Need to create multiple Premiere Pro Titles out of a Text file

Hi everyone !
I'm using Premiere Pro CS6. I've prepared a *.txt file (plain text) with about 70 lines (each line has 5-10 words max) and I'm looking for a way to create multiple PP Titles out of it (one Title per line) but in a "batch" manner (i.e. without having to create a new title each time and copy-paste the line-text in it, etc) as I need to end up with all 70 titles in my timeline...
Could you possiby suggest a way to do this ? Something like "importing" the *.txt file in Premiere Pro and auto-breaking it up into 70 separate titles or something ??
Many thanks in advance guys !!

yes, here is a direct link to the tutorial.
has me disappointed in adobe and in the development of software in general, but yeah, i'm following this tutorial right now: https://vimeo.com/80445034
the bummer part is -- well -- will that make the text less crisp, less clear?
also, if we are creating a lot of slides, ideally, we would have an easy way to create clear videos of our slide presentations.
i tried a bunch of slideshow tools and it is amazing to me how bad they are.
anyway, i am using this gruesome but brilliant workaround right now (the ms word, indesign, premiere combo).
as brilliant as it is to have found this kind of workaround solution -- it amazes me that adobe has such profound resources -- and these apps behave so belligerently.
best,
dainis

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Top 15 Issues/Fixes Needed in the next Premiere Pro release/update (CS6.5 or CS7)

I’m excited for what’s coming next in Premiere Pro CS6.5 or CS7 (whichever update is next). As a former FCP7 user myself, Premiere CS6 was a quick and necessary switch (especially after changing the main keyboard shortcuts back to what I was used to). I’ve since gone back to FCP7 on occasion for certain things and I can tell you that I’m so glad I’ve switched. For all the headaches and serious errors that I still get daily/weekly with Premiere Pro CS6, it’s still definitely a big step up. I'm encouraged by staff members like Mitch W. that have expressed confidence that many of these issues will be resolved in the next release. Here is my personal list of “Top 15 issues/fixes” needed in the current Premiere Pro CS6…
(Adobe STAFF...feel free to print this out and hand it to the engineers responsible for making changes )
1) The infamous multicam FLAW. Needing no introduction…when you are editing your video in the multicam window and you hit pause or stop Premiere has decided that’s a great time to make a cut on your timeline and also switch angles back to the original angle whether you like it or not. You cannot stop ever while editing multicam without Premiere making these unwanted cuts and angle changes. Awful. Multicam in PPro is otherwise pretty nice, but this issue is terribly counter-productive especially when you are editing longer complex multicam sequences. Imagine if every time you hit pause or stop in the regular timeline it made a cut there and switched clips. Ugh. You get my point.
2) The audio meters/levels do not work while in the multicam window. A staff member in the forums (I think it was you) said this was a bug. Hope it will get fixed. The audio levels work in every other window and its essential to be able to keep an eye on the levels while editing multicam.
3) Ticktime.cpp-207 error. Ugh. What a nightmare. I have confidence that it will be fixed soon. Mitch W. from the forums is my new hero for taking on this error. How to replicate it?…simply have 6 (or 7) or more clips with the warp stabilizer effect added on the same timeline as a nested multicam clip and you get this error upon reopening your project. The more warp stabilizers you use, the more times you’ll have to hit “continue” to get through the error before you can open your project or export it to AME. I deal with this every single day because all my projects use these two elements. Most of my projects I have to hit “continue” on the error message upwards of 350-450 times to open my projects. Gets old fast.
4) Icon View order control. When you display all your clips in icon view instead of a list view (In the project window), there is no metadata to allow you to put the clips in order somehow (or at least maintain the order that you have in the list). There are roundabout workarounds, but c’mon.
5) Warp Stabilizer fixes…it is an AMAZING tool (far, far, far better than smoothcam in FCP7) BUT…it has it’s issues. Since I use hundreds of times/week (no exaggeration) I know it’s functions/flaws really well. The issues with Warp Stabilizer:
a) #3 above
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c) If a clip is in the middle of stabilizing (not just analyzing…but the final step labeled “analyzing”) when Auto-save comes up…most of the time PPro freezes and crashes.
d) The DEFAULT “method” (in the settings for Warp Stabilizer) should NOT be “Subspace Warp”…it should be “Position, Scale, Rotation”. Why? It’s FAAAAARRRR better and more efficient. 95 out of 100 times it causes MUCH less “wobble” in the final stabilized clips AND most importantly 95 out of 100 times it scales the video less. Way better method.
6) The ability to open multiple projects simultaneously. As simple as FCP7 had it…or even better…as cool and efficient as FCPX does it would be nice.
7) The ability to mark a clip and not just a point on a timeline (because if you move the clip, the marker doesn’t go with it). I know you can use “Clip Marker” but it's very limiting, can't be moved, can't add notes, can't advance to the next marker (as far as I know). Also a marker list like FCPX has would be nice so you can see your markers all in a list at a glance and adjust them as needed.
8) Ability to select a clip in the Project window and find out where it’s used in the timeline. I LOVE how you can do the reverse and take a clip in the timeline and “Reveal in Project Window” but it would really help to go the other way around. Dealing with several hundred clips for every project I’ve missed this feature from time to time (FCPX handles this really well).
9) Add a through-edit indicator in timeline and “re-join clips” option. If you cut a clip but keep both clips together it’s just one continuous clip. But I really hope Premiere adds the not only an indicator of some sort (like FCP7′s way of having two small red triangles facing each other on that cut) so you know it’s one continuous clip BUT ALSO the ability to right-click and “re-join” the two clips into one.
10) When clip is double-clicked in timeline, CTI position in source viewer should match location in timeline. This one is pretty annoying and a fix would be incredibly helpful. The way it is now is very counter-productive. Definitely hope this gets fixed ASAP.
11) Better border controls for images/videos. Can’t do much with images right now in PPro. At least allow to customize the color and size/strength of it’s borders and shadows.
12) Better support for Mac/Apple's top end computers/GPU's. I'm still surprised that 2011 top of the line iMac cards (AMD 6970M) that have 2gb of ram are not supported. I’m sure/I hope 2012 iMac’s will be supported with their new Nvidia GPU’s…but I’ll hold out hope that the top iMac (up until 3 months ago) is supported at least at it’s full power. All around better Mac support would be great considering the wave of new users coming over from FCP.
13) Opacity/Transparency issues with EXPORTED videos with Cross Dissolves, etc. For some odd reason videos exported from Premiere CS6 have issues with cross dissolves or minor transparency. I’ll try to explain…in the program window of PPro CS6 cross dissolves look fine. Also, if you take a clip and stack it on top of another clip and put the top clip at say 99% opacity instead of 100 it looks like it should in PPro. But, if you export the clips you’ll quickly see that there are issues. It’s almost like the exported videos dissolve from 5 to 95. They skip the subtle beginning (0-5%) and subtle end (95-100%) of any fade. A clip in PPro as described above that is on top of another but set at 99% will look more like 90-95% in the exported file ESPECIALLY if the two clips are contrasting (eg. top layer dark, bottom layer with bright elements). It’s like the opposit of ease-in/ease-out. I have to ease-in/ease-out of every dissolve to avoid this issue…and even then, it’s not THAT much of an “ease” as one would hope. Another user in a forum once posted a video that shows how abruptly exported videos end their transparency changes…see: THIS SAMPLE VIDEO Perhaps this is a GPU/processing issue with AME vs. Premiere Pro but whatever it is, it should be fixed so videos you export look like the videos you edited!
14) Better control in Creative Cloud over which devices are “activated/deactivated” We have 3 computers and it would be nice if one could log in to their Creative Cloud account and see a list of which devices they have and just toggle on/off which one’s are activated/deactivated. This is especially helpful when you are mobile and forget to deactivate one of your two home/office devices so you’re stuck now until you get back to the home/office to deactivate it. This is not a Premiere thing, but just a general wish.
15) Ability to sync multicam clips automatically using the audio. Plural eyes apparently does this well. Would be nice to have it built into Premiere like FCPX does. Select all the shots you want to sync, One button click, wait a few seconds, done.
That’s my top 15. Everything else is awesome in my opinion for what I do 10 hours a day 6-7 days a week. I’ve included bug reports/feature requests for all of these at one point but if you are someone else reading this go to the following link and ask for these issues to be fixed: FEATURE REQUEST/BUG REPORT
I wish Adobe did smaller updates more often. Because even if they were smaller updates, we’d at least know you are working on fixing some of these issues that have plagued this NLE for years. Holding off fixes for one or two big “updates” every year is tough to deal with in a world of the ever updating apps we live and play with daily on our phones. I realize Premiere is a much larger scale and far more professional than a phone app, but hopefully you get my point. Here’s to hoping the next release (NAB 2013?) resolves all my top 15 issues. Here’s to hoping that these issues will be resolved sooner than later so I can stop raising hell in various forums. I’m honestly ready to start praising and defending Premiere Pro instead of griping about it’s bugs and flaws. It’s a fantastic program “on the way” to being the best. I hope.

Nice list, however it does seem a little bit like you may be hoping that Adobe provides the Final Cut 8 package that Apple never delivered on. Having edited primarily with P-Pro for the last decade, I hope Adobe focuses more on getting the next release to run as smooth as CS5x does, strangling and crucifying all the codec and playback bugs that arose in CS6. To me, it appeared that too many of the changes in CS6 were semantic or cosmetic, meant to give a FCP user more familiarity. Why change the name of an edit function from "overlay" to "overwrite" after 15 years? Because it enhances the product, or because that is what Apple called the function in FCP? If Adobe renames the Program Monitor to the "Canvas" with the next release, I think that I might be sick. There were nice additions to the Creative Suite as a whole, but I hope the next Premiere release reverses some missteps made in CS6, and focuses more on stability and enhanced functionality. I also really hope that they have an open ear towards criticism; Apple did not and their users ended up with FCP-X
It saddens me that the fixes I want most in a future release were purposeful changes between CS5x and CS6x.
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2) Restore the 3 Way Color Corrector to its previous functionality. The 3 way color corrector has been effectively neutered in CS6. Where in CS5x and earlier releases one could separately target the input/output levels of Highlights, Midtones, and Shadows, CS6 has only a master input/output level control. Why is less control better? Is it a 3-Way Color Corrector or a 1-Way Color Corrector?
3) Restore Clip and Timeline markers to their previous functionality. I don't even.... I can't. A user shouldn't have to do work arounds to create a modicum of functionality. This again was an attribute that wasn't broken in earlier releases.
4) Simplify the the task of pasting media into a targeted track. As it is now, pasted items will always go to the lowest activated track instead of the targeted track.
Lastly I would like the Adobe Premiere teams to consider what an amazing accomplishment Premiere CS5x was. Upon CS5's release, a good portion of competitor's workflows became obsolete. CS5.5 refined, stabilized, and expanded functionality.
CS6 changed the UI around, moving or deleting buttons, changed keyboard shortcuts, and renamed functions. Oh, and added hoverscrub, you know...like FCPX. In exchanged there was loss of functionality, stability issues and broken codecs.
I really hope the next release is more like CS5x and less like FCPX

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I keep seeing lots of discussions about the limitations of the Premiere Pro Title Designer.
It seemed like a good idea to point out some of the good things about it, just to get it out there for people new to Premiere Pro, or people who have not used the Title Designer much.
Just to get a couple of things out of the way, there is a problem with the way it handles partial transparency of Photoshop files and other images with an alpha channel, and no, you still can't animate individual parts of the title without making more titles to do the job. But you can put a logo from Photoshop on its own layer, and you can animate individual titles.
That said, have you looked lately at the ease in which you can create interesting fonts and shapes? Faster and easier in a title than in Photoshop or After Effects.
Something like this for example. I would not know where to begin to make this in After Effects or Photoshop or Illustrator.
And even more interesting is that the same exact font style can be applied to a shape. Like this:
Or this:
You can imagine how great it would look if I actually had any artistic ability!
Every time you do something to a font, you can save it as a new style in order to use it again later. In the same project, or a new one a year from now. You can group styles into libraries, you can replace the ones that came with Premiere Pro, (and get them back with a simple reset). You save the styles you use on shapes as a style.
For over a decade I have had Tim Kolb's free font styles and some templates on my web site here: http://www.stevengotz.com/title_styles.html
They are free. Have you been using them? If not, why not? And recently he has been putting more free styles on his own web site along with regularly releasing new, free, templates on his BLOG site at http://style4type.blogspot.com/
All I am saying is that if you have not looked at using the Title Designer lately, then perhaps you might want to take another look. Especially now that with Premiere Pro CC, it is so easy to make unique copies of existing titles without fear of overwriting the original.
Don't have CC? No sweat. These work with all versions of Premiere Pro as far as I can tell. (Please let me know if you discover otherwise.) The Title Designer has not changed much. Unfortunately. But it is still quite usable and I hate to see people go out and buy titling programs just to do something they could do for free in Premiere Pro.

Well, I have often wished we could animate the source text like we can in After Effects. Or wished we could have the great font style capability in After Effects that we have in Premiere Pro.
I just can't get both.
That is why I came up with the way to create many titles from one, using a Microsoft Word macro, but I can only get it to work in English, or, rather, I can't get it to work with non-ASCII characters.
The method that was found to do it with Adobe InDesign is great, but no font styles there either.
The magic that Tim makes with his font syles and backgrounds is just too strong a reason to work completely in Premiere Pro. So making a new title from another is the only way for me to to much of what I want to do. But once I get past a couple of dozen titles or so, I use the macro.
http://forums.adobe.com/message/5983278#5983278

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GB-92
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5. Have you gone the route of Uninstall/ccleaner run through - regular and registry components of the cleaner), reinstall?
1. Uninstall Premiere Elements 8 via the usual Control Panel/Installed Program area route.
2. Download and install the free ccleaner and run the computer through its regular cleaner and registry cleaner parts.
http://www.piriform.com/ccleaner
Open the program to see something like
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After the regular cleaner portion is done, then click on "Registry" in the left column of the dialog. It should look something like
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when done
Click on "Fix selected issues"
when pop up appears
Click Yes to "backup changes to the registry"
when done
Click "Fix selected issues" in the pop up that now appears
when done
Click Close.
Please read all the details in the ccleaner link before starting. If you need clarification on anything written before you begin, please do not hesitate to ask.
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We will be watching for further developments.
3. Reinstall Premiere Elements 8 with antivirus and firewalls off. After installation of 8, now do the download and installation of the 8.0.1 update from Adobe via the link
http://www.adobe.com/support/downloads/detail.jsp?ftpID=4653
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Adobe set up that 8.0.1 Update so that they is no 8.0.1 shown in the program after installation of it. You will probably get a message of installation completed successful. The major evidence that it has been installed will be the turn off of the previously default "Automatic Background Rendering" in preferences. You still have to turn off the "Automatic AutoAnalzyer" in Elements Organizer, a must do.
Please review the above.
Thank you.
ATR

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Hello,
I had created a project using Adobe Premiere CC 2014 which had some minor changes, which were going to be done by my boss, who uses Premiere Pro CC. However the project file of Adobe Premiere CC 2014 was not getting opened in Premiere Pro CC giving a message of type that as this file was created in a newer version of Premiere, it cannot be opened. After searching on this forum I found that we have to convert the Premiere Pro CC 2014 project file to XML file which can be then imported onto Premiere CC. So I created a XML file by selecting File-> Export -> Final Cut Pro XML and sent it to my boss. However even the xml file is not getting opened after being imported onto Premiere Pro CC giving an error of sorts, Cannot open the file since there is a problem with the codecs.
Have I done something wrong? Please guide me since I am a beginner to the Adobe environment and would very much appreciate any help.
Thank you.

Indeed..... but are they fully documented, includuing Adobe's implementation of Multicam?
Collapsing them should really be no more than a day or two of work for an Adobe engineer and a day of beta testing. Seriously. Lots of people want this - it only takes a few minutes with google to find people struggling with this exact problem. Premiere Pro Multicam --> Resolve.
Since we do a lot of multicam work it's something that's important to us.
Lots of other people never go near multicam, so I guess for them it's something they really don't care about.
I currently have > 22 hours of multicam sequences that need primary colour correction and follow on grading..... resolve would be the best choice by far.

HT2534 i need to create an apple id with out card

i need to create an apple id with out card can u give any suggestions..............for me

You can create an iTune and App Store account without credit card details
1. Sign out of current Apple ID if you are sign-in to one (important)
2. Go to App Store and select a free app
3. Tap INSTALL APP
4. Create New Apple ID
5. Confirm Your Country
6. Agree with Terms and Conditions
7. Fill in your Apple ID and Password (you must create a new Apple ID; don't use your old Apple ID)
8. Create and answer your secret question
9. Select NONE for Payment Method
10. Fill in Billing Address
11. Submit application for new Apple ID
12. Wait for verification email
13. When email arrive, verify your account
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Need to create multiple PA documents during billing

Hello,
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Thank you.
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Hi,
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2. if 'constant gain' audio effect is applied it will fail to import.
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035 AX
V
W000 006 00:00:00:00 00:00:02:07 00:02:50:14 00:02:53:11
EFFECTS NAME IS W000
* FROM CLIP NAME: MVI_8747.MOV
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179.8
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M2   AX
019.2
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1 - read the articles at http://ppbm7.com/index.php/tweakers-page
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Having issues with Premiere Pro CC, I cannot import .MOV files created with my Canon 6D.
If I try to import the files, I get a very generic "File format not supported" error msg.
This is a new install of Premiere CC on a new computer. I was able to import them using Premiere Pro CC on the old computer.
Quicktime will play these files fine on my new computer.
Premiere Pro CS6 will import these files on the new computer.
Premiere Pro CC would open them fine on my old computer.
I'm not even sure where to start. Any help would be appreciated.
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OSX 10.9.3
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3Ghz 8-Core Xeon E5
64 GB RAM
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That was I was thinking at first, but if Premiere CS6 (installed on the same computer) imports and plays them, they must be on the system, no?
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How do I move all my files from one User Profile (account) into another? I needed to create a new account and want all of my files accessible in the new one.

How do I move all my files from one User Profile (account) into another?
I needed to create a new account and want all of my files accessible in the new one.

ok, what you're learning right now is 101 unix, which is good. Unix is a good thing
now: the way unix works, and macos (which uses unix underneath) the files and folders work like a hierarchy.
the start of that tree is /
so, if you were to do:
cd /
(cd means change directory)
it will bring you at the highest branch of the file system.
cd /Users
will bring you to where all the users are.
to see whats in /Users you can use your friend ls command
ls means list files/directories
so:
cd /Users
ls -la
(the -la here means show all (even hidden) and long format (very verbose)) this flag is very optional.
you will see
fred
user2
for example.
if you want to see the desktop of user2 you would change directory to it then list the files.
for example:
cd /Users/user2/Desktop
Note that the files and directory are case sensitive, so, desktop is NOT the same as Desktop, or DESKTOP
ls -la
you should then be able to see everything in users2 desktop
you could have done as well the same thing in smaller steps, for example:
cd /
cd Users
cd user2
cd Desktop
this is the equivalent of cd /Users/user2/Desktop
So, for your file, i don't know where it was, but know that if you log in as user2, it will directly put you in
/Users/user2
which most likely the file you had created from the other user was in /Users/user1
if you copied all the files from /Users/original_user to /Users/secondUser
most likely yes, all your mail, bookmarks etc would be copied over.
so in your case.
sudo chown -R seconduser:staff /Users/secondUser
should work
Remember that if you start a path with the character / it means start from the root of the file system, at the highest top you can ever get.
so
cd /Users/fred
is not the same as
cd Users/fred
unless you were in / already
i know it may be confusing at first but it's actually very logical if you play with it.
to simplify, think of it that / means C:\ on windows
you can't go any higher than C:\ (in a way)
if you're unsure which directory you're currently in, you can always type:
pwd
it will tell you where you are.
for example:
cd /
pwd
this shows /
cd Users
pwd
this now shows /Users
cd /System/Library
pwd will show /System/Library
cd /
cd /Users
cd fred
cd Library
pwd will show /Users/fred/Library
unix can look very scary but it's actually vital and very necessary to do tasks sometimes that would take for ever to do via the windows. This is good learning.
so for the myfile you had created, i can't tell you where it is, at the time you created, if you can do a pwd command you'll know the path,
ls -la (this shows all the files where you are)
if you see myfile in the list
do a pwd
whatever is return, the real location of the file would be:
whatever pwd returned / myfile
I hope that makes sense.

Is there a way to create multiple BQY output to one of the Job File ?

Hello,
I am using EPM11.1.2.3.501 version.
BQY report due to the large amount of data, it is difficult to use a WebClient.
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However,
If modifications are to occur,There are difficulties must modify each file.
For example,
Register 2014 1Q, 2014 2Q, 2014 3Q, 2014 4Q BQY Job file.
When you run the job, the output of the job file is created.
If the job file is changed, you must modify all four files.
This will be only grow ations.
Is there a way to create multiple BQY output to one of the Job File ??
Please help me.
Thanks

It is not possible to have multiple BQY outpu into a job file.
Thanks,
KK

How to duplicate a sequence in Premiere Pro CS3 within the same project file ?

Hi there,
How do I duplicate a sequence in Premiere Pro CS3 within the same project file ?
Thanks

If you are new to Premiere CC start here:
https://helpx.adobe.com/creative-cloud/learn/tutorials/premiere.html#get-started

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