Nesting just in and out points into master sequence

I have multiple sequences and want to put these into one master sequences. I only want to put the “in to out” points of these sequences and am not sure how to do this. When i select in to out and drag into the master sequence it gives me everything in the whole sequence. Can anyone help. thanks.

You are correct i worked it out, thanks so much for your help.
Is their any way to use the in and out points in the sequence to do this?

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In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

In fcpX....how can I put an IN and OUT points in my sequence and after export a movie???

You can't. You can't export part of a sequence. Duplicate it and remove the bits you don't want to export from the duplicate.

Moving in and out points of layers into a new comp

I'm in a bind. I'm creating a complex moving split screen scene. First I chose in and out points for all my video clips (about thirty of them) in Premiere Pro, and made a rough plan of what it should look like. Then I Dynamic-Linked it to After Effects.
I left that comp alone and then created a new comp to create moving layer solids for the split screen animation. (Colored rectangles flying around.) So far so good. The plan was then to drag and drop the video clips onto the layer solids (which all have masks) but when I drag it over, it ignores the in and out point.
Is there a way to get it to recognize the in and out point? The in and out points are just fine in the Dynamic Link comp. (Again, that comp is just a very rough cut with no resizing or animation. I just did it to get the timing down.) Thanks.

You have to copy the layers in your original comp to maintain the
in and out points. The other option is to open the footage on the footage
ppannel and see if in and out points show up there. If they do you can copy and paste from that panel.

In and Out points not showing in source monitor

I've noticed this in the past couple of days: setting in and out points in the source monitor, the indicators don't show in the time ruler. In other words, even though I set the in and out points, it looks like nothing has been selected.
If I put the clip into the timeline, the in and out points I chose are respected, but they just don't seem to register in the source monitor, so I can't have confidence in what I have selected.
If I open another clip in the source monitor, then go back to the one I was working on, magically the in and out points are there again. Strange...
At the same time, if I apply audio gain to a clip in the source monitor, it sometimes doesn't "take". It shows that gain has been added, but there is no change in the sound volume when I play it back in the source monitor. Again, if I put the clip in the timeline, the volume is as it should be and the waveform reflects this.
So, is there some underlying bug affecting how clips are dealt with in the source monitor?
I'm on the latest version of Premiere CC 7.2.1 on Windows 8

Thanks for these suggestions. I'll try and answer each one:
Is the Source Monitor zoomed out to show the whole clip? If not, please zoom out to see if the In/Out points are getting painted in the wrong place initially.
Yes, it is zoomed out.
Do the clips have non-zero start timecode? If so, please try with a clip with zero-based timecode. (If you don't have one handy, you can create one fairly easily by exporting a sequence with start TC of 0;00)
The problem is intermittent and in this project all the clips are DSLR .mov files. The problem occurs with some of these and not others.
Have you done anything like setting a custom start timecode or interpreting footage to change the frame rate?
I haven't set a custom timecode. It's true that there is a mix of 24p and 25p clips in the project, but surely this only presents issues in the timeline rather than the source monitor? In any case, I haven't gone to interpret footage on these clips.
Is this happening with all types of project items, including simple clips on disc, or only with certain items like merged clips, multicam sequences, subclips...?
In this project, the only type of clip I'm using is simple clips. There are nested sequences; I'm not sure, but possibly the problem has also presented itself when these are brought into the source monitor - but not exclusively with those.
I hope this helps. This is the first project I have worked on since the latest upgrade and I didn't come across this problem before. As I say, it is intermittent, and it's hardly crippling - just annoying when it happens!
Thanks

Color is changing the clips in and out points

I tried to import into color a fcp7 sequence. The original footage are quicktime clips.
When the project opens in color, the in and out points of the clips are not there and it gives me the beginning of the clip.
With other footage that I ingested in FCP I don't have a problem.
Can someone explain this to me.
Thanks

>The original footage are quicktime clips.
What FORMAT of Quicktime? Because QT is just a container that can be one of a dozen codecs. Color ony works with certain codecs, like ProRes, HDV, XDCAM, DVCPRO HD. If the codec is anything but those...it will have serious problems.

Setting In and Out Points for Render

Hi everyone!
I was wondering how to tell color to only render from and in and out point, instead of rendering for a whole clip. In FCP I take a ten minute capture, then break it up into sub-clips for each shot, and then edit some of these sub-clips into my video.
When some of these sub-clips require correction in Color the sequence gets sent to color just fine, but when it renders my changes it renders it to the whole clip that the sub-clip came from. This takes too much time because I only need the sub-clip to be rendered, not the whole clip, because that's all I use in my video.
How can I fix this extra rendering? Thanks in advance!

I think that you might find the answer to your question on this link below.
http://docs.info.apple.com/article.html?artnum=306566
Zia

Are in and out points reliable in FCPX?

On a few clips, I have selected the in and out point, and when looking at the selected clip in the keyword collection, see that the last frame is actually one frame into the next scene in the original clip.
This behaviour also appears when skimming footage and sometimes when adding to the project and exporting.
When I select an out point, should I in fact select the previous frame to the one I actually want to be the out point?
Never had this in FCP7 - maybe I am missing something!

I have tried to demonstrate this: http://youtu.be/3uoUeqZh_og
In this demo, the output file and project are ok, but I have had situations where the extra frame is in the output file also. Unfortunately I can't re-produce that just now, but will let you know if I can.

Mark in and out point on non-primary storyline

Ok - I must be missing something... How do I mark and in and out point in a non-primary storyline?
Say, I want to replace part of a non-primary storyline with gap... The only way I've seen to do that would be to blade the clip in the non-primary storyline into three parts and 'delete' the middle bit out, which is what marking an 'in' and 'out' and pressing 'delete' is the accelerated way of doing it in the primary storyline.

Yes I know.
The thing with markers (M) is that these are always placed on the primary storyline, except if you selected a clip in the non-primary storyline. So I don't know why you must first select the Range Selection tool to make in's and out's. Why don't it works just as the markers do.

Problem - Title Cards in Vid Track 2 Skewing In and Out Points in Track 1 ?

Hi,
Vast confusion. I'm working with edits in a timeline, created from video files that are "Avid Meridien Compressed" Quicktime Files. These are files that I exported from Avid. They are 24P files. The timeline has been set to 23.97, and everything in Video Track 1 makes sense, no problems, no render line because the project compression settings have been set to "Avid Meridien Compressed".
Ok, so here's the problem. I am creating title cards with the video generator in FCP, and trying to super them into my edits by placing them into Video Track 2. But the moment I drop a title card into Video Track 2, (over an edit I have made in Video Track 1), there is a SHIFT in the in and out points of the source video in the timeline. For example, let's say an edit in my timeline has a source in of 02:02:30:17 and an out of 02:02:35:17. The moment I try and drop a title card over this edit in Video Track 2, the source video in Track 1 shifts, so it now begins at 02:02:31:29 and ends at 02:02:36:29.
It is as if the title cards refuse to conform to the 23.97 timeline, and are overriding the source video edit decisions in Video Track 1.
Does anyone have any thoughts on why this is occcuring? Does anyone have any suggestions for a remedy? BTW, I have also tried creating title cards in photoshop and dropping them in, but with the same result: it changes the source time code edits by shifting them later into the source video.
Thanks,
Mtbakerstu

Update!
While I was never able to get the Vid Track 2 title cards to stop shifting the edit decisions in Vid Track 1 when using the preset that is in tandem with the actual source video files (Avid Meridien Quicktimes at 23.98), I did find that by changing the Sequence Setting to DV/DVCPRO50 NTSC at 23.98 that I could drop the titles into Vid Track 2 successfully without any skewing of edit decisons. You now have to render the timeline, but a quick test of an MPEG2 export showed that there's no denigration in image quality with using this setting.
So that's the scoop. It seems that there's no pure solution to this issue. Perhaps if there's a way to generate title cards out of Avid that are importable into FCP, that would do the trick, but I haven't taken my research that far.
Thanks for your help!
Stuart

Removing between and in and out point in the timeline

I don't usually post on forums but this has got me quite perplexed:
How do you remove a chunk of media between and in and out point in the FCPX timeline?
It's can't be as hard as it seems to do this task that you have to do all the time. I have a 2 hour 3 camera shoot and I want to remove quite a few 2, 3 minute chucks all through the show. I can't find any way to easily remove these chunks. I know there's no real in and out point in the FCPX timeline anymore but there HAS to be some way to easily remove all the video and audio between two points !!!
I feel really dumb! The answer can't be to make a compound clip as that sure is a pain just to remove something from the timeline. And to blade each individual track means I have to blade at least 8 or 12 things just to remove it!
I have to be missing something. Thanks for any input.

Thanks Tom.
I'll have between 3 and 6 layers at any point. I've tried command B but the problem with that is it only puts a cut on the primary storyline. It will cut more than that if I select all the layers. By doing that it's like a 5 or 6 step process to delete chunks of media in the timeline. I can't believe there isn't an easier way than that.
But what makes it worse as I have a long piece of audio only media that is for the whole show. Its a connected clip to the primary storyline. when making edits with command B and then deleting what is between the edits this main audio gets deleted from the edit forward. IT's like this audio becomes a connected clip right after the edit when command B is made. it looks connected to the next clip after the command B but it deletes when I delete the chunk between the command B.
This is so silly that I can't easily delete media from the timeline in this way. It's such a simple thing!

In and out point feature not working

I am a teacher at a tech school and I teach Premiere Pro CS5.5 I teach my students how to use the in and out points in the source clip monitor and then to select the button to insert or overwrite that section to the time line. I also teach them how to use the in and out point in the timeline monitor and then to select the button to lift or extract that section from the time line. For some reason this works for most of the students, but not for all. I actually had it happen to my project during a demonstration. Sometimes the action that you wanted on the timeline will not happen. The playhead may slide over like it worked, but the clip is not there or the extraction never happened. I check all the other video tracks to try to see if it is on another track, but it is not. The fact that it works for some students and not others, makes me think that maybe it has to do with the type of video clip they are working with (similar to the mono/stereo/5.1 differences with audio clips). I have to be missing something. Help!

You didn't say Mac or Windows, but my experience on Mac is that some features of Pr 5.5.2 just stop working, and can only be brought back by an app relaunch, a reboot, or by trashing the preferences (Hold option down while launching from the Dock.).
But... some of what you describe could also be caused by not selecting the track selectors in the Timeline panel properly.

Video after In and Out points Changed

After opening up a video in the Viewer and setting In and Out points, and dragging it back to the Browser afterwards:
1. I tried changing the name of the clip that I dragged back to the Browser, though it changed the names of the other clips in the Browser to the same name. Why?
2. How come when you double-click on the new clip and it shows in the Viewer, it shows the In and Out points as well as the video from the original segment around it. Is this the way it is supposed to be? I thought it was supposed to just display the segment of video starting with the In point and ending with the End point.

1. do some reading in the manual. Might try making the clip independent.
2. Yes. I know it may seem weird, but it has some really powerful uses. Double click on a clip in the timeline, it loads in the viewer. You can then change your in and out points in the viewer and they will be reflected in the sequence. (with some limitations). If you want to "isolate" the material between an in and an out, check out "make subclip."
This is very basic fcp stuff. Skim the manuals, explore the menus, you'll figure this stuff out pretty quickly.

Setting in-and-out points -- is this possible?

I set in-and-out points in the preview window by dragging the blue triangles.
I would like to sample various parts of a clip, though there are only 2 triangles.
1. Is there a way to take one segment of video and establish in-and-out points for maybe the first 30 seconds of video and than set another in point maybe 1 minute later with a out point 30 seconds after that. So ultimately the encoding will encode two non-sequential segments of video.
Thanks.

You can't do that, but you can achieve what you want by simply dragging in the clip multiple times into Compressor and for each clip, set your in and out point.

Setting in and out points in list view.

I am in list view. I am showing several favorited clips from one video. Say I am playing back the third favorited range and I want to select in and out points for that favorited range. The video is playing and I hit i. I am immediately jumped from the favorited range I have selected to the first favorited clip in the list. When I click back on the clip I was setting the in point for I find that it has set the in point where I wanted. The entrire process then repeats when I try to select the out point. Set out point. Jumps up to first clip. Click back on original clip to get to my out point.
This is very frustrating and makes using favorites and list view a huge waste of time. Can anyone help?

That should not happen. Before anythign else, do these two things.
1- Go into the "Final Cut Pro" menu, "Command", and be sure "Default" is checked. Quit out of FCP X.
2- Open System Preferences (Apple menu), Keyboard, Keyboard Shortcuts. Click the "Restore Defaults" option. The issue here is OS shortcuts will override app shortcuts.
3- Launch FCP X and try again. If that doesn't fix it...
4- Download the free app "Preference Manager" from Digital Rebellion (dot com) and use it to delete the FCP X pref files.
After you've done all of these, report back and let us know what's up.

How to remove all in and out points from extendscript code?

Hi,
I am creating a sequence from a clip from extendscript code to automateToSequence function.
But if there are some in and out points in the clip only the select clip part is converted as a sequence, what is the solution to remove all those in and out points from extendscript code, or to get the full clip to sequence even there are some in and out points.
I am using the function like this; qe.project.getItemAt(i).automateToSequence(seq,0,0,1,1);
Please suggest,
Thanks and Regards,
Anoop NR

Double click the pre-comp or nested comp, open comp settings from the menu or by using the keyboard shortcut Ctrl/Cmnd + k.
Note, changing the length of the comp will not extent the length of footage or layers inside the comp. You have to do that manually and it depends on your footage type.

Nesting just in and out points into master sequence

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