012/related/1
http://bt.custhelp.com/app/answers/detail/a_id/48680/c/346,6769,7012/related/1
You should make your dad's BTID the same as his BT email address and password. It makes it easier to manage and allow access to other BT features. It is his email address and password that you put onto Outlook Express.

Need help understanding why "1 is always equal to 1" is necessary in my Advanced Action

I am using Captivate 7 and publishing as a SWF.
I have an interaction that works, but there's one script that I use (which I found in a tutorial) that I don't understand the purpose of.
The interaction is contained on a single slide where a user clicks two buttons in any order and a graphic appears after the second click. On each button I have a Conditional Advanced Action where I first check that it will always be true that "1 is equal to 1", then assign each variable with "1", then check that each variable was equal to 1 after which the graphic appears.
The part that confuses me is checking if "1 is always equal to 1." Why is this script necessary in this case? Is it necessary because I'm including a Standard Advanced Action (assigning variables to "1") within the Conditional Advanced Action? Or is related to the fact that I'm doing everything on one slide (not using an On Enter slide event executing a Conditional Advanced Action)?
Thanks.

Perhaps it will help to think using different terms.
If you need a script that performs a check against some condition, you need a Conditional Action. Maybe you need to show an image if button 1 has been clicked. And if button 2 has been clicked, you need to show a different image.
Before checking to see which button has been pressed, you need to hide both images so that only the desired image is shown. So you need to perform the same action each time before checking some variable to take a specific action.
This is where the "If 1=1" would come from.
Each time the script is run, hide both images. Since the check to see if 1=1 will ALWAYS evaluate as true, the "ELSE" part will never be reached. So you would always perform the same actions just as a Standard Action would do.
Perhaps if you posted some screen captures of your scripts, we might better explain it.
Cheers... Rick

Another TCP Reassembly Queue Issue - Help Understanding Sh IP Traffic Results

I recently started seeing the TCP Out-of-Order blurbs on my 1921/k9 routers logs. See following....
*Oct 28 06:41:32.793: %FW-4-TCP_OoO_SEG: Dropping TCP Segment: seq:-1475532578 1500 bytes is out-of-order; expected seq:2819411594. Reason: TCP reassembly queue overflow - session 192.168.10.11:58675 to 23.77.232.34:80 on zone-pair ccp-zp-in-out class ccp-protocol-http
*Oct 28 15:09:21.539: %FW-4-TCP_OoO_SEG: Dropping TCP Segment: seq:79628295 1488 bytes is out-of-order; expected seq:79600783. Reason: TCP reassembly queue overflow - session 192.168.10.25:55690 to 206.19.48.10:80 on zone-pair ccp-zp-in-out class ccp-protocol-http
*Oct 28 15:16:44.803: %FW-4-TCP_OoO_SEG: Dropping TCP Segment: seq:-1210068379 1500 bytes is out-of-order; expected seq:3084764253. Reason: TCP reassembly queue overflow - session 192.168.10.13:50591 to 107.167.193.162:80 on zone-pair ccp-zp-in-out class ccp-protocol-http
I temporarily disabled TCP Queue length logs (setting to 0) after having changed to several options including 128 and 1024 did not help. The output of Sh IP Traffic....
"Router#sh ip traffic
IP statistics:
Rcvd: 411466 total, 163659 local destination
0 format errors, 0 checksum errors, 2 bad hop count
0 unknown protocol, 1 not a gateway
0 security failures, 0 bad options, 0 with options
Opts: 0 end, 0 nop, 0 basic security, 0 loose source route
0 timestamp, 0 extended security, 0 record route
0 stream ID, 0 strict source route, 0 alert, 0 cipso, 0 ump
0 other
Frags: 0 reassembled, 0 timeouts, 0 couldn't reassemble
0 fragmented, 0 fragments, 0 couldn't fragment
Bcast: 162854 received, 415 sent
Mcast: 0 received, 0 sent
Sent: 5560 generated, 18211176 forwarded
Drop: 22 encapsulation failed, 0 unresolved, 0 no adjacency
2383 no route, 0 unicast RPF, 0 forced drop
0 options denied
Drop: 0 packets with source IP address zero
Drop: 0 packets with internal loop back IP address
0 physical broadcast
ICMP statistics:
Rcvd: 0 format errors, 0 checksum errors, 0 redirects, 0 unreachable
11 echo, 0 echo reply, 0 mask requests, 0 mask replies, 0 quench
0 parameter, 0 timestamp, 0 timestamp replies, 0 info request, 0 other
0 irdp solicitations, 0 irdp advertisements
0 time exceeded, 0 info replies
Sent: 2028 redirects, 2809 unreachable, 35 echo, 11 echo reply
0 mask requests, 0 mask replies, 0 quench, 0 timestamp, 0 timestamp replies
0 info reply, 2 time exceeded, 0 parameter problem
0 irdp solicitations, 0 irdp advertisements
BGP statistics:
Rcvd: 0 total, 0 opens, 0 notifications, 0 updates
0 keepalives, 0 route-refresh, 0 unrecognized
Sent: 0 total, 0 opens, 0 notifications, 0 updates
0 keepalives, 0 route-refresh
PIMv2 statistics: Sent/Received
Total: 0/0, 0 checksum errors, 0 format errors
Registers: 0/0 (0 non-rp, 0 non-sm-group), Register Stops: 0/0, Hellos: 0/0
Join/Prunes: 0/0, Asserts: 0/0, grafts: 0/0
Bootstraps: 0/0, Candidate_RP_Advertisements: 0/0
Queue drops: 0
State-Refresh: 0/0
IGMP statistics: Sent/Received
Total: 0/0, Format errors: 0/0, Checksum errors: 0/0
Host Queries: 0/0, Host Reports: 0/0, Host Leaves: 0/0
DVMRP: 0/0, PIM: 0/0
Queue drops: 0
TCP statistics:
Rcvd: 39 total, 0 checksum errors, 37 no port
Sent: 2 total
EIGRP-IPv4 statistics:
Rcvd: 0 total
Sent: 0 total
UDP statistics:
Rcvd: 163487 total, 0 checksum errors, 162603 no port
Sent: 695 total, 0 forwarded broadcasts
OSPF statistics:
Last clearing of OSPF traffic counters never
Rcvd: 0 total, 0 checksum errors
0 hello, 0 database desc, 0 link state req
0 link state updates, 0 link state acks
Sent: 0 total
0 hello, 0 database desc, 0 link state req
0 link state updates, 0 link state acks
ARP statistics:
Rcvd: 3651888 requests, 72 replies, 0 reverse, 0 other
Sent: 159 requests, 28560 replies (225 proxy), 0 reverse
Drop due to input queue full: 0"
Would someone be so kind as to help me understand a little about my IP Traffic and what might be going wrong? Thanks for any input. --Tim

With Queue Length set to 1024:
Router>show ip inspect statistics
Interfaces configured for inspection 4294967294
Session creations since subsystem startup or last reset 0
Current session counts (estab/half-open/terminating) [0:0:0]
Maxever session counts (estab/half-open/terminating) [0:0:0]
Last session created never
Last statistic reset never
Last session creation rate 0
Maxever session creation rate 0
Last half-open session total 0
TCP reassembly statistics
received 0 packets out-of-order; dropped 0
peak memory usage 0 KB; current usage: 0 KB
peak queue length 0

Need help understanding an example in Flex 4 Language Reference: flash.data.sqlstatement

I don't understand how to use the example in Flash Builder. I read the link concerning this, but it's still unclear.
1) Is this example a single file, or should the class definition be separate? I ask because I don't see any import statements at all, which makes me wonder how it would work.
2) does init() act as the automatic entry point for this code, or is this function called from some unseen event?
3) does dbStatement.itemClass = Employee represent the link between the main app and the class file?
I've been looking all over for a solution to my problem in that I have 8 or 10 querries to a sqlite db in my main application and I would really like to move each to their own file, but I don't understand how to reference them from the main app, or how to share the results with the main app. I was hoping this was what I'm looking for.
// Employee class definition
package
    public class Employee
        public var name:String;
        public var ssn:String;
        public var id:uint;
        public override function toString():String
            return "id: "+ id.toString() + " name: " + name + " ssn: " + ssn;
// using the Employee class as SQLStatement.itemClass
var conn:SQLConnection;
var dbStatement:SQLStatement;
function init():void
    conn = new SQLConnection();
    conn.addEventListener(SQLEvent.OPEN, connOpenHandler);
    dbStatement = new SQLStatement();
    dbStatement.sqlConnection = conn;
    dbStatement.text = "SELECT id, name, ssn FROM employees";
    dbStatement.itemClass = Employee;
    var dbFile:File = new File(File.separator + "employee.db");
    conn.open(dbFile);
function connOpenHandler(event:SQLEvent):void
    dbStatement.addEventListener(SQLEvent.RESULT, resultHandler);
    dbStatement.execute();
function resultHandler(event:SQLEvent):void
    var result:SQLResult = dbStatement.getResult();
    if (result != null)
        var emp:Employee;
        var numRows:int = result.data.length;
        for (var i:int = 0; i < numRows; i++)
            emp = result.data[i];
            trace(emp.toString());
Thanks
Kristin

Hi Kristin,
1020: Method marked override must override another method.
-overridesObject.toString
There is popular misconception among ActionScripters about toString() method - if one want to provide custom implementation method of super class "override" keyword is needed.
But in case of Object "toString" is dynamic and it is attached at runtime negating the need of overriding - instead implementation is to be provided by developer so one is not created at runtime. So one needs to just write her own: toString():String method.
Methods of the Object class are dynamically created on Object's prototype. To redefine this method in a subclass of Object, do not use the override keyword. For example, a subclass of Object implements function toString():String instead of using an override of the base class.
http://help.adobe.com/en_US/FlashPlatform/reference/actionscript/3/Object.html#toString()
hth,
kind regards,
Peter

Need help understanding soundtracks and video

Hi,
I write music for myself (http://www.youtube.com/jgelhaar or http://www.myspace.com/bonjimmy) and I just saw the movie "The Holiday". In the movie Jack Blacks' character writes music for video. My question is what kind of software is handling this type of thing in the real world? Obviously I don't care so much about the PC side...
I have a contact that makes videos for YouTube and he's used my music on some of them (example is here: http://www.youtube.com/watch?v=9Zf3ET52BvA ) But in these cases, he just takes something that I've done and then puts it on his video as a sound track. I think it would be much better for me to write the music specifically for the video instead of the other way around. So I need to know what kind of software one would use for that purpose. With that, it would be nice to know what kind of a rig would need to be put together. Right now, I only have a couple of G4's at my disposal, but I am in the market for a new system once I can put the funds together. :/
Any help or comments would be greatly appreciated.
Jimmy

I figured the G4 wouldn't be able to hack it and I plan on getting a new system for this.
So when you're composing in Logic, is it a recording application that also shows the video or does Logic have to sync with something else for the video?
Now that you've assured me that Logic 8 is the right place for me, I will do more reading about it. Thanks a lot for your comments.

Need help understanding IP Precedence traffic types

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