Need to Output WMV from Final Cut Pro

I have FCP 3. It has everything I need except my output options don't include WMV files. Is there a download or product that I can get for this version that will give me more output options? If not, is there any other codecs that I can use that will play on a windows media player?

MPEG1 is the lowest common denominator.
Free? No. You can purchase Flip4Mac from telestream (easy google) to create version 9 wmv but it won't do version 7 and lots of PCs won't do version 9. If you need v7, you must purchase Cleaner. Other transcoders might do the job but Compressor is not equipped with a wmv codec out of the box. You must pay someone for the rights to use Microsoft's proprietary codecs.
This topic comes up weekly, sometimes daily, so a search of the forum will find dozens of similar threads with a few other suggestions.
bogiesan

Similar Messages

  • WMV from Final Cut Pro? HELP!!!!!!

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    The free version of Flip4Mac has functioning import/export capability in trial mode, so you can see how it works. The restrictions are a watermark on the finished content, and a limit of 30 seconds.
    It's $49. for the Studio version, and, imo, worth it. If you really want professional encoding, then their Episode product is at the top of the heap.

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    When I export a Windows Media File it only exports a portion of the file. Everything else(.mov, aiff, etc.) exports in full. What am I doing wrong?

    You only have the demo version of Flip4Mac. Purchase the full version.

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    Welcome to the forum!
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    -DH

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  • Burning a video from Final Cut Pro using iDVD

    When I export and save my video from Final Cut Pro to a folder (export->Using Quick Time Conversion). When I do that there are several different videos that are saved in my folder (ie-Kelly Michelle; Kelly Michelle-av1; Kelly Michelle-av2; Kelly Michelle-av3; Kelly Michelle-av4; Kelly Michelle-av5).
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    The simplest way to prepare a video for iDVD is to *Export/Quicktime Movie* (NOT Using Quicktime Conversion), select Current Settings, Audio and Video and, depending on your needs, other 2 options:
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  • Retrieving imported AVCHD files from Final Cut Pro X

    Hi there, does anyone know how to retrieve raw AVCHD clips from Final Cut Pro X, after they have been imported? I shot some footage on my GH2 and it DID import from the camera into FCP X, but it's not running smooth at all. I heard that it's better to convert the files into pro res first, but I wanted to see if it worked. It does work, but not very well. So now I want to find the original video files I imported and convert them into pro res and then import again. Anyone had experience with this?

    I think it all comes back to work flow. The whole reason I have opted to convert the original files to pro res is because it is choppy in the timeline when I'm editing. It seems it's true that FCP X really prefers to work with 'optimized media'...or Pro Res instead of reformatted versions of AVCHD. I would like to work with this original format, mainl because the footage isn't as compressed and hasn't lost a generation...and look absolutely pure and gorgeous in high bit rate from my GH2, however, what choice do I have but to convert to Pro Res if I am unable to edit smoothly? I think Ian had the right idea when he said to compare the footage of both, but again, if I can't even edit in AVCHD then what's the point? I think Apple needs to rectify this in the next update as I'm sure there are so many users out there who would prefer editing in this original format. Is there a noticeable loss of quality, that's what I am curious about.

  • How can I upgrade from Final Cut Pro X 10.0.4  to 10.0.7

    I need to upgrade from Final Cut Pro X 10.0.4 to 10.0.7 but can not find how to do this. Can anybody help?
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         You might do some web searching on "FCPx  torrent ".  I would think that if you have a legitimate copy of FCPx there would be no legal/moral issue with pulling down a 10.0.7 version via bittorrent, but I'm not a lawyer. And of course there are other issues relating to such software but as Tom implies, you can't get an older version from Apple so you'll have to find somebody, somewhere with a 10.0.7 copy that you can install.

  • Problem exporting from final cut pro to compressor

    Hi,
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    Compressor V2.0.1
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    Any help would be greatfully recieved.
    G5 Single Processor 1.8   Mac OS X (10.4.8)  

    Philip:
    Check this old thread:
    http://discussions.apple.com/thread.jspa?messageID=1106846&#1106846
      Alberto

  • Can I mute all audio from Final Cut Pro X?

    Can I mute all audio from Final Cut Pro X so that I can listen to music while I do sorting, keywording, favoriting, etc? I'm doing a video where all the camera audio won't be used anyways, so I don't need to hear it in FCPX.. I'd rather just listen to my music instead. Thanks.

    For clips in the timeline, andynick's suggestion works fine - temporarily disable the audio roles will play everything without audio and you just have to reenable these roles later.
    For clips in the Event Browser, you can also disable and reenable audio for a bunch of clips all at once. Select the all the clips you want, open the inspector, click the audio tab and uncheck the box (for "stereo" or "mono" or whatnot) under "Channel Configuration". Again, to reenable just check this box again.

  • .Mov from Final Cut Pro not playing on PC

    I've made a short video edited with Final Cut Pro. The file was saved as a .mov QuickTime movie. The demo looked great on a Mac but it has to go to people who only have PCs.
    Loaded the demo onto the hard drive of the PC, but the demo is showing poor resolution. It Loaded the latest releases of QuickTime, tried putting QuickTime in safe mode, tried re-setting the screen resolution and tried using different PCs. Still get the same fuzzy screen. Even tried saving the demo in different formats from Final Cut Pro, but still no better.
    Any suggestions? Thanks-- Foster

    I have the same problem and need a good solution. On 2 seperate PC's. I believe (but don't know 4 sure) that it is something to do with Quicktime not using the Windows direct X environment.
    You could try going into quicktime / Edit / preferences / quicktime preferences / advanced /tick the safe mode GDI only circle ... restart quicktime and try again.

  • Exporting From Final Cut Pro 5.0

    Hello,
    I need to export my work from Final Cut Pro 5.0 to a Quicktime Movie with the following settings -
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    Is this posible without loosing the quality of the video footage? The footage was capture from a MiniDV tape.
    If you want full resolution 640 x 480 then 200Kbps isn't going to look very good. As a guide you can note that Apple is using about 600Kbps to encode the iTunes video content and that has a resolution of only 320 x 240. However, since you're only using a frame rate of 15fps you should be able to produce good looking content at just over 1Mbps for 640 x 480.
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  • Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

    I recently found YouTube had flaged a video for containing a "third party" sound clip.  All clips I've used in videos for YouTube have come directly from Final Cut Pro X.  Any idea if the sound clips are Fair Use?  I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

    You can pretty much forget about monetizing that specific video. 
    [Okay... I'm going to ramble now...]
    To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
    You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
    You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
    The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
    I can pretty much guarantee that within minutes of  posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
    If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and  I have won a challenge -- see * below);  and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it.  It's a royal PITA, but in this day and age, it's a necessity.
    All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to  21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
    Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith.  I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
    I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
    *How I won my challenge with an Apple Loops composition:
    1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
    2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
    3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
    4) I uploaded the original mp3 with the ID3 tags to my associated domain.
    5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
    It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
    One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care.  <-- read that again a lot more slowly...  They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

  • URGENT HELP Burning DVD from Final Cut Pro

    I have a video due to buyers bye wednesday. If anyone knows how to take the movie I made and burn it to a DVD, please let me know as soon as you can. It wont let me export it to iDVD and when I try to "print to video" my camcorder only picks up the sound and not the video. I need help PLEASE!!!!!!!!! Thanks everyone. Zack

    For exporting to iDVD, chose FILE>EXPORT>QUICKTIME MOVIE (not quicktime conversion). Select SELF CONTAINED and USE TIMELINE SETTINGS. Then import this file into iDVD and when you click BURN, it will compress it to the DVD format for you.
    As for the Print to Video issue, look at the following list to see if it is one of these:
    Shane's Stock Answer #8:
    A simple path is mac > firewire > camera or deck > rca cables > tv
    Then start up your camera and tv, then open fcp.
    Then go View > External video > all frames
    Video playback should be Apple firewire NTSC (If you are using an NTSC set)
    Audio playback should be Audio follows Video
    Techinially, this should send synched video to your TV
    If for some reason you can't view your timeline on your external monitor, there are a few things to try:
    1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
    2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
    3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
    4) Click in the % box above the image and select FIT TO WINDOW.
    5) Go to VIEW->refresh A/V devices
    6) Make sure the Log & Capture window is closed
    If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
    For all the stock answers, click on this link:
    Shane Ross, "Stock Answers", 03:58pm Jan 13, 2005 CDT

  • TS2865 when i export movie from final cut pro to quicktime , something happened. it says error quicktime -50. please help.

    when i export movie from final cut pro to quicktime , something happened. it says error quicktime -50. please help.
    i need to submit this movie for uni project tomorrow.
    any help/advice will help . thanks.

    According to Crash Analyzer
    -50 (QuickTime)
    This error occurs when there is corrupt or invalid media in your timeline. Check that the codec used by the file is recommended for use in your editing application.
    good luck

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